Cloud Walker, All Fools' Day, Far Sunset (2 page)

For a more detailed version of the above, see Edmund Cooper’s author entry in
The Encyclopedia of Science Fiction
:
http://sf-encyclopedia.com/entry/cooper_edmund

Some terms above are capitalised when they would not normally be so rendered; this indicates that the terms represent discrete entries in The Encyclopedia of Science Fiction.

From 1811 to 1812 the Luddites destroyed stocking frames, steam power looms, and shearing machines throughout Nottinghamshire, Derbyshire, Leicestershire and Yorkshire, and their rioting broke out again in 1816. They derived their name from Ned Ludd, an idiot boy of Leicestershire, who, it is said, unable to catch someone who had been tormenting him, destroyed some stocking frames in a fit of temper (1779).

Everyman’s Encyclopaedia

(1958 edition)

When Kieron was eight years old he was encouraged to spend much time in the company of his affianced bride, Petrina. Later, at the end of the age of innocence, they would not be permitted to be alone together until Kieron had attained his majority, had been released from his apprenticeship, and was thus able to fulfil his contractual obligations.

Kieron was apprenticed to Hobart, the painter. Already, the boy was allowed to clean brushes and to help with the stretching of canvas and the grinding of pigment. When he was ten years old he would go to live with Hobart so that he could attend upon his master at all times. Kieron looked forward to this time and also dreaded it. He was anxious to discover the mysteries of painting, the laws of perspective, the laws of harmony and the laws of proper representation; but he did not really want to be a painter. He wanted to fly. He wanted to fly through the air like a bird. And that was heresy.

He was old enough to understand about heresy, young enough not to be terrified by it. The dominie who taught him and the neddy who took care of his spiritual discipline had spent much time expounding the diabolical nature of unlawful machines. They had succeeded not in instilling Kieron with a proper dread of machines but only with a secret fascination. Even at the age of five, Kieron knew that some day he would have to construct an unlawful machine in order to fly like a bird.

Petrina was nice – for a girl. She was the daughter of Sholto, the smith. Because Kieron was affianced to Petrina, he was allowed to watch Sholto at the forge. It was a great privilege. Some day, Kieron realised, he, too, would have to be able to work metal. He would have to be able to work metal to make the necessary parts for a flying machine. He asked many questions of Sholto. The smith, a huge, gentle man who took great pleasure in his work, saw no harm in talking to a small boy – especially one who was contracted to his daughter – and did not regard it as a breach of the oath of secrecy imposed by the Guild of Smiths. Soon Kieron had picked up a little of the lore of the tempering of steel, the fastening of plates by rivets, the shaping of helms, clasps, pikes, ploughshares.

‘Boy,’ Sholto would say good-naturedly, ‘you are nought but a loon, an idler. Your thoughts should be of draughting and colouring, not of beating metals to your will. Go now and think on how to hold a charred twig steady to your design, or Master Hobart will make your arse somewhat tender.’

Kieron was discreet. He knew when the smith joked or was earnest; and he knew also that it was wise not to mention his growing knowledge of the working of metals to anyone, and particularly his father.

The days of childhood are both long and short. Kieron would rise with his family at first light and, like them, carry out mechanically the routine tasks that were necessary before the real work of the day could begin. He would collect shavings and waste wood from his father’s workshop for the fire, while his mother drew water from the well and set the porridge to boil, and while his father went out to seek game or to fell a tree to be stored against its seasoning. When the sun was its own width above the eastern rim of the world, the family would come together for breakfast. Porridge always, bread always, fat always, bacon sometimes, eggs sometimes – depending upon the state of the hens, the state of the pigs, the state of trade.

After breakfast, Kieron, along with a score of other children in the hill reaches of the seigneurie, would go to the dominie’s house for an hour of instruction. After that, each boy would go to the house of his master, to serve at his apprenticeship until noon.

Kieron was luckier than most boys. Hobart was prosperous, having found much favour in the eyes of Fitzalan, Lord of the Seigneurie of Arundel. Hobart was strong on portraiture, and Fitzalan of Arundel was a vain man with a vain wife and three vain daughters. He still hoped for a son; but the daughters alone were more than enough to keep Hobart tolerably employed.

Hobart could afford to indulge Kieron, could afford to let the boy experiment with charcoal sticks and precious paper. Hobart had never married. Prosperous now, white-haired and lonely, he saw Kieron as the son he would have wished to beget had there been time. So the boy was indulged much and scolded little. Hobart discerned that he had a talent for line, but not as yet a great sense of colour. Well, perhaps it would come. Perhaps it would come. Hobart liked to think that his pictures and those of Kieron’s would eventually hang side by side in the great hall of the castle, collecting the dust and the dignity of centuries …

The days of childhood are both long and short. In the afternoons, when Kieron had discharged his duties to Master Hobart, his time was his own. Such freedom was a luxury. It would end when he reached the age of ten and became a full apprentice. And after that, he realised, the freedom to do as he pleased would be gone from his life for ever. Unless he could change the destiny that had been chosen for him. He was young enough to believe that this was possible, old enough to realise that he would have to challenge established – almost sacred – traditions.

In the summer afternoons, he would go with Petrina to the woodlands of the downs – the ridge of hills that rose almost like a man-made barrier ten or
twelve kilometres from the sea. There, on land that belonged to the roe deer, the pheasant and the rabbit, they would construct worlds of make-believe.

Petrina was a wide-eyed nervous girl, with hair the smokey colour of wheat that was overdue for harvesting. One day, Kieron would be her husband, the father of her children. Therefore she determined to learn about him. She already knew that he had a secret ambition; but she did not know what it was.

On a hot summer afternoon, partly by chance, partly by design, she learned what Kieron wanted to do most of all.

They had wearied of climbing trees, disturbing deer, picking wild flowers; and now they were resting on short, brilliantly green grass under an enormous beech tree, gazing up through its leaves at the sky.

‘When you are a great painter,’ said Petrina, ‘I shall be able to buy beautiful fabrics and make dresses that will be the envy of every woman in the seigneurie.’

‘I shall never be a great painter,’ said Kieron without regret.

‘You are apprenticed to Master Hobart. He is a great painter. You will learn his skills, and to them you will add your own.’

‘I shall never be as great as Master Hobart. He gave his life to it. I cannot give mine.’

‘Why?’

‘Because, Petrina, there is something else I must do.’

‘There is nothing else you can do, Kieron. You are apprenticed to Master Hobart, and you and I are contracted for marriage. Such is our destiny.’

‘Such is our destiny,’ mimicked Kieron. ‘Stupid talk. The talk of a girl child. I want to fly.’

‘Don’t you want to marry me?’

‘I want to fly.’

She sighed. ‘We are to be married. We shall be married. You will be a grand master of your art. And we shall have three children. And your greatest painting will be of a terrible fish that destroys men by fire. It is foretold. And there is nothing to be done about it.’

Kieron was intrigued. ‘It is foretold?’

Petrina smiled. ‘Last summer, the astrologer, Marcus of London, was summoned to the castle. Seigneur Fitzalan wished to know if his lady would ever bring forth a son.’

‘Well?’

‘My father was commanded to repair the bearings of the stand for the astrologer’s star glass. My mother persuaded Marcus to cast your horoscope in fee … So Kieron, the future is settled. You will be a grand master, and I shall bear three children … Listen to the bees! They dance mightily. If we can follow them, we can come back at dusk for the honey.’

‘Hang the bees!’ exploded Kieron. ‘And hang the astrologer Marcus! I alone can decide my future. I shall complete my apprenticeship with Master Hobart. There is nothing I can do about that. Besides, he is a kind man, and a better master than most. Also, I like to draw. But when I am a man, things will be different. I shall be my own master. I shall choose my own future. And I choose to learn how to fly.’

‘Will you sprout wings?’

‘I shall construct a flying machine.’

Petrina turned pale. ‘A flying machine. Kieron, be careful. It is all right to speak of such things to me. I shall be your wife. I shall bear your children. But do not talk of flying machines to anyone else, especially the dominie and the neddy.’

Kieron pressed her hand, and lay back on the bright green grass and stared upwards through the leaves of the beech tree. ‘I am not a fool,’ he said. ‘The dominie is like the neddy, in that his mind is stiff with rules and habits. But the dominie is just a weak old man, whereas the neddy—’

‘Whereas the neddy could have you burned at the stake,’ cut in Petrina sharply.

‘They don’t burn children now. Even you should know that.’

‘But they still burn men, and one day you will be a man. They burned a farmer at Chichester two summers ago for devising a machine to cut his wheat … Kieron, for my sake, try not to think about flying machines. Such thoughts are far too dangerous.’

Kieron let out a great sigh. ‘All the exciting things are dangerous … Look at the sky through the leaves. So blue, so beautiful. And when the white clouds pass, don’t you wish you could reach up and touch them? They are like islands, great islands in the sky. One day I shall journey among those islands. One day I shall reach out and touch the clouds as I pass by.’

Petrina shivered. ‘You make me feel cold with this wild talk.’

‘I make myself feel cold also. The First Men had flying machines, Petrina. Silver birds that roared like dragons and passed high over the clouds. The dominie says so. Even the neddy will admit to that. It is history.’

‘The First Men destroyed themselves,’ retorted Petrina.

‘So did the Second Men,’ said Kieron tranquilly. ‘They also had flying machines; though not, perhaps, as good as those of the First Men. It must have been wonderful to pass across the skies at great speed, to look down upon the earth and see men go about their tasks like insects.’

‘Men are not insects!’

‘From a great height, all living things must seem like insects.’

‘The First Men destroyed themselves. So did the Second Men. That, too, is history. The neddies are right. Machines are evil.’

Kieron laughed. ‘Machines have no knowledge of good and evil. Machines cannot think. Only men can think.’

‘Then,’ said Petrina, ‘too much thinking is evil – especially when it is about forbidden things.’

Suddenly Kieron felt strangely old, strangely protective. He said: ‘Don’t worry, little one. I shall not think too much. Very likely, you will have three children, as the astrologer says … I know where there is a plum tree. Shall we see if there are any ripe enough to eat?’

Petrina jumped up. ‘I know where there is an apple tree. The high ones are already turning red.’

Kieron laughed. ‘Plums and apples! Let us drive all gloomy thoughts away with plums and apples.’

Hand in hand, they walked out of the glade, out into the rich gold splendour of late summer sunshine.

On his tenth birthday, Kieron ate his farewell breakfast with all the solemnity required for the occasion. Then he shook hands with Gerard, his father, and kissed Kristen, his mother, once on each cheek. It was only a ritual farewell because they would still see each other frequently. But it was the symbolic end of Kieron’s childhood. He would sleep no more in the house of his father.

Gerard said: ‘Son, you will attend Master Hobart in all his needs. He will impart his skills to you. In years to come, your paintings will adorn the walls of the castle. Maybe, they will also hang in the great houses of London, Bristol, Brum. Then, perhaps, your mother and I will not have lived in vain.’

‘Sir,’ said Kieron, forcing back the tears that came to his eyes for no apparent reason, ‘I will learn from Master Hobart all that I may. I will try to be worthy of you. I would have been a joiner like you, had it been your pleasure. But, since you wished me to make likenesses, I will paint portraits that will not shame the father of Kieron Joinerson.’

Kristen held him close and said: ‘You have three shirts, three vests and two pair of leggings. You have a lambskin jacket and good boots. These I have packed in the deerhide bag. Keep warm, Kieron, eat well. We – we love you and shall watch your progress.’

He sensed that she, too, was miserable. He could not understand why. It was supposed to be an important and joyful occasion for all concerned.

‘I will see you soon, mother.’ He smiled, trying to cheer himself up as well.

‘Ay, but you will not lie again in the bed your father made for you. You will not curl up under the sheets I wove and the down quilt I made before you were born.’

‘Enough, Kristen,’ said Gerard. ‘You will have us all whimpering like babies.’ He looked at his wife and was aware of the white streaks in her hair, the lines etched on her face. She was twenty-eight years old; but her back was still straight and her breasts were high. She had worn well.

Kieron picked up the deerhide bag. Suddenly, the sense of occasion was upon him, and he felt very formal. ‘Good day to you, then, my parents. Thank you for giving me the breath of life. Thank you for filling my belly in summer and in winter. Ludd rest you both.’