Complete Fictional Works of Washington Irving (Illustrated) (185 page)

BOOK: Complete Fictional Works of Washington Irving (Illustrated)
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The worthy Diedrich pursued his researches in the valley with characteristic devotion; entering familiarly into the various cottages, and gossiping with the simple folk, in the style of their own simplicity. I confess my heart yearned with admiration, to see so great a man, in his eager quest after knowledge, humbly demeaning himself to curry favor with the humblest; sitting patiently on a three-legged stool, patting the children, and taking a purring grimalkin on his lap, while he conciliated the goodwill of the old Dutch housewife, and drew from her long ghost stories, spun out to the humming accompaniment of her wheel.

His greatest treasure of historic lore, however, was discovered in an old goblin-looking mill, situated among rocks and waterfalls, with clanking wheels, and rushing streams, and all kinds of uncouth noises. A horseshoe, nailed to the door to keep off witches and evil spirits, showed that this mill was subject to awful visitations. As we approached it, an old negro thrust his head, all dabbled with flour, out of a hole above the water-wheel, and grinned, and rolled his eyes, and looked like the very hobgoblin of the place. The illustrious Diedrich fixed upon him, at once, as the very one to give him that invaluable kind of information never to be acquired from books. He beckoned him from his nest, sat with him by the hour on a broken millstone, by the side of the waterfall, heedless of the noise of the water, and the clatter of the mill; and I verily believe it was to his conference with this African sage, and the precious revelations of the good dame of the spinning-wheel, that we are indebted for the surprising though true history of Ichabod Crane and the headless horseman, which has since astounded and edified the world.

But I have said enough of the good old times of my youthful days; let me speak of the Hollow as I found it, after an absence of many years, when it was kindly given me once more to revisit the haunts of my boyhood. It was a genial day, as I approached that fated region. The warm sunshine was tempered by a slight haze, so as to give a dreamy effect to the landscape. Not a breath of air shook the foliage. The broad Tappan Sea was without a ripple, and the sloops, with drooping sails, slept on its grassy bosom. Columns of smoke, from burning brushwood, rose lazily from the folds of the hills, on the opposite side of the river, and slowly expanded in mid-air. The distant lowing of a cow, or the noontide crowing of a cock, coming faintly to the ear, seemed to illustrate, rather than disturb, the drowsy quiet of the scene.

I entered the hollow with a beating heart. Contrary to my apprehensions, I found it but little changed. The march of intellect, which had made such rapid strides along every river and highway, had not yet, apparently, turned down into this favored valley. Perhaps the wizard spell of ancient days still reigned over the place, binding up the faculties of the inhabitants in happy contentment with things as they had been handed down to them from yore. There were the same little farms and farmhouses, with their old hats for the housekeeping wren; their stone wells, moss-covered buckets, and long balancing poles. There were the same little rills, whimpering down to pay their tributes to the Pocantico; while that wizard stream still kept on its course, as of old, through solemn woodlands and fresh green meadows: nor were there wanting joyous holiday boys to loiter along its banks, as I have done; throw their pin-hooks in the stream, or launch their mimic barks. I watched them with a kind of melancholy pleasure, wondering whether they were under the same spell of the fancy that once rendered this valley a fairy land to me. Alas! alas! to me every thing now stood revealed in its simple reality. The echoes no longer answered with wizard tongues; the dream of youth was at an end; the spell of Sleepy Hollow was broken!

I sought the ancient church on the following Sunday. There it stood, on its green bank, among the trees; the Pocantico swept by it in a deep dark stream, where I had so often angled; there expanded the millpond, as of old, with the cows under the willows on its margin, knee-deep in water, chewing the cud, and lashing the flies from their sides with their tails. The hand of improvement, however, had been busy with the venerable pile. The pulpit, fabricated in Holland, had been superseded by one of modern construction, and the front of the semi-Gothic edifice was decorated by a semi-Grecian portico. Fortunately, the two weathercocks remained undisturbed on their perches at each end of the church, and still kept up a diametrical opposition to each other on all points of windy doctrine.

On entering the church the changes of time continued to be apparent. The elders round the pulpit were men whom I had left in the gamesome frolic of their youth, but who had succeeded to the sanctity of station of which they once had stood so much in awe. What most struck my eye was the change in the female part of the congregation. Instead of the primitive garbs of homespun manufacture and antique Dutch fashion, I beheld French sleeves, French capes, and French collars, and a fearful-fluttering of French ribbands.

When the service was ended I sought the churchyard, in which I had sported in my unthinking days of boyhood. Several of the modest brown stones, on which were recorded in Dutch the names and virtues of the patriarchs, had disappeared, and had been succeeded by others of white marble, with urns and wreaths, and scraps of English tombstone poetry, marking the intrusion of taste and literature and the English language in this once unsophisticated Dutch neighborhood.

As I was stumbling about among these silent yet eloquent memorials of the dead, I came upon names familiar to me; of those who had paid the debt of nature during the long interval of my absence. Some, I remembered, my companions in boyhood, who had sported with me on the very sod under which they were now mouldering; others who in those days had been the flower of the yeomanry, figuring in Sunday finery on the church green; others, the white-haired elders of the sanctuary, once arrayed in awful sanctity around the pulpit, and ever ready to rebuke the ill-timed mirth of the wanton stripling who, now a man, sobered by years and schooled by vicissitudes, looked down pensively upon their graves. “Our fathers,” thought I, “where are they! — and the prophets, can they live for ever!”

I was disturbed in my meditations by the noise of a troop of idle urchins, who came gambolling about the place where I had so often gambolled. They were checked, as I and my playmates had often been, by the voice of the sexton, a man staid in years and demeanor. I looked wistfully in his face; had I met him any where else, I should probably have passed him by without remark; but here I was alive to the traces of former times, and detected in the demure features of this guardian of the sanctuary the lurking lineaments of one of the very playmates I have alluded to. We renewed our acquaintance. He sat down beside me, on one of the tombstones over which we had leaped in our juvenile sports, and we talked together about our boyish days, and held edifying discourse on the instability of all sublunary things, as instanced in the scene around us. He was rich in historic lore, as to the events of the last thirty years and the circumference of thirty miles, and from him I learned the appalling revolution that was taking place throughout the neighborhood. All this I clearly perceived he attributed to the boasted march of intellect, or rather to the all-pervading influence of steam. He bewailed the times when the only communication with town was by the weekly market-boat, the “Farmers’ Daughter,” which, under the pilotage of the worthy Gabriel Requa, braved the perils of the Tappan Sea. Alas! Gabriel and the “Farmer’s Daughter” slept in peace. Two steamboats now splashed and paddled up daily to the little rural port of Tarrytown. The spirit of speculation and improvement had seized even upon that once quiet and unambitious little dorp. The whole neighborhood was laid out into town lots. Instead of the little tavern below the hill, where the farmers used to loiter on market days and indulge in cider and gingerbread, an ambitious hotel, with cupola and verandas, now crested the summit, among churches built in the Grecian and Gothic styles, showing the great increase of piety and polite taste in the neighborhood. As to Dutch dresses and sun-bonnets, they were no longer tolerated, or even thought of; not a farmer’s daughter but now went to town for the fashions; nay, a city milliner had recently set up in the village, who threatened to reform the heads of the whole neighborhood.

I had heard enough! I thanked my old playmate for his intelligence, and departed from the Sleepy Hollow church with the sad conviction that I had beheld the last lingerings of the good old Dutch times in this once favored region. If any thing were wanting to confirm this impression, it would be the intelligence which has just reached me, that a bank is about to be established in the aspiring little port just mentioned. The fate of the neighborhood is therefore sealed. I see no hope of averting it. The golden mean is at an end, The country is suddenly to be deluged with wealth. The late simple farmers are to become bank directors and drink claret and champagne; and their wives and daughters to figure in French hats and feathers; for French wines and French fashions commonly keep pace with paper money. How can I hope that even Sleepy Hollow can escape the general inundation? In a little while, I fear the slumber of ages will be at end — the strum of the piano will succeed to the hum of the spinning-wheel; the trill of the Italian opera to the nasal quaver of Ichabod Crane; and the antiquarian visitor to the Hollow, in the petulance of his disappointment, may pronounce all that I have recorded of that once favored region a fable.

*

THE BIRDS OF SPRIN
G
.

BY GEOFFREY CRAYON, GENT.

My quiet residence in the country, aloof from fashion, politics, and the money market, leaves me rather at a loss for important occupation, and drives me to the study of nature, and other low pursuits. Having few neighbors, also, on whom to keep a watch, and exercise my habits of observation, I am fain to amuse myself with prying into the domestic concerns and peculiarities of the animals around me; and, during the present season, have derived considerable entertainment from certain sociable little birds, almost the only visitors we have, during this early part of the year.

Those who have passed the winter in the country, are sensible of the delightful influences that accompany the earliest indications of spring; and of these, none are more delightful than the first notes of the birds. There is one modest little sad-colored bird, much resembling a wren, which came about the house just on the skirts of winter, when not a blade of grass was to be seen, and when a few prematurely warm days had given a flattering foretaste of soft weather. He sang early in the dawning, long before sunrise, and late in the evening, just before the closing in of night, his matin and his vesper hymns. It is true, he sang occasionally throughout the day; but at these still hours, his song was more remarked. He sat on a leafless tree, just before the window, and warbled forth his notes, free and simple, but singularly sweet, with something of a plaintive tone, that heightened their effect. The first morning that he was heard, was a joyous one among the young folks of my household. The long, deathlike sleep of winter was at an end; nature was once more awakening; they now promised themselves the immediate appearance of buds and blossoms. I was reminded of the tempest-tossed crew of Columbus, when, after their long dubious voyage, the field birds came singing round the ship, though still far at sea, rejoicing them with the belief of the immediate proximity of land. A sharp return of winter almost silenced my little songster, and dashed the hilarity of the household; yet still he poured forth, now and then, a few plaintive notes, between the frosty pipings of the breeze, like gleams of sunshine between wintry clouds.

I have consulted my book of ornithology in vain, to find out the name of this kindly little bird, who certainly deserves honor and favor far beyond his modest pretensions. He comes like the lowly violet, the most unpretending, but welcomest of flowers, breathing the sweet promise of the early year.

Another of our feathered visitors, who follows close upon the steps of winter, is the Pe-wit, or Pe-wee, or Phoebe-bird; for he is called by each of these names, from a fancied resemblance to the sound of his monotonous note. He is a sociable little being, and seeks the habitation of man. A pair of them have built beneath my porch, and have reared several broods there for two years past, their nest being never disturbed. They arrive early in the spring, just when the crocus and the snow-drop begin to peep forth. Their first chirp spreads gladness through the house. “The Phoebe-birds have come!” is heard on all sides; they are welcomed back like members of the family, and speculations are made upon where they have been, and what countries they have seen during their long absence. Their arrival is the more cheering, as it is pronounced, by the old weather-wise people of the country, the sure sign that the severe frosts are at an end, and that the gardener may resume his labors with confidence.

About this time, too, arrives the blue-bird, so poetically yet truly described by Wilson. His appearance gladdens the whole landscape. You hear his soft warble in every field. He sociably approaches your habitation, and takes up his residence in your vicinity. But why should I attempt to describe him, when I have Wilson’s own graphic verses to place him before the reader?

When winter’s cold tempests and snows are no more,
Green meadows and brown furrowed fields reappearing:
The fishermen hauling their shad to the shore,
And cloud-cleaving geese to the lakes are a-steering;
When first the lone butterfly flits on the wing,
When red glow the maples, so fresh and so pleasing,
O then comes the blue-bird, the herald of spring,
And hails with his warblings the charms of the season.

 

The loud-piping frogs make the marshes to ring;
Then warm glows the sunshine, and warm glows the weather;
The blue woodland flowers just beginning to spring,
And spice-wood and sassafras budding together;
O then to your gardens, ye housewives, repair,
Your walks border up, sow and plant at your leisure;
The blue-bird will chant from his box such an air,
That all your hard toils will seem truly a pleasure.

He flits through the orchard, he visits each tree,
The red flowering peach, and the apple’s sweet blossoms;
He snaps up destroyers, wherever they be,
And seizes the caitiffs that lurk in their bosoms;
He drags the vile grub from the corn it devours,
The worms from the webs where they riot and welter;
His song and his services freely are ours,
And all that he asks is, in summer a shelter.

 

The ploughman is pleased when he gleams in his train,
Now searching the furrows, now mounting to cheer him;
The gard’ner delights in his sweet simple strain,
And leans on his spade to survey and to hear him.
The slow lingering schoolboys forget they’ll be chid,
While gazing intent, as he warbles before them,
In mantle of sky-blue, and bosom so red,
That each little loiterer seems to adore him.

The happiest bird of our spring, however, and one that rivals the European lark, in my estimation, is the Boblincon, or Boblink, as he is commonly called. He arrives at that choice portion of our year, which, in this latitude, answers to the description of the month of May, so often given by the poets. With us, it begins about the middle of May, and lasts until nearly the middle of June. Earlier than this, winter is apt to return on its traces, and to blight the opening beauties of the year; and later than this, begin the parching, and panting, and dissolving heats of summer. But in this genial interval, nature is in all her freshness and fragrance: “the rains are over and gone, the flowers appear upon the earth, the time of the singing of birds is come, and the voice of the turtle is heard in the land.” The trees are now in their fullest foliage and brightest verdure; the woods are gay with the clustered flowers of the laurel; the air is perfumed by the sweet-briar and the wild rose; the meadows are enamelled with clover-blossoms; while the young apple, the peach, and the plum, begin to swell, and the cherry to glow, among the green leaves.

This is the chosen season of revelry of the Boblink. He comes amidst the pomp and fragrance of the season; his life seems all sensibility and enjoyment, all song and sunshine. He is to be found in the soft bosoms of the freshest and sweetest meadows; and is most in song when the clover is in blossom. He perches on the topmost twig of a tree, or on some long flaunting weed; and as he rises and sinks with the breeze, pours forth a succession of rich tinkling notes; crowding one upon another, like the outpouring melody of the skylark, and possessing the same rapturous character. Sometimes he pitches from the summit of a tree, begins his song as soon as he gets upon the wing, and flutters tremulously down to the earth, as if overcome with ecstasy at his own music. Sometimes he is in pursuit of his paramour; always in full song, as if he would win her by his melody; and always with the same appearance of intoxication and delight.

Of all the birds of our groves and meadows, the Boblink was the envy of my boyhood. He crossed my path in the sweetest weather, and the sweetest season of the year, when all nature called to the fields, and the rural feeling throbbed in every bosom; but when I, luckless urchin! was doomed to be mewed up, during the livelong day, in that purgatory of boyhood, a school-room. It seemed as if the little varlet mocked at me, as he flew by in full song, and sought to taunt me with his happier lot. Oh, how I envied him! No lessons, no tasks, no hateful school; nothing but holiday, frolic, green fields, and fine weather. Had I been then more versed in poetry, I might have addressed him in the words of Logan to the cuckoo:

Sweet bird! thy bower is ever green,
Thy sky is ever clear;
Thou hast no sorrow in thy note,
No winter in thy year.

 

Oh! could I fly, I’d fly with thee;
We’d make, on joyful wing,
Our annual visit round the globe,
Companions of the spring!

Farther observation and experience have given me a different idea of this little feathered voluptuary, which I will venture to impart, for the benefit of my schoolboy readers, who may regard him with the same unqualified envy and admiration which I once indulged. I have shown him only as I saw him at first, in what I may call the poetical part of his career, when he in a manner devoted himself to elegant pursuits and enjoyments, and was a bird of music, and song, and taste, and sensibility, and refinement. While this lasted, he was sacred from injury; the very schoolboy would not fling a stone at him, and the merest rustic would pause to listen to his strain. But mark the difference. As the year advances, as the clover-blossoms disappear, and the spring fades into summer, his notes cease to vibrate on the ear. He gradually gives up his elegant tastes and habits, doffs his poetical and professional suit of black, assumes a russet or rather dusty garb, and enters into the gross enjoyments of common, vulgar birds. He becomes a bon-vivant, a mere gourmand; thinking of nothing but good cheer, and gormandizing on the seeds of the long grasses on which he lately swung, and chaunted so musically. He begins to think there is nothing like “the joys of the table,” if I may be allowed to apply that convivial phrase to his indulgences. He now grows discontented with plain, everyday fare, and sets out on a gastronomical tour, in search of foreign luxuries. He is to be found in myriads among the reeds of the Delaware, banqueting on their seeds; grows corpulent with good feeding, and soon acquires the unlucky renown of the ortolan. Whereever he goes, pop! pop! pop! the rusty firelocks of the country are cracking on every side; he sees his companions falling by the thousands around him; he is the
reed-bird
, the much-sought-for tit-bit of the Pennsylvanian epicure.

Does he take warning and reform? Not he! He wings his flight still farther south, in search of other luxuries. We hear of him gorging himself in the rice swamps; filling himself with rice almost to bursting; he can hardly fly for corpulency. Last stage of his career, we hear of him spitted by dozens, and served up on the table of the gourmand, the most vaunted of southern dainties, the
rice-bird
of the Carolinas.

Such is the story of the once musical and admired, but finally sensual and persecuted Boblink. It contains a moral, worthy the attention of all little birds and little boys; warning them to keep to those refined and intellectual pursuits, which raised him to so high a pitch of popularity, during the early part of his career; but to eschew all tendency to that gross and dissipated indulgence, which brought this mistaken little bird to an untimely end.

Which is all at present, from the well-wisher of little boys and little birds,

GEOFFREY CRAYON.

*

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