Complete Works of Wilkie Collins (269 page)

BOOK: Complete Works of Wilkie Collins
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I was on the dark side of the road, in the thick shadow of some garden trees, when I stopped to look round. On the opposite and lighter side of the way, a short distance below me, a policeman was strolling along in the direction of the Regent’s Park.

The carriage passed me — an open chaise driven by two men.

“Stop!” cried one. “There’s a policeman. Let’s ask him.”

The horse was instantly pulled up, a few yards beyond the dark place where I stood.

“Policeman!” cried the first speaker. “Have you seen a woman pass this way?”

“What sort of woman, sir?”

“A woman in a lavender-coloured gown —
 
— ”

“No, no,” interposed the second man. “The clothes we gave her were found on her bed. She must have gone away in the clothes she wore when she came to us. In white, policeman. A woman in white.”

“I haven’t seen her, sir.”

“If you or any of your men meet with the woman, stop her, and send her in careful keeping to that address. I’ll pay all expenses, and a fair reward into the bargain.”

The policeman looked at the card that was handed down to him.

“Why are we to stop her, sir? What has she done?”

“Done! She has escaped from my Asylum. Don’t forget; a woman in white. Drive on.”

 

V

“She has escaped from my Asylum!”

I cannot say with truth that the terrible inference which those words suggested flashed upon me like a new revelation. Some of the strange questions put to me by the woman in white, after my ill-considered promise to leave her free to act as she pleased, had suggested the conclusion either that she was naturally flighty and unsettled, or that some recent shock of terror had disturbed the balance of her faculties. But the idea of absolute insanity which we all associate with the very name of an Asylum, had, I can honestly declare, never occurred to me, in connection with her. I had seen nothing, in her language or her actions, to justify it at the time; and even with the new light thrown on her by the words which the stranger had addressed to the policeman, I could see nothing to justify it now.

What had I done? Assisted the victim of the most horrible of all false imprisonments to escape; or cast loose on the wide world of London an unfortunate creature, whose actions it was my duty, and every man’s duty, mercifully to control? I turned sick at heart when the question occurred to me, and when I felt self-reproachfully that it was asked too late.

In the disturbed state of my mind, it was useless to think of going to bed, when I at last got back to my chambers in Clement’s Inn. Before many hours elapsed it would be necessary to start on my journey to Cumberland. I sat down and tried, first to sketch, then to read — but the woman in white got between me and my pencil, between me and my book. Had the forlorn creature come to any harm? That was my first thought, though I shrank selfishly from confronting it. Other thoughts followed, on which it was less harrowing to dwell. Where had she stopped the cab? What had become of her now? Had she been traced and captured by the men in the chaise? Or was she still capable of controlling her own actions; and were we two following our widely parted roads towards one point in the mysterious future, at which we were to meet once more?

It was a relief when the hour came to lock my door, to bid farewell to London pursuits, London pupils, and London friends, and to be in movement again towards new interests and a new life. Even the bustle and confusion at the railway terminus, so wearisome and bewildering at other times, roused me and did me good.

 

My travelling instructions directed me to go to Carlisle, and then to diverge by a branch railway which ran in the direction of the coast. As a misfortune to begin with, our engine broke down between Lancaster and Carlisle. The delay occasioned by this accident caused me to be too late for the branch train, by which I was to have gone on immediately. I had to wait some hours; and when a later train finally deposited me at the nearest station to Limmeridge House, it was past ten, and the night was so dark that I could hardly see my way to the pony-chaise which Mr. Fairlie had ordered to be in waiting for me.

The driver was evidently discomposed by the lateness of my arrival. He was in that state of highly respectful sulkiness which is peculiar to English servants. We drove away slowly through the darkness in perfect silence. The roads were bad, and the dense obscurity of the night increased the difficulty of getting over the ground quickly. It was, by my watch, nearly an hour and a half from the time of our leaving the station before I heard the sound of the sea in the distance, and the crunch of our wheels on a smooth gravel drive. We had passed one gate before entering the drive, and we passed another before we drew up at the house. I was received by a solemn man-servant out of livery, was informed that the family had retired for the night, and was then led into a large and lofty room where my supper was awaiting me, in a forlorn manner, at one extremity of a lonesome mahogany wilderness of dining-table.

I was too tired and out of spirits to eat or drink much, especially with the solemn servant waiting on me as elabourately as if a small dinner party had arrived at the house instead of a solitary man. In a quarter of an hour I was ready to be taken up to my bedchamber. The solemn servant conducted me into a prettily furnished room — said, “Breakfast at nine o’clock, sir” — looked all round him to see that everything was in its proper place, and noiselessly withdrew.

“What shall I see in my dreams to-night?” I thought to myself, as I put out the candle; “the woman in white? or the unknown inhabitants of this Cumberland mansion?” It was a strange sensation to be sleeping in the house, like a friend of the family, and yet not to know one of the inmates, even by sight!

 

VI

When I rose the next morning and drew up my blind, the sea opened before me joyously under the broad August sunlight, and the distant coast of Scotland fringed the horizon with its lines of melting blue.

The view was such a surprise, and such a change to me, after my weary London experience of brick and mortar landscape, that I seemed to burst into a new life and a new set of thoughts the moment I looked at it. A confused sensation of having suddenly lost my familiarity with the past, without acquiring any additional clearness of idea in reference to the present or the future, took possession of my mind. Circumstances that were but a few days old faded back in my memory, as if they had happened months and months since. Pesca’s quaint announcement of the means by which he had procured me my present employment; the farewell evening I had passed with my mother and sister; even my mysterious adventure on the way home from Hampstead — had all become like events which might have occurred at some former epoch of my existence. Although the woman in white was still in my mind, the image of her seemed to have grown dull and faint already.

A little before nine o’clock, I descended to the ground-floor of the house. The solemn man-servant of the night before met me wandering among the passages, and compassionately showed me the way to the breakfast-room.

My first glance round me, as the man opened the door, disclosed a well-furnished breakfast-table, standing in the middle of a long room, with many windows in it. I looked from the table to the window farthest from me, and saw a lady standing at it, with her back turned towards me. The instant my eyes rested on her, I was struck by the rare beauty of her form, and by the unaffected grace of her attitude. Her figure was tall, yet not too tall; comely and well-developed, yet not fat; her head set on her shoulders with an easy, pliant firmness; her waist, perfection in the eyes of a man, for it occupied its natural place, it filled out its natural circle, it was visibly and delightfully undeformed by stays. She had not heard my entrance into the room; and I allowed myself the luxury of admiring her for a few moments, before I moved one of the chairs near me, as the least embarrassing means of attracting her attention. She turned towards me immediately. The easy elegance of every movement of her limbs and body as soon as she began to advance from the far end of the room, set me in a flutter of expectation to see her face clearly. She left the window — and I said to myself, The lady is dark. She moved forward a few steps — and I said to myself, The lady is young. She approached nearer — and I said to myself (with a sense of surprise which words fail me to express), The lady is ugly!

Never was the old conventional maxim, that Nature cannot err, more flatly contradicted — never was the fair promise of a lovely figure more strangely and startlingly belied by the face and head that crowned it. The lady’s complexion was almost swarthy, and the dark down on her upper lip was almost a moustache. She had a large, firm, masculine mouth and jaw; prominent, piercing, resolute brown eyes; and thick, coal-black hair, growing unusually low down on her forehead. Her expression — bright, frank, and intelligent — appeared, while she was silent, to be altogether wanting in those feminine attractions of gentleness and pliability, without which the beauty of the handsomest woman alive is beauty incomplete. To see such a face as this set on shoulders that a sculptor would have longed to model — to be charmed by the modest graces of action through which the symmetrical limbs betrayed their beauty when they moved, and then to be almost repelled by the masculine form and masculine look of the features in which the perfectly shaped figure ended — was to feel a sensation oddly akin to the helpless discomfort familiar to us all in sleep, when we recognise yet cannot reconcile the anomalies and contradictions of a dream.

“Mr. Hartright?” said the lady interrogatively, her dark face lighting up with a smile, and softening and growing womanly the moment she began to speak. “We resigned all hope of you last night, and went to bed as usual. Accept my apologies for our apparent want of attention; and allow me to introduce myself as one of your pupils. Shall we shake hands? I suppose we must come to it sooner or later — and why not sooner?”

These odd words of welcome were spoken in a clear, ringing, pleasant voice. The offered hand — rather large, but beautifully formed — was given to me with the easy, unaffected self-reliance of a highly-bred woman. We sat down together at the breakfast-table in as cordial and customary a manner as if we had known each other for years, and had met at Limmeridge House to talk over old times by previous appointment.

“I hope you come here good-humouredly determined to make the best of your position,” continued the lady. “You will have to begin this morning by putting up with no other company at breakfast than mine. My sister is in her own room, nursing that essentially feminine malady, a slight headache; and her old governess, Mrs. Vesey, is charitably attending on her with restorative tea. My uncle, Mr. Fairlie, never joins us at any of our meals: he is an invalid, and keeps bachelor state in his own apartments. There is nobody else in the house but me. Two young ladies have been staying here, but they went away yesterday, in despair; and no wonder. All through their visit (in consequence of Mr. Fairlie’s invalid condition) we produced no such convenience in the house as a flirtable, danceable, small-talkable creature of the male sex; and the consequence was, we did nothing but quarrel, especially at dinner-time. How can you expect four women to dine together alone every day, and not quarrel? We are such fools, we can’t entertain each other at table. You see I don’t think much of my own sex, Mr. Hartright — which will you have, tea or coffee? — no woman does think much of her own sex, although few of them confess it as freely as I do. Dear me, you look puzzled. Why? Are you wondering what you will have for breakfast? or are you surprised at my careless way of talking? In the first case, I advise you, as a friend, to have nothing to do with that cold ham at your elbow, and to wait till the omelette comes in. In the second case, I will give you some tea to compose your spirits, and do all a woman can (which is very little, by-the-bye) to hold my tongue.”

She handed me my cup of tea, laughing gaily. Her light flow of talk, and her lively familiarity of manner with a total stranger, were accompanied by an unaffected naturalness and an easy inborn confidence in herself and her position, which would have secured her the respect of the most audacious man breathing. While it was impossible to be formal and reserved in her company, it was more than impossible to take the faintest vestige of a liberty with her, even in thought. I felt this instinctively, even while I caught the infection of her own bright gaiety of spirits — even while I did my best to answer her in her own frank, lively way.

“Yes, yes,” she said, when I had suggested the only explanation I could offer, to account for my perplexed looks, “I understand. You are such a perfect stranger in the house, that you are puzzled by my familiar references to the worthy inhabitants. Natural enough: I ought to have thought of it before. At any rate, I can set it right now. Suppose I begin with myself, so as to get done with that part of the subject as soon as possible? My name is Marian Halcombe; and I am as inaccurate as women usually are, in calling Mr. Fairlie my uncle, and Miss Fairlie my sister. My mother was twice married: the first time to Mr. Halcombe, my father; the second time to Mr. Fairlie, my half-sister’s father. Except that we are both orphans, we are in every respect as unlike each other as possible. My father was a poor man, and Miss Fairlie’s father was a rich man. I have got nothing, and she has a fortune. I am dark and ugly, and she is fair and pretty. Everybody thinks me crabbed and odd (with perfect justice); and everybody thinks her sweet-tempered and charming (with more justice still). In short, she is an angel; and I am —
 
— Try some of that marmalade, Mr. Hartright, and finish the sentence, in the name of female propriety, for yourself. What am I to tell you about Mr. Fairlie? Upon my honour, I hardly know. He is sure to send for you after breakfast, and you can study him for yourself. In the meantime, I may inform you, first, that he is the late Mr. Fairlie’s younger brother; secondly, that he is a single man; and thirdly, that he is Miss Fairlie’s guardian. I won’t live without her, and she can’t live without me; and that is how I come to be at Limmeridge House. My sister and I are honestly fond of each other; which, you will say, is perfectly unaccountable, under the circumstances, and I quite agree with you — but so it is. You must please both of us, Mr. Hartright, or please neither of us: and, what is still more trying, you will be thrown entirely upon our society. Mrs. Vesey is an excellent person, who possesses all the cardinal virtues, and counts for nothing; and Mr. Fairlie is too great an invalid to be a companion for anybody. I don’t know what is the matter with him, and the doctors don’t know what is the matter with him, and he doesn’t know himself what is the matter with him. We all say it’s on the nerves, and we none of us know what we mean when we say it. However, I advise you to humour his little peculiarities, when you see him to-day. Admire his collection of coins, prints, and water-colour drawings, and you will win his heart. Upon my word, if you can be contented with a quiet country life, I don’t see why you should not get on very well here. From breakfast to lunch, Mr. Fairlie’s drawings will occupy you. After lunch, Miss Fairlie and I shoulder our sketch-books, and go out to misrepresent Nature, under your directions. Drawing is her favourite whim, mind, not mine. Women can’t draw — their minds are too flighty, and their eyes are too inattentive. No matter — my sister likes it; so I waste paint and spoil paper, for her sake, as composedly as any woman in England. As for the evenings, I think we can help you through them. Miss Fairlie plays delightfully. For my own poor part, I don’t know one note of music from the other; but I can match you at chess, backgammon, ecarte, and (with the inevitable female drawbacks) even at billiards as well. What do you think of the programme? Can you reconcile yourself to our quiet, regular life? or do you mean to be restless, and secretly thirst for change and adventure, in the humdrum atmosphere of Limmeridge House?”

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