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Authors: C. P. Snow

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As for myself, I was further from predicting his actions than I had been since Rose gave his first warning. Of course, Roger was leaving a channel of retreat: he would be crazy not to do so. Of course, he must have faced the thought – and Caro must have brought it into the open – that there was still time to back down, throw the stress of his policy just where solid men would be comfortable, then take another Ministry, and gain considerable credit into the bargain. So much was clear. I was sure of nothing else.

 

 

 

28:   A Name without much Meaning

 

One morning in December, I received a report. It was brought by one of my acquaintances in Security. I was not allowed to see it, but I was used to their abracadabra. He gave me the name I wanted, and took the report away with him.

The name I wanted was that of Ellen’s persecutor. When I heard it, I said: ‘Oh, yes?’ It sounded matter-of-fact, like the name of a new housekeeper. It sounded – as facts tend to sound, whenever you are mixed up in a secret investigation – as probable or improbable as anything else. Yet, when I was left alone, it seemed very odd. Nothing like what I should have expected. Odd, but not melodramatically odd. I hadn’t been told, as in an old-fashioned thriller, the name of Hector Rose or the Prime Minister, or Roger himself. Dully odd. Within five minutes, I rang up Ellen telling her I wanted to see her before one o’clock.

‘What about?’ But she did not need to ask.

Over the telephone, I made her give me a promise. I couldn’t say anything, I told her, unless she did. When she had this information, she must do nothing with it, nothing of any kind, until we had agreed.

‘I suppose so,’ she said, in a strong reluctant voice.

We had to find somewhere where we could safely meet. It was the Christmas holidays, and at my flat the children would be home. Hers? No, she said: for once, I thought, not practical.

Briskly, she fixed a rendezvous, in an art gallery off Burlington Gardens. There I found her, alone, in the middle of the inner room, on the single chair. Round the walls were slabs and flashes of colour on canvases of enormous size. It occurred to me, walking to her in the deserted gallery, that we might have been two solitary devotees of Action painting: or a middle-aged official, a smartly-dressed, youngish woman, at a first assignation. As she saw me, her eyes were open, dark, apprehensive, waiting.

‘Well?’ she said.

I wasted no time.

‘Apparently,’ I replied, ‘it’s Hood.’

For an instant, she couldn’t believe that she had heard right, or that the Hood of whom I spoke was the man we both knew slightly, the little, pleasant-faced dispenser of drinks, cherry-cheeked, Pickwickian, who had a job, not one of the top jobs, but two or three down on the commercial side, with one of Lufkin’s rivals. I told her I had met him last at Lufkin’s birthday party, when he had been exhaling with admiration at each utterance that Lufkin made, and raising his hands high as if to applaud a
diva
.

‘I’ve seen him in the library,’ she repeated several times. She went on: ‘But he can’t have anything against me! I’ve hardly talked to him alone.’

She was searching for something personal, a snub, a pass she hadn’t noticed or had not responded to, but she couldn’t flatter herself; she couldn’t even gain that tiny bit of consolation.

‘Perhaps seeing me there somehow put him on to us. How did he get on to us? Does anyone know?’

I said it didn’t matter. To her, in that moment, it mattered so much that she could think of nothing else. Then she cried: ‘I’ve got to have it out with him.’

‘No.’

‘I’ve got to.’

‘That’s why I made you promise,’ I said, ‘an hour ago.’

She looked at me with violence, with something like hate. She was craving for action as though it were a drug. To be kept from it was intolerable. It was like a denial of the whole self, body and soul, body as well as soul.

Passionately she argued. It could do no harm, she said. It could do no good, I replied: it might be dangerous. Now that we had identified him, some of the menace was gone. If it was simply a personal grudge, which I said again that I didn’t believe, he didn’t count, except for nuisance value. She could live with that.

But if not a personal grudge, was he acting on his own? If not, for whom? Suddenly Ellen went into a brilliant fugue of paranoia. She saw some central intelligence marshalling enemies: enemies watching them, planning, moving in, studying each aspect of Roger’s life and hers. This was one move, Brodzinski’s was another. Who was directing it all?

I couldn’t pacify her, or persuade her that it wasn’t true. I didn’t myself know what was happening. In that empty room, the reds in the pictures pushing out towards us, I began to feel in a web of persecution myself.

She wanted to shout, cry, fly out, make love to Roger, anything. Her colour was high – but, as though in a moment-by-moment change, just as a child changes when in illness, when I looked again I saw she had turned pale.

She went very quiet. The passion had died away. She was afraid. At last I got her to talk again: ‘If this goes on, I don’t know whether I can stand it.’

The truth was, she did not doubt her own fortitude, but his. ‘I don’t know whether
he
can stand it.’ That was what the words really meant, deeper than she could express. Also, she could not bring herself to say that she had a new fear about why she might lose him. Some of those fears she could confess, as she had done at our first meeting, when she told me that if he lost his political career because of her, he would not forgive her. This was a new fear, which she could not confess, because it seemed a betrayal. But though she worshipped Roger, she knew him. She believed that these persecutions wouldn’t stiffen him, but would drive him back into safety – back to the company of his colleagues, to the shelter of Lord North Street.

She could not stop herself from telling me: ‘It’s being away from him that matters now.’ She meant, not being with him every hour of every day. ‘When he comes to me he enjoys himself, you know. So do I.’ She said it with her usual realism, her lack of fuss. ‘But it’s not enough now.’

She said: ‘I’d give up everything, I tell you, I could live in the back streets, I could live on nothing – I could do anything you like – if only I could be close to him the whole time. I could give up going to bed with him, if I had to, if I could just be near him, night and day, and day after day.’

 

 

 

Part Four

Towards A Choice

 

 

 

29:   Memorial Service

 

The bells of St Margaret’s, Westminster, tolled under the low cloud-lid, into the dark noon. It was three days after Christmas, the House was in recess, but the Prime Minister and Collingwood, top-hatted, in morning suits, walked under the awning into the porch. So did three other Ministers, a group of elderly peers, then Roger and Monty Cave. People on the pavement were not paying much attention; top-hats, a handful of bigwigs, some sort of service.

I sat in the middle of the church, where, by some optical illusion, the light seemed brighter than out of doors: over the altar, the stained glass gleamed and glowed, like the glass in the front door at home, when I was a child, or in the door at the Osbaldiston’s. The vigorous, shining faces round me were composed into gravity, but there was no grief. It was part of the ceremonial, ceremonial which they enjoyed, part of the charm of their lives. Collingwood spent some time on his knees. The other Ministers and Members sat in the two front rows, doing what was expected of them, doing what their successors would do for them, when their own memorial services came round.

In fact, the one they were commemorating that morning would not have considered that enough was being done. He had been a modest old man, but he had had the sharpest sense of the fitness of things. The church was only half-full. Not much of a turn out, he would have said. Much worse, he would have been baffled that the service wasn’t being held in the Abbey. ‘Giving me a consolation prize’, he would have said.

This was the memorial service to old Thomas Bevill, who had died before Christmas at the age of eighty-eight. When he was a Minister at the beginning of the war, I had been one of his personal staff. That had been my introduction to the official life, and I knew him better than most of the other mourners did. No one, least of all himself, could have called him a great man; and yet I had learned much from him. In a limited sense of the word, he was a politician, a born politician. He knew which levers to pull and how to pull them, more exactly than anyone I had met in Government, with a skill one meets more often in people working in a smaller world, such as Arthur Brown in my old college.

Bevill was an aristocrat, and it was part of his manner to appear like a bumbling amateur. He was as much an amateur as one of the Irish manipulators of the American Democratic machine. Bevill had a passion for politics. Like most devoted politicians, he was realistic about everything in them – except his own chances. He had been sacked, politely but firmly, in 1943, at the age of seventy-four. Everyone but himself knew it was the end. But he delayed taking his peerage, still hoping that another Conservative government would call him back. New Conservative governments came, but the telephone did not ring. At last, at eighty-four, he accepted his Viscounty, even then hating it, even then going round asking his friends whether, when the PM went, there mightn’t be the chance of one more job. When he was told no, his blue eyes ceased to look mild, and became hot and furious. But he surrendered. For the last four years, Thomas Bevill had entered another avatar, under the style of Lord Grampound.

This was the end. He would get mentioned, as a very minor figure, in some of the official histories. He wouldn’t rate a biography of his own. I looked at the order of the service – Thomas Bevill, first Viscount Grampound – and felt curiously sad. The dignitaries round me were mumbling the responses. Beside the Prime Minister and Collingwood stood Roger, assured among the assured, his fine voice audible.

I felt, yes, alienated as well as sad. Why, I should have been hard put to it to say. This was the kind of leave-taking any ruling society gave to one of their own. As for Thomas Bevill, I should not have said that I loved him much. He had been an ally of mine in days past, but that had been in the way of business. He had been kind to me, as he always was to his colleagues, out of instinctive policy, unless there were overmastering reasons for not being kind. That was about the size of it. He was a tough old Tory politician, patriotic to the core – and also, the nearer one got to the core, snobbish and callous. Yet I was not really thinking of him like that. Standing among the sound of confident official voices, I was out of it – just as he was out of it, because he was, like any one of us when our time comes, being so easily dismissed.

The service ended, and the congregation trooped out, euphoric, healthy-looking, duty done. I did not hear a word spoken about the old man. The Prime Minister, Collingwood and Roger, got into the same car. As the car drove away, Monty Cave was watching it. He remarked to Sammikins, whom I had not noticed at the service: ‘We’re going on again after lunch.’

He meant, the Cabinet committee had been meeting that morning, and had not finished. This was, we already knew, intended to be their final meeting, and so none of their advisers, none of the scientists or civil servants, except Douglas, was present. Monty, with his clever, imbedded eyes, watched the car turn out of Parliament Square.

‘Well-timed, don’t you think?’ he said to Sammikins.

Abruptly, as though he resented the invitation while he was giving it, he asked us whether we were doing anything for lunch. As we drove round to Cave’s house in Smith Square, which I had not visited before, Sammikins was talking away in undiscouraged form, although both Cave and I were silent. Had he asked us just because he was lonely, I was thinking, or because there was something he intended, or felt obliged, to say?

The tall, narrow house sounded empty as we went in. In the dining-room I looked out of the window through the tawny winter air at the ruined church. It might have been part of a Gothick fancy. Yet the room itself was bright and elegant; on one wall was a fine Sisley, of poplars and sunny water, on another a still life by Nicholas de Staël, pastel fruit in a white dish.

I asked him about another picture. He was vague: he didn’t know the painter. He was better-read than most men, but he seemed not to have any visual sense. He was living in a museum of his wife’s taste.

The maid brought in avocado pears, cold chicken, tongue, cheese. Cave ate greedily: Sammikins did not eat so much, or with such relish, but he appropriated the bottle of hock. Cave and I had adopted the habit, common among the younger administrators, of not drinking before the evening.

‘This is the nicest sort of meal,’ Sammikins burst out, ‘why do we waste our time sitting down to bloody great set luncheons?’

Monty Cave smiled at him: yes, with affection: yes, perhaps with an envy for the dash, the abandon, he himself had never had. He said, as though casually, with his mouth full, ‘Well, we’ve had a not uneventful morning.’

He said it more to me than to Sammikins. I knew that he was devious, subtle, cleverer than any of us. I suspected that he was not being casual. Certainly I wasn’t. I asked: ‘How did it go, then?’

‘Oh, you know how these things usually go.’

It wasn’t exactly a snub, but it was maddening. It was deviousness carried to the point of perversity. I looked at him, the bones of his chin sunk into the flesh, his eyebrows like quarter moons, his eyes watchful, malicious and, in that slack face and body, disconcertingly bold. He said: ‘Old Roger’s taken to making jokes in meetings, nowadays. In Cabinets, as well as in this one. Rather good jokes, I must say, but I don’t think Reggie sees them.’

Sammikins gave his brazen laugh, but Cave had one sly eye on me, and went on: ‘I sometimes wonder a little whether it’s wise for politicians to make too many jokes. What do you think? I mean, it sometimes looks as though they’re getting worried and are trying to put a bit too much of a face on it. Do you think that’s possible?’

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