Cyclogeography (14 page)
Authors: Jon Day
Bella Bathurst,
The Bicycle Book
(2011)
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The Arcades Project
(1999)
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(1984)
Guy Debord,
Society the Spectacle
(1977)
— ‘Theory of the Dérive’ in the
Situationist International Anthology
(2006)
Paul Fournel,
Need for the Bike
(2003)
David Herlihy,
Bicycle
(2004)
Patrick Keiller,
The View from the Train: Cities and Other Landscapes
(2013)
Valeria Luiselli,
Sidewalks
(2014)
V. S Pritchett,
London Perceived
(1962)
Jonathan Raban,
Soft City
(1974)
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(1934)
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(2007)
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Lights Out for the Territory
(1997)
Sukhdev Sandhu,
Nighthaunts: A Journey through the London Night
(2007)
Matt Seaton,
The Escape Artist
(2002)
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Wanderlust: A History of Walking
(2001)
—
A Field Guide to Getting Lost
(2006)
Nicholas Barton,
The Lost Rivers of London
(1962)
Charles Bukowski,
Post Office
(1971)
William Gibson,
Virtual Light
(1993)
Charles G. Harper,
The Brighton Road: The Classic Highway to the South
(1892)
Henry Miller,
Tropic of Capricorn
(1957)
Jeffrey L. Kidder,
Urban Flow: Bike Messengers and the City
(2011)
Thomas Pynchon,
The Crying of Lot 49
(1965)
Will Self,
The Quantity Theory of Insanity
(1991)
Ken Worpole,
Staying Close to the River
(1995)
Patrick Wright,
A Journey Through Ruins
(1991)
Luigi Bartolini,
Bicycle Thieves
(1946)
Samuel Beckett,
More Pricks Than Kicks
(1934)
—
Mercier and Camier
(1970)
Alastair Brotchie,
Alfred Jarry: A Pataphysical Life
(2011)
Gregory J. Downey,
Telegraph Messenger Boys: Labor, Technology, and Geography 1850–1950
(2002)
John Foot,
Pedelare! Pedelare!
(2011)
Ford Madox Ford,
The Soul of London: A Survey of a Modern City
(1905)
James Heartfield, ‘Lodonostalgia’ in
Blueprint
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Alfred Jarry,
The Supermale
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—
The Selected Works of Alfred Jarry
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Hugh Kenner,
Samuel Beckett: A Critical Study
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Joe Kerr and Andrew Gibson (eds.),
London from Punk to Blair
(2003)
Henry Mayhew,
London Labour and the London Poor
(1851)
Flann O’Brien,
The Third Policeman
(1966)
George Orwell,
Down and Out in Paris and London
(1933)
Roland Barthes,
What is Sport?
(2007)
— ‘The Tour de France as Epic’ in
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(2012)
Richard Cobb,
Tour de France
(1976)
Graeme Fife,
The Beautiful Machine
(2008)
Tim Krabbé,
The Rider
(2002)
Christopher S. Thompson,
The Tour de France: A Cultural History
(2006)
James Waddington,
Bad to the Bone
(1998)
Geoffrey Wheatcroft,
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(2003)
Walter Benjamin, ‘A Berlin Chronicle’ in
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(2005)
William Fotheringham,
Put Me Back on My Bike: In Search of Tom Simpson
(2007)
Simon Garfield,
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(2012)
Nigel Henderson,
Photographs of Bethnal Green 1949–1952
(1978)
Richard Long,
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(2009)
R. W. Mylne,
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(1856)
Nick Papadimitriou,
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(2013)
Dieter Roelstraete,
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(2010)
Iain Sinclair,
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(2013)
—
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(2003)
—
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(2005)
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(2011)
—
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(2009)
Ben Tufnell (ed.),
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Hilaire Belloc,
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(1913)
—
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David Caddy,
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Zack Furness,
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Robert Macfarlane,
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(2012)
Alexis Martin, ‘Physiologie de l’asphalte’ in
Le Bohème
(1855)
Henry Miller,
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(1978)
C. E. Montague,
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(1924)
Joe Moran,
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William Saroyan,
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(1953)
Edward Thomas,
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(1914)
—
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(2011)
H. G. Wells,
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(1895)
William Saroyan,
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(1952)
I’m thankful to all at the
London Review of Books,
especially Joanna Biggs, Thomas Jones, Christian Lorentzen, Nicholas Richardson and Alice Spawls, and to Nikil Saval and
n
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1
, in which some of these ideas were first aired. Bill Chidley, Ben Day, Paul Fournel, Richard Long, Robert Macfarlane and Iain Sinclair were very generous, both with their time and with their thoughts.
I am especially grateful to Damian Le Bas, Jonathan Gharraie, Edmund Gordon, Brenda Herbert, William Kraemer, Olivia Laing, Jo Lennan and Thomas Marks, who were excellent and attentive readers.
Philippa and Anne Stanners, Humphrey and Celia Bourne, Tariq and Emma Goddard, James Purdon and Kristen Treen provided shelter and company. For translations and conversations, many thanks to Charlotte Higgins, Agostino Inguscio, Alex Niven, Stephen Ross and Derry Tomlinson, and to London’s couriers, who shared their stories. Thanks to Jacques Testard, who first commissioned this book, and to Kim Kremer and Karen Lockney, who finished it off. Peter Straus is a fine and attentive agent to whom I am immensely grateful. For teaching me to ride, I thank my family. Most of all I thank Natalya.
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Published in 2015
by Notting Hill Editions Ltd
Widworthy Barton Honiton Devon EX14 9JS
Designed by FLOK Design, Berlin, Germany
Typeset by CB editions, London
Printed and bound by
Memminger MedienCentrum, Memmingen, Germany
Copyright © 2015 by Jon Day
All rights reserved
The right of Jon Day to be identified as the author of this work has been asserted in accordance with Section 77 of the Copyright, Designs and Patents Act 1998
Image credit on page 24: ‘Room with a View’ copyright © Benjamin Hughes.
Image credit on page 115: Stressed Photograph, c.1950, Nigel Henderson (1917–1985). Purchased 2007. © Nigel Henderson Estate. Photo credit:
© Tate, London 2015
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is available from the British Library
Print ISBN 978-1-907-90399-1
Ebook ISBN 978-1-910749-30-2
