Dollenganger 04 Seeds of Yesterday (37 page)

Jory fell very ill a few days later with a cold that just wouldn't go away. The cold, wet rain and winds had done their work. He lay on his bed with his temperature soaring, his brow glistening with beads of perspiration, writhing and turning his head incessantly from side to side, as he moaned, groaned and called repeatedly for Melodie, I saw Toni wince each time he did that, even as she did her best to nurse him.

As I watched her with him, I saw that she truly did care for Jory; it was clear in every caring thing she did, in her soft, compassionate eyes and her lips that brushed his face whenever she thought I wasn't looking.

She turned to give me a brave smile. "Try not to worry so much, Cathy," she pleaded, bathing Jory's bare chest with cool water. "Most people don't realize that a fever is usually very helpful in burning up viruses. As a doctor's wife I'm sure you already know this and are just worried that he will go into pneumonia. He won't. I'm sure he won't."

I still worried; she was only a nurse without the medical expertise of Chris. I called him every hour, trying to find him in that huge university lab. Why wasn't Chris responding to my urgent calls? I began to feel not only worried but angry that Chris couldn't be reached. Hadn't he promised to always be here when he was needed?

Two days had passed since Joel preached his sermon, and Chris had not called home.
The sweltering, humid weather and intermittent rain and electrical storms did nothing but create more misery and havoc in my mind Thunder crashed overhead. Lightning flashed, momentarily lighting up dark, forbidding skies. Near my feet the twins were playing and whispering about it being time for lessons in the chapel. "Please, Gramma. Uncle Joel says we must come."
"Deirdre, Darren, I want you to listen to me and forget what your Uncle Joel and Uncle Bart tell you. Your father wants you to stay with me and Toni, near him. You know your daddy is sick, and the last thing he'd want is for his son and daughter to be visiting that chapel where . . . where . . ." and here I stumbled. For what could I say about Joel that wouldn't somehow rebound later? He was teaching what he believed was right. If only he had not taught them those phrases .. . Devil's issue. Devil's spawn.
Instantly the two of them wailed, as if of one mind "Will Daddy die?" they cried out
simultaneously.
"No, of course he won't die. What do you two know about death, anyway?" I went on to explain that their grandfather was a wonderful doctor and he'd be coming home any second.
They stared at me without comprehension before I realized they often mouthed words they'd learned by rote and had no understanding of what they said. Death--what could they know about that?
Toni turned to give me a strange look. "You know something? As I help those two on and off with their clothes and give them baths, they keep up a constant chatter. They're really very remarkable and bright children. I guess being around adults so much has taught them more swiftly than playing with other children would have. Most of what they say while playing alone is silly gibberish. Then out of this silly gibberty-junk come serious words, adult words. Their eyes widen. They speak in whispers. They look around and seem afraid. It's as if they are expecting to see someone, or something, and in low tones they suddenly warn each other of God and his wrath. It alarms me." She looked from me and the twins back to Jory.
"Toni, listen carefully. Never allow the twins out of your sight. Keep them with you at all times during the day, unless you know positively they are with me or Jory, or my husband. When you're caring for Jory and are too preoccupied to keep an eye on them, call me and I'll take them over. Above all, don't let them go off with Joel," and as much as I hated to, I had to add Bart's name.
She threw me another worried look. "Cathy, I think it was not only that thing that happened in New York with Cindy, and with me, but also what Joel had to say when we came back that made Bart start looking at me as if I were the worst kind of sinner. It hurts to have the man you think you love hurl such ugly accusations."
Again she was bathing Jory's arms and chest. "Jory would never say such ugly things, no matter what I did. Sometimes he looks fierce, but even then he's thoughtful enough to say nothing to damage my ego. I never knew a man so thoughtful and
compassionate."
"Are you saying now that you love Jory?" I asked, wanting to believe she did but afraid her disappointment was rebounding and making Jory only a substitute love.
She blushed and bowed her head. "I've been in this house almost two years, and I've seen and heard a great many things. In this house I found sexual satisfaction with Bart, but it wasn't romantic or sweet, just exciting. Only now am I beginning to feel the romance of a man who tries to understand me and give me what I need. His eyes never condemn. Never do his lips shout out terrible things, when I haven't done anything I think is terrible. My love for Bart was a burning hot fire, kindled to a blaze the first day we met, while my feet stayed in quicksand, never knowing what he wanted, or what he needed, except he wanted someone like you . . ."
"I wish you'd stop saying that, Toni," I objected with discomfort. Bart still disliked himself so much he feared a woman turning away from him first, and to keep that from happening, he discarded Melodie before she had the chance to turn against him. Later, he turned his self-loathing against Toni before she could hate him and leave him. Again I sighed.
Toni agreed never to discuss Bart with me again, and then she began with my help to slip a clean pajama jacket onto Jory. We worked together as a team while the twins played on the floor, shoving little cars and trucks along just like Cory and Carrie had done.
"Just be sure which brother it is you love before you hurt both of them. I'm going to talk to my husband and Jory again, and I'm doing my damndest to see that we move out of this house just as soon as Jory recovers. You can go with us if that is your choice."
Her pretty gray eyes widened. She looked from me back to Jory, who had rolled on his side and was murmuring incoherently in his delirium. "Mel . . . is that our cue?" I think he was saying.
"No, it's Toni, your nurse," she said softly, caressing his hair and brushing it back from his beaded brow. "You have a very bad cold . . . but soon you'll feel just fine."
Jory stared up at her in a disoriented way, as if trying to distinguish this woman from the one he dreamed about every night. During the day he had eyes only for Toni, but in the night, Melodie came back to haunt him. What was there about the human condition that made us hold on to tragedy with such tenacity and easily forgo the happiness we could reach readily?
He began to cough violently, choking and pulling up huge wads of phlegm. Tenderly Toni held his head, then threw away the soiled tissues.
Everything she did for him she did with tenderness, fluffing his pillows, massaging his back, moving his legs to keep them supple even if he couldn't control them. I couldn't help but be impressed with all that she did to make him comfortable.
I backed off toward the door, feeling I was an intruder during
^.
a very important private moment as Jory's eyes came into focus enough for him to pick up her hand and meet her eyes. Even as sick as he was, something in his eyes spoke to her. Quietly I caught hold of Darren's hand, and then Deirdre's. "Got to go now," I whispered even as I watched Toni tremble before her head bowed.
To my surprise, just before I closed the door, she put his hand to her lips and kissed each of his fingers. "I'm taking advantage of you," she whispered, "at a time when you can't fight back, but I need to tell you what a fool I've been. You were here all the time, and I never saw you. Never saw you at all when Bart stood in the way.
Weakly Jory answered, his eyes warm as they drank in the sincerity of her words and most of all, her loving, warm expression. "I guess it's easy to overlook a man in a wheelchair, and perhaps that alone was enough to make you blind. But I've been here, waiting, hoping . . ."
"Oh, Jory, don't hold it against me because I let Bart dazzle me with his charm. I was overwhelmed and sort of flabbergasted that he found me so desirable. He swept me off my feet. I think every woman secretly wants a man who refuses to take no for an answer, and pursues her relentlessly until she has to give in. Forgive me for being a fool, and an easy conquest."
"It's all right, all right," he whispered, then closed his eyes. "Just don't let what you feel for me be pity--or I'll know."
"You're what I wanted Bart to be!" she cried out as her lips neared his.
This time I did close the door.
Back in my own rooms, I sat down near the telephone waiting for Chris to call in response to my many urgent messages. On the verge of sleep, with the twins tucked neatly in my bed for their naps, the phone rang. I snatched up the receiver, said hello. A deep, gruff voice asked for Mrs. Sheffield, and I identified myself.
"We don't want you and your kind here," said that frightening, deep voice. "We know what's going on up there. That little chapel you built don't fool us none. It's a sham to hide behind while you flaunt God's rules of decency. Get out--before we take God's will into our own hands and drive every last one of you away from
our
mountains."
Unable to find a clever reply, I sat stunned and very shaky before he hung up. For long moments I just sat there with the receiver in my hand. The sun broke through the clouds and warmed my face . . . only then did I hang up. I looked around me at the rooms I myself had decorated to please my own taste, and found, much to my surprise, that these rooms no longer reminded me of my mother and her second husband. In here were only remnants of the past that I wanted to remember.
Cory and Carrie's baby pictures in silver frames on my dresser, placed next to those of Darren and Deirdre. They were look-alike twins, but when you knew them well, you could see they weren't the same. My eyes moved to the next silver frame, and there was Paul smiling at me, and Henny was in another. Julian sulked, in a way he used to think sexy, from a gold frame, and I also had a few snapshots of his mother, Madame Marisha, framed to keep near her son. But nowhere did I have a photograph of Bartholomew Winslow. I stared at the picture of my own father, who'd died when I was twelve. So much like Chris, only now Chris looked older. Turn around, and the boy you knew so well was a man. The years flew by so swiftly; once a day had seemed longer than a year did now.
Again I looked at the two sets of twins. It would take only someone very familiar with both sets to recognize the slight differences. There was a hint of Melodie in Jory's children, a vague resemblance. I stared at another picture, with Chris and myself, taken when we still lived in Gladstone, Pennsylvania. I'd been ten, he'd just turned thirteen. We stood in three feet of snow beside the snowman we'd just finished, smiling at Daddy as he took yet another picture. A photograph turning brown, one that our mother had put in her blue album. Our blue album now.
Little snippets of our lives were caught in all those little squares and oblongs of slick paper. Frozen forever in time, that Catherine Doll who sat on an attic windowsill, wearing a flimsy nightgown as Chris in the shadows took a time-lapse photo. How had I managed to sit so still, and hold that expression-- how? Through the nightgown I could see the tender form of young breasts--and in that girlish profile all the wistful sadness I'd felt back then.
How lovely she was--I'd been. I stared at her hard and long. That frail, slender girl had long ago disappeared in the middle-aged woman I was now. I sighed for the loss of her, that special girl with her head full of dreams. I tried to tear my gaze away; instead, I got up to pick up the picture that Chris had carried with him to college, to medical school. When he was an intern, still he had this photograph with him. Was it this paper in my hand that had kept his love for me so strong? This attic face of a girl of fifteen, sitting in the moonlight? Longing, always longing for love that would last forever? I no longer looked like this girl I held in my hand. I looked like my mother the night she burned down the original Foxworth Hall.
Shrill telephone rings startled me back to the here and now. "I've had a flat tire," said Chris on hearing my small voice. "I had driven to another lab and spent a few hours there, so when I came back I saw all those messages from you about Jory. Jory can't be worse, can he?"
"No, darling, he's no worse."
"Cathy, what's wrong?"
"I'll tell you when you get here."
Chris reached home an hour later and rushed in to embrace me before he hurried to Jory. "How's my son?" he asked even as he sat on Jory's bed and reached to feel his pulse. "I hear from your mother that someone opened all your windows and the rain soaked you."
"Oh!" cried Toni. "Who could have done such an awful thing? I'm so sorry, Doctor Sheffield. It's my habit to check on Jory, I mean Mister Marquet, two or three times during the night, even if he doesn't call for me."
Jory grinned at her in a happy way. "I think you can stop calling me Mister Marquet now, Toni." His voice was very weak and hoarse. "And this happened on your day off."
"Oh," she said, "that must have been the morning I drove into the city to visit my girlfriend."
"It's just a cold, Jory," said Chris, checking his lungs again. "There's no hint of fluid in your lungs, and from your symptoms you don't have the flu. So swallow your medicine, drink the fluids Toni brings you and stop fretting about Melodie."
Later, sprawled in his favorite chair in our sitting room, Chris listened to everything I had to say. "Did you recognize the voice?"
"Chris, I don't know any of the villagers well enough. I do my damndest to stay away from them." "How do you know it was a villager?"
That thought had never occurred to me. I'd just presumed. Nevertheless, as soon as Jory was well enough, we both determined to leave this house.
"If it's what you want," said Chris, looking around with some regret. "I like it here, I must admit. I like all the space around us, the gardens, the servants who wait on us, and I'll be sorry to leave. But let's not flee too far. I don't want to leave my work in the university."
"Chris, don't worry. I won't take that away from you. When we leave here, we will go to
Charlottesville and pray to God nobody there will know that I'm your sister."
"Cathy, my dearest, sweetest wife, I don't think even if they knew, they'd give a damn. And besides, you look more like my daughter than my wife."
Wonderfully sweet as he was, he could say that with honesty in his eyes. I knew, then he was blind when he looked at me. He saw what he wanted to see, and that was the girl I used to be.
He laughed at my doubting expression. "I love the woman you've become. So don't you go looking for the tarnish when I deliver to you eighteen-karatgold honesty. I'd say twenty-four karat, but you'd then say it was too soft and therefore useless functionally. So I give to you the best there is: my eighteen-karat love that truly believes you are beautiful inside, outside, and in between"
Cindy flew in for one of her whirlwind visits, breathlessly gushing out every detail of her life in exquisite minute detail since last she'd seen us. It seemed incredible that so much could happen to one girl of nineteen.
The instant we were inside the grand foyer, she raced up the stairs, hurling herself into Jory's arms with such abandon I thought she might tip over his chair. "Really," he laughed, "you weigh more than a feather, Cindy." He kissed her, looked her over, then laughed. "Wow! What kind of outfit is that, anyway?"
"The kind that is going to fill the eyes of a certain brother named Bart with horror. I picked this out just to annoy him and dear Uncle Joel."