Authors: Stephen Benatar
Knock on door. Enter MARY.
MARY | May I clear away now? Oh—where is Mrs Berg? |
ELLEN | Probably in her bedroom, Mary. With Mrs Drapkin. Yes, by all means clear away. |
TONY | I’ll help you. |
They quickly stack the plates etcetera onto the large tray MARY has brought.
MARY | (In chatty, tolerant mood) Oh Lord…Mr Davis! He’s had about six teas. He keeps coming into the kitchen and asking is it teatime yet and where is Mrs Berg. So the only way I can get him to go back to his room is by leading him there myself, walking just a foot or two ahead, backwards, with a chocolate biscuit in each hand. Poor old gentleman. I hope he won’t get ill. |
ELLEN | In his day, a most excellent dental surgeon—renowned for giving hardly any pain. Later on, a conscientious magistrate. Widely loved and well respected. (Pause) Oh dear. That life can really come to this! |
MARY | (With feeling) Yes. And all he does is nod off in his chair or read the same bit of newspaper over and over again. Mrs Berg only buys a newspaper once a week. I tell her once a year would be sufficient! And when you put on his television he says, “I can never understand one word they’re saying. Can |
TONY | Drop any more of Gran’s china and they probably will. You’d better let me take that tray. |
MARY | That’s very kind of you but I can manage it; I’m stronger than I look. (TONY holds door open) Thank you, Mr Tony. (She goes. TONY closes door) |
TONY | (Sits) Right then, Ellen. You were saying? |
ELLEN | Right then, Tony. I was saying…What |
TONY | Of course. |
And as soon as he has said this, the lights go down. In the darkness, the
Pathétique
starts playing on the radiogram. A noticeably different vase of flowers and perhaps two or three striking cushions should be enough to suggest another time. It is still summer—still early evening—but now thirty years earlier.
When the lights go up, the room is empty. After a moment HESTER enters, followed by FLORA. They are wearing the fashions of 1957. FLORA, at nineteen, is pretty and youthful and full of fun; but, even so, essentially respectful and compliant.
HESTER | (While entering) How long before Harold comes to pick you up? |
FLORA | Half an hour? Depending on the traffic. The curtain rises at seven-thirty. |
HESTER | I was listening to Tchaikovsky. Isn’t this lovely! (Waves her hands a little, as though conducting) |
FLORA | (Shrugs gaily) Oh, you know me: I prefer something a bit less highbrow. |
HESTER | Dear God. What did I ever do to deserve such a daughter? |
FLORA | (Laughs) Where’s Jarvie, by the way? |
HESTER | Day off. Would you like a sherry? |
FLORA | Perhaps a quick one, before I go and change. I think you’ll love my dress. It was madly extravagant. Harry will throw a fit. |
HESTER | I look forward to seeing it. |
FLORA | (Playfully provocative) The dress—or Harold’s fit? (But waits for no reply) Thank you for saying I might have my bath here. Mind you, you could hardly have done otherwise: after all, it was you who told us to install central heating. All the floors up. No hot water. And of course it had to be today, didn’t it?—the very first time we’ve been out together in more than five weeks! Filth inches deep. Men all over the place. (Laughs) Not that in the normal way I’d be complaining about |
HESTER | Darling! And you a bride of only four months! |
FLORA | Well, Harry hasn’t got a wicked twinkle. (Smilingly outrageous) Nor has he got hair upon his chest. |
HESTER | Flora, that’s enough! I think a little maidenly reserve should be called for. Anyway, I myself never cared for human apes. Smooth-skinned men were always far more to my taste. |
FLORA | Besides. I don’t feel like a bride. |
HESTER | You’re not going to say you have regrets? |
FLORA | Is that a question, or an order? Besides, you already know I don’t find Harry much fun. He’s moody and he sulks a lot. I keep telling him that if he loved me he wouldn’t be so…so undemonstrative…and grumpy. |
HESTER | And I kept telling |
FLORA | You were nineteen. |
HESTER | Yes. Yes, I was nineteen. But that was very different—so please don’t make comparisons! The love which your father and I had for one another was…was wholly unique. (Much lighter) Anyhow, my darling—without wishing to be in the least bit unsympathetic—you were just so determined, weren’t you? To up and leave the nest. Next time, perhaps, you’ll listen to your mother. |
FLORA | Gracious! We’re just off to a theatre. Not the divorce court! |
HESTER | I’m very pleased to hear it. |
The doorbell rings.
FLORA | Could that be him already? (Glances at her watch) In any case, |
While FLORA is away HESTER crosses to the radiogram and turns the record over. She listens for a moment with enjoyment. We hear HAROLD and FLORA approach. HAROLD is dressed in a smart suit, with well-polished black shoes, white shirt, sober tie. His hair is much shorter than Tony’s. He wears a moustache.
During the next fifteen minutes or so, HESTER will return to the radiogram at least a couple of times, either to select a new record or—where appropriate—simply turn one over; the records don’t have to be LPs. Neither she nor HAROLD needs to comment on the music, other than with—perhaps—a grimace or appreciative nod.
FLORA | (Hardly in the room yet) Yes. The man himself! It seems there wasn’t any traffic. |
HAROLD | (Following close behind) An exaggeration. It just wasn’t as bad as it often is. And since I left the office in extremely good time of course—finding it wise always to anticipate the worst— |
HESTER | Good evening, Harold. (Crosses and gives him a perfunctory kiss) I must say, I’ve never known you be unpunctual for anything. Which I think does you a lot of credit. And—naturally—your upbringing. |
FLORA | (Vivacious again) My goodness! There must be something in the air. (To HAROLD) Do you realize what happened? My mother just paid your mother a compliment. |
HESTER | Oh, don’t be silly, darling. We’re the very best of friends. |
FLORA | Then so were Mr Churchill and Hitler. |
HESTER | That’s very sweet of you, Flora. But I’d never have the gall to compare myself to Mr Churchill. Harold, dear, a sherry? Or perhaps you’d rather have some whisky? |
HAROLD | Whisky, please, Mother-in-Law. |
HESTER | Harold, how often do I have to tell you? I just can’t put up with that! |
HAROLD | (Smiles) I know. I’m sorry. I keep forgetting. Hester. |
HESTER | (Cupping a hand to one ear) I didn’t hear. |
HAROLD | Hester. |
HESTER | That’s better. (To FLORA) Perhaps we’ll train him yet. Punctuality may be the politeness of kings but it’s not the full story—not by a long chalk. |
FLORA | I’m afraid that the politeness of kings means you’re going to have to entertain one another for a bit longer than expected. Can you manage that? |
HESTER | Oh dear. I doubt it. What an ordeal. (Splashes soda into the whisky) |
HAROLD | (To FLORA) Why? Where are you going? |
FLORA | Well, naturally—to bath and change! I told you! I couldn’t do it at home. |
HAROLD | Why do you need to change? You look perfectly all right to me. |
FLORA | I’m certainly not coming to the theatre like this! (To HESTER) How like a man! I could probably have worn my apron or my housecoat and he’d have said, “Oh, no one will notice! Why fuss?” |
HAROLD | That isn’t true. You know I’d always expect any wife of mine to conform to the very highest of standards. You ought to be flattered I see nothing wrong with what you’re wearing at the moment. |
FLORA | Oh! ‘Any wife of mine’! How many do you plan to have? |
HESTER | Now, now, children! Flora, you just run along. Like you say, Harold and I will no doubt manage to entertain one another most |
HAROLD | (Patently angry with his wife) Good God, Flora, I’m family. Why should I need entertaining? For just ten minutes or so—and I hope it won’t be any longer than that—I shall be perfectly happy to sit and read your mother’s |
HESTER | (To HAROLD) Ah, yes, but I propose to make you suffer. A little suffering, I believe, is always good for the soul. I’m family too, you see, and I do need entertaining. (Hands HAROLD his drink) I think that’s how you like it. |
HAROLD | Thank you. |
HESTER | When you’re ready for another, you may simply help yourself. I always feel the pouring of drinks is really the man’s job. |
HAROLD | Oh, no, I shan’t want another. Don’t forget I’m driving. |
FLORA | Right, then. I’ll leave you together. I’ll be as quick as I can. |
Her tone has been a little stiff but suddenly we can almost see her making the effort not to let the evening be spoilt—after all, she has a new dress and this is the first time they’ve been out together in five weeks.
FLORA | (Cont) So try not to miss me too much! (She blows them kisses and goes, taking her glass of sherry. Then pops her head back round the door) May I help myself to bubble bath? |
HESTER | You may help yourself to anything. |
FLORA’S departure marks a brief hiatus.
HESTER | Well…a quarter of an hour, let’s say—and that’s looking on the bright side. Would you like a sandwich? I imagine you won’t be eating until later? |
HAROLD | No, thank you, Mother-in-Law. I’m fine. |
HESTER | Excuse me? |
HAROLD | Hester. |
HESTER | That’s better. But you’re sure—no sandwich? And no |
HAROLD | I thought the English always talked about the weather. |
HESTER | Not us. That would show a dreadful lack of imagination. Let me see now. Do you come here often? (Quickly) I hasten to add that the courteous response will not be, “Yes! Far |
HAROLD | About three times a fortnight. |
HESTER | Ah. Mmm. Not a bad-sized dance floor? |
HAROLD | (Really unpractised at this) No. Actually it almost |
HESTER | Yes, and the orchestra’s not bad, either. |
HAROLD | Is it the London Philharmonic? |
HESTER | (Surprised) Yes, I believe it is. Do you like it? (Pause) Your wife, by the way, dismisses it as highbrow. |
HAROLD | For Flora, even Cole Porter could be highbrow. |
HESTER | And what do |
HAROLD | Pretty melodies. Makes a pleasant background to conversation. The two composers I like best are undoubtedly Brahms and Schubert. |
HESTER | (Now definitely impressed) Really? I had no idea. I suppose we’ve never discussed music. |
HAROLD | One certainly couldn’t sit and talk to Brahms or Schubert. |
HESTER | Now, |
HAROLD | I’m sorry? |
HESTER | You should have said the same about Tchaikovsky. Then you’d have had the perfect pretext just to sit and listen. |
HAROLD | (Pause) As a matter of fact I think I was being a little unfair to Tchaikovsky. Well, certainly the |
HESTER | Lonely—and romantic—and striving. Yes. Yes…It’s strange that you should feel that way as well. I think I might adopt it as my theme tune. (Lightly) But it’s too late now, you know. You’re not allowed to backtrack. |
HAROLD | (Drily humorous) Blast! All my life I’ve been much too slow on the uptake. Can’t we just go back to the beginning? |
HESTER | Do you mean, five minutes ago or five months ago? |
HAROLD | (Embarrassed) Flora says some pretty silly things. I suppose because she and my mother don’t always seem to hit if off she automatically assumes… |
HESTER | (Not believing this for a moment) Yes, that’s more than likely what it is. And she sometimes gets carried away by sheer animal high spirits—exaggerating out of all proportion. |