Authors: Stephen Benatar
Door opens. FLORA comes in, wrapped in bath towel and holding her sherry glass.
FLORA | Just to let you know I’m on my way. It hasn’t been too painful, has it? (Looking from one to the other) |
HESTER | We are doing our very utmost to survive. |
HAROLD | Lonely, lost and striving. |
HESTER | With elephants a somewhat unexpected threat. |
FLORA | Elephants? What on earth are the two of you talking about? |
HAROLD | Be good, little girl, and I might enlighten you later. But for the moment why don’t you just run along and dress? Before we find we’ve missed not only the overture but most of the first act. |
FLORA | All right, darling. But can I have a tiny refill for this? Or—better still—not such a tiny one. |
HAROLD | (In a low voice, to FLORA) As the actress said to the bishop. |
FLORA | (With anxious glance at HESTER, who is again at the radiogram) Harry! Darling! Shhh! |
HESTER | (Turning; wanting to share in the joke) What’s that? |
FLORA | Nothing, Mummy. Nothing. |
HESTER | (Disappointed; even faint hint of resentment) Oh? I thought one of you said something amusing. |
HAROLD | I made a very feeble joke. I was just being infantile. Also, it was rude. (He pours the sherry) |
FLORA | And not in character. What have you done to him? |
HESTER | (All resentment clearing) Ah… |
FLORA | As a matter of fact I thought I heard the pair of you laughing a short while ago. And more than once. |
HESTER | Oh, it must have been the people in the next flat. Laughter? In here? Unthinkable. I shall complain to the management. |
FLORA | (Pleased; puzzled) What |
HAROLD | Now, then! Just take your drink and run away and get decent. There’s a good girl. (She’s about to go, still amused and somewhat baffled, when inconsistently he stops her) But first…a toast! |
FLORA | Oh, nice. What to? |
HAROLD | I don’t know. To a pleasant evening. And a happy life. To the three of us. (They all raise their glasses) To us! To friendship! |
FLORA | To us! To friendship! (Pause) Friendship? |
HESTER | To love and friendship. To love! To all of us! |
FLORA | Ah, yes. That’s better. |
The three of them drink solemnly.
The curtain falls on Act One.
ACT TWO
ELLEN and TONY, as before.
ELLEN | And of course it just went on from there. Whoosh! Your grandmother and your father had fallen in love. And that evening saw the start of an affair that would last four years. |
TONY | I don’t believe it! Gran! My father! For God’s sake, Ellen—she was nearly thirty years older than him. |
ELLEN | She was fifty-three. Some women in their fifties can be more attractive than they’ve ever been. Look at Joan Collins. |
TONY | Gran was never Joan Collins. |
ELLEN | No, she was far classier. And more subtle. I mean, more subtle than Alexis. But in her own way she was equally ambitious. She knew what she wanted. (Stands—and sings) “Whatever Hester wants…Hester gets…and little man, little Hester…wants you!” I used to do a fairly decent tango in my day; but never—that I can remember—with a rose in my mouth. The things one misses! |
She has plucked a rose out of Hester’s flower arrangement; she now inspects it for thorns—then puts it between her teeth and tangoes flamboyantly across the room. TONY, also standing, watches. A bit impatiently. When she has finished, he doesn’t clap.
TONY | But my father. He wasn’t attracted by older women. I can remember he told me that. |
ELLEN | (Thrusting the rose back in its vase) Probably made rather a point of it, too. His second marriage, by all accounts, has turned out fairly well. Isn’t she about ten years older? I haven’t met her. |
TONY | (Smiles, reluctantly) All right. You win. |
ELLEN | And in psychology-speke, mightn’t he even have been looking for a new mother? It seems that, previously, he hadn’t done any too well in that department. |
TONY | (By now they’ve sat down) But Ellen. How do you know all this? Are you sure that you’re not simply…? |
ELLEN | Making it up? Taking a belated revenge because your grandmother and I have never quite… |
TONY | No, not making it up. Of course not. But…but…perhaps allowing your imagination…Misconstruing things… |
ELLEN | I know all this because I was told. |
TONY | Whom by? And whoever it was…how could |
ELLEN | Gran. |
TONY | But why? (Helplessly) When? |
ELLEN | When? Fairly near the start. Certainly within the first few months. Why? Because we’d just had words and she was putting me in my place. I’d said my life was arid and she’d told me, in effect, I had no one to blame but myself. Probably true—but, still, it wasn’t what I wanted to hear. So I shot back that I couldn’t see her own life was any the |
TONY | (Pause) But…lovemaking? Remember that when Gran was young ‘making love’ didn’t mean the same as it does today. |
ELLEN says nothing. TONY proceeds, quite tonelessly.
TONY | And anyway. Mum’s given me the impression—more than once, in fact—that my father’s lovemaking was…well, quite a long way from being wonderful. |
ELLEN | And she’s the one whom I’d definitely prefer to believe. All this emphasis on sex nowadays: how it can make the earth move; how you’ve never known what life is until you’ve known what love is. Well, who was it who said the position was ridiculous and the pastime overrated? |
TONY | I think it was Somerset Maugham. Maybe not the world’s |
ELLEN | At all events, not an exponent of one-upmanship—well, not in this case, anyway. (Pause) Of course, one mustn’t be too hard upon your gran. She was angry when it all spilled out; otherwise it wouldn’t have happened. I’d touched her on the raw. |
TONY | Did she ever mention it again? |
ELLEN | How do you think I know it lasted four years? The next time it came up was only a day or two later; she rang me to apologize. And if I were really so unhappy with my life, she suggested, couldn’t we maybe talk about it—try to find some way of improving matters? You know how she’s always setting out to help. Just look at all the blind people she has here to meals; how she’s constantly taking one or other of them to the West End, by bus, to make their shopping easier and to treat them to a nice tea. |
TONY | Gran rang to apologize. |
ELLEN | Oh, yes. Well, I came round here and we chatted and she gave me all sorts of hopefully useful advice but…Anyway, after we’d done what we could with |
TONY | And my mother? |
ELLEN | During those four years? Not the shred of an idea. Well, who would have? Naturally, there must have been moments when she felt excluded—what with the horse-riding and the concerts and the various other things which Hester and Harold had found they had in common. Not that Hester would ever have meant to exclude her—not consciously. But during that time I felt extremely sorry for your mama. Yet…what could I do? And in any case, even without Hester, that marriage was doomed. In a way, absurd though this sounds, those were probably its four best years. |
TONY | And why did it finish? The…affair. |
ELLEN | I think it just sort of fizzled out. They went on being good friends—respecting one another. But apparently the sexual side of it…it simply waned. Isn’t that what often happens? |
TONY | Between a man in his twenties and a woman in her fifties? I haven’t a clue. (Pause) And so my mother never realized? |
ELLEN | Oh, yes…eventually. Some six years later she found out. Don’t ask me how. But |
TONY | You mean, he didn’t want one? |
ELLEN | He might have suggested it—halfheartedly. It’s true he didn’t want children. But he certainly wouldn’t have issued an ultimatum. He had too strong a sense of responsibility. |
TONY | Sounds like it! |
ELLEN | Well, the affair with your grandmother was a |
TONY | (Pause) So then my mother cited my grandmother as co-respondent? The papers must have had a field day. |
ELLEN | Certainly they would have had. But she filed only for cruelty. Not for adultery. |
TONY | Oh, surprise, surprise. Biddable to the end. |
ELLEN | Tony, that’s unfair! (Pause) For although it |
TONY | As well as her own. |
ELLEN | You mustn’t blame your mother for this. |
TONY | I know. I know. (Almost a wail) It’s just that she was so weak! |
ELLEN | (Regarding him steadily, yet not commenting on this) She changed after she found out. All her |
TONY | No. Thirty years ago |
ELLEN | She may have felt she did…by being too dull, by being too uneducated. Too uninteresting. |
HESTER enters: subdued and stony-faced. TONY stands up.
HESTER | (To TONY) We’ve been talking, your mother and I. And we’ve come to a decision. |
TONY | (Cold) Oh, yes? |
HESTER | How much is your university grant? |
TONY | Why? |
HESTER | Would you answer me, please. |
TONY | Roughly two thousand a year. |
HESTER | And what does your father have to pay towards it? |
TONY | About half. |
HESTER | Yes, that’s what your mother thought. Very well. Here’s our plan. You can take it or leave it but if you decide not to take it you’ll be an even greater fool than I think you. |
ELLEN | (To HESTER) My goodness. What a career you could have had in selling. |
HESTER | (Ignoring her) You told us you’d been offered a job which paid you a hundred pounds per week—five thousand a year. Now…if you go on at university for the next two years I shall give you three thousand pounds for each. I can ill afford it and it will naturally make a big difference to what I’ll be able to leave your mother but we are both resigned to that. I have already tried to telephone your father. Perhaps he can increase his contribution, though I haven’t the least idea what his reaction to that is likely to be—horror and outrage, without the slightest doubt! Unhappily he had just that minute left his office. Be that as it may, you’ll have your five thousand a year—so that you can support this woman and her two children in a style far richer than they’ve been accustomed to, and at the same time fulfil the hopes which your mother and I have always placed in you. What do you say? |
TONY | No. |
HESTER | No? |
TONY | (Softer tone) Thank you. Obviously I appreciate your generosity—and self-sacrifice—and good intentions. Both of you. But, no, I can’t do it. |
HESTER | (Ironically) You have your pride? |
TONY | Yes—as a matter of fact. |
HESTER | And would an extra five hundred a year go any way towards assuaging that? |
TONY | No, of course it wouldn’t. What do you think I am? |
HESTER | An ingrate. And a very deep disappointment to every one of us. But here’s what I’ll do. Against my better judgment I’ll even provide an extra thousand. Which will give you a whole |
TONY | I don’t care if you provide an extra ten thousand. Or twenty. No. |
HESTER | And can you explain your reasons? |
TONY | Yes. It’s a matter of principle. |
HESTER | What principle? |
TONY | I have to make my own way. |
HESTER | What, without any degree or qualification? And with nearly four million people out of work? |
TONY | Plus, I don’t want to feel beholden. |
HESTER | You wouldn’t need to feel beholden. By the time you’re thirty—and with a good degree behind you—you could be earning anything up to twenty thousand a year, twenty-five thousand, possibly even more. Then you could start paying back what we’ve given you—paying it back to your mother if not to me; we can think of it merely as a loan. But without a degree, you’ll be lucky to rise above seven or eight thousand. Ever. And what kind of a life do you suppose you’ll be able to lead on that? |
TONY | (Pause) Money isn’t everything. |
HESTER | Oh, what idealistic pap! I’ve got to sit down. (She sits; TONY doesn’t) |
TONY | (Moving abruptly towards the door) I’m sorry but I’ve got to go. |
HESTER | You do realize, don’t you, that you’re not in love with this girl? |
TONY | And what do you know of whether I’m in love with her or not? |
HESTER | At best it’s just infatuation. Infatuation with |
TONY | No, it’s not like that at all. |
HESTER | (Pause; as if genuinely puzzled) Does it mean nothing to you—absolutely nothing: all the dreams and hopes which those who love you have invested in you? Is it so terrible that they only want you to get on, to make a place for yourself in this world, carve out a fulfilling career, since they themselves know what it is to have failed? You see, |