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Authors: Elizabeth George

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BOOK: For the Sake of Elena
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His nerves felt strung. His arms and legs ached. He pushed away from the desk and went to the basin where he splashed water on his face and examined himself dispassionately in the mirror.

Cambridge would be their battleground, he decided. Whatever was to be won or lost, it would happen here.

Back at the desk, he flipped through the pages he had written, reading his words but assimilating nothing. He closed the notebook with a snap and slapped it down.

The air in the room seemed suddenly close, too much hung with the opposing odours of fresh disinfectant and old tobacco smoke. It felt oppressive. He leaned over the desk top, shoved the window up all the way, and let the damp night air wash over his cheeks. Below him the graveyard—half-hidden by the fog—cast up a faint, fresh scent of pine from its trees. The ground there would spring with fallen needles, and as he breathed in their fragrance, he could almost imagine the spongy feel of them beneath his feet.

A movement at the fence caught his attention. At first he thought the wind was rising to shift the fog away from bushes and trees. But as he watched, a figure melted out of the shadow of one of the spruces, and he saw that the movement had not come from within the graveyard at all, but from its perimeter where someone was easing stealthily between the bicycles, away from him, head lifted to examine the windows of the court’s east range. Woman or man, Lynley couldn’t tell, and when he switched off his desk lamp to have a better look, the figure froze as if preternaturally aware of being watched even at a distance of some twenty yards. Then Lynley heard the sound of a car’s engine idling in Trinity Lane. Voices called out a laughing good night. A horn tooted happily in response. With a grinding of gears, the car roared off. The voices faded as their owners walked away, and the shadow below became both substance and movement again.

Whoever it was, stealing one of the bicycles didn’t appear to be its objective. It headed for a doorway on the east range of the court. A lantern-shaped lamp, overhung with the ivy for which the court was named, provided scant illumination there, and Lynley waited for the figure to enter the milky penumbra directly in front of the door, hoping that whoever it was might toss a quick look over a shoulder and give him a glimpse of face. It didn’t happen. Instead, the figure hurried soundlessly to the doorway, shot out a pale hand to grasp the knob, and disappeared into the building. But just for a moment as the shadowy form passed beneath the light, Lynley saw hair, rich, dark, and plentiful.

A woman suggested an assignation, with someone no doubt anxiously waiting behind one of those sightless, darkened windows. He waited for one of them to brighten with light. It did not happen. Instead, less than two minutes after she had disappeared into the building, the door opened again and the woman re-emerged. This time she paused for an instant beneath the light in order to pull the door shut behind her. The faint glow outlined the curve of a cheek, the shape of a nose and chin. But only for a moment. Then she was gone, moving across the court, fading back into the darkness by the graveyard. She was as silent as the mist.

6

Cambridge police headquarters faced Parker’s Piece, a vast green crisscrossed by intersecting paths. Joggers ran here, their breaths gusting out in fibrous clouds, while on the grass two dalmatians—tongues flapping happily—chased after an orange Frisbee thrown by a whip-thin bearded man whose bald head shone in the morning sun. All of them seemed to be rejoicing in the disappearance of the fog. Even pedestrians rushing by on the pavement held up their faces to let the sunlight strike them for the first time in days. Although the temperature was no higher than it had been on the previous morning, and a brisk wind made the chill cut close, the fact that the sky was blue and the day was bright served to make the cold stimulating instead of insufferable.

Lynley paused outside the dun brick-and-concrete structure that housed the main offices of the local police. A glass-enclosed notice board stood in front of the doors, on which were fastened posters about child safety in cars, drinking and driving, and an organisation called Crime-stoppers. Over this last had been taped a hand-out giving the superficial details of Elena Weaver’s death and asking for information from anyone who might have seen her yesterday morning or Sunday night. It was a hastily composed document with a grainy, photocopied picture of the dead girl upon it. And it had not been generated by the police.
DeaStu
and a telephone number were printed prominently at the bottom of the page. Lynley sighed when he saw this. The deaf students were launching their own investigation. That wouldn’t make his job any less complicated.

A blast of warm air hit him when he opened the doors and entered the lobby where a young man garbed in black leather was arguing with a uniformed receptionist about a traffic ticket. On one of the chairs, his companion waited, a girl in moccasins and what appeared to be an Indian bedspread. She kept murmuring, “Come on, Ron. Cripes. Come
on
,” with her feet drumming impatiently on the black tile floor.

The constable working reception cast a thankful look in Lynley’s direction, perhaps appreciative of the diversion. He broke into the young man’s “You listen here, mate. I bloody don’t intend to—” with “Sit down, lad. You’re getting in a twist over nothing,” after which he nodded to Lynley, saying, “CID? Scotland Yard?”

“It’s that obvious, then?”

“Colour of the skin. Police pallor, we call it. But I’ll have a glance at your ID all the same.”

Lynley produced his warrant card. The constable examined it before pressing the release on the locked door which separated the lobby from the station proper. A buzzer sounded, he nodded Lynley inside. “First floor,” he said. “Just follow the signs.” He resumed his argument with the boy in leather.

The superintendent’s office was at the front of the building, overlooking Parker’s Piece. As Lynley approached it, the door opened and an angular woman with a geometric haircut took up a position within its frame. Arms akimbo, elbows pointed like spikes, she scrutinised him from head to foot. Obviously, reception had phoned ahead.

“Inspector Lynley.” She spoke with the same sort of inflection one uses when naming a social disease. “The superintendent’s scheduled for a meeting with Chief Constable in Huntingdon at half past ten. I shall ask you to keep that in mind when you—”

“That’ll do, Edwina,” a voice called from the inner office.

Her lips minced their way round a glacial smile. She stepped to one side and allowed Lynley to pass her. “Of course,” she said. “Coffee, Mr. Sheehan?”

“Yes.” As he spoke, Superintendent Daniel Sheehan came across the room to meet Lynley at the door. He offered a large beefy hand, a companion in bulk to the rest of him. His grip was firm, and in spite of the fact that Lynley represented a Scotland Yard invasion into his patch, his smile offered fellowship. “Coffee for you, Inspector?”

“Thank you. Black.”

Edwina nodded curtly and disappeared. Her high heels cracked sharp reports in the hall. Sheehan snorted a chuckle. “Come in. Before the lions have at you. Or at least the lioness. Not all of my troops are taking your visit well.”

“That’s a reasonable reaction.”

Sheehan motioned him not to one of the two plastic chairs which faced his desk but to a blue vinyl-covered sofa which along with a pressed wood coffee table apparently constituted the conference area of his office. A map of the city centre hung on the wall there. Each of the colleges was outlined in red.

While Lynley took off his overcoat, Sheehan went to his desk where, in apparent defiance of gravity, a stack of folders leaned precariously towards the rubbish container on the floor. As the superintendent gathered up a loose collection of papers and fastened them together with a paperclip, Lynley regarded him, caught between curiosity and admiration at finding Sheehan so calm in the face of what could easily be interpreted as a declaration of his CID’s incompetence.

Sheehan certainly didn’t appear unflappable on the surface. His ruddy complexion suggested a quick temper. His thick fingers promised notable fists. His barrel chest and massive thighs seemed suitable to a brawler. And yet his easy manner contradicted his physique. As did his words, which were perfectly dispassionate. His choice of topic suggested that he and Lynley had spoken to each other before, establishing some sort of camaraderie. It was an oddly non-political approach to what could have been an uneasy situation. Lynley liked him for choosing it. It revealed him to be direct and confident of who and what he was.

“I can’t say we didn’t bring this on ourselves,” Sheehan said. “It’s a problem in forensic that should have been resolved two years back. But my CC doesn’t like to get involved in departmental squabblings, and as a result the chickens, if you’ll pardon the cliché and don’t mind wearing feathers, have come home to roost.”

He snagged one of the plastic chairs, returned to the sofa, and dropped his collection of papers onto the table where a manila folder labeled
Weaver
already lay. He sat. The chair creaked under his weight.

“I’m not happy as a sod myself about having you here,” he admitted. “But I wasn’t surprised when the Vice Chancellor rang me and said the University wanted the Yard. Forensic made a real balls-up of an undergraduate suicide last May. The University doesn’t want a replay. I can’t say I blame them. What I don’t much like is the implication of bias, though. They seem to think that if a student pops off, the local CID are as likely to say good riddance to another gown as they are to investigate.”

“I was told you had a leak in the department that caused the University bad press last term.”

Sheehan gave a grunt of confirmation. “A leak from forensic. We’ve got two prima donnas out there. And when one disagrees with the other’s conclusions, they fight it out in the press instead of the lab. Drake—the senior man—called the death a suicide. Pleasance—the junior—called it murder, based on the propensity for a suicide to stand before a mirror to cut his throat. This suicide did it while lying on his bed, and Pleasance wouldn’t buy it. The trouble started from there.” Sheehan lifted a thigh with another grunt and drove his hand into his trouser pocket. He brought out a packet of chewing gum and balanced it on his palm. “I’ve been after my CC to separate those two—or fire Pleasance—for exactly twenty-one months now. If the Yard’s involvement in this case can manage to bring that about, I’ll be a happy man.” He offered the gum. “Sugarless,” he said, and when Lynley shook his head, “Don’t blame you a bit. Stuff tastes like rubber.” He popped a folded piece into his mouth. “But it manages to give the illusion of food. If only I could convince my stomach.”

“Dieting?”

Sheehan smacked his palm against his bulging waistline where his stomach overhung the belt on his trousers. “It’s got to go. I’d a heart attack last year. Ah. Here’s the coffee.”

Edwina marched into the room with a cracked wooden tray held in front of her on which plumes of steam rose from two brown mugs. She set the coffee on the table, looked at her watch, and said with a brief, meaningful glance in Lynley’s direction, “Shall I buzz you in time to leave for Huntingdon, Mr. Sheehan?”

“I’ll manage, Edwina.”

“Chief Constable expects you—”

“—at half past ten. Yes.” Sheehan reached for his coffee and raised it to his secretary in a salute. He offered a smile of both thanks and dismissal. Edwina looked as if she wished to say more, but she left the room instead. The door, Lynley saw, did not quite catch behind her.

“We don’t have much more than the preliminaries for you,” Sheehan said with a lift of his coffee mug towards the papers and the folder on the table. “We can’t get her into autopsy until late this morning.”

Lynley put on his spectacles, saying, “What do you know?”

“Not much so far. Two blows to the face causing a sphenoidal fracture. That was the initial damage. Then she was strangled with the tie cord of her tracksuit’s hood.”

“All this occurred on an island, as I understand it.”

“Only the killing itself. We’ve got a good-sized blood splatter on the footpath that runs along the riverbank. She would have been attacked there first, then dragged across the footbridge onto the island. When you go out there, you’ll see that it’d be no problem. The island’s only separated from the west bank of the river by a bit of a ditch. Dragging her off the footpath would have been a matter of fifteen seconds or less, once she was unconscious.”

“Did she put up a fight?”

Sheehan blew across the top of his coffee mug and took a gusty slurp. He shook his head. “She was wearing mittens, but we’ve got no hairs or skin caught in the material. It looks to us like someone caught her by surprise. But forensic are taping her tracksuit to see what’s what.”

“Other evidence?”

“A plethora of crap that we’re sorting through. Disintegrating newspapers, half a dozen empty cigarette packs, a wine bottle. You name it, it’s there. The island’s a local hang-out, has been for years. We’ve probably got two generations of rubbish to sift through.”

Lynley opened the folder. “You’ve narrowed time of death between half past five and seven,” he noted and looked up. “According to the college, the porter saw her leaving the grounds at a quarter past six.”

“And the body was found not long after seven. So you’ve actually less than an hour to play with. Nice and narrow,” Sheehan said.

Lynley flipped through to the crime scene photographs. “Who found her?”

“Young woman called Sarah Gordon. She’d gone there to sketch.”

Lynley raised his head sharply. “In the fog?”

“My thought as well. You couldn’t see ten yards. I don’t know what she was thinking. But she had a whole kit of stuff with her—couple of easels, a case of paints and pastels—so she was obviously setting up for a good long stay. Which was cut a bit short when she found the body instead of inspiration.”

Lynley looked through the pictures. The girl lay mostly covered by a mound of sodden leaves. She was on her right side, her arms in front of her, her knees bent, and her legs slightly drawn up. She might have been sleeping save for the fact that her face was turned towards the earth, her hair falling forward to leave her neck bare. Round this, the ligature cut into her skin, so deeply in places that it seemed to disappear, so deeply in places that it suggested a rare, brutal, and triumphant sort of strength, a surging of adrenaline through a killer’s muscles. Lynley studied the pictures. There was something vaguely familiar about them, and he wondered if the crime were a copy of another.

“She certainly doesn’t look like an arbitrary body dump,” he said.

Sheehan leaned forward to get a look at the picture. “She wouldn’t be, would she? Not at the hour in the morning. This wasn’t any arbitrary killing. This was a lying-in-wait.”

“Quite. There’s some evidence of that.” He told the superintendent about Elena’s alleged call to her father’s house the night before she died.

“So you’re looking for someone who knew her movements, what her schedule would be that morning, and the fact that her stepmother wouldn’t go running along the river at a quarter past six if she had the chance not to. Someone close to the girl, I should guess.” Sheehan picked up a picture and then another, looking at them with an expression of marked regret on his face. “I always hate to see a young girl like this die. But especially this way.” He tossed the pictures back. “We’ll do what we can at our end to help you—matters being what they are in forensic. But if the body’s any indication, Inspector, aside from someone who knew the girl well, I should say you’re looking for a killer who’s craw-filled with hate.”

         

Sergeant Havers emerged from the buttery and descended the stairs from the terrace only moments after Lynley emerged from the library passage which connected Middle Court to North Court. She flipped her cigarette into a bed of asters and sank both hands into the pockets of her coat. Pea-soup green, it hung open to reveal navy trousers going baggy at the knees, a purple pullover, and two scarves—one brown and one pink.

“You’re a vision, Havers,” Lynley said when she joined him. “Is this the rainbow effect? You know the sort of thing. Rather like the greenhouse effect but more immediately apparent?”

BOOK: For the Sake of Elena
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