Forbidden Music (57 page)

5.
The Path into the Open
.

6.
Schnitzler 1908, p. 76.

7.
Goldmark 2006 (Berlin: Directmedia), p. 86.

8.
‘Zur Erinnerung an Robert Franz’,
Neue Freie Presse
, 1 November 1892.

9.
On Musical Beauty
.

10.
Hanslick 1950, p, 27.

11.
The History of Concert Life in Vienna
.

12.
Hanslick 1869–70, vol. 2, pp. 117–21.

13.
‘Concerte’,
Neue Freie Presse
, 28 Nov-ember 1882.

14.
Hanslick 1869–70, vol. 2, p. 292.

15.
Pester Lloyd
: the German language newspaper in Budapest.

16.
‘Feuilleton: Musik’,
Neue Freie Presse
, 22 November 1881.

17.
‘Franz Liszt’,
Neue Freie Presse
, 8 August 1886.

18.
Hanslick 1869–70, vol. 2, p. 227.

19.
Ibid., p. 295.

20.
Ibid., p. 291.

21.
Hanslick 1950, p. 83.

22.
Hanslick 1869–70, vol. 2, p. 428.

23.
Ibid., p. 340.

24.
Ibid., p. 437.

25.
Ibid., pp. 437–8.

26.
Ibid., p. 439.

27.
‘Hofoperntheater (Bianca, Komische Oper in zwei Akten von Ignaz Brüll)’,
Neue Freie Presse
, 17 December 1880.

28.
Ibid.

29.
Hanslick:
Aus meinem Leben
(Berlin: Directmedia), p. 164.

30.
The Destruction of Jerusalem
.

31.
The Catacombs
.

32.
‘Zur Biographie Ferdinand Hiller’,
Neue Freie Presse
, 18 and 19 August 1885.

33.
‘Hofoperntheater (Die Drei Pintos, Komische Oper von C.M. Weber bearbeitet und ergänzt von G. Mahler)’,
Neue Freie Presse
, 20. January 1889.

34.
‘Die Königsbraut, Romantische, Kom-ische Oper’,
Neue Freie Presse
, 31 March 1889.

35.
‘Marffa’,
Neue Freie Presse
, 7 October, 1886.

36.
‘Der Trompetter von Säkkingen’,
Neue Freie Presse
, 2 February 1886.

37.
‘Andreasfest’,
Neue Freie Presse
, 4 Feb-ruary 1885.

38.
‘Hofoperntheater: Fata Morgana’,
Neue Freie Presse
, 1 April 1886.

39.
‘Concerte’,
Neue Freie Presse
, 24 January 1882.

40.
‘Musik’,
Neue Freie Presse
, 20 February 1883.

41.
‘J. Offenbach’,
Neue Freie Presse
, 10 Oct-ober 1880.

42.
Goldmark: Erinnerungen (Berlin: Direct-media), p. 55.

43.
Hanslick:
Aus meinem Leben
(Berlin: Directmedia), pp. 181–2).

44.
Goldmark:
Erinnerungen
(Berlin: Direct-media), pp. 84–8).

45.
Ibid., p. 88.

46.
Rustic Wedding Symphony
.

47.
The Queen of Sheba
.

48.
‘Die Königin von Saba’,
Neue Freie Presse
, 13 March 1875.

49.
‘Merlin’,
Neue Freie Presse
, 21 November 1886.

50.
‘Von Johannes Brahms’ letzten Tagen’,
Neue Freie Presse
, 4 April 1897.

51.
Julius Korngold: ‘Internationales Kam-mermusikfest in Venedig II’,
Neue Freie Presse
, 29 September 1925.

52.
Korngold 1991, p. 33.

Chapter 4. Mahler and His Chronicler Julius Korngold

1.
Jüdisches Museum Wien: ‘Continental Britons: Hans Gál and Egon Wellesz’, Audio guide nos 703–4.

2.
Adolf Weissmann:
Der Dirigent im 20. Jahrhundert
(Berlin, 1925), as quoted by Julius Korngold in
Neue Freie Presse
, 19 December 1925.

3.
Arnold Schoenberg Center Vienna, Digi-tal Archive:
Gustav Mahler
, T60_10_A.

4.
Arnold Schoenberg Center Vienna, Digital Archive:
Gustav Mahler ist tot
, T60_03.

5.
Alma Mahler:
Tagebuch-Suiten 1898–1902
, ed. Anthony Beaumont (Frank-furt: Fischer, 1997), p. 639; other journals of the day included Gretl Gallia's as quoted in Bonyhady 2011, p. 178.

6.
Bonyhady 2011, p. 118.

7.
Haber 2009, pp. 11–15,

8.
Ibid., pp. 24–7.

9.
Ibid., p. 31.

10.
Stourzh 1989, pp. 239–58.

11.
Korngold 1991, p. 78.

12.
The Final Days of Mankind
.

13.
The Torch
.

14.
Die Fackel
, 30 May 1913.

15.
Die Fackel
, No. 5, May 1899.

16.
David Lloyd George published articles in the
Neue Freie Presse
on 3 January 1914, 14 September 1918, and 2 December 1918.

17.
Winston Churchill published an article in the
Neue Freie Presse
on 5 October 1917.

18.
Korngold 1991, p. 275.

19.
Alexander Moszkowski: ‘Feuilleton, Ein Genie’,
Neue Freie Presse
, 12 February 1892.

20.
Song of Zion
.

21.
Leon Botstein: Exhibition Catalogue
Quasi una fantasia: Vienna Jews and the City of Music 1870–1938
, Bard College, Annandale-on-Hudson, and Wolke Verlag, 2004, p. 43

22.
Scope, Methodology und Purpose of Musicology
.

23.
Monuments of Austrian Composition
.

24.
Theodor Haase: ‘Antisemitismus: Kleine Studien’,
Neue Freie Presse
, 6, 7 and 8 April 1887.

25.
Anatole France: ‘Über den Anti-semitismus’,
Neue Freie Presse
, 3 April 1904.

26.
Malte Fischer 2000, pp. 134–5.

27.
Taruskin uses the term ‘Maximalist’ to define works such as Arnold Schoenberg's
Gurrelieder
and Mahler's
Symphony of a Thousand
. See Taruskin 2010, vol. 5, p. 5.

28.
Korngold: ‘Orchester und Kammer-konzerte’,
Neue Freie Presse
, 6 May 1914.

29.
Letter from Erich Wolfgang Korngold to Arnold Rosé, 3 January 1918 (Inter-nationale Gustav Mahler Gesellschaft, 20–7).

30.
Letter from Gustav Mahler to Julius Korngold, 12 June 1908 (Internationale Gustav Mahler Gesellschaft, 1/113).

31.
Korngold 1991, p. 123.

32.
Korngold: ‘Gustav Mahler’,
Neue Freie Presse
, 4 June 1907.

33.
Korngold 1991, p. 115.

34.
Richard Robert: ‘Der Fall Korngold’,
Wiener Sonn- und Montags-Zeitung
, 11 May 1914.

35.
Korngold: ‘Musik’,
Neue Freie Presse
, 8 January 1907.

36.
Korngold: ‘Musik’,
Neue Freie Presse
, 17 December 1904.

37.
Ibid.

38.
Arendt 2007, p. 64.

39.
Malte Fischer 2000, p. 156.

40.
Taruskin 2010, vol. 5, p. 6.

Chapter 5. The Jugendstil School of Schoenberg, Schreker, Zemlinsky and Weigl

1.
Zuckerkandl 1970, p. 97.

2.
Johnston 1972, p. 71.

3.
Hilmar 1974, pp. 20–36.

4.
Anon,: ‘Fin de siècle’,
Neue Freie Presse
, 5 June 1890.

5.
Franz Servaes: ‘Decadence Romane’,
Neue Freie Presse
, 17 August 1899.

6.
Anon.: ‘Fin de siècle’,
Neue Freie Presse
, 30 December 1900.

7.
Max Burckhard: ‘Der Begriff des Modernen in der Kunst’,
Neue Freie Presse
, 19 and 20 November 1900.

8.
Max Nordau: ‘Socialistische Kunst’,
Neue Freie Presse
, 3 March 1896.

9.
Alfred Freiherr von Berger: ‘Wahnsinn auf der Bühne’,
Neue Freie Presse
, 31 December 1906.

10.
Hugo Ganz: ‘Kranke Kunst’,
Neue Freie Presse
, 21 April 1900.

11.
Zuckerkandl 1908, p. 47.

12.
Escape into Mediocrity
.

13.
Graf 1983, p. 374.

14.
Wittgenstein
Tractatus
, Proposition 7.

15.
Wellesz 1981, p. 40.

16.
‘Musik der Gegenwart, Eine Flug-blätterfolge no. 1: von neuer Musik aus Arnold Schoenberg Harmonielehre’,
Musikblätter des Anbruch
, issue1-2, 1922, p. 2.

17.
Ibid.

18.
Botstein 1991, p.129,

19.
Bartók was one of the non-Jewish composers who shared Schoenberg's highly developed sense of ethical and artistic ideals.

20.
BBC Interview: Deryck Cooke and Egon Wellesz, 1962; ‘Continental Britons’ exhibition, Jüdisches Museum Wien: Audio guide, no. 723.

21.
Wellesz 1985, pp. 32–5.

22.
Wellesz 1981, p. 96.

23.
Hanns Eisler: speech at International Congress of Composers and Music Critics in Prague, May 1948. Eisler 1982, vol. 2, pp. 17–18.

24.
Hans Eisler:
Aufbau
, v (1949), vol. 11, pp. 1035–6.

25.
Jürgen Schebera:
Hanns Eisler
(Mainz: Schott, 1998), p. 25

26.
‘Schoenberg: der Musikalische Reak-tionär’, Document, Arnold Schoenberg Center.

27.
Society of Creative Musicians.

28.
Once Upon a Time
.

29.
Korngold 1991, p. 123.

30.
‘Musik aus neuer und neuster Zeit’,
Neue Freie Presse
, 4 January 1901.

31.
‘Neue Orchester- und Liedmusik’,
Neue Freie Presse
, 3 February 1905.

32.
Ibid.

33.
Ibid.

34.
Ibid.

35.
‘Festaufführungen Wiener Musik’,
Neue Freie Presse
, 5 June 1920.

36.
‘Neue Orchester- und Liedmusik’.

37.
Ibid.

38.
Neue Freie Presse
, 12 July 1910.

39.
Neue Freie Presse
, 28 April 1917.

40.
Neue Freie Presse
, 25 November 1923.

41.
Neue Freie Presse
, 29 November 1910.

42.
Ibid.

43.
‘Festaufführungen Wiener Musik’.

44.
Arnold Schoenberg to Rudolf Ganz, 1 June 1938, subsequently paraphrased by Weigl in a brochure of composer recommendations.

45.
Krenek 1999, p. 140.

46.
‘Hofoperntheater’,
Neue Freie Presse
, 18 March 1913.

47.
The Birthday of the Infanta
.

48.
Wellesz 1981, p. 63.

49.
In fact, Berg's reduction proved too difficult, so a simplified version by Ferdinand Rebay was commissioned by Universal Edition.

50.
Wellesz 1981, p. 63

51.
Ibid.

52.
The Branded
.

53.
Hailey 1993, p. 298.

54.
Adorno 1986, vol. 16,
Quasi una fantasia
, p. 265.

55.
Ibid:
Vergegenwärtigungen
, p. 368.

Chapter 6. A Musical Migration

1.
Hamann 1997, p. 398.

2.
Neue Freie Presse
, 21 July 1914.

3.
Die Fackel
, 10 July 1914, p. 2.

4.
Neue Freie Presse
, 25 May 1915.

5.
Guido Adler: ‘Weltkrieg und Musik’,
Neue Freie Presse
, 2 July 1917.

6.
Ibid.

7.
‘Wo ist Österreich’,
Neue Freie Presse
, 3 September 1918.

8.
‘Die Verkündigung des Anschlusses an die deutsche Republik’,
Neue Freie Presse
, 13 November 1918.

9.
‘Angebliche Verhinderung des Anschlus-seszwischen Deutschösterreich und Deutschland’,
Neue Freie Presse
, 16 March 1919.

10.
Zweig 1970, p. 324.

11.
Ibid., p. 136.

12.
Anton Kuh:
Luftlinien. Feuilletons, Essays und Publizistik
, ed. Ruth Greuner (Vienna: Löcker, 1981), p. 191.

13.
The Word
.

14.
Raoul Auernheimer: ‘Expressionistische Bewegung’,
Neue Freie Presse
, 4 July 1918.

15.
Ibid.

16.
Ibid.

17.
Ibid.

18.
Ibid.

19.
James Simon: ‘Expressionismus in der Musik’,
Musikblätter des Anbruch
, June 1920, pp. 408–11.

20.
Letter from Kandinsky to Schoenberg, 18 January 1911.

21.
Stuckenschmidt 1964, p. 35.

22.
The Singing Devil
.

23.
St Cecilia or the Power of Music
.

24.
Hailey 1993, p. 249, and Haas and Hailey 2004, p.104.

25.
Hailey 1993, p. 247.

26.
The Blacksmith of Ghent
.

27.
Unknown World
.

28.
The Magnificent Cuckold
.

29.
Julius Korngold: ‘Novitäten’,
Neue Freie Presse
, 10 April 1924.

30.
Murder, the Hope of Women
.

31.
Krenek 1998, p. 1015.

32.
Ibid.

33.
Ibid., pp. 941.

34.
Anbruch
, 1931, no. 1, contents (unpaginated).

35.
Walter Braunfels, Berthold Gold-schmidt and Hans Krása in
Anbruch
, 1931, nos 6–7, pp. 145–6.

36.
Alois Hába in
Anbruch
, 1931, no. 4, p. 91.

37.
Paul Stefan in
Anbruch
, 1931, nos 8–9, p. 208.

38.
Anbruch
, 1931, no. 1, p. 16.

39.
Anbruch
, 1931, nos 2–3, p. 52.