Authors: Michael Haas
Concertante Musik
(Blacher)
(i)
Congress for Cultural Freedom (CCF)
(i)
,
(ii)
Congress of Vienna
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)
Congreve, William
(i)
Constitution of 21 December
(i)
Contemporary German Music
(Louis)
(i)
Cooke, Deryck
(i)
Cowell, Henry
(i)
Cowen, Frederic Hymen
(i)
Crimean War
(i)
Le Crime de Monsieur Lange
(film)
(i)
La crise est finie
(film)
(i)
Csipák, Károly
(i)
‘Cultural Federation for German Renewal’
(i)
Cultural League Orchestra and Chorus
(i)
The Cunning Little Vixen
(Janáček)
(i)
,
(ii)
Czechoslovakia
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
Dadaism
(i)
DAF
see
Deutsche Arbeitsfront
Dammert, Udo
(i)
Dantons Tod
(Büchner)
(i)
da Ponte, Lorenzo
(i)
Darmstadt summer courses
(i)
,
(ii)
,
(iii)
Dauber, Adolf ‘Dol’
(i)
Dauber, Robert
(i)
David, Ferdinand
(i)
David, Johann Nepomuk
(i)
Davidov, Karl
(i)
Debussy, Claude
(i)
,
(ii)
,
(iii)
,
(iv)
December Constitution of 1867
(i)
,
(ii)
Dehmel, Richard
(i)
Deirdre of the Sorrows
(Rankl)
(i)
,
(ii)
Delius, Frederick
(i)
denazification
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)
,
(vii)
Denison, John
(i)
Denkmäler der Tonkunst in Österreich
(Adler)
(i)
,
(ii)
,
(iii)
,
(iv)
Dent, Edward
(i)
,
(ii)
,
(iii)
,
(iv)
De Profundis
(Gál)
(i)
Descartes, René
(i)
Dessau, Paul
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
Deutsch, Jenő
(i)
Deutsch, Otto Erich
(i)
Deutsche Arbeitsfront (DAF) (German Workers’ Front)
(i)
Deutsche Chansons
(Bierbaum)
(i)
Deutsche Musikalien Verleger Verein (DMVV)
(i)
Deutsche Sinfonie
(Eisler)
(i)
,
(ii)
Dietrich, Marlene
(i)
,
(ii)
,
(iii)
dodecaphonic (twelve-tone) composition (‘serialism’)
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)
,
(vii)
,
(viii)
,
(ix)
Dohnányi, Ernst von
(i)
Dohnányi, Hans von
(i)
Doktor Faustus
(Mann)
(i)
,
(ii)
,
(iii)
Dollfuß, Engelbert
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
Donaueschingen festival
(i)
,
(ii)
,
(iii)
Don Gil von den grünen Hosen
(Braunfels)
(i)
,
(ii)
Don Juan's Last Adventure
(Graener)
(i)
Doráti, Antal
(i)
Downfall of Western Civilisation
(Spengler)
(i)
Dreigroschenoper
(Weill)
(i)
Die Drei Pintos
(Weber)
(i)
Dudow, Slatan
(i)
Duke Bluebeard's Castle
(Bartók)
(i)
Dunera
(ship)
(i)
Dvořák, Antonin
(i)
Dyson, Sir George
(i)
Ebinger, Blandine
(i)
Ebner, Ferdinand
(i)
Eckermann, Johann Peter
(i)
Edschmid, Kasimir
(i)
Eggebrecht, Hans Heinrich
(i)
Eichendorff, Joseph Freiherr von
(i)
Eichrodt, Ludwig
(i)
Eine Nacht in Venedig
(Strauss)
(i)
Ein Lied geht um die Welt
(film)
(i)
Einsatzgruppe D
(i)
Einstein, Albert
(i)
Einstein, Alfred
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)
,
(vii)
,
(viii)
,
(ix)
Eisenstein, Sergei
(i)
,
(ii)
,
(iii)
Eisler, Charlotte
(i)
Eisler, Elfriede (Ruth Fischer)
(i)
,
(ii)
,
(iii)
,
(iv)
Eisler, Gerhart
(i)
,
(ii)
,
(iii)
,
(iv)
Eisler, Hanns
Composing for Films
(i)
,
(ii)
,
(iii)
Eisler family
(i)
emigration
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)
Expressionism
(i)
film music
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)
Gál
(i)
Holländer
(i)
Hollywood Songbook
(i)
Krenek
(i)
‘New Objectivity’
(i)
,
(ii)
,
(iii)
overview
(i)
Palmström
(i)
restitution after Hitler
(i)
,
(ii)
,
(iii)
,
(iv)
Vierzehn Arten den Regen zu Beschreiben
(
Fourteen Ways of Describing the Rain
)
(i)
,
(ii)
Zeitungsausschnitte
(
Newspaper Clippings
)
(i)
Eisler, Ida Maria
(i)
Elektra
(Strauss)
(i)
Eleonore Maria Windisch-Graetz, Princess
(i)
,
(ii)
Elijah
(Mendelssohn)
(i)
Émigrés in the Classroom
(Hailey)
(i)
Emil and the Detectives
(film)
(i)
Enabling Act
(i)
Endler, Franz
(i)
Engel, Joel
(i)
Enlightenment
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)
,
(vii)
,
(viii)
Epstein, Julius
(i)
Erdmann, Eduard
(i)
Erkenne Dich selbst
(
Know yourself
) (Wagner)
(i)
Erlanger, Camille
(i)
Eroica
(Beethoven)
(i)
Erwartung
(Schoenberg)
(i)
,
(ii)
,
(iii)
,
(iv)
Essai sur l'inégalité des races humaines
(Gobineau)
(i)
Esslin, Martin
(i)
Es war einmal
(Zemlinsky)
(i)
,
(ii)
,
(iii)
Etienne, Michael
(i)
Ettinger, Max
(i)
Eulenburg, Kurt
(i)
Expressionism
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)
,
(vii)
,
(viii)
,
(ix)
Der Fächer
(Toch)
(i)
Falling in Love Again
(Holländer)
(i)
Fall, Leo
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)
Fall, Richard
(i)
Fanta, Robert
(i)
Fata Morgana
(Hellmesberger)
(i)
Fatherland Europe
(Huberman)
(i)
Fatherland Front
(i)
Faust Symphonie
(Liszt)
(i)
Felber, Erwin
(i)
Ferdinand I, Emperor
(i)
Der ferne Klang
(Schreker)
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
Festliches Präludium
(Wellesz)
(i)
Feuchtwanger, Lion
(i)
,
(ii)
,
(iii)
Feuerbach, Ludwig
(i)
feuilletons
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)
,
(vii)
,
(viii)
Ficker, Rudolf von
(i)
,
(ii)
,
(iii)
Fidelio
(Beethoven)
(i)
film music
Eisenstein
(i)
Eisler
(i)
Erich Korngold
(i)
,
(ii)
,
(iii)
,
(iv)
France
(i)
Great Britain
(i)
The Jazz Singer
(i)
Meisel
(i)
fin de siècle
(i)
,
(ii)
,
(iii)
,
(iv)
Fireworks
(Stravinsky)
(i)
First World War
see
World War I
Fischer, Ernst
(i)
Fischer, Ida Maria
(i)
Fischer, Ruth (Elfriede Eisler)
(i)
,
(ii)
,
(iii)
,
(iv)
Five Orchestral Pieces
(Schoenberg)
(i)
Flammen
(Schulhoff)
(i)
Die Fledermaus
(Strauss/Korngold)
(i)
Flexner, Abraham
(i)
Eine florentinische Tragödie
(Zemlinsky)
(i)
,
(ii)
Die Flucht ins Mittelmäßige
(Graf)
(i)
The Flying Dutchman
(Wagner)
(i)
,
(ii)
Foch, General
(i)
Förster, Bernhard
(i)
Foss, Lukas
(i)
The Foundations of the Nineteenth Century
(Chamberlain)
(i)
,
(ii)
,
(iii)
Fourteen Ways of Describing the Rain
(
Vierzehn Arten den Regen zu Beschreiben
) (Eisler)
(i)
,
(ii)
France
emigration
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
German and Jewish identity
(i)
,
(ii)
,
(iii)
,
(iv)
Nordau
(i)
restitution after Hitler
(i)
,
(ii)
Wagner's political and cultural legacy
(i)
World War I
(i)
,
(ii)
,
(iii)
,
(iv)
France, Anatole
(i)
Franco-Prussian War
(i)
,
(ii)
,
(iii)
,
(iv)
Frankel, Benjamin
(i)
Frankenburg, Paul
(i)
Frantz, Constantin
(i)
Franz Ferdinand, Archduke
(i)
,
(ii)
,
(iii)
Franz Joseph I
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)
,
(vii)
,
(viii)
,
(ix)
,
(x)
Franz II, Emperor
(i)
Franz, Robert
(i)
Frederick II (Frederick the Great)
(i)