Forbidden Music (70 page)

German and Jewish identity
(i)
,
(ii)

influence of
(i)

Jewish response to neo-Romanticism
(i)

Jewish Vienna
(i)

Jugendstil school
(i)
,
(ii)

Korngold
(i)
,
(ii)
,
(iii)

liberalism, Brahms and Hanslick
(i)
,
(ii)

Das Lied von der Erde
(i)

metropolis Vienna
(i)

Nazi regime
(i)

restitution after Hitler
(i)
,
(ii)

Resurrection
Symphony
(i)

Der Schildwache Nachtlied
(i)

Schoenberg
(i)
,
(ii)
,
(iii)

Society of Creative Musicians
(i)
,
(ii)
,
(iii)

Steiner
(i)

symphonies
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)

Wagner's legacy
(i)

Mahler, Justine
(i)

Mahler(-Werfel), Alma
(i)
,
(ii)
,
(iii)
,
(iv)

Malte Fischer, Jens
(i)
,
(ii)

Mandyczewski, Eusebius
(i)
,
(ii)
,
(iii)

Mann, Heinrich
(i)
,
(ii)

Mann, Klaus
(i)
,
(ii)
,
(iii)

Mann, Thomas
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)

The Man Who Could Work Miracles
(film)
(i)

Marffa
(Hager)
(i)

Marietta di Monaco
(i)

Marischka, Ernst
(i)

Marischka, Hubert
(i)
,
(ii)

Martinů, Bohuslav
(i)

Marx, Joseph
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)

Marx, Karl
(i)
,
(ii)
,
(iii)
,
(iv)

Marxism
(i)
,
(ii)
,
(iii)

Maschinist Hopkins
(Brand)
(i)
,
(ii)
,
(iii)

Masculinum-Femininum
(Spoliansky)
(i)

Maslow, Arkadi
(i)

Massine, Léonide
(i)

Mathis der Maler
(Hindemith)
(i)
,
(ii)

Matka (The Mother
) (Hába)
(i)

Mauvaise graine
(film)
(i)

May, Hans
(i)

Mayer, Dorothy
(i)

Mayer, Robert
(i)

McCarthy, Joseph
(i)

Mehring, Walter
(i)
,
(ii)

Mein Kampf
(Hitler)
(i)
,
(ii)

Mein Weg zur jüdischen Musik
(Stutschewsky)
(i)

Meisel, Edmund
(i)
,
(ii)
,
(iii)
,
(iv)

Die Meistersinger von Nürnberg
(Wagner)
(i)
,
(ii)

Melichar, Alois
(i)

Melodielehre
(Toch)
(i)
,
(ii)

Melos
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)

Mendelssohn, Fanny
(i)

Mendelssohn, Felix

Austrian Leagues
(i)
,
(ii)

Bach's
St Matthew Passion
(i)

death of
(i)

Elijah
(i)

German and Jewish identity
(i)

Jewish Cultural Leagues
(i)

liberalism, Brahms and Hanslick
(i)
,
(ii)
,
(iii)

Lobgesang
(i)

A Midsummer Night's Dream
(i)
,
(ii)

‘Old German School’
(i)
,
(ii)

Paulus
(i)
,
(ii)

restitution after Hitler
(i)

Wagner and German Jewish composers
(i)
,
(ii)
,
(iii)
,
(iv)

Wagner's legacy
(i)

Mendelssohn, Moses
(i)

Mephisto
(Mann)
(i)

Merlin
(Goldmark)
(i)
,
(ii)

Metternich, Prince von
(i)
,
(ii)

Meyerbeer, Giacomo (Jacob Liebermann Beer)
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)

Meyer, Ernst Hermann
(i)

Michael Kohlhaas
(Klenau)
(i)
,
(ii)
,
(iii)

A Midsummer Night's Dream
(film)
(i)
,
(ii)
,
(iii)

The Mighty Wurlitzer
(Wilford)
(i)

Miller zu Aichholz, Viktor von
(i)
,
(ii)

Mills, Irmgard (‘Spoli’)
(i)

Milstein, Nathan
(i)

Minne, George
(i)

Mirabile Mysterium
(Wellesz)
(i)

Mitropoulos, Dimitri
(i)

modernism

anti-Romantics
(i)
,
(ii)

Jewish response to neo-Romanticism
(i)

Jugendstil school
(i)
,
(ii)
,
(iii)

Mahler
(i)

musical migration
(i)
,
(ii)

music policies in Hitler's Germany
(i)

restitution after Hitler
(i)
,
(ii)
,
(iii)

Modern Racial Theory
(Hertz)
(i)

Mohaupt, Richard
(i)

Moll, Carl
(i)
,
(ii)

Mona Lisa
(Schillings)
(i)
,
(ii)

Moody, Alma
(i)

Moravia
(i)
,
(ii)
,
(iii)

Mörder, Hoffnung der Frauen
(Hindemith)
(i)

Morgenstern, Soma
(i)
,
(ii)

Moritz Bethmann, Simon
(i)

Moscheles, Ignas
(i)
,
(ii)
,
(iii)
,
(iv)

Moscow Declaration
(i)

Moseley, Oswald
(i)

Moser, Koloman
(i)

Moszkowski, Alexander
(i)

Moszkowski, Moritz
(i)

Mozart, Wolfgang Amadeus
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)

Muchanoff, Frau (née Countess Nesselrode)
(i)

Müller, Hans
(i)
,
(ii)
,
(iii)

Müller, Willy
(i)

Munch, Charles
(i)

Münchhausen
(Holländer)
(i)

Munich Agreement
(i)
,
(ii)

Münzenberg, Willi
(i)

Music after Hitler
(Thacker)
(i)
,
(ii)

Musica Viva
series
(i)

music festivals
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)
,
(vii)

Music in Terezín
(Karas)
(i)

musicology
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)

music publishers
(i)
,
(ii)

Die Musik
(magazine)
(i)

Musikblätter des Anbruch see Anbruch

Musik-Bolschewismus
(John)
(i)

Musik hinter Stacheldraht
(
Music behind Barbed Wire
) (Gál)
(i)

Die Musik in der Weltkrise
(Weißmann)
(i)
,
(ii)

Musil, Robert
(i)

Mussolini, Benito
(i)
,
(ii)
,
(iii)
,
(iv)

My Path as a Pan-European
(Huberman)
(i)

My Song goes Round the World
(film)
(i)

Nabokov, Nicolas
(i)

‘Nachtwandler’ (‘The Somnambulist’) (Falke)
(i)

Nana
(Gurlitt)
(i)

Napoleon III
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)

National Socialism
see
Nazism

Nationalversammlung (National Assembly)
(i)
,
(ii)

Naturalism
(i)
,
(ii)
,
(iii)

Nazism (National Socialism)

anti-Romantics
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)
,
(vii)

Berlin cabaret
(i)

‘Entartung’ (degeneration)
(i)
,
(ii)

exile and worse

camps
(i)
,
(ii)
,
(iii)
,
(iv)

Évian Conference
(i)

France
(i)
,
(ii)

MS
St Louis
(i)

refugee crisis
(i)

German and Jewish identity
(i)
,
(ii)
,
(iii)

Hanslick on Liszt
(i)

Hitler appointed as Chancellor
(i)
,
(ii)
,
(iii)

Jugendstil school
(i)
,
(ii)

Lexikon der Juden in der Musik
(i)
,
(ii)
,
(iii)
,
(iv)

Mahler and Korngold
(i)
,
(ii)
,
(iii)

musical migration
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)

Nazi regime
(i)

Aryanisation of music business
(i)

Austrian Leagues
(i)

Austro-fascism
(i)

Braunfels
(i)

classification of Jews
(i)

confused beginning
(i)

dictatorship
(i)

Furtwängler
(i)

German tragedy
(i)

Graener
(i)

Havemann
(i)

Jewish Cultural Leagues
(i)

mechanics of the purge
(i)

music business
(i)

music policies in Hitler's Germany
(i)
,
(ii)
,
(iii)

overview
(i)

Rosenberg in London
(i)

political science of music
(i)

resolute Romantics
(i)
,
(ii)
,
(iii)
,
(iv)

restitution after Hitler

Cold War
(i)
,
(ii)

music in the Austria zones
(i)

Nazi resistance
(i)

overview
(i)

war criminals
(i)
,
(ii)

Wagner's legacy
(i)
,
(ii)

Nelson
(Berkeley)
(i)

Nelson, Rudolph
(i)
,
(ii)

neo-Romanticism
(i)

Nessler, Victor Ernst
(i)

Nettl, Paul
(i)

Die neue Aesthetik der musikalischen Impotenz
(
The New Aesthetic of Musical Impotence
) (Pfitzner)
(i)
,
(ii)
,
(iii)

Neue Freie Presse
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)

anti-Semitism
(i)

anti-Wagnerian
(i)

Expressionism
(i)

fin de siècle Austria
(i)

German and Jewish identity
(i)
,
(ii)
,
(iii)

Hanslick's musical world
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)

Krenek
(i)

Mahler and Korngold
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)

musical migration
(i)
,
(ii)
,
(iii)

Nazi regime
(i)
,
(ii)
,
(iii)
,
(iv)

Nordau
(i)

Schreker
(i)

sex education
(i)

Wellesz
(i)
,
(ii)

Neue Sachlichkeit see
‘New Objectivity’

Neues vom Tage
(Hindemith)
(i)
,
(ii)

Neue Zeitschrift für Musik
(Uhlig)
(i)

Neumann, Angelo
(i)

Neuwirth, Gösta
(i)

The New Aesthetic of Musical Impotence
(Pfitzner)
(i)
,
(ii)
,
(iii)

‘New German School’
(i)
,
(ii)

Newman, Alfred
(i)

Newman, Ernest
(i)
,
(ii)

‘New Objectivity’ (
Neue Sachlichkeit
)

anti-Romantics
(i)
,
(ii)
,
(iii)

Berlin cabaret
(i)

Expressionism
(i)
,
(ii)

Jewish response to neo-Romanticism
(i)

musical consequences of change
(i)

music for the masses
(i)

Nazi regime
(i)
,
(ii)

political science of music
(i)

restitution after Hitler
(i)
,
(ii)

Toch
(i)
,
(ii)

‘The New Opera’ (Weill)
(i)