Authors: Kathryn Hughes
Solmar, Henriette von, 221, 222
Spencer, Herbert, 93, 157, 159, 186–8, 191, 201, 202, 208, 228, 242, 244, 286, 307–8, 310, 355, 357, 378, 403, 415, 447–8, 458, 461, 464, 469, 470, 481, 482
model for Theophrastus Such [
Impressions of Theophrastus Such
], 467
relationship with, 163–76
Spencer, Revd Thomas, 164, 172
Spinoza, Benedict de, 95, 96, 118, 133, 192, 222, 226, 227, 237, 444, 460
Spurgeon, Charles Haddon, 393
Stahr, Adolf, 222
Stanley, Arthur, 396–7, 482–3
Stanley, Lady Augusta, 396–7
Stanley sisters, 380
Stephen, Leslie, 441–2
Stevenson Harrison, Eliza,
see
Lewes, Eliza
Stowe, Harriet Beecher, 393, 425, 429, 452
Strand, The, stay at, 150–83
Strauss, David Friedrich, 90, 98, 99, 100, 211, 219, 274
GE’s translation, 6, 95–100, 109, 111, 118, 120, 137, 148, 153, 160, 165, 184, 205, 224, 226, 247, 394, 424
Stuart, Elma, 405–6, 431–2, 434, 435, 437, 464, 474, 478, 481, 484
Stuart, Roland, 434
Taylor, Clementia, 355–6, 368–70, 473–4, 476
Taylor, Isaac, 64
Taylor, Peter, 355
Tennyson, Alfred, Lord, 399, 412, 457, 461
Tennyson, Lady, 399
Tennyson, Mrs Lionel, 473
Terborch, Gerard, 275
Teresa of Avila, St, 7, 422
Thackeray, William Makepeace, 157, 197, 258, 262, 346, 347, 402, 426, 430
Tieck, Ludwig, 197
Tilley, Elisabeth, 140–41, 144–52, 169, 184
Tocqueville, Alexis Charles Henri Clérel de, 197
Tomlinson, Elizabeth,
see
Evans, Elizabeth
Trollope, Anthony, 5, 332, 335, 343, 348, 350–52, 357, 367, 382, 402, 412, 426, 461
Trollope, Anthony, Mrs, 358
Trollope, Tom, 202, 341, 343, 357
Tugwell, George, 243, 265
Turgenev, Ivan Sergeevich, 398, 457, 461
Tyndall, John, 483
Unitarianism, 64–5, 66, 72, 101, 153, 155, 158, 162, 182, 215, 225
Vallière, Madame de, 125
Varnhagen von Ense, Karl August, 221
Vehse, Eduard, 226
Venice, stay in, 4, 334, 381, 475, 477–80
Victoria (Vicky), Princess, 4, 397
Victoria, Queen, 1–4, 7, 108, 212, 288, 357, 361, 394, 397, 427
Victorian age:
characteristics of, 2, 3, 6–8, 426, 485
end of, 485, 486
Villino Trollope, 364, 414
Vinet, Alexandre Rodolphe, 94–7, 99, 150
Vivian,
see
Lewes, George Henry
Voltaire, Francois Marie Arouet de, 133
Wagner, Richard, 220, 391
Wallington, Mrs, 28, 29, 33
Wallington, Nancy,
see
Buchanan, Nancy
Wandsworth, 5, 293–5, 298–300, 309, 313, 315, 332, 355, 381
Ward, Mrs Humphry, Mary Augusta (née Arnold), 400
Warwickshire, 1, 9, 14, 28, 43, 92, 110, 117, 119, 134, 142, 162, 181, 219, 244, 252, 258, 268, 286, 292, 293, 301, 308, 314, 354, 387, 442
Watteau, Antoine, 264
Watts, Francis, 75, 89, 93, 94, 103, 105, 107, 150
Weimar, Duke of, 219
Weimar, stay in, 210–20
Wesley, John, 30, 283
Westminster Review
, 116, 138, 145–59, 163, 177, 182, 224, 249–50, 424
Whewell, William, 242
White, William Hale (Mark Rutherford), 136, 157, 485
Wicksteed, Charles, 100
Wilberforce, William, 45–6
Williams, John, 46
Willim, Elizabeth (née Ashweek,
later
Lewes), 339, 386, 412, 416, 437
[GHL’s mother], 189
Willim, John, 189, 339, 386
Witley, ‘The Heights’, 439–40, 457, 469, 480
Wollstonecraft, Mary (Mrs Godwin), 441
Woolf, Virginia, 484
Woolner, Thomas, 378
Wordsworth, William, 9, 49, 53–4, 62, 338–9
Young, Edward, 46, 258, 308
Several times during the writing of this book I feared that I had turned into Edward Casaubon, the fastidious blocked cleric from
Middlemarch
who has been working for far too long on the ‘Key to All Mythologies’. But unlike Casaubon, I did eventually start – and finish – writing and need to thank the many people and institutions who helped me along the way.
Anyone working on George Eliot bears a huge debt to Gordon Haight, the Yale academic who spent his life collecting her letters into nine immaculately edited volumes, as well as producing the excellent biography of 1968. Other Eliot scholars whose work has been particularly helpful include Rosemary Ashton and Ruby Redinger.
The Beinecke Rare Book and Manuscript Library at Yale University, the Warwickshire County Record Office and the Nuneaton Library all allowed me generous access to their manuscript holdings, from which I am very grateful to be permitted to quote. Thanks especially to Jonathan Ouvry, George Henry Lewes’s great-great-grandson, for allowing me to cite the unpublished journals of Eliot and Lewes held at Yale. I am also grateful for the help I received from the British Library, the London Library and London University Library.
George Eliot called John Blackwood ‘the best of publishers’. I could say the same of Christopher Potter at Fourth Estate, to whom I am very grateful for commissioning this book. My editor Katie Owen provided exactly that blend of insight and enthusiasm which authors fantasise about during the long, dark days of composition. Thanks go too to Ilsa Yardley for her immaculate
copy-editing and to Leo Hollis for taking on the picture research. And, of course, I am indebted to Rachel Calder at the Tessa Sayle Agency for first putting me and Eliot together. More personally, I’d like to thank Karen Merrin for her friendship and my brother, Dr Michael Hughes of Liverpool University, for hours of phone support, not to mention a crash course in German philosophy. But my greatest debt is to my parents who have never, in all the years I have spent writing about the nineteenth century, hinted that there might be easier ways to make a living.
Kathryn Hughes
London, June 1998
Kathryn Hughes was educated at Oxford University and holds a PhD in Victorian Studies. She is a visiting lecturer in nineteenth-century literature and history at several British universities and reviews regularly for the
Daily Telegraph
, the
Literary Review
and the
New Statesman
. She is the author of
The Victorian Governess
.
‘Sparkling … a psychological drama which is both acute and compelling and a joy to read.’
Spectator
‘Magnificent.’
Independent
, Books of the Year
‘No earlier biographer has succeeded so well in giving Eliot a social and historical context; Hughes is acutely aware of the importance of location to the development of ideas.’
Sunday Times
, Books of the Year
‘Earlier biographers worshipped as at a shrine; Hughes is invitingly familiar, and permits us to see Eliot in the raw … She provides us with a redefinition of the art as well as the life, and explains why George Eliot’s novels ultimately offered her readers more than just the diversions of fiction.’
Independent on Sunday
‘This biography adds significantly to our understanding of the greatest novelist in the English language.’
Mail on Sunday
‘Kathryn Hughes brings a rare blend of scholarly and psychological insight to the period.’
Observer
‘Brilliantly accessible.’
Birmingham Post
‘Kathryn Hughes has an eye for dramatic tension and the wit not to overcrowd her account.
George Eliot: The Last Victorian
is an engagingly good read, a popular but intelligent insight into a woman who stands head and shoulders above almost all other Victorian novelists in the perception and realism of her material.’
Scotland on Sunday
‘Consistently interesting, with a sharp psychological angle.’
Literary Review
‘Illuminating … Skilfully relating the life experiences to the writing, Hughes tells … Eliot’s story with gusto and scholarly perception.’
Daily Mail
First published in Great Britain in 1998 by
Fourth Estate Limited
6 Salem Road
London W2 4BU
Copyright © Kathryn Hughes 1998
The right of Kathryn Hughes to be identified as the author of this work has been asserted by her in accordance with the Copyright,
Designs and Patents Act 1988.
A catalogue record for this book is available from the British Library.
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