History's Great Queens 2-Book Bundle: The Last Queen and The Confessions of Catherine de Medici (44 page)

BOOK: History's Great Queens 2-Book Bundle: The Last Queen and The Confessions of Catherine de Medici
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The Confessions of Catherine de Medici
is a work of historical fiction. Apart from the well-known actual people, events, and locales that figure in the narrative, all names, characters, places, and incidents are the products of the author’s imagination or are used fictitiously. Any resemblance to current events or locales, or to living persons, is entirely coincidental.

Copyright © 2010 by C. W. Gortner
Reading group guide copyright © 2011 by Random House, Inc.
Excerpt from
The Queen’s Vow
copyright © 2012 by C. W. Gortner.

All rights reserved.

Published in the United States by Ballantine Books, an imprint of The Random House Publishing Group, a division of Random House, Inc., New York.

B
ALLANTINE
and colophon are registered trademarks of Random House, Inc.
Random House Reader’s Circle and Design is a registered trademark of Random House, Inc.

Library of Congress Cataloging-in-Publication Data
Gortner, C. W.
The confessions of Catherine de Medici : a novel / C. W. Gortner.
p. cm.

This book contains an excerpt from
The Queen’s Vow
by C. W. Gortner. This excerpt has been set for this edition and may not reflect the final content of the book.
eISBN: 978-0-345-52194-1

1. Catherine de Médicis, Queen, consort of Henry II, King of France, 1519–1589—Fiction. 2. Queens—France—Fiction. 3. France—History—16th century—Fiction. I. Title.
PS3607.O78C66 2010
813′.6—dc22        2010009363

www.ballantinebooks.com

Cover design: Victoria Allen. Cover photograph: Peer Lindgreen.

v3.0_r1

Contents

For Erik, who always reminds me there is more to life;
and for Jennifer, who always makes me laugh

Bottle! Whose mysterious deep

does ten thousand secrets keep,

With attentive ear I wait;

Ease my mind and speak my fate
.


RABELAIS

BLOIS, 1589

I
AM NOT A SENTIMENTAL WOMAN
.

Even during my youth I wasn’t given to melancholia or remorse. I rarely looked back, rarely paused to mark the passage of time. Some would say I do not know the meaning of regret. Indeed, if my enemies are to be believed, my unblinking eyes stare always forward, focused on the future, on the next war to fight, the next son to exalt, the next enemy to vanquish.

How little they know me. How little anyone knows me. Perhaps it was ever my fate to dwell alone in the myth of my own life, to bear witness to the legend that has sprung around me like some venomous bloom. I have been called murderess and opportunist, savior and victim. And along the way, become far more than was ever expected of me, even if loneliness was always present, like a faithful hound at my heels.

The truth is, not one of us is innocent.

We all have sins to confess.

ONE

I
WAS TEN YEARS OLD WHEN I DISCOVERED I MIGHT BE A WITCH
.

I sat sewing with my aunt Clarice, as sunlight spread across the gallery floor. Outside the window I could hear the splashing of the courtyard fountain, the cries of the vendors in the Via Larga and staccato of horse hooves on the cobblestone streets, and I thought for the hundredth time that I couldn’t stay inside another minute.

“Caterina Romelo de’ Medici, can it be you’ve finished already?”

I looked up. My late father’s sister Clarice de’ Medici y Strozzi regarded me from her chair. I wiped my brow with my sleeve. “It’s so hot in here,” I said. “Can’t I go outside?”

She arched her eyebrow. Even before she said anything, I could have recited her words, so often had she drummed them into my head: “You are the Duchess of Urbino, daughter of Lorenzo de’ Medici and his wife, Madeleine de la Tour, who was of noble French blood. How many times must I tell you, you must restrain your impulses in order to prepare for your future?”

I didn’t care about the future. I cared that it was summer and here I was cooped up in the family palazzo forced to study and sew all day, as if I might melt in the sun.

I clapped my embroidery hoop aside. “I’m bored. I want to go home.”

“Florence is your home; it is your birth city,” she replied. “I took you from Rome because you were sick with fever. You’re fortunate you can sit here and argue with me at all.”

“I’m not sick anymore,” I retorted. I hated it when she used my poor health as an excuse. “At least in Rome, Papa Clement let me have my own servants and a pony to ride.”

She regarded me without a hint of the ire that the mention of my papal uncle always roused in her. “That may be but you are here now, in my care, and you will abide by my rules. It’s midafternoon. I’ll not hear of you going outside in this heat.”

“I’ll wear a cap and stay in the shade. Please, Zia Clarice. You can come with me.”

I saw her trying to repress her unwilling smile as she stood. “If your work is satisfactory, we can take a stroll on the loggia before supper.” She came to me, a thin woman in a simple gray gown, her oval face distinguished by her large liquid-black eyes—the Medici eyes, which I had inherited, along with our family’s curly auburn hair and long-fingered hands.

She swiped up my embroidery. Her lips pursed when she heard me giggle. “I suppose you think it’s funny to make the Holy Mother’s face green? Honestly, Caterina; such sacrilege.” She thrust the hoop at me. “Fix it at once. Embroidery is an art, one you must master as well as your other studies. I’ll not have it said that Caterina de’ Medici sews like a peasant.”

I thought it best not to laugh and began picking out the offensive color, while my aunt returned to her seat. She stared off into the distance. I wondered what new trials she planned for me. I did love her but she was forever dwelling on how our family prestige had fallen since the death of my great-grandfather, Lorenzo Il Magnifico; of how Florence had been a center of learning renowned for our Medici patronage, and now we were but illustrious guests in the city we had helped build. It was my responsibility, she said, to restore our family’s glory, as I was the last legitimate descendant of Il Magnifico’s bloodline.

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