In the Path of Falling Objects (34 page)

“Things will be okay, Simon,” I said. “I believe that things will work out for us.”

“You’ll like it at my place,” Dalton said. “With my family. A real family. And Jonah knows you can stay as long as you want. Forever.”

“We going to take Don all the way back to New Mex?”

“As long as he lays down,” I said. “ ’Cause I’m not ever sharing a seat with him again.”

I reached my hand up to where Simon played with the meteorite.

“Can I see it?”

Simon didn’t answer; he just handed the rock to me. And I held it over my face and spun it between my hands, like Simon had done, imagining how it must have looked out there in space.

“Jonah?”

“What?”

“Do you think anyone found them yet?”

I knew what he was talking about. He was worried about those bodies we burned in the trailer.

“I don’t know,” I said. “But let’s make a rule right now. Brothers’ Rule Number Five: We aren’t going to . . .” I sighed and didn’t finish the words.

“Not going to what?” Simon asked.

I sat up. I looked at Dalton, then Simon. “We’re never going to forget how we got here.”

“And everything’s going to be good now,” Dalton said.

I held out my hand. “Yeah.”

And Dalton and Simon grabbed my hand.

Simon swallowed. “Are you gonna be okay? About Lilly?”

“I’ll be okay.”

“She was nice.”

“I guess.”

I looked across the lake. I closed my eyes and I swear I could hear the sound of tires on gravel and smell the dust of the road, exactly the way it was the day I first saw Lilly floating past us like an angel.

“You said you figured out about Matthew.”

I stared at the meteorite. It was so black.

“I don’t know. I guess I knew but I didn’t want to think about it. You felt it, too, didn’t you, Simon?”

“Yeah.”

I sighed.

“And what are we going to do with all that money in that box?” Simon asked.

“First thing I’m going to do is buy a bag of rice.”

“You don’t even like rice,” Simon said.

Dalton laughed, “It’s for my dad. I’ll tell you that story.”

“I’m not gonna lie, Jonah,” Simon said. “But I kinda wished I could have a cigarette right now.”

“Then the second thing I’m going to do is buy a bag of rice. ’Cause first I’m going to get you some cigarettes at the next gas station,” I said. “I don’t care.”

“Cool.”

“Here.” I handed the meteorite to Simon and sat up. “And when we get back to that bridge in New Mexico, both of us are going for a swim.”

“Heck,” Dalton said. “There’s a perfectly good lake right in front of us.”

I stood up. “I’m jumping in.”

And Simon said, “Then so am I.”

I drew a map.

I believe we knew all along what we were trying to find wasn’t there. And now I know why Simon was so angry with me until the day we met up again on that dirt road by the mesa. Because he knew I was trying to keep him fooled, like he was the little boy, when, really, it was me who was fooling myself into thinking we’d find something—just because I wanted it to be there.

I went out looking for Matthew, but I found Simon instead.

And maybe he found me.

I don’t know.

Maybe brothers need to do that, to deal with the most horrible things, just so they can see what they’re really made of, what’s really between them. Because sometimes, I think that’s a force that’s more powerful than all those other things we can’t do anything about.

I drew a map.

My older brother, Patrick, volunteered to serve in Vietnam when he was seventeen years old. And I still have the letter he’d written, saying to tell my younger brother, Steve, not to worry—that he promised he would not get killed. It’s a terrible thing when brothers make such requests and answer with such promises.

I rode through the Southwest with two of my best friends, Mike Bowen and Steve Tureaud; and I had to endure being in the backseat of Mike’s car the whole way home from Mexico, sitting alongside a life-size tin statue of Don Quixote that Mike picked up there (legally). The car was not a 1940 Lincoln Cabriolet, though.

Before he died, my father-in-law, Don Letney, bought a 1940 Lincoln Cabriolet. Now the car sits in a garage. I always planned to put that car in a book, so here it is, and now I suppose we’ll have to take it out and put that car on the road, where it belongs. It really is an amazing vehicle.

I do not believe in luck, but I am very fortunate to be represented by an incredible agent, Laura Rennert. She isn’t just a skillful agent, she’s about the smartest person I’ve ever run into when it comes to writing and telling stories. Thank you, Laura.

Thank you, Kelly Milner Halls, for making me write again.

And thanks to all the “friends,” too. Like my good friend Lewis Buzbee said to me, there’s a reason why it’s called Feiwel and
Friends
. Thank you so much, Jean Feiwel, for being, like, the coolest person I have ever met. And thanks, Elizabeth Fithian, Allison Remcheck (officially, my first fan), Liz Noland, Rich Deas, Jessica Tedder, Dave Barrett, Caroline Sun, Ksenia Winnicki, and everyone else who works in one of the most architecturally beautiful buildings on Manhattan.

Finally, I have a piece of paper, a sign, taped on the wall of my office that says, “What would Liz do?” My greatest thanks go to my editor, Liz Szabla. She may be the most amazing and talented editor that has ever loved working with stories, but, above that, she’s a friend. Thank you, Liz. You may remember that when you told me how much you loved this book, my answer to you was that if it was any good at all, it’s ’cause you, Liz Szabla, taught me how to write. I do believe that.

ANDREW SMITH

What did you want to be when you grew up?

I think I always wanted to be a writer when I grew up. The problem was, growing up when I did, most families were overly concerned about having stable futures and working in industries that would always expand—like warfare and stuff. After all, I am a child of the Cold War. So my parents were not very enthusiastic when I revealed my future aspirations to them. In fact, I think I recall them saying something like, “But what do you really want to be?”

When did you realize you wanted to be a writer?

I always liked it when my teachers would give creative assignments that dealt with writing stories or illustrating things. And I actually am a pretty decent artist, although I really wish I could paint better. But becoming a writer probably became a certainty for me when I was in high school.

What’s your most embarrassing childhood memory?

When I was in kindergarten, I sat next to a boy named Chip. Chip had to pee really bad, but he was too afraid to ask the teacher, Mrs. Bailey. So Chip just peed under the table, all over
the floor, and, of course, he denied it was his. I was ethically torn by the situation. We were sitting two-to-a-desk, Chip was my friend, and I had an irreconcilably feverish crush on Mrs. Bailey.

As a young person, who did you look up to most?

When I was a kid, I looked up to my brother Patrick the most. He was older, and we shared a bedroom (there were four boys in my family) until he enlisted in the army—when he went off to fight in Vietnam. Patrick drove a 1959 Cadillac—a gift from our aunt—and he used to drive the three of us younger boys around with him and his tough-guy high school friends on their crazy adventures, and we listened to AM radio stations and daringly used words like “bitchin’ ” when we talked.

What was your first job?

My first real job—where I actually collected a paycheck—was writing for a local newspaper in Southern California. Beginning reporters are called stringers, and in those days, stringers got paid by the inch of copy we wrote (newspaper columns, typically two inches wide, had about fifty words per inch). I often say that getting paid for writing by the inch is very likely the origin of my predilection for big words and long sentences.

How did you celebrate publishing your first book?

It honestly wasn’t much of a celebration for a couple reasons: First, publication takes such an interminably long time. From the time you get an offer to when you actually sign contracts may take several months. Then, when the book is actually in the stores is usually more than a year after that. But the biggest reason for a non-celebration was that I wrote—and continue to write—in secret. Nobody knew what I was up to, so my family and friends really didn’t believe much of anything had actually
happened. In fact, I didn’t tell my wife that I had written a book until after I received an offer for representation from my agent. And when I finally told her, she was so relieved because she thought I was having some kind of online affair due to the hours and hours I’d been spending quietly working on my computer. Now, I think my writing is more of a bother to my wife and kids. Maybe they’ll want to celebrate when I decide to quit.

Where do you write your books?

I write my books in my upstairs office at home. It is a perfect writing place. It has a deck and lots of windows looking out at mountains and trees and my horses. When I travel, I carry a laptop with me and I work on my writing by emailing bits and pieces of my work back and forth to myself.

Where do you find inspiration for your writing?

Inspiration is a moving target. If you sit still, you’ll never find it, and you’ll get really old waiting for it to bump into you.

Which of your characters is most like you?

Well, to some extent, all my protagonists are part “me,” but if you had to isolate one individual character, I think there’d be no doubt about it: I am most like Simon Vickers, from In the Path of Falling Objects. He always takes risks without seriously considering the consequences, and I think he has an attitude—maybe due to naiveté—that nothing bad will ever happen to him. He likes to push buttons and then acts indignant when the people around him get pissed off. Yeah . . . that’s me.

When you finish a book, who reads it first?

When I finish a book, I read it first. That’s when I try to read it like I didn’t have anything to do with it having been written. I am not a writer who shares what I write with friends and family, though.
So, when I finish a book, I usually send it directly to my agent, Laura Rennert, and my editor, Liz Szabla. Then, immediately after that, I get sick and start asking, “Why did I send that to them? Why? Why? Why?” and I start calling myself every version of stupid I can think up. Then I get really grumpy until I hear back from them—an interminable and agonizing wait, even if it’s only a few days long.

Which do you like better: cats or dogs?

I am entirely a dog person. Still, we do own four cats who are all very good at keeping down the rodent population around the house and then making little shrines of death on our front walkway.

What do you value most in your friends?

I like my friends for their intelligence and sense of humor. I also truly value the fact that my friends understand that I am a fairly quiet and reserved person who can go for long stretches of time rather quiet and isolated.

Where do you go for peace and quiet?

I live in a very peaceful, quiet location—and I really couldn’t have it any other way. Although there are certain cities that I absolutely love (Los Angeles, New York, Chicago, Boston, London, to name a few) my ideal getaways usually take me to secluded places that are not very crowded.

What makes you laugh out loud?

I most often find myself laughing out loud at things we say when I’m hanging out with my wife and kids—or when I’m joking around with my very funny friends: John, Casey, Brian, Steve, and Jeremy.

What’s your favorite song?

I wonder how many people can confidently answer that question. My favorite song changes about every other week. But I can offer, as a means of getting around the question, that if there ever were perfect “soundtracks” made for Ghost Medicine and In the Path of Falling Objects, I would like to have the following artists contribute: The Felice Brothers, Bob Dylan, Bon Iver, and Johnny Flynn. Now, if there were a soundtrack made for The Marbury Lens, I would like to hear what Radiohead, The Cure, and maybe a reunited Pink Floyd would come up with for that monster.

Who is your favorite fictional character?

“My” favorite fictional character is, naturally, one of my own—a kid named Stark McClellan. You haven’t met him yet because he’s in a book I wrote called Stick that is not yet published. But the reason that I like him so much is that he has this really dry (but definitely not cynical or sarcastic) sense of humor in the way he looks at things, and he has this remarkable ability, I think, to see a kind of wonder in everything—even if he’s surrounded by cruelty and ugliness. I admire people who are like that.

What time of year do you like best?

I definitely prefer summertime. Still, there is a lot to be said for sitting by a fire while snow falls outside, reading a great book.

What’s your favorite TV show?

I do not watch television at all. I am incapable of sitting still and having information, noise, and visuals pumped into my skull. I know this is a shortcoming on my part and that I am missing out on something, but I just don’t ever do it. My friends think I’m a snob, but it has nothing to do with my looking down on the medium. They’re all dumb, anyway.