Known to Evil (31 page)

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Authors: Walter Mosley

Tags: #Detective, #Mystery, #Private investigators, #Mystery And Suspense Fiction, #Mystery & Detective, #Political corruption, #Fiction - Mystery, #New York (N.Y.), #Mystery & Detective - General, #General, #Fiction, #New York, #Suspense, #Suspense fiction, #New York (State), #Domestic fiction

BOOK: Known to Evil
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After twenty seconds of conversation he looked at his partner and said, "They want us to bring him over to the Port Authority, Park."

"Why?"

"Didn't say."

"Who was it?"

"The sergeant."

WITH MY HANDS STILL bound behind me I was taken through a series of doors and down innumerable hallways to a Port Authority Police office somewhere in the bowels of the building.

"Hello, McGill," Bethann Bonilla said.

"Are you Lieutenant Bonilla, ma'am?" the white kid asked.

"Release him and leave us," she replied.

The young cops did as they were told. They asked no questions . . . this told me something.

The room was small and stale. The beat-up oak desk had stood there as long as the Port Authority itself and the floor had been battered by ten thousand feet. Many a purse snatcher and pick-pocket had been detained here before their deportation to the Tombs, or maybe straight to their arraignment. It was a sad stop-over for pimps, prostitutes, and the mentally deranged.

I felt right at home.

"To what do I owe my freedom?" I asked, taking a seat across from the cop.

"The bank sent down notice to drop charges," she said. "But I had already been notified. I decided to have them bring you here because NYPD won't be able to yank you out too quickly."

She smiled.

"Who are you worried about yanking me?"

"Kitteridge, Charbon," she said. "There's a DA named Tinely who seems to want his pound of flesh."

"And what do you want, Lieutenant?"

The wisp-thin, steel-hard lady cop placed her maroon elbows on the old-time desk. She laced her fingers, pressed the pads of her thumbs together, and considered me.

"That depends on what you have," she answered.

"You want to make a trade?"

"What do you need from me?"

"There's a pimp named Gustav on East Houston who's paying off a Lieutenant Saul Thinnes. One of the girls is a friend. I need Gustav busted--busted bad."

"And what do I get out of that?"

"Have you got a name for the dead man in Wanda Soa's apartment?"

Her eyes couldn't conceal the excitement.

I gave her Pressman's name and his alias. I told her that he was a hit man on staff with a killer known only as Patrick.

"Why would somebody want this Soa dead?" she asked.

"Maybe her drug connections. Can you drop a hammer on Gustav?"

"Oh yeah."

"You aren't worried about Thinnes?"

"If he's crooked he better be worried about me."

THERE WAS YET ANOTHER bartender at the Naked Ear when I got there at 7:06; a thirty-something white guy with slim shoulders and a little belly. I perched down at the far end of the bar and ordered my three cognacs. The bartender was named Ely. He knew everything about sports and so we had a long talk, between orders, about Henry Arm-strong, the only boxer who ever held three title belts in three different weight classes at the same time. In the space of twelve months, he successfully campaigned in nineteen defenses of those belts.

"I think he was superior to Sugar Ray Robinson," Ely said. "Pound for pound."

"Yeah," I said, "but it's not like math."

"What do you mean?"

"In weight lifting the man who lifts the heaviest weight wins. But in boxing, after a certain point, it's all heart."

"Hi," a woman said.

I turned and there was Lucy.

Ely slapped me on the forearm and moved on down the bar. "He called me," she said. "I asked all the bartenders to call me if you came in."

"What happened the other night?" I asked. "I was here."

"I wanted to see if you'd come twice."

"I'M OUT OF CONDOMS," Lucy apologized at one in the morning. "I only bought a box of three. I mean, I guess I could do something else."

I pulled the blankets off her and kissed her navel. She giggled and rolled away. She went too far and tumbled off the side of the bed. We both laughed and I pulled her back on.

We'd been in that bed for four hours. If I'd been taking an erectile-dysfunction drug I'd've had to go to the emergency room.

"I think it's all the tension in my life," I said. "That and the fact that both my wife and my girlfriend have boyfriends now."

"What's bad for the boy-goose is good for the girl-goose bartender," she said.

I kissed her.

There must have been some kind of hesitation in the kiss or my body language because she said, "Don't worry. I'm not asking for any more than I already got. I really am married. Jeff's a painter. He's at an art colony in New Hampshire. He's the kind of guy can't go three days without sex, so I know he's with someone."

"So I'm your revenge?"

"My solace," she said, and we held each other a while.

I GOT OUT OF the taxi, drunk on more than liquor. I was still high from the brief fight with the Regents security team and the passion that Lucy the bartender drew from me. I took a deep breath at the front door of my building. A man touched my left triceps. It hurt my wound. Turning toward him, I swiveled my torso at the hip when the blow came from behind.

There was only a moment of consciousness left to me, a sliver of fading light that I squandered wondering if I had been shot in the back of the head.

54

T
he smells of wood ash and pine needles were the first signs of returning consciousness. I was in a seated position. My fingers were numb from the tight bonds around my wrists, which were tied to the arm of the heavy chair. My feet weren't going anywhere, seeing that they were lashed to the front legs of the chair.

It took a moment for me to identify the speeding fire engine, its horns blaring. It was the headache brought on by the blow to my skull.

There were lights here and there in the room but the pulsating pain made them seem like stars--points in the darkness that illuminated nothing but themselves.

"He's awake," a gruff voice said.

There was motion in the room.

Two large shapes moved in my direction. Men in suits. One was large and brutal. The other looked like a professional manager of a large, glass-walled office.

"Mr. McGill," the manager said.

"Who is that?" I had to squint to see past the pain.

"My name is Shell," he said. "I hear that you've been looking for me."

Something about the connectivity between the ideas cleared up my vision. I was in a cabin, probably in the woods, judging by the smells. The larger man was quite hairy and wore a woolly gray suit. Silently I dubbed him Mammoth. Shell's suit was a muted silver-gray color and he wore expensive Italian shoes cut from red-brown leather.

"You coulda just called me," I said.

I had the urge to vomit but squelched it. Neither Mammoth or Shell looked like they'd have cleaned me up afterwards.

"There's a time for all things," Shell intoned. "This, my friend, is not the moment for bravery."

"Oh no? Why's that?"

The blow Shell delivered was hard--very hard. The heaviness of the chair anchored me, which only added to the power of the clout. I'm used to getting hit. I've sparred and fought real fights for nearly forty years. But Shell's blow was something real, a second fire engine crashing headlong into the first.

The next thing I knew there was cold water in my ears and running down my neck. That chill was the first time I was reminded of Patrick and Diego--but not the last.

"You can get seriously damaged if you don't answer my questions," Shell said.

I blinked twice. There was blood coming down the left side of my forehead. The upper part of the back of my left arm burned.

I remember thinking that my investigation was a success, that everything was falling into place--on top of me.

Shell hit me again but I maintained consciousness.

"Where's Angelique?" he asked.

"I don't know."

"You don't know what?"

"Where Angelique is."

He struck again, doused me with water again.

I was getting colder. The iciness kept Patrick in my mind.

"You have to know her," Shell said. "You knew about me."

"I met her," I told him, "in a coffee shop. She told me her problem and I agreed to look into it."

He hit me twice.

"I followed the line of ownership for the Leontine Building . . ."

He hit me.

". . . and found out that Regents Bank owned it. I figured that Shell, you, worked for Regents."

He hit me again.

I've been in boxing gyms regularly since the age of fourteen. I've been hit two hundred times in an evening by light heavyweights and heavyweights who know how to hit. I might've looked like shit, but you can't judge a book by its cover, or a boxer by his cuts.

"Where is she?" Shell asked.

I realized that my mind had been wandering, sent on its circuitous route by Shell's power shots.

"I don't know where she is."

"Then how did you know to come to Regents?"

"She told me about you, at least somebody with your name, about meeting this man at his office in the Leontine. I'm a detective. I followed it down from there."

Mammoth came over and hit me then. That threw the chair over and me into dreamland.

When I awoke I was sitting up again. Mammoth had moved back toward the fake-log wall, and the fireplace was blazing but throwing off very little heat.

"Where is she?" Shell asked from somewhere off to the left.

I turned to him.

"Don't let that guy hit me again," I said. That was the beginning of my plan. It wasn't much of a strategy but it was mine and I was sticking to it.

"Then tell me where she is."

"She had money on her," I said. "Three thousand dollars. She was going to take a bus out west. I told her to hang around, to go to a hotel and call my office after five days. She gave me five hundred and went to ground."

I thought my nose was broken after his next punch. It wasn't, but it sure felt like it.

"Where is she?"

THE BEATING WENT ON for a quite a while. It got harder and faster when they realized that I was going to hang tough. Unluckily for me these guys weren't sadomasochists. I say unluckily because if they had pulled out a knife, or even just a burning cigarette, I could have put my plan into action. But all they were doing was hitting me. I didn't want to make it too easy on them so I took the punishment until I figured they'd hit me enough to have broken someone not trained in the fistic arts.

I once studied the Method under a wonderful thespian named Anja Klieger. I had no intention of going onstage, but I figured that my profession demanded believable emotional pretense from time to time.

Anja had taught me to remember a time when I had the feeling that the character I was portraying felt.

I thought about my father walking out the door with his army-surplus duffel bag. I remembered his last hug and then the months of my mother's decline. At last I thought about a boy entering puberty, alone in the world for no reason that made sense.

I wasn't in a cabin in the woods. I wasn't being beaten by hard men. I was a child bereft of the only love he'd known. The tears began to flow and I cried for the first time in over a decade.

"I'll tell you," I said. "Just stop it. Stop it."

"Where's the girl?" Shell asked. He was a little winded from the exertions of beating me. I'm sure his knuckles were sore.

"I don't know where she is but I know who has her."

"Who?"

"A guy named Brennan. I told him that I'd call when it was safe."

"What's the number?"

I gave it to him. "But if anybody but me calls he'll hang up and run."

Shell brought out a gun and pointed it at my forehead. "Untie his hands, Leo," Shell said.

Mammoth did so.

"Hand our friend the phone," the cruel manager added.

I tried to take the landline receiver but it fell from my numb fingers.

"What the fuck?" Leo said.

"It's my hands," I said hastily. "They're numb from being tied for so long."

"Take your time," Shell said generously.

After a few minutes I entered a number. As soon as the phone started ringing Shell picked up an extension line.

The phone rang seven times before Hush answered.

"Hello?" he said.

"You got the girl, Brennan?"

"You know I do," he said easily.

"I need to see her."

"Sure."

"Where do you have her?"

"You know that private cemetery in Hicksville?"

"Yeah."

"Show up at the gate after the sun rises and I'll buzz you in."

He hung up and I took a deep breath.

I looked up into Shell's eyes. He was wondering, and I was, too, if he should kill me right then and there. That might have been much easier. It would have certainly been safer.

But he didn't know anything about the cemetery except that the gates were locked.

"Where's this place?" he asked.

I shook my head.

"I want out of this," I said.

"Who you working for?"

"The girl."

"You told the people at Regents that you were part of a group."

"Just me and Brennan, man. Just me and him."

55

I
t was daylight by the time we made it to Hicksville. We went in a dark-green Lexus. Leo the Mammoth was driving, with Shell riding shotgun. I was on the floor in the back, bound hand and foot and happy to be so misused.

Happy because the only alternative to my discomfort was death.

"Okay," Shell said. "We're at North Broadway. Where to now?"

"Go four more blocks to Lathrop and turn right. Follow the street past the houses and keep on going until you get to a big stone wall that has a gateway."

The number I had called was
the number
. I got the idea when Alphonse Rinaldo had given me that special 911 number for the elite NYPD SWAT team. I thought that I should have my own personal emergency number.

I got special phones for me and Hush dedicated to this purpose. We had come up with passwords, like little boys initiating a clubhouse. Mine were Tolstoy, Nikita, Dimitri, and John-John. Anything else meant, "Get me out of here!"

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