Read L.A. Confidential Online

Authors: James Ellroy

Tags: #General, #Fiction, #Mystery, #Mystery & Detective, #Suspense, #Crime & Thriller, #Crime, #Political, #Hard-Boiled, #Crime & mystery, #Genre Fiction, #literature, #Detective and mystery stories - lcsh, #Police corruption - California - Los Angeles - Fiction

L.A. Confidential (39 page)

BOOK: L.A. Confidential
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  "_What?_"

  "Just listen. A couple weeks before the Nite Owl, a neighbor saw Susie and the boyfriend alone at the house and heard them get into a ruckus with another guy. The boyfriend was seen crawling around under the house later that same day. Now, when White braced the old lady, he called P.C. Bell and checked their records for toll calls from the house to L.A. mid-March to mid-April '53. I did the same thing and got three tollers, all to a pay phone in Hollywood near the Nite Owl. Now, you think that's hot, you--"

  "Goddammit--"

  "Captain, _listen_. White crawled around under the house and told granny there was nothing there. I went under and found a stiff, wrapped in mothballs to kill the stink and a fucking bullet hole in the head. I got Doc Layman up to San Berdoo. He brought Duke Carthcart's prison dental file, the Coroner's Office copy. It was a perfect match. The first ID was bogus, off a partial plate, just like that article said. Fuck, I can't believe White put all this together and just left the stiff there. Captain, you there?"

  Ed grabbed Fisk. "Where's Bud White?"

  Fisk looked scared. "I heard he went up north with Dudley Smith. The Mann Sheriff's decided to kick loose on the Engleklings."

  Back to Trashcan. "That article said the woman saw some mugs."

  "Yeah, White brought back some shots marked 'State Records Bureau.' Now we both know the state sets run light, so my guess is White didn't want to bring her down here to check our books. Anyway, she couldn't ID the boyfriend, and if the boyfriend was one of the Nite Owl stiffs we'll have him, 'cause Nort Layman took prison dental plate fragments out of his head back in '53. Bring her down? Show her our books?"

  "Do it."

  Fisk took the phone. Ray Pinker walked up, holding a chem sheet. "Prestilphyozine, Captain. It's an extremely rare experimental antipsychotic drug used to tranquilize violent mental patients. Somebody professional slipped it to our lady friend, because only a pro would know this breed of phyozine would be likely to counteract penthothal. Skipper, you should sit down, you look like you're about to have a coronary."

  Chemistry whiz Patchett; the Englekling brothers' father: a themist who developed antipsychotic compounds. Bud White's whore across the glass--alone now, a tape recorder spinning.

  Ed walked in. Lynn said, "You again?"

  "That's right."

  "Don't you have to charge me or release me?"

  "Not for another sixty-eight hours."

  "Aren't you violating my constitutional rights?"

  "Constitutional rights have been waived for this one."

  "_This one?_"

  "Don't play dumb. This one is Pierce Patchett distributing pornography, including picture-book photographs that exactly match the mutilations on a murder victim, namely his late 'partner' Sid Hudgens. This one is one of the supposed Nite Owl victims tied in to a conspiracy to distribute that pornography and your friend Bud White withholding major evidence on who the real victim was. Now, White told you to cooperate and you came here under the influence of a drug to counteract penthothal. That's against you, but you can still save yourself _and White_ a lot of trouble by cooperating."

  "Bud can look after himself. And you look terrible. Your face is all red."

  Ed sat down, turned off the tape. "You don't even feel the dosage, do you?"

  "I feel like I've had four martinis, and four martinis just make me that much more lucid."

  "Patchett sent you in without a lawyer to buy time, I know it. He knows you were called in as part of the Nite Owl reopening, so he knows he's a material witness at least. Personally, I don't see him as a killer. I know a great deal about Patchett's various enterprises, and you can save him a great deal of trouble by cooperating with me."

  Lynn smiled. "Bud said you were quite smart."

  "What else did he say?"

  "That you were a weak, angry man competing with your father."

  Let it pass. "Then let's concentrate on my smarts. Patchett is a chemist, and it may be reaching, but I'm betting he studied under Franz Englekling, a pharmacologist who developed drugs such as the antipsychotic compound Patchett put you under to beat the pentothal. Englekling had two sons, who were murdered in Northern California last month. Those two men came forward during the base Nite Owl investigation and mentioned a quote crazy sugar daddy-o unquote who had access to lots of quote high-class call girls unquote. Obviously Patchett, obviously tied to a would-be smut merchant named Duke Cathcart, one of the alleged Nite Owl victims. Obviously Patchett is all over this thing and in for some trouble he doesn't need and you can help circumvent."

  Lynn lit a cigarette. "So you're very, very smart."

  "Yes, and I'm a very good detective with a five-year backlog of withheld evidence to work from. I know about your file-burning episode, I know about Patchett's proposed extortion plan with Hudgens. I've read the deposition Vincennes bargained you with and I know all about Patchett's various enterprises, including Fleur-de-Lis."

  "So you're assuming that Pierce has some very damaging information on Vincennes."

  "Yes, which the district attorney and I will quash in the interest of protecting the reputation of the Los Angeles Police Department."

  Fluster: Lynn dropped her cigarette, fumbled her lighter. Ed said, "You and Patchett can't win. I've got twelve days to square this thing right, and if I can't do it I'm going to start looking for subsidiary indictments. There's at least a dozen I can hang on Patchett, and believe me if I don't make this case I'll do anything I can to make myself look good."

  Lynn stared at him. Ed stared back. "Patchett made you, didn't he? You were a pom-pom girl from Bisbee, Arizona, and a whore. He taught you how to dress and talk and think, and I am very impressed with the results. But I've got twelve days to keep my life out of the toilet, and if I can't do it I'm going to take you and Patchett down."

  Lynn turned on the tape player. "Pierce Patchett's whore for the record. I'm not afraid of you and I've never loved Bud White more. It makes me happy that he withheld evidence and got the better of you, and you're a fool for underestimating him. I used to be jealous of him sleeping with Inez Soto, but now I respect the poor girl's good sense in leaving a moral coward for a man."

  Ed pressed "Erase," "Stop," "Start." "For the record, sixtyseven hours to go and my next interrogation won't be so cordial."

  Kleckner opened the door, passed him a folder. "Captain, Vincennes brought the Lefferts woman in. They're checking out mugs, and he said you wanted these."

  Ed stepped outside. A thick folder--glossy-paper smut.

  The top books: pretty kids, explicit action, colorful costumes. Some of the heads had been cropped and taped back on--per the deposition--Jack tried to ID the posers from mugshots and thought cropping would facilitate the effort. Ugly/arty stuff-- just like Trashcan said.

  The bottom books--plain black covers--Trashcan's garbage can find. The first inked-in shots--embossed red streaming from disembodied limbs, posers linked orifice to orifice. The homicide match: a spread-eagled boy in sync to the Hudgens crime scene stills.

  Past astonishing--and whoever posed the smut pics killed Hudgens.

  Ed hit the last book, froze. A nude pretty boy, arms spread--ink/blood gouting off his torso. Familiar, too familiar, not from a Hudgens coroner's shot. He turned pages and caught a foldout: boys, girls, offset limbs touching, ink designs linking them.

  AND HE KNEW.

  He ran down the hall to Homicide, found their 1934 records, found "Atherton, Loren, 187 P.C. (multiple)." Three thick folders, then the photos--shot by Dr. Frankenstein himself.

  Children immediately after their dismemberment.

  Their arms and legs arranged just off their torsos.

  White waxed paper under the bodies.

  Blood fingerpainted around their limbs, red on white, intricate designs identical to the pornographic ink shots, limb spreads identical to the Hudgens severings.

  Ed mangled his fingers slamming the cabinet, Code 2'd to Hancock Park.

o        o          o

  A party at Preston Exley's mansion: valets parking cars, music in the back--probably a rose garden bash. Ed went in the front door and stopped short--his mother's library was gone.

  Replacing it: a long space eclipsed by a model--lengths of highway over papier-mâché cities. Directional markers at the perimeters--the entire freeway system.

  Perfection--it jerked him out of his filth-picture haze. Boats in San Pedro Harbor, the San Gabriel Mountains, tiny autos on asphalt. Preston Exley's greatest triumph on the eve of its completion.

  Ed pushed a car--ocean to foothills. His father's voice: "I thought you'd be working South Central today."

  Ed turned around. "What?"

  Preston smiled. "I thought you'd be making up for your recent bad press."

  Non sequiturs--the Atherton photos came back. "Father, excuse me, but I don't know what you're talking about."

  Preston laughed. "We've seen each other so seldom lately that we've forgotten the amenities."

  "Father, there's something--"

  "I'm sorry, I was referring to Dudley Smith's statement to the _Herald_ today. He said the reopening investigation was being centered on the southside, that you're looking for another Negro gang."

  "No, that's not the way it's going."

  Preston put a hand on his shoulder. "You look frightened, Edmund. You do not look like a ranking policeman and you did not come here to enjoy my completion celebration."

  The hand felt warm. "Father, outside of the Department, who's seen the old Atherton photographs?"

  "Now I'll say 'what?' You're referring to the photographs in the case file? The ones I showed you and Thomas years ago?"

  "Yes."

  "Son, what are you talking about? Those photographs are sealed LAPD evidence, never released to the press or the public. Now tell me--"

  "Father, the Nite Owl is collateral to several other major crimes, and Negro gangs have nothing to do with it. One of them is--"

  "Then explain the evidence the way I taught you. I've had cases like--"

  "Nobody has ever had a case like this, I'm a better detective than you _ever_ were and _I've_ never had a case like this."

  Preston clamped both hands down--Ed felt his shoulders go numb. "I'm sorry for that, but it's true and I've got a five-year-old mutilation homicide connected to the Nite Owl case that says so. The victim was cut _identically_ to Loren Atherton's victims and _identical_ to some ink-embossed pornographic photographs tangential to the Nite Owl. Which means that either somebody saw the Atherton pictures and took it from there or you got the wrong suspect in '34."

  The man didn't even blink. "Loren Atherton was incontrovertibly guilty, with a confession and eyewitness vertification. You and Thomas saw his photographs, and I doubt seriously that those photographs have ever left the Homicide pen downtown. Unless you hypothesize a policeman killer, which I find absurd, then the only explanation is that Atherton showed the photographs to some person or persons prior to his arrest. _You_ got the wrong men in your glory case--I did not make that error. _Think_ before you raise your voice to your father."

  Ed stepped back--his legs brushed the model, broke off a piece of freeway. "I apologize, and I should be asking your advice, not competing with you. Father, is there anything about the Atherton case you haven't told me?"

  "Apology accepted, and no, there isn't. You, Art and I went over the case constantly during our seminar period, and I expect that you know it as well as I do."

  "Did Atherton have _any_ known associates?"

  Preston shook his head. "Emphatically no. He was the very model of a psychotic loner."

  A deep breath. "I want to interview Ray Dieterling."

  "Why? Because one of his child stars was killed by Atherton?"

  "No, because a witness identified Dieterling as a K.A. of a criminal tangential to the Nite Owl."

  "How long ago?"

  "Thirty years or so."

  "This person's name?"

  "Pierce Patchett."

  Preston shrugged. "I've never heard of him and I don't want you bothering Raymond. Emphatically no, a thirty-year-old acquaintanceship does not warrant bothering a man of Ray Dieterling's stature. _I'll_ ask Ray about him and report back to you. Will that suffice?"

  Ed looked at the model. Hypnotic: L.A. grown huge, Exley Construction containing it. His father's hands, gentle now. "Son, you've come very far and you've earned my respect absolutely. You've taken a beating for Inez and those men you killed, and I think you're bearing up strongly. For now, though, I want you to consider this. The Nite Owl case got you where you are today and a quick resolution on the reopening will keep you there. Collateral homicide investigations, however compelling, might seriously distract you from your main objective and thus destroy your career. Please remember that."

  Ed squeezed his father's hands. "Absolute justice. Remember that?"

CHAPTER FIFTY-FIVE

  Both crime scenes sealed--the printshop, the pad next door. One Mann sheriff--a fat guy named Hatcher. A lab man talking nonstop.

  Crime Scene 1: the back room at Rapid Bob's Printing. Bud scoped Dudley nonstop, flashing back to _his_ pitch: "We thought you were going to kill him, so we stopped you. I'm sorry if we were untoward, but you were a handful. Hinton is associated with some very bad people, and I'll elaborate in all due time."

  He didn't press it--Dud might have stuff on him.

  Lynn in custody.

  Exley's slap in the face.

  The lab man pointed to a rack of dumped shelves.". . . okay, so the front of the shop looked hunky-dory, so our perpetrator didn't bother with it. We found cigarette butts in an ashtray here, two brands, so let's assume the Engleklings were working late. Let's assume the perpetrator picked the front door lock, tiptoed up and got the drop on them. Glove prints on the jamb of the connecting door, so that backs it up. He comes in, he makes our boys open those cabinets I showed you, he doesn't find what he wants. He gets pissed and yanks those shelves to the floor, glove prints on the fourth shelf up indicate a right-handed man of average height. The brothers open the boxes that spilled off--we got a whole load of smudged latents that indicate Pete and Bax were a bit panicked by this time. So, the perpetrator obviously didn't find what he wanted and marched our boys across the driveway to their apartment. Gentlemen, follow me."

BOOK: L.A. Confidential
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