Little, Big (17 page)

"August found a new use for his Ford," Auberon told her as they looked together through some pictures he had taken. "He took a wheel off, and hitched it with a belt to Ezra Meadows' saw. Then the engine will turn the saw, and cut wood."

"I hope they don't go far," Violet said.

"What? Oh, no," he said, laughing at the image she must have, of a tooth-wheeled Model T tearing through the woods, felling trees as it went. "No. The car is put up on logs, so the wheels just go around but don't go anywhere. It's just to saw with, not to drive around."

"Oh." Her slim hands touched the teapot, to see if it were still warm. "He's very clever," she said, as though she meant something else.

It was a clever idea, though not August's; he had read of it in an illustrated mechanics magazine, and persuaded Ezra Meadows to try it out. It proved to be a little more laborious than the magazine described it, what with leaping in and out of the driver's seat to alter the blade's speed, cranking each time the engine stalled out on a knot in the wood, and shouting What? What? back and forth with Ezra over the racket it made; and August had little interest in the production of sawn wood anyway. But he loved his Ford, and anything it could be made to do, from bouncing obliviously down railroad tracks to skimming and whirling like a four-wheeled Nijinsky over a frozen lake, he made it do. Ezra, suspicious at first, at least didn't have the airy contempt for Henry Ford's masterpiece which his family or people like the Flowers had; and making such a to-do in Ezra's yard brought out from her chores more than once his daughter Amy. Once with a dishclout in her hand, abstractedly wiping a white-speckled black tin frying pan as she stared; again with her hands and apron floured. The belt of the saw broke, and went flapping wildly. August cut the engine.

"There now, Ezra, look at that. Look at that stack." The fresh yellow wood, rough-cut and burned in brown arcs here and there by the blade's insistence, gave out its sweet odor, resin and pastry. "That would have taken you a week by hand. What do you think of that?"

"It's all right."

"What do you think, Amy? Pretty nice?" She smiled, and looked shy, as though it were she he was praising.

"It's all all right," said Ezra. "Gwan, git." This to Amy, whose expression changed to a hurt hauteur as sweet to August as her smile; she tossed her head and went, slowly, so as not to appear dismissed.

Ezra helped him bolt back the wheel of the Ford in silence; an ungrateful silence, August thought, though maybe the farmer was afraid that if he opened his mouth the subject of payment might come up. He was in no danger; for August, unlike the youngest son in all the old tales, knew he couldn't demand, in return for the accomplishment of an impossible task (the sawing of a couple hundred board feet in a single afternoon), the hand of his beautiful daughter.

Rolling home along the familiar roads, raising the familiar dust, August felt sharply the congruence (which everyone else saw as a contradiction) of his car and this deep summer. He made a small, unnecessary adjustment to the throttle, and tossed his straw hat on the seat next to him; he thought that if the evening were fine he might drive to some spots he knew of, and do some fishing. He was conscious of a bliss that stole over him not infrequently now, had first stolen over him when he had first acquired his car, first bent up its bat-wing hood and seen the engine and drive-train, humble and useful like his own internal organs. It was a sense that at last what he knew of the world was sufficient to his being alive in it: that the world and what he knew of it were one. He called this feeling "growing up," and it did feel 'like growing, though in moments of mad elation he would wonder if what he was growing into weren't a Ford, or perhaps Ford: there was no other instrument, and no other man, so serenely purposeful and complete, August thought, so sufficient to the world and so self-sufficient: it would have been a destiny he could welcome.

Everyone else seemed bent on thwarting it. When he told Pop (he called his father Pop to himself and to Amy, though he had never said it to John's face) that what was needed in this area was a garage, which could dispense gas and make repairs, and sell Fords, and had laid out the literature he'd got from the Ford company about what it would cost to set up such an agency (he hadn't proposed himself as agent, he knew he was too young at sixteen for that, but he would be happy just pumping the gas and making repairs, very happy), his father had smiled and not considered it even for five minutes, had sat nodding while August explained it to him only because he loved his son, and loved to indulge him. And then he said: "Would you like a car of your own?"

Well, yes; but August knew he had been treated like a boy, though he had made his proposal as carefully as any man; and his father, whose concerns were so weirdly childish, had smiled at it as though it were a child's mad desire, and bought him the car only to allay it.

But it was not allayed. Pop didn't understand. Before the war, things were different. Nobody
knew
anything. You could go walking in the woods and make up stories and see things if you wanted. But there was no excuse now. Now knowledge was there to be had, real knowledge, knowledge of how the world operates and what must be done to operate it. Operate. "The operator of a Ford Model T will find setting the spark simple and convenient. The operation is performed in this way. . . ." And August drew these knowledges on, reasonable and close-fitting, over the mad muddle of his childhood, as one draws on a duster over a suit of clothes, and buttoned them up to the neck.

"What you need," he told his mother that afternoon, "is some fresh air. Let me take you out for a drive. Come on." He came to take her hands, to lift her from the chaise, and though she gave him her hands they both knew, for they had enacted all this several times the same way, that she wouldn't rise and certainly wouldn't ride. But she kept his hands in hers. "You can bundle up, and anyway with the roads around here you can't go more than fifteen miles an hour. . . ."

"Oh, August."

"Don't 'oh, August' me," he said, allowing himself to be drawn down to sit by her, but turning his face away from her lips. "There's nothing wrong with you, you know, I mean nothing really wrong. You're just brooding." That it should be he, the baby, who was compelled to speak sternly to his mother as to a mopey child, when there were older children who ought to be doing it, annoyed him, though it didn't her.

"Tell me about sawing wood," she said. "Was little Amy there?"

"She's not so little."

"No, no. She's not. So pretty."

He supposed he blushed, and he supposed she saw it. He found it embarrassing, almost indecent, that his mother should see that he regarded any girl with other than amused indifference. In fact toward few girls did he feel amused indifference, if the truth were known, and it was known: even his sisters plucked lint from his lapels and brushed back his hair, thick and unruly as his mother's, with knowing smiles when he mentioned ever so casually that during the course of an evening he might drop in at the Meadows' or the Flowers'. "Listen, Ma," he said, faintly peremptory, "now really listen. Before, you know, Papa died, we talked about the garage, and the agency and all that. He didn't like it so well, but that was four years ago, I was very young. Can we talk about it again? Auberon thinks it's a swell idea."

"He does?"

He hadn't put up any objections; but then he had been behind the darkroom door, in his dim red-lit hermit's cell, when August had discussed it with him. "Sure. You know, everybody's going to have an automobile soon. Everybody."

"Oh, dear."

"You can't hide from the future."

"No, no, that's true." She gazed out the windows at the sleeping afternoon. "That's true." She had taken a meaning, but not his: he drew out his watch and consulted it, to draw her back.

"So, well," he said.

"I don't know," she said, looking into his face not as though to read it, or to communicate with it, but as though it were a mirror: that frankly, that dreamily. "I don't know, dear. I think if John didn't think it was a good idea .

"That was
four years
ago, Ma."

"Was it, was it four. . . ." She made an effort, and took his hand again. "You were his favorite, August, did you know that? I mean he loved all of you, but . . . Well, don't you think he knew best? He must have thought it all out, he thought everything all out. Oh, no, dear, if he was sure, I don't think I could do better, really."

He stood up suddenly and thrust his hands into his pockets. "All right, all right. But don't blame him, that's all. You don't like the idea, you're afraid of a simple thing like a car, and you never wanted me to have anything at all anyway."

"Oh, August," she began to say, but clapped her hand over her mouth.

"All right," he said. "I guess I'll tell you, then. I think I'll go away." A lump rose to his throat, unexpectedly; he had expected to feel only defiance and triumph. "Maybe to the City. I don't know."

"What do you mean?" In a tiny voice, like a child just beginning to understand a huge and terrible thing. "What do you mean?

"Well really," he said, rounding on her, "I'm a grown man. What do you think? That I'll just hang around this house for the rest of my life? Well, I won't."

The look in her face, of shocked helpless anguish, when all he'd said was what any twenty-year-old might say, when all he felt was the dissatisfaction any ordinary person might feel, made confusion and frustrated common sense boil up in him like a lava. He rushed to her chair and knelt before her. "Ma, Ma," he said, "what is it? What on earth is it?" He kissed her hand, a kiss like a furious bite.

"I'm afraid, that's all. . . ."

"No, no, just tell me what's so terrible. What's so terrible about wanting to advance yourself, and be, and be
normal
. What was so wrong"—it was spilling out now, that lava, he neither desired to stop it now nor could if he chose—"about Timmie Willie going to the City? It's where her husband lives, and she loves him. Is this such a swell house that nobody should ever think of living anyplace else? Even married?"

"There was so much room. And the City's so far. . . ."

"Well, and what was so wrong when Aub wanted to join the Army? There was a war. Everybody went. Do you want us all to be your babies forever?"

Violet said nothing, though her big pearly tears, like a child's, trembled at her lashes. She suddenly missed John very much. Into him she could pour all the inarticulate perceptions, all the knowings and unknowings she felt, which, though he couldn't understand them really, he would receive reverently; and out of him would come then the advice, warnings, notions, the clever decisions she could never have made. She ran her hand through August's matted, elf-locked hair, no comb could conquer it, and said, "But you know, dear, you know. You remember, don't you? You do, don't you?"

He laid his cheek in her lap with a groan, and she continued to stroke his hair. "And autos, August—what would they think? The noise, and the smell. The—the boldness. What must they think? What if you drove them away?"

"No, Ma, don't."

"They're brave, August, you remember the time, when you were a little boy, the time with the wasp, you remember how brave the little one was.
You
saw. What if—what if it angered them, wouldn't they plan something, oh something so horrid. . . . They could, you know they could."

"I was just a little kid."

"Do you all forget?" she said, not as though to him, but as though questioning herself, questioning a strange perception she had just then had. "Do you all really forget? Is that it? Did Timmie? Do you all?" She raised his face in her hands to study it. "August? Do you forget, or . . . You mustn't, you mustn't forget; if you do . . ."

"What if they didn't mind?" August said, defeated. "What if they didn't care at all? How can you be so sure they'd mind? They've got a whole world to themselves, don't they?"

"I don't know."

"Grandy said . . ."

"Oh, dear, August, I don't know."

"Well," he said, extracting himself from her, "then I'll go ask. I'll go ask their permission." He rose. "If I ask their permission, and they say it's all right, then . . ."

"I don't see how they could."

"Well, if they do?"

"How could you be sure? Oh, don't, August, they might lie. No, promise me you won't. Where are you going?"

"I'm going fishing."

"August?"

When he was gone the tears rose again to her eyes. She brushed away impatiently the hot drops that rolled down her cheeks, rolled down because she couldn't explain: nothing she knew could be said, there were not the words, when she tried the very saying of it made what she said into lies or stupidities. They're brave, she had said to August. They might lie, she had said. None of that was true. They weren't brave, and they couldn't lie. Such things were true only when said to children, as it's true when you say "Grandy's gone away" to a child, when Grandy is dead, when there is no more Grandy to come or go. And the child says: Where did he go? And you think of an answer a little less true than the first, and so on. And yet you have spoken truly to it, and it has understood, at least as much as you have.

But her children weren't children any more.

So many years she had tried to form what she knew into language with John, grown-up language, nets to catch the wind, the Meaning of it all, the Intention, the Resolution. Oh great good man! And he had come as close to understanding it as intelligence, unwearying application, orderliness of mind and attention to detail could get.

But there wasn't any Meaning, or any Intention, or any Resolution. To think that way about them was like trying to do some task while you looked only in a mirror: force them as you might, your hands do the opposite of what they are told to do, away from not toward, left not right, forward not back. She sometimes thought that thinking of them at all was just that: was looking at yourself in a mirror. But what could that mean?