Little, Big (19 page)

"And here is," she said, turning one up carefully top to bottom, "a Five of Wands."

"New possibilities," Nora said. "New acquaintances. Surprising developments."

"All right." The Five of Wands went in its place in the Horseshoe Violet was making. She chose from another pile—the cards had been sorted, by arcane distribution, into six piles before her—and turned a trump: it was the Sportsman.

This was the difficulty. Like the usual deck, Violet's contained a set of twenty-one major trumps; but hers—persons, places, things, notions—were not the Greater Trumps at all. And so when the Bundle, or the Traveler, or Convenience, or Multiplicity, or the Sportsman fell, a leap had to be made, meanings guessed at which made sense of the spread. Over the years, with growing certainty, she had assigned meanings to her trumps, made inferences from the way in which they fell among the cups and swords and wands, and discerned—or seemed to discern—their influences, malign or beneficent. But she could never be sure. Death, the Moon, Judgement— those greater trumps had large and obvious significance; what did one make though of the Sportsman?

He was, like all people pictured in her cards, musclebound in a not quite human way and striking an absurd, orgulous pose, toes turned out and knuckles on hip. He seemed certainly overdressed for what he was about, with ribbons at his knees, slashes in his jacket, and a wreath of dying flowers around his broad hat; but that was for sure a fishing pole over his shoulder. He carried something like a creel, and other impedimenta she didn't understand; and a dog, who looked a lot like Spark, lay asleep at his feet. It was Grandy who called this figure the Sportsman; underneath him was written in Roman capitals P I S C A T O R.

"So," Violet said, "new experiences, and good times, or adventures outdoors, for someone. That's nice."

"For who?" Nora asked.

"For
whom
."

"Well, for whom?"

"For whomever we're reading this spread for. Did we decide? Or is this only practice?"

"Since it's coming out so well," Nora said, "let's say it's for someone."

"August." Poor August, something good ought to be in store for him.

"All right." But before Violet could turn another card, Nora said "Wait. We shouldn't joke with it. I mean if it didn't
start
being August—what if we turn up something awful? Wouldn't we worry it might come true?" She looked out over the tangled spread, feeling apprehensive for the first time before their power. "Do they always come true?"

"I don't know." She stopped dealing them out. "No," she said. "Not ftr
us
. I think they might predict things that
could
happen to us. But—well, we're protected, aren't we?"

Nora said nothing to this. She believed Violet, and believed Violet knew the Tale in ways she couldn't imagine; but she had never felt herself to be protected.

"There are catastrophes," Violet said, "of an ordinary kind, that if the cards predicted them I wouldn't believe them."

"And you correct my grammar!" Nora said, laughing. Violet, laughing too, turned the next card: the Four of Cups, reversed.

"Weariness. Disgust. Aversion," Nora said. "Bitter experience."

Below, the ratchety doorbell rang. Nora leapt up.

"Now, who could that be?" Violet said, sweeping up the cards.

"Oh," Nora said, "I don't know." She had gone to the mirror hastily, and pushed her heavy golden hair quickly into place, and smoothed her blouse. "It
might
be Harvey Cloud, who said he might stop by to return a book I loaned him." She stopped her hurry, and sighed, as though annoyed at the interruption. "I guess I'd better go see."

"Yes," Violet said. "You go see. We'll do this again another day."

But when, a week later, Nora asked for another lesson, and Violet went to the drawer where her cards were kept, they weren't there. Nora insisted she hadn't taken them. They weren't in any other place that Violet might absentmindedly have put them. With half her drawers turned out and papers and boxes littering the floor from her search, she sat on the edge of the bed, puzzled and a little alarmed.

"Gone," she said.

"I'll do what you want, August," Amy said. "Whatever you want."

He bent his head down onto his upraised knees and said "Oh, Jesus, Amy. Oh, God, I'm so sorry."

"Oh, don't swear so, August, it's terrible." Her face was as misty and tearful as the shorn October cornfield in their view, where blackbirds hunted corn, rising at unseen signals and settling again elsewhere. She put her harvestchapped hands on his. They both shivered, from the cold and from chill circumstance. "I've read in books and such that for a while people love people and then they don't any more. I never knew why.

"I don't know why either, Amy."

"I'll always love you."

He raised his head, so flooded with melancholy and tender regret that he seemed to have turned to mist and autumn himself. He'd loved her intensely before, but never so purely as now when he told her he wouldn't be seeing her any more.

"I just wonder why," she said.

He couldn't tell her it was mostly a matter of scheduling, nothing to do with her really, only the most pressing engagements he had elsewhere—oh Lord, pressing, pressing . . . He had met her here, beneath the brown bracken, at dawn when she wouldn't be missed at home, to break off with her, and the only acceptable and honorable reason he could think of for that was that he didn't love her any more, and so that was the reason which, after long hesitations and many cold kisses, he had given her. But when he did so, she was so brave, so acquiescent, the tears that rolled down her cheeks so salty, that it seemed to him that he'd said it only to see how good, how loyal, how meek she was; to animate with sadness and imminent loss his own flagging feelings.

"Oh, don't Amy, Amy, I never meant. . ." He held her, and she yielded, shy to trespass where he had only a moment ago said she was forbidden, not wanted; and her shyness, her big eyes searching him, afraid and wildly hopeful, undid him.

"You shouldn't, August, if you don't love me."

"Don't say it, Amy, don't."

Near to weeping himself, just as though he truly wouldn't ever see her again (though he knew now he must and would), on the rustling leaves he entered with her into new sad sweet lands of love, where the awful hurts he had inflicted on her were healed.

There was no end to Love's geography, apparently.

"Next Sunday? August?" Timid, but sure now.

"No. Not next Sunday. But . . . Tomorrow. Or tonight. Can you . . ."

"Yes. I'll think of a way. Oh, August. Sweetness."

She ran, wiping her face, pinning her hair, late, in danger, happy, across the field. This, he thought, in some last resisting stronghold of his soul, is what I've come to: even the end of love is only another spur to love. He went the other way to where his car, reproachful, awaited him. The mist-sodden squirrel tail that now adorned it hung limply on its staff. Trying not to think, he cranked the car into life.

What the hell was he to do anyway?

He had thought that the ardent sword of feeling that had gone through him when he first saw Amy Meadows after acquiring his gift was only the certainty that desire was at last to be fulfilled. But he proceeded to make a fool of himself over her, certainty or no certainty; he braved her father, he told desperate lies and was nearly caught out in them, he waited hours on the cold ground beyond her house for her to free herself—they had promised him power over women, he realized bitterly, but not over their circumstances—and though Amy acceded to all his plans, his nighttime meetings, his schemes, and matched his importunities one for one, not even her shamelessness lessened his sense of not being at all in charge here, but at the beck and call of desire more demanding, less a part of himself and more a demon that rode him, than he had been before.

The sense grew, over the months, as he wheeled the Ford around the five towns, to a certainty: he drove the Ford, but was himself driven, steered, and shifted without let.

Violet didn't inquire why he had dropped the notion of building a garage in Meadowbrook. Now and then he complained to her that he used almost as much gas getting to and from the nearest garage as he put in his tank when he got there, but this didn't seem to be a hint or an argument, in fact he seemed less argumentative altogether than he had been. It might be, she thought, that his almost haggard air of being concerned quite elsewhere meant that he was hatching some even more unlikely scheme, but Somehow she thought not; she hoped that what appeared to be guilty exhaustion in his face and voice when he lounged silent at home didn't mean he was practicing some secret vice; certainly something had happened. The cards might have told her what, but the cards were gone. It was probably, she thought, only that he was in love.

That was true. If Violet hadn't chosen to seclude herself in an upstairs room, she would have had a notion of the swath her younger son was cutting through the young girls, the standing harvest of the pentacle of five towns around Edgewood. Their parents knew, a little; the girls themselves, among themselves, told of it; among them a glimpse of August's T, with the bright jaunty squirrel tail flying from a whippy rod at the windscreen, meant a day's consternation, a night's hot tossing, a wet pillow in the morning; they didn't know—how could they guess? All their hearts were his—that August's days and nights were spent much as theirs were.

He hadn't expected this. He had heard of Casanova, but hadn't read him. He had imagined harems, the peremptory clap of a sultan's hands which brings the acquiescent object of desire as quickly and impersonally as a dime brought a chocolate soda at the drugstore. He was astounded when, without his mad desire for Amy lessening in the slightest, he fell deeply in love with the Flowers' eldest daughter. Ravened by love and lewdness, he thought of her continually, when he wasn't with Amy; or when he wasn't thinking about—how could it be—little Margaret Juniper, who wasn't even fourteen. He learned, though slowly, what all great harrowed lovers learn: that love is what most surely compels love—is perhaps, except for brute force, the only thing that does, though only (and this was the terrible gift he had been given) when the lover truly believes, as August could, that when his love is strong enough it must surely be returned—and August's was.

When, with shame in his heart and trembling hands he had laid down by the rock pool what he had tried to deny to himself was his mother's most precious possession, the cards, and picked up what lay there for him, only a squirrel's tail and probably no gift at all but only the remnants of an owl's or a fox's breakfast, this is madness, it was only the dense weight of virgin hope that had allowed him to tie it to his Ford, expecting nothing. But they had kept their promise, oh they had, he was on the way to becoming an entire anthology of love, with footnotes (there were a pair of step-ins under his seat, he could not remember who had stepped out of them); only, as he drove from drugstore to church, from farmhouse to farmhouse, with the hairy thing flying from his windscreen, he came to know that it did not and had not ever contained his power over women: his power over women lay in their power over him.

The Flowers came on Wednesdays, usually, bringing armloads of blossoms for Violet's room, and though Violet always felt somewhat ashamed and guilty in the presence of so many decapitated and slowly expiring blooms, she tried to express admiration and wonder at Mrs. Flowers' green thumb. But this visit was Tuesday, and there were no flowers.

"Come in, come in," Violet said. They were standing, unwontedly shy, at her bedroom door. "Will you take some tea?"

"Oh, no," said Mrs. Flowers. "Just a few words."

But when they were seated, exchanging glances with one another (though unable apparently to look at Violet) they said nothing for an uncomfortably long time.

The Flowers had come up just after the War to take Mr. MacGregor's old place, "fleeing," as Mrs. Flowers put it, the City; Mr. Flowers had had position and money there, but just what position wasn't clear, and how it had made him money was even less clear, not because they chose to hide it but because they seemed to find commonplaces of daily life hard to converse about intelligibly. They had been members with John of the Theosophical Society; they were both in love with Violet. Like John's, their lives were full of quiet drama, full of vague yet thrilling signs that life was not as the common run supposed it to be; they were among those (it surprised Violet how many there were, and how many gravitated toward Edgewood) who watch life as though it were a great drab curtain which they are sure is always about to rise on some terrific and exquisite spectacle, and though it never did quite rise, they were patient, and noted excitedly every small movement of it as the actors took their places, strained to hear the unimaginable setting being shifted.

Like John, they supposed Violet to be one of those actors, or at least to have been behind the curtain. That she couldn't see it that way at all made her only the more cryptic and entrancing to them. Their Wednesday visits made matter for a whole evening's quiet talk, inspiration for a whole week's reverent and watchful life.

But this wasn't Wednesday.

"It's about happiness," Mrs. Flowers said, and Violet had to stare puzzled at her for a moment until she reheard this as "It's about Happiness," the name of their eldest daughter. The younger ones were named Joy and Spirit. The same confusion happened when their names came up: our Joy is gone for the day; our Spirit came home covered with mud. Folding her hands and raising eyes that Violet now saw were red from weeping, Mrs. Flowers said, "Happiness is pregnant."

"Oh my."

Mr. Flowers, who with his thin boyish beard and great sensitive brow reminded Violet of Shakespeare, began speaking so softly and indirectly that Violet had to lean forward to hear. She got the gist: Happiness was pregnant, so Happiness had said, by her son August.