Read Love and Longing in Bombay Online
Authors: Vikram Chandra
Finally everyone grew quiet in an afternoon haze of contentment. There was no doubt it had been an enormously successful lunch, and Dolly had been allowed to dominate it completely. Now it was almost over, and there was a quietness in the air as everyone relaxed with the thought that it would actually finish without any horrendous tension, and as they walked towards the front door everyone was exhausted from the relief and strange disappointment of it all. Then Mani Mennon startled everyone by squeaking, “Hussain!” They were passing by the room with the bookshelves, and what Mani Mennon had noticed on the wall opposite the hallway was a large canvas, the chariot of the sun, gold and red. She went fluttering into the room with her arms held out, and stood swaying in front of the painting. It was quite overwhelming, with its rich swirl of colour and the horses as if they would burst from the canvas, and everyone clustered in front of it. Dolly hung back in the hallway, but then everyone crowded forward and she was alone, so she came forward reluctantly and stood behind them all. “It’s your second one, isn’t it, Sheila?” said Mani Mennon. “It’s wonderful. Look at those yellows.” And then, seeing Dolly behind the others, she said, smiling, “It’s a Hussain, Dolly.”
Dolly tilted her head back. “Is it?” she said. Her head tilted further. “Oh. Is that what it is?” She smiled. “Freddie has a few of those at his office.”
Sheila was standing next to her. Without a word, Sheila turned and walked back into the hallway. They followed her, and she walked to the door, opened it, and held it open. They walked past, saying thank yous, and she smiled, but her eyes were opaque and she never took her hand off the doorknob. Dolly walked past and murmured, “Thank you so much, darling.” Sheila shut the door and the click was very firm and crisp and everyone knew then that something had started.
*
Sheila sat in her office among the books and tried to think about what she had felt in that moment. It hadn’t been anger, more a kind of recognition. In that instant she had felt suddenly outside of her body, standing somewhere else and looking at both of them. What she had seen was that she was herself perfect—she was petite, she had an acute sense of colour and line and so her clothes fell on her exactly and well, her features were small and sharp, her hair was thick, and her vivacity came from her intelligence. Dolly was not perfect, she was long everywhere, she was sallow, she wore old jewelry sometimes missing a link here and there, today she wore a tatty green scarf over her shirt, and that was just it. Sheila was perfect, and she knew that however hard she tried she could never achieve the level of careless imperfection that Dolly flaunted. It had nothing to do with perseverance or intelligence and it took generations. It couldn’t be learnt, only grown with the bone. It was absolutely confident and sure of itself and easy. Dolly had it and she didn’t: looking at it honestly, Sheila knew this. She knew it and she was absolutely determined that if it took her the rest of her life she would defeat Dolly. That it had come to open conflict she knew, and she would not stand losing.
“
Memsahib
.” Ganga was standing in the doorway, leaning against the side, a hand cocked on her hip. She was wearing a dark red sari with a gold-stamped border. Ganga was dark and very thin, she flung herself at her work with such velocity that it was necessary to put the glassware by the side of the washbasin—otherwise, as she sped through the plates, crystal would inevitably crunch somewhere in the pile. Ganga had been recommended by Sheila’s next-door neighbour. She worked, as nearly as Sheila could tell, in another dozen houses up and down the hill, and she sped from one to another without a pause the entire day, after which she stood in a local train for an hour and fifteen minutes to get out to Andheri, where she lived. It had taken Sheila six months to get her to eat lunch, which she did squatting in a corner of the kitchen and holding a plate directly in front of her face for greater efficiency.
“It was a good lunch?” Ganga said.
“Yes,” Sheila said. For the first year they had known each other, Ganga had been courteous but dry, her face always expressionless and impossible to read. Then one day, on her way out, seeing Sheila sitting at her desk in the study as usual, she paused in the hallway, her whole body still pointed at the front door, to ask, What do you do in here? Accounts, Sheila had said, for our business, pointing at the ledgers piled up and the sheets of paper that folded out to cover half the room. Ganga had nodded silently and gone on her way, back up to her normal speed with the first step, but since then, she would stop in the doorway, one foot in front of the other, leaning sideways, one elbow angled out, and they would talk for a few minutes.
“Well,” Sheila said. “It went well.”
Then they talked about their children. Ganga had a daughter named Asha. Then Ganga tightened her
dupatta
about her waist and it was time for her to leave. “Going,” she said, clipping the word now, and she went.
*
When Ganga got home it was seven-thirty. She put down a small packet of
jira
and set about making dinner. There was a single light bulb in the single room, and Asha was sitting under it studying, or at least flipping the pages of a book. Asha was dressed in a flowered shirt and a skirt that reached to her ankles. Her hair was pulled back and neatly oiled, and around her plait she wore a single string of white
mogra
flowers. She was sitting cross-legged with her spelling book in her lap, her chin in her hands, and now she darted a quick look from huge brown eyes at her mother.
“All right, all right,” Ganga said. “Come eat.”
They sat near the doorway and ate from steel plates, which were old but shiny. Outside, people were still passing, and occasionally somebody would say something to Ganga. The lane was narrow, and whoever walked by had to brush close to the door. Across the lane, there was a narrow gutter which flooded in the rains, and behind that more shacks made of wood, cloth, cardboard, and tin. Later, when it was dark, Ganga would sit in the doorway and talk to her neighbours. Most of them were from the same village in the Ghats near Poona, but to the left, where the lane curved, it became a mostly Malayalee locality. Today they mostly talked about a man in their own community who drank so much that he finally lost his watchman job. “He’s a fool,” Ganga said. “You always knew that.” It was true. They had all known him and they had always known that.
Ganga had arrived in Bombay eleven years before with her husband, who had come back to his village to marry, and since then she had lived in the same place. Ramesh, the husband, had been a millworker in the days before the labour disputes and the big lockouts. He was a Marxist, and he was killed, stabbed, in a quarrel with another union the year after Asha was born. Ganga remembered him mostly as a melancholy sort of man who seemed to cultivate his own sadness. It was only in the month after his funeral that she found out that he was said to have killed two men himself in the same union fight. But anyway, now the mills were closed and the years had passed. Now it seemed that Ganga was going to move, and this was the news she had to give to her neighbours. Two stops up on the Western line she had found an empty plot, and she planned to build her
kholi
there.
“
Pukka?
”
said Meenu, her neighbour, her voice a little breathless, because brick would cost more, and everyone knew that Ganga worked so much that she must have money, but nobody knew how much.
“Yes,” Ganga said. “Ten thousand for the land, five for the construction.”
“Fifteen,” Meenu said.
“Yes,” Ganga said. “I don’t have it.”
“How will you manage?”
Ganga shrugged. She didn’t tell them what she planned, because she wasn’t sure she would get the money and she didn’t want to sound sure before she was. That afternoon it had occurred to her to ask Sheila for a loan. Sheila had said that the lunch had gone well, but the concentrated expression on her face, the set of her shoulders as she sat among her books was not that of a happy woman. Looking at her then, Ganga had realized that this was after all a woman of business, somebody who wanted things from the world, and had realized that she should ask Sheila for the money. She wanted to wait for a few days, let the thought sit in her stomach, because she had learnt from the world to be careful when one could, since often there was no time for care. Now she had a month from the owner of the plot to come up with the money, and so she waited for a week. It still made sense, so one day after lunch she asked Sheila, and Sheila said, “Of course,” went into the bedroom for a few minutes and came back with a stack of notes. It was no fuss. They talked terms, and it was decided that Ganga was to pay it back monthly over six years.
But leaving was a fuss. They had lived in that nameless lane for a long time, Asha since she was born, and Meenu organized the people up and down the street to give them a send-off. They rented a television set and a video player and they watched films all night long, and it was very very late when Asha finally fell asleep with her head in her mother’s lap. Ganga sat in the darkness, an arm over her daughter, and felt the loss as a tightness in the stomach, a kind of relentless wrenching, and the coloured light from the screen flickered on her face as she wept. But the next day, when they loaded up their belongings into a handcart, she was crisp and organized, and she led the way, holding Asha with one hand and a bundle with the other and tireless in her stride, until the men pushing the handcart leaned against it and begged for mercy.
*
Their new
kholi
was small, but during the rains it was dry, and Ganga kept it in good repair. There were some two-storied houses on their street, built very narrow on tiny plots, and at the end of the lane there was a grocery shop built like a cupboard into a gap between two walls. Also there was a
paan
seller who sold cigarettes and matches and played a radio from morning till night. Their years in this street were ordinary, and Ganga continued her work as before, coming and going with a regularity that her neighbours began to depend on.
Finally, what disturbed their life was Asha’s beauty. When she was fifteen a local bootlegging
tapori
fell in love with her. He was at least ten years older than she was, a grown man with some reputation in his chosen trade of gangsterism and with some style, he wore tailored black shirts always, and he fell in love with her ripeness. She was not tall, but there was a certain weight about her body, a youthful heaviness that she made a great show of hiding. She was a student of the movies, and always had flowers in her hair, white or yellow ones. His name was Girish, and he fell in love with a glance that she threw at him coming out of a morning show of
Coolie.
After that he spent his time sitting on the raised platform at the end of their lane, waiting for her to pass, polishing his dark glasses on his shirt. When she did, she never looked at him, but the force of his yearning caused her to duck her head down and blush darkly, amazed and a little frightened and feeling something that was not quite happiness.
Ganga knew nothing about this until the neighbours told her. She had seen him sitting on the platform, spreading out a handkerchief before he sat down, but she had paid no attention, because it had nothing to do with her. The evening when she found out, she sat in her doorway for a long time. When she shut the door, she came in and found Asha sitting on her
charpai,
reading a film magazine. As she watched, a wisp of hair fell across Asha’s cheek, and the girl pushed it back behind her ear, only to have it fall forward again. Idly, Asha flicked it away, the hair was heavy and thick and dark brown, and as Ganga watched her daughter’s fingers move across her cheek and linger, the danger of it all pressed her heart like a sudden weight. She knew instantly and completely the violent allure of the black glasses, the coiled stance that projected danger, the infinitely dark and attractive air of tragedy.
“Tomorrow I will take you to your grandfather’s,” Ganga said, louder than she had intended.
“What?” Asha said. “In the village?”
“Don’t argue,” Ganga said. “You’re going.”
But Asha wasn’t arguing, she was silent, caught somewhere between heartbreak and relief. Her sobs that night in her bed weren’t full of grief, or even of sorrow, but of the tension of weeks. She left quietly and obediently with her mother, and in the train she smiled at the mountains and the zigzagging ascent of the tracks and the birds floating in the valley below. But in the village—called Saswadi—she grew sulky at the endless quiet of the long afternoon. Ganga was in no mood for sulks, having spent an unexpected two hundred rupees on the tickets and travel, and she put Asha to work straightaway, in the kitchen and with the cows in the back. Ganga’s father was small and very lean, as if every last superfluity of flesh had been burnt away by season after season of a farmer’s sun. She had brought him two shirts from Bombay, which he would wear on very special occasions. She spent two days in the village, straightening out the house and seeing to the repair of a waterway that came down the hill into their land. When she left, she hugged Asha briefly, and she felt the youthful sigh more than she heard it. “Don’t be silly,” Ganga said. “What have you seen of suffering yet?”
It was afternoon when she opened her door in Bombay. She went in and put down her bundle, smoothed her hair once in a single movement, tucking back and tightening all at once, and then she reached forward for the
jhadoo.
She was sweeping under the bed with it when she heard the voice: “What have you done with her?”
When she turned he was looming in the doorway, tall and silhouetted. The sunlight was blinding behind him, and she could see the glint of the perpetual dark glasses at the sides of his face.
“What?” she began, and then her throat closed up from the fear. She stood holding the
jhadoo
in front of her with both hands, handle up, clutching it.