My First Colouring Book (24 page)

He looks at the screen on the wall and mulls gloomily on the old man's magical party. What will happen next? Will a female guest tear off her clothes and dive into the river? Will there be a hush as everyone else turns to watch her surface in a ring of foam? Will the rest of them join in? He imagines a wild bacchanalia, a writhing mass of pale flesh tuna-threshing the water, laughing and squealing… orgiastic sounds from a couple on the bank, their entwined limbs mermaid-green in a willow's watery shadow…

The old man continues...

And then it happened. I saw her out of the corner of my eye, moving coolly from the nearest group, towards me. Dressed differently from the rest, in a white muslin dress which ended a few inches above the knee. No hat, so I noticed a difference immediately – her hair, normally kept up in a bun or a chignon, curled and flowed around her shoulders in a blonde cascade. I hardly recognised her.

Frances thinks: God, he's almost gaga. Lost in the shrubbery of dementia. He's obsessed with the film he's directing, the scene on the lawn. He's dredging his pond for a lost and idealised love. She places another figure on the screen, under a weeping willow: Dante Gabriel Rossetti, about to dig up his wife's grave to retrieve the love poems he wrote long ago, before she overdosed on laudanum; their child stillborn, like the emotions being exhumed today. Frances contrives a title for the film:
Onsra.
In a certain language it meant
to love for the last time
. That's what he's doing, she thinks – trying to invoke love for the last time. A young grub of love struggling inside an ancient, decaying chrysalis.

The old man continues, running his last picture on the grainy screen…

I was leaning against a statue. Later I found streaks of old, creamy paint dust on my suit. I was disengaged from the party around me, resting in the sunshine, enjoying the coolness of the stone, the match of its contours to my own body. Feeling nice and relaxed, languorous, drowsy in the summer heat. Cigarette in one hand, glass of wine in the other. She came towards me and slowly I recognised her shape; she was a family friend. An aunt but not an aunt, if you know what I mean. One of those women on the periphery of the family, not a blood relative but still called Aunty by the kids. About forty. Forty-five? Hard to say… she was quite a bit older than me, certainly. Old enough to be my mother, as they say…

Tom closes his eyes and brings up a picture of his mother. He'd never seen her demonstrate a single sexual trait. How many times had she had sex? Just the once? Had she been a human variant which had hermaphroditic sex on a preordained day in her life, hanging upside-down in the attic, merely to reproduce? His father had died in a POW camp. After that, nobody. Perhaps his parents did it once with their eyes closed, and his father in uniform. Full battle dress, trench coat too. Maybe he put it through a buttonhole and sang hymns very loudly to drown out any embarrassing noises. Sex was the ultimate taboo. Even when he was older the TV was off in an instant if as much as a bra strap appeared…

She came up close to me and put her hand on my chest, as if to balance herself. One of her nails, painted pink, played with the top button of my shirt. She leaned on me slightly and looked into my eyes with a warm fuzzy look, slightly myopic. Indulgent. Green pupils with flecks of hazel, and laughter lines, slightly whiter than the skin around her eyes. She'd been laughing a lot… I remember her laugh. She was slightly drunk by now, but still in control. She teased me about something and did up a button – a sort of mock modesty, tutting and fussing about my appearance. I was suddenly aware that this woman was quite different from the one I knew as Aunty Marian. A woman with pink nails, with her hair let down, enjoying herself, confident and talking to me invisibly with her fingers, pressed softly – meaningfully – onto my chest.

Jonty creaks to his feet and shuffles to the drinks table, sloshes himself a large dose of whisky. He must leave after this one, make his excuses. The anger has caught fire inside him, the flames will incinerate him soon. He can feel the roar in the chimney, but he doesn't know why he gets so damned hot when he drinks. And angry. Prometheus on the rocks. An eagle eating his liver, the past eating his brain. No love for him now, not even his children's. Didn't know where they were even. Back in his chair, he takes two big gulps of whisky and tries to focus on the screen. All he can see is a huge bottle with a ship inside it, ablaze…

Then she turned away from me and studied the party for a few seconds, taking in the scene. She obviously thought it was funny, because she gave a gurgle of amusement. I was dreamy, looking at the fine hairs on her neck, funnelling into a V of silver before disappearing into her clothes. I looked at the zip on her dress – pink like her nails, and so inviting. I touched it, lightly. The smell of her was the smell of a woman, it made me feel drunk. It wasn't perfume, it wasn't soap – it was the smell of a clean healthy woman in the sun, a warm brown smell… I can't think how to describe it. Hot skin rubbed with aromatic leaves, stroked with sandalwood. No, that's not right. It was the smell of her whole being – it came off her body as if the fine hair on her skin had been mown, and was sending out a signal like the sweet vernal grass around us on the lawn…

Frances feels a toothache coming on: the ice has begun to hurt her right molar, the usual place. Tender is the right. Abscess makes the… she gets more vodka to dull the pain. The film is coming to an end, she can feel it is ending. Incest in the sun. But it wasn't incest. A young man waking up to… no, it was something else. Something special had happened that afternoon on the lawn. First love? But hadn't he described his former wife as the love of his life, the only one? The screen on the wall freezes – she puts the film on hold. The kingfisher hangs in mid air; the whole party becomes a silent frieze of statues. She's intrigued. Her own past is in grainy black and white. But the old man is showing the first film he ever shot in full colour. Yes, that's it.

His voice drones on in the corner…

Now she moves back slowly and rests her whole body against mine, but not centrally. She's a lynx on a branch, using the left hand side of my body as a resting place. I think she closes her eyes for a while. The noise on the lawn is a soft drone in the background. Human sounds are so ridiculous when you remove yourself, listen dispassionately. She relaxes her hip into the waiting groove between my legs. Her head is on my shoulder and her hair drifts against my cheek. Our bodies are almost conjoined physically. There is no sexual tension. She is merely being her: a woman. I am merely being me: a young man.

The old man halts his story to top up his glass. He looks around at the Love Committee, but they've disappeared: all he sees is three empty chairs, all askew, as if his witnesses left hurriedly. He tops up his glass with soda: he doesn't want to get drunk yet. That'll come later. He wants to finish the film, even if he's the last one left in the cinema.

She stays like that for five, maybe ten minutes. She becomes part of me, almost. I am rooted to the spot, I hardly move. I flick away my cigarette and hold her bare shoulder with my hand. I feel the almost imperceptible crater of an old smallpox jab. Her skin is so nice to feel. Is there anything nicer? Finally, she rights herself, moves away slightly and smoothes her dress. She turns round and smiles at me gently, slightly woozily. Her hair is disturbed so she flicks it back with her hand, pats it down. She kisses her right forefinger and dabs my cheek with it. Then she says
Ciao!
and heads for the melee again. The interlude is over. I relax and light another cigarette, but I stay where I am.

The old man gets up, moves to the window. He stands there, looking out at the meadows. He can smell smoke, searches for the source, and finds it drifting from the woods in the middle distance. Autumn is here again, sporing away.

He closes the window and turns to the screen on his wall, but it's gone. The sun has dipped below the horizon, night is coming on. He sits in his chair, with a full glass, and gets drunk in the gathering gloom. His eyes close and he drifts towards unconsciousness, the glass tilting awry in his hand. Before he goes, he talks to his phantom Love Committee one last time…

When she left me my body felt as if I'd been standing too near a fire, I was burning. It was as if she'd left an imprint on me, branded me with her own flesh. And it seems to me now that she shared something with me that afternoon, without intending to. The woman I thought of as an aunty revealed to me a part of herself that she'd shared with other men over the years – her immense sensuality, the sort which so many women have but which only a few are able to share consistently. It flowed out of her and it left its heat on me for the rest of my life. I can still feel it there now. I was unable to find it with another woman, not even my wife. Strange, that. Perhaps it was all in the mind. But it was powerful, unforgettable. So powerful that I described it to my wife once, and that was the biggest mistake I ever made.

The old man goes to sleep. His glass tilts further and weeps whisky onto his pullover, then slumps onto its side. A dark stain spreads over his clothes, onto his skin, but he feels nothing. The old man sleeps on…

silver

ALL my life he's been with me. For as long as I can remember – from our first day at school until now. He's almost part of me. Brother, friend, drinking buddy. We've shared wet days, dry days, a lot of happiness, some misery and at least three girlfriends. He's my mate. We've talked the talk and walked the walk. We've travelled in many lands together. Never equal but always compatible. He was the clever one. Miles ahead of me. Miles and miles in front.

His brain was a mystery to me and to nearly everyone else from the start, from our very first day together at infants' school. He saw things I never saw and he felt things I never felt. I wasn't the
only one who realised he was special – for a while he was quite famous. Among his many talents was an amazing ability with maps and charts. He could look at a map, no matter what scale it was, and interpret it so brilliantly he could actually describe the landscape almost exactly as it was. I suppose he was a mystic, really, because he saw more than any map could possibly describe. He looked at that square yard of paper, which had taken cartographers years to compile, and he could form a picture of it immediately.

The Ordnance Survey made him into a bit of a celebrity on a TV show, and the army tried to use him too but he wasn't that type. The poor bloke had enough wars of his own to fight. But that knack of his was quite brilliant. Recently I came across a word which describes him perfectly – he was a
hierophant
: a man who could explain mysteries. He could decipher and enlighten. But as with all great minds, this wasn't enough. He wanted to take it a step further – into the unknown, into a realm of the brain which no-one had entered before. And that's when he went beyond my reach. After that I lost him, in a way. We weren't close again for a long time.

His descent started a few years ago, and I can tell you where – precisely. If we could find his battered old maps, which he used to keep in a locked cabinet by his bedside, I could find that house for you today. God knows where the maps are now, but he still has the key on a silver chain around his neck. He seemed always afraid of losing those maps, as if he'd die or get ill if they were taken away from him.

One day when we were sitting in his kitchen and he was recreating a map in his mind's eye – he used the word
imagining
– his forefinger fell on a solitary house in a certain part of the country which is far away from all the primary routes.

‘You know something,' he said meditatively, ‘I can see that house right now. It's something to do with its position in the landscape. It will always attract a certain sort of person. Location and all that. The way it faces towards the river, in a bit of a hollow. It feels lonely, patient, resilient. It's the sort of place which attracts compassionate people. Retired teachers.
Guardian
readers. People with empathy. They try to cheer it up. I can see bright colours. Turquoise curtains and outbuildings which are really bright red I think.'

He described the place in detail.

To cut a long story short, we got in my car and we went looking for that house. We didn't need a map, of course, because he took us there as truly as if we were guided by satnav. And when we found it, on a rather dangerous bend in the country, it became quickly apparent that he was absolutely right. We had to park in a lay-by for a while because someone had driven into a ditch and I'd had to call the emergency services; but we stayed long enough to confirm his ‘intuition'. I knew from the outset that he wasn't playing games; he was never a prankster and he disliked anything that smacked of dishonesty.

I left him at his door, expecting to see him the next day, but I didn't see him for a month. And when he reappeared he was a different person. He rang the doorbell at one in the morning, when I'd just dropped off to sleep, and I answered the door to a man who was almost dead on his feet, as if he'd just ran a mile with a pack of rottweilers behind him. When he recovered I gave him a bottle of brandy and a duvet because he was too far gone to make any sense that night. In the morning he'd disappeared, leaving a note which left out more than it said. I've still got it:

Sorry about last night, thanks for putting me up. Owe you a bottle of booze. Can't tell you much at the moment but I broke into that house we went to and took it all a stage further. Very exciting. Old geezer asleep upstairs. As I thought –
Guardian
reader, film fan etc. Searched the place and eventually found what I wanted, some maps. Bullseye! Superb quality, among them an early Bartholomew chart of a region in Scotland. Beautiful. Took it with me and ‘imagined' the place as well as I could in a night, then caught a train up north. Picked up a girl on the way, going to the same parts. Just been ill, on her way back home. Want you to meet her. She can do the same thing as me but with paintings, found she could do it when she was a kid, something to do with angels. Hah! The Scottish map took us to a wild part of the world. The place I ‘imagined' turned out to be a croft with a rusty roof and little more than a woman inside it and an urn full of ashes – I'd predicted the woman but not the ashes. This time I didn't break in, telling the truth seemed easier so she invited us in and we stayed a couple of nights. Bit of a weirdo. Clairvoyant, read my hand. Not very good news at first but she says things will turn out OK in the end. We got some good lifts all the way back to Wales... then something strange happened – we got a ride which took us past that house on the bend, the one with the red barn. The woman in Scotland had mentioned it. That house keeps on cropping up. Spooky or what! It's up for sale now. Anyway, must dash – will let you know what's happening ASAP.