Paul Revere's Ride (14 page)

“The Rogues March” is thought to have descended from a brutal Scottish drum-tune called “Cuckolds Come Dig,” which was played when whores were flogged through the streets of Edinburgh. For three centuries it was heard in English-speaking armies when men were drummed out of their regiments. British Regulars made it into a drinking song:

Fifty [lashes] I got for selling my coat

Fifty for selling my blanket,

If ever I ’list for a soldier again,

The devil shall be my sergeant.

From Lewis Winstock,
Songs and Music of the Redcoats.

The Whigs of Boston added to the growing tension. General Gage, scrupulous as ever to protect the rule of law, had left New England’s press free to publish without restraint. Polemics poured from Boston printshops, and added greatly to the pressures that were building in the town. Once again, Paul Revere played a prominent role. Between his many rides and various other activities, he found time in the Winter and early Spring of 1775 to engrave a series of hard-hitting political cartoons on Whiggish themes. Revere was no Hogarth; his engravings were crude and primitive. But they made their point, and summarized the complex ideology of the revolutionary movement in simple images that reached a larger public with greater force than John Adams’s subtle briefs for liberty, or Sam Adams’s solemn orations, or Joseph Warren’s ornate phrases.
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Some of Paul Revere’s cartoons in early 1775 were done at the request of his friends Isaiah Thomas and Joseph Greenleaf, for a new periodical called the
Royal American Magazine,
which despite its name had a strong Whig tone. In its January issue, Revere published a copper-plate engraving called “A Certain Cabinet Junto.” It showed Lord North offering King George III a bill for the “Abolition of Civil and Religious Liberty in America.” Behind the King lurked the sinister figure of the Earl of Bute, the King’s Scottish mentor. In the center was the saturnine figure of Lord Justice Mansfield, giving his approval to the Act for the Better Administration of Justice, which Revere called by its Boston name, the Murder Act. On the far left sat the feminine figure of British America in deep distress. At her side was the shield that symbolized Britannia, and by her feet was the Indian bow and quiver that represented America. Tucked under her arm were a Phrygian cap and liberty pole that symbolized freedom in the iconography of 18th-century Whiggery.
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By our standards Paul Revere’s engravings were very crude. He borrowed heavily from other prints, even to the point of what we would consider plagiarism. The four ministerial figures, the suffering figure of British America, and the liberty pole and cap were all staples of English caricature, copied line for line from the work of English artists.
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But even as Paul Revere borrowed freely from British Whiggery,
he added a strong spiritual theme that was his own invention, and uniquely a product of New England. Revere’s feminine figure of British America looked to the heavens, and prayed (in italics), “Lord thou didst drive out the heathen before, our hope is in thee,” From a heavy threatening thundercloud, she was answered (in boldface), “I have delivered and I WILL deliver,”

Paul Revere published this cartoon in January 1775 America appears as a lady in distress, surrounded by the symbols of liberty. Lord Worth hands George 111 a "Bill for the total abolition of civil and religious liberty in America," while Justice klansfield offers an "act for murdering the Bostonians" and the Earl of Bute looks on approvingly. Revere copied the figures from an English print, and added a strong religious theme. (American Antiquarian Society)

Imperial officials were outraged by these publications. On March 10, 1775, the same 47th Regiment that had tarred and feathered the Yankee pedlar Thomas Ditson mustered in front of Isaiah Thomas’s print shop. With their colonel at their head and the regimental band playing the Rogue’s March, they warned the publisher that he would be next to wear a coat of tar and feathers.
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Paul Revere’s engravings for the
Royal American Magazine
were models of restraint, compared with the abuse that streamed from other Yankee presses. General Gage himself became the favorite target. As early as 1775, American journalists had already
formed the habit of reducing complex public questions to personal attacks on prominent leaders. They accused General Gage of every imaginable vice from alcoholism to pederasty. In Newburyport’s
Essex Journal,
for example, one journalist wrote:

Lord North pours tea into a helpless America (wearing an Indian headdress and not much more), while Lord hfansfield pinions her arms, the Earl of Sandwich peeks under her skirts, and Britannia averts her eyes. Paul Revere copied this cartoon line for line from the London Magazine, adding only the word "Tea" to Lord North’s kettle for anyone who missed the point. (American Antiquarian Society)

In truth, it’s judg’d by men of thinking,

That GAGE will kill himself a drinking.

Nay, I’m informed by the inn keepers,

He’ll bung with shoe-boys, chimney sweepers.
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Worse, in New England eyes, he was accused of being a Papist, whose secret purpose was to convert all of America to Roman Catholicism by the sword. It was utterly without foundation, but had a powerful impact on American opinion.

This steady drumfire of personal abuse changed Boston’s attitude toward General Gage. Up to this point, despite many differences, both sides had been careful to preserve the decencies. As
late as January 1775, Samuel Adams believed that Gage was a virtuous victim of corrupt advisers who were “perpetually filling his ears with gross misrepresentations.
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By March, Sam Adams was telling his friends that Thomas Gage was a man “void of a Spark of Humanity, who can deliberately be the instrument of depriving our Country of its Liberty, or the people of their lives in its defence.”
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On the other side, these personal attacks also had an impact on the thinking of General Gage. He bitterly condemned the “flagitious prints” of New England, and accused them of spreading the “grossest forgeries, calumnies and absurdities that ever insulted human understanding.”
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His letters home to ministers in Britain betrayed increasing anger against the people of Massachusetts.

The letters that came back from London added to the tension in yet another way. Thomas Gage’s superiors were losing patience with their man in America. For months they had been urging him to act, without result. On April 2, two ships from England arrived at Marblehead with unofficial reports that new orders were on their way to General Gage—firm instructions to move decisively against the rebellion and to arrest its leaders.

These rumors from London proved to be correct. As so often, they reached the people of Massachusetts before they got to the commander in chief. The news was sent by a galloper from Marblehead to Boston. Many leading Whigs astonished the British commander by instantly packing their bags and leaving town. By April 8, only two major Whig leaders, Joseph Warren and Paul Revere, remained behind.

The commander in chief caught wind that reports from London had arrived in Marblehead, but nobody on his staff could tell him what news they contained. He wrote home, “I can’t learn whether she brought letters to any of the Faction here, but the news threw them into a consternation, and the most active left the Town before night.”
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Finally on April 14, 1775, the dispatch ship HMS
Nautilus
reached Boston, with the secret orders that the Boston Whigs had already learned about. The documents were carried by Captain Oliver De Lancey, Mrs. Gage’s American cousin and the son of the acting governor of New York. De Lancey came ashore, resplendent in a uniform of the 17th Light Dragoons. His crested cavalry helmet was adorned with his distinctive regimental badge, a huge grinning death’s head and crossbones that made a fitting
symbol for the grim tidings that were delivered by this harbinger of war.
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The most important dispatch was a confidential letter to Gage from the Earl of Dartmouth, dated January 27, 1775. It promised that more troops were on the way: another 700 Marines, three regiments of foot, and De Lancey’s dragoons, which were thought to be specially effective in the suppression of civil disturbances. General Gage was bluntly informed that the King’s ministers did not accept his estimate that the conquest of New England would require 20,000 men. He was told that if he needed more men, he should raise a corps of infantry from “friends of government in New England.” He was also instructed in no uncertain terms that the time had come for decisive action against “proceedings that amount to actual revolt.” The ministers insisted that nothing less than the sacred honor of the Empire and that of the King himself were at stake: “The King’s dignity, and the honor and safety of the Empire, require, that, in such a situation, force should be repelled with force.”

The ministers were aware of General Gage’s scrupulous concern for the rule of law. They reminded him that “the charter of Massachusetts impowers the governor to use and exercise the law-martial in time of actual war, invasion, or rebellion.” They were explicit about the specific steps that Gage should take. He should seize the ringleaders, and disarm the population. Dartmouth told him, “It is the opinion of the King’s servants, in which His Majesty concurs, that the first and essential step to be taken towards reestablishing Government, would -be to arrest and imprison the principal actors and abettors of the Provincial Congress whose proceedings appear in every light to be acts of treason and rebellion.”
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The King’s ministers were entirely optimistic about the outcome. They had suppressed many insurrections in Ireland, Scotland, the Colonies, and even England itself. In the absence of a professional police force, the Regular Army had been routinely assigned to do this work and had become highly skilled at it. Many of the regiments in Boston had recently seen service on similar missions in Britain itself. Just before coming to America, the Royal Welch Fusiliers had been used to “restore order” throughout Devon and Cornwall, and especially the towns of Penryn, Truro, and Falmouth. The 18th Foot had been called out to stop riots against Press Gangs in Whitehaven. The 43rd and eight other regiments had been assigned to put down agrarian risings that spread
through twelve counties of the South Midlands and East Anglia in 1766. The 4th, and many other units, had been busy along the south coast of England suppressing rings of highly organized tea-smugglers whose activities made the Boston Tea Party seem like an affair of amateur theatrics by comparison. The British Marines had been sent on a similar mission into Romney Marsh. Ireland had been in a state of insurrection in 1771 and 1772; several of General Gage’s regiments had come directly from that realm of incessant strife. In England itself, between 1740 and 1775, there had been at least 159 major riots, and minor ones beyond counting. Many were put down by the army. To the King’s ministers in London, the troubles in distant Boston seemed merely another routine disturbance that could be dealt with in the usual way.
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