Read Pauline Kael Online

Authors: Brian Kellow

Pauline Kael (77 page)

BOOK: Pauline Kael
6.46Mb size Format: txt, pdf, ePub
ads
———.
Sunday Bloody Sunday
. New York: Dodd, Mead, 1971.
Gitlin, Todd.
The Sixties: Years of Hope, Days of Rage
. New York: Bantam, 1987.
Gruen, John.
Menotti: A Biography
. New York: Macmillan, 1978.
Guare, John.
The War Against the Kitchen Sink.
Lyme, N.H.: Smith & Kraus, 1996.
Harris, Mark.
Pictures at a Revolution: Five Movies and the Birth of the New Hollywood
. New York: The Penguin Press, 2008.
Harvey, James.
Movie Love in the Fifties
. New York: Alfred A. Knopf, 2001.
Hayes, Kevin (ed.).
Sam Peckinpah Interviews
. Jackson: University Press of Mississippi, 2008.
Hellman, Lillian.
An Unfinished Woman
. Boston: Little, Brown, 1969.
———.
Pentimento
. Boston: Little, Brown, 1973.
Howe, Irving.
World of Our Fathers
. New York: Harcourt Brace Jovanovich, 1976.
Jackson, Kevin.
Schrader on Schrader
. London: Faber and Faber, 1990.
Kael, Pauline.
The Citizen Kane Book
(“Raising Kane”). New York: Bantam, 1971.
———.
Deeper into Movies
. Boston: Atlantic–Little, Brown, 1973.
———.
5001 Nights at the Movies
. New York: Holt Rinehart and Winston, 1982.
———.
For Keeps
. New York: Dutton, 1994.
———.
Going Steady
. Boston: Atlantic–Little, Brown, 1970.
———.
Hooked
. New York: Dutton, 1989.
———.
I Lost It at the Movies
. Boston: Little, Brown, 1965.
———.
Kiss Kiss Bang Bang
. Boston: Little, Brown, 1968.
———.
Movie Love
. New York: Dutton, 1991.
———.
Reeling
. Boston: Little, Brown, 1976.
———.
State of the Art
. New York: Dutton, 1985.
———.
Taking It All In
. New York: Holt, Rinehart and Winston, 1984.
———.
Where the Lights Go Down
. New York: Holt, Rinehart and Winston, 1980.
Kann, Kenneth L.
Comrades and Chicken Ranchers: The Story of a California Jewish Community
. Ithaca, N.Y.: Cornell University Press, 1993.
———.
Joe Rappaport: Life of a Jewish Radical.
Philadelphia: Temple University Press, 1981.
Kaufmann, Stanley.
A World on Film
. New York: Harper & Row, 1966.
Kirshenblatt-Gimblett, Barbara, and Jonathan Karp (eds.
). The Art of Being Jewish in Modern Times
. Philadelphia: University of Pennsylvania Press, 2008.
Lasar, Matthew.
Pacifica Radio: The Rise of an Alternative Network
. Philadelphia: Temple University Press, 1999.
Laurents, Arthur.
Original Story: A Memoir of Broadway and Hollywood
. New York: Alfred A. Knopf, 2000.
Lax, Eric.
Woody Allen: A Biography
. New York: Alfred A. Knopf, 1991.
Libo, Kenneth, and Irving Howe.
We Lived There Too
. New York: St. Martin’s Press, 1984.
Long, Robert Emmet.
James Ivory in Conversation
. Berkeley and Los Angeles: University of California Press, 2005.
Lopate, Phillip.
American Movie Critics
. New York: Library of America, 2006.
———.
Totally Tenderly Tragically: Essays and Criticism from a Lifelong Love Affair with the Movies
. New York: Anchor Books, 1998.
McCarthy, Mary.
The Group
. New York: Harcourt Brace Jovanovich, 1963.
McGilligan, Patrick.
George Cukor: A Double Life
. New York: St. Martin’s Press, 1991.
———.
Backstory 2: Interviews with Screenwriters of the 1940s and 1950s
. Berkeley: University of California Press, 1991.
Mair, George.
The Barry Diller Story: An Inside Look at Hollywood’s Power Player
. New York: John Wiley & Sons, 1997.
Mann, William.
Kate: The Woman Who Was Hepburn
. New York: Henry Holt, 2006.
Mast, Gerald, and Marshall Cohen.
Film Theory and Criticism
. New York: Oxford University Press, 1979.
Mazursky, Paul.
Show Me the Magic
. New York: Simon & Schuster, 1999.
Meade, Marion.
Dorothy Parker: What Fresh Hell Is This?
New York: Villard, 1987. M
ehta, Ved.
Remembering Mr. Shawn’s
New Yorker:
The Invisible Art of Editing
. Woodstock, N.Y.: Overlook, 1998.
Metzker, Isaac.
A Bintel Brief, Volume II: Letters to the
Jewish Daily Forward. New York: Viking, 1981.
Parkinson, David (ed.).
The Graham Greene Film Reader: Reviews, Essays, Interviews and Film Stories
. London: Carcanet Press, 1993.
Parish, Robert Graham.
The RKO Gals
. New York: Arlington, 1974.
Phillips, Julia.
You’ll Never Eat Lunch in This Town Again
. New York: Random House, 1991.
Rinehart, Katherine J.
Petaluma: A History in Architecture
. Charleston, S.C.: Arcadia, 2005.
Ross, Lillian.
Here But Not Here
. New York: Random House, 1998.
———.
Picture.
New York: Rinehart & Company, 1952.
Sarris, Andrew.
The American Cinema: Directors and Directions 1929–1968
. New York: E. P. Dutton, 1968.
———.
Confessions of a Cultist: On the Cinema, 1955/1969
. New York: Touchstone, 1971.
Schickel, Richard.
Clint Eastwood
. New York: Alfred A. Knopf, 1996.
———.
Matinee Idylls: Reflections on the Movies
. Chicago: Ivan R. Dee, 1999.
Schrader, Paul.
Schrader on Schrader & Other Writings
. London: Faber & Faber, 1990.
Seligman, Craig.
Sontag & Kael: Opposites Attract Me
. New York: Counterpoint, 2004.
Simon, John.
Reverse Angle: A Decade of American Films
. New York: Crown, 1982.
Snyder, Gary.
The Real Work: Interviews and Talks, 1964–1979
. New York: New Directions, 1980.
Stuart, Jan.
The
Nashville
Chronicles: The Making of Robert Altman’s Masterpiece
. New York: Simon & Schuster, 2000.
Talbot, Toby.
The New Yorker Theater and Other Scenes from a Life at the Movies.
New York: Columbia University Press, 2009.
Terkel, Studs.
The Good War: An Oral History of World War II
. New York: Pantheon, 1984.
Thompson, David.
Altman on Altman.
London: Faber & Faber, 2006.
Weingarten, Marc.
The Gang That Wouldn’t Write Straight
. New York: Crown, 2005.
Wreszin, Michael.
A Moral Temper: The Letters of Dwight Macdonald
. Chicago: Ivan R. Dee, 2001.
Wright, William.
Lillian Hellman: The Image, the Woman
. New York: Simon & Schuster, 1986.
Yagoda, Ben.
About Town:
The New Yorker
and the World it Made
. New York: Scribner, 2000.
Zuckoff, Mitchell.
Robert Altman: The Oral Biography
. New York: Alfred A. Knopf, 2009.
INDEX
Abraham, F. Murray
Abrahams, William
Adjani, Isabelle
Adler, Renata
Admiral, Virginia Holton
Afterglow
(Davis)
After Hours
Agee, James
Albarino, Richard
Alda, Rutanya
Alexander, Rita
Alice Doesn’t Live Here Anymore
Allen, David Young
Allen, Linda
Allen, Nancy
Alpert, Hollis
Allen, Woody
Almodóvar, Pedro
Altman, Kathryn
Altman, Robert
Amadeus
Anderson, Lindsay
Anderson, Wes
Andrews, Julie
Annie Hall
Another Woman
Ansen, David
Antonioni, Michelangelo
Apocalypse Now
“Are Movies Going to
Pieces?” (Kael)
Arlen, Michael
Arnold, Gary
Ashby, Hal
Ashcroft, Peggy
Atlantic City
Atlantic Monthly
Auberjonois, Rene
Aubrey, James
Au revoir les enfants
auteurism
Avant, Al
Avildsen, John G.
Avventura, L’
Awakenings
Babenco, Hector
Bacon, Martha Sherman
Badham, John
Badlands
Baillie, Bruce
Band of Outsiders
Bankhead, Tallulah
Barber, Samuel
Barr, Richard
Barra, Allen
Barra, Jonelle
Barra, Maggie
Barrett, Rona
Barry Lyndon
Barton, Sue
Basinger, Jeanine
Bates, Alan
Batman
Bear, Ida
Beatty, Warren
Beggar’s Opera, The
Beineix, Jean-Jacques
Beirn, Jane
Bellows, Jim
Belmondo, Jean-Paul
Bennet, John
Benton, Robert
Beresford, Bruce
Bergen, Candice
Bergman, Ingmar
Bergman, Ingrid
Berkeley, Calif.; University of California at
Berkeley Cinema Guild
Bertolucci, Bernardo
Berwind, Sandra
Bible, The
Bicycle Thief, The
Billings, Marion
Black, Karen
Blackmur, R. P.
Black Orpheus
Blair, Linda
Blakely, Ronee
Blatty, William Peter
Blount, Roy, Jr.
Blow Out
Blow-Up
Blue Collar
Blue Velvet
Bob & Carol & Ted & Alice
Bogdanovich, Peter
Bonnie and Clyde
Bostonians, The
(James)
Boston Phoenix
Bosworth, Patricia
Botsford, Gardner
Bottoms, Timothy
Boys in the Band, The
Brackett, Leigh
Brando, Marlon
“Brash Young Man, The” (Kael)
Breathless
Brennan, Eileen
Bresson, Robert
Bridges, James
Bridges, Jeff
Bright Lights, Big City
British cinema
Broadcast News
Brody, Meredith
Brody, Richard
Brooks, Albert
Brooks, James L.
Brooks, Louise
Brooks, Peggy
Brooks, Richard
Broughton, James
Broughton, Marjorie
Broughton, Olga
Brown, Georgia
Brown, Jim
Brown, Tina
Bruckheimer, Jerry
Brustein, Robert
Bryant, Louise
Buffalo Bill and the
Indians
Buñuel, Luis
Burke, Kenneth
Burnett, Carol
Burstyn, Ellen
Burton, Tim
Butch Cassidy and the
Sundance Kid
Buttons, Red
Byce, Lyman C.
Byron, Stuart
Cabaret
Cagney, James
Cahiers du Cinéma
Callenbach, Ernest
Camus, Marcel
Canby, Vincent
Cannes Film Festival
Cannon, Dyan
Capra, Frank
Carey, Carol Koshinskie
Carey, Gary
Carné, Marcel
Carradine, Keith
Carrie
Carroll, Kathleen
Carson, Tom
Cartwright, Veronica
“Cary Grant—The Man from
Dream City” (Kael)
Casablanca
Casualties of War
Chabrol, Claude
Channing, Carol
Chaplin, Charlie
Chaplin, Geraldine
Chayevsky, Paddy
Cher
Children’s Hour, The
Chiles, Lois
Chin, Daryl
Chinoise, La
Christopher Strong
Cimino, Michael
“Circles and Squares” (Kael)
Citizen Kane
Citizen Kane Book, The
City Lights
City Lights
Claire’s Knee
Clayburgh, Jill
Clayton, Jack
Clockwork Orange, A
Close Encounters of the Third
Kind
Cocteau, Jean
Color Purple, The
Come Back to the Five &
Dime, Jimmy Dean,
Jimmy Dean
“Come-Dressed-as-the-
Sick-Soul-of-Europe
Parties” (Kael)
Coming Home
Comingore, Dorothy
Comrades and Chicken
Ranchers
(Kann)
Conformist, The
Conversation, The
Convoy
Cooney, James
Copland, Aaron
Coppola, Francis Ford
Corliss, Richard
Corn Is Green, The
Costner, Kevin
Coulouris, George
Crawford, Joan
“Creative Business, The” (Kael)
Creeley, Robert
Crist, Judith
Croce, Arlene
Cromwell, John
Crow, Patrick
Crowley, Mart
Crowther, Bosley
BOOK: Pauline Kael
6.46Mb size Format: txt, pdf, ePub
ads

Other books

To Kingdom Come by Robert J. Mrazek
Crimes of the Heart by Laurie Leclair
Independent Jenny by Sarah Louise Smith
Blood Lust by Jamie Salsibury
A Prince for Aunt Hetty by Kimberly Truesdale
Serving Crazy With Curry by Amulya Malladi
Token of Darkness by Amelia Atwater-Rhodes
Ruth Galloway by Elly Griffiths