Plot It Yourself (5 page)

At twenty minutes past four that afternoon Amy Wynn told me, not on the phone, in person, that she would match Oshin's ten grand.

The development started shortly after three o'clock with a phone call from Reuben Imhof. Wolfe and I were in the office, having lunched together in the dining room in a slightly improved atmosphere. He was at his desk dictating letters, and I was at mine taking them, when the phone rang and I answered it.

'Nero Wolfe's office, Archie Goodwin speaking.'

'This is Reuben Imhof. I understand that Wolfe never leaves his house on business.'

'Correct. He doesn't.'

'All right, you, then. Come up here quick. My office, Victory Press.'

'I'm pretty busy. Say in an hour?'

'No. Now. Nothing I can tell you on the phone. Now!'

'Okay. Coming. Keep your shirt on.' I hung up and told Wolfe, 'Imhof. Something is biting him, he wouldn't say what, and he wants me quick. Our responsibility?'

Wolfe grunted. 'Confound these interruptions.' We were in the middle of a letter to Lewis Hewitt, describing the results of a cross of C. gaskelliana alba with C. mossiae wageneri. 'Very well. Go.'

I did so. At that time of day taxis are apt to crawl slightly faster on Eighth Avenue than on Tenth, so I headed east. We finally made it to Fifty-second and Sixth Avenue, and when we turned right and I saw that the whole block was choked I paid the hackie and quit him. The Victory Press address, on Madison in the Fifties, was one of the new concrete and glass boxes, with a green marble lobby and four banks of elevators. As I entered the suite on the thirty-second floor I half expected to find the place in an uproar, from the way Imhof had sounded on the phone, but all was serene. The two people on chairs in the reception room, one of them with a bulging briefcase on his lap, merely looked patient, and the bright-eyed receptionist at the desk merely lifted her brows as I approached. However, when I told her my name she said Mr Imhof was expecting me and used the phone, and in a moment an attractive young woman entered through an arch and asked me to follow her, please; and being, as I have said, a trained observer, naturally I noticed that she had restless hips.

Reuben Imhofs room was an ideal setting for discussing the terms of a book contract with a member of the NAAD. Surely an author wouldn't be fussy about little things with a man who had a desk like that, and such fine comfortable chairs, and four windows on two sides, and genuine oil paintings on the walls, and real old Persian rugs. Having taken that in with a quick glance around, I crossed to the desk. Imhof, behind it, kept his seat and his hands. From his look he was in no mood to shake hands with William Shakespeare or Mark Twain if one of them had suddenly entered. He didn't greet me at all. Instead, he spoke to the young woman who had ushered me in. 'Don't go, Judith. Sit down. Look at this, Goodwin.'

I didn't hop. It may be true that, as a friend once told me, I have no more social grace than a conceited tiger, but Amy Wynn, being a member of the committee, was one-sixth of our client and not to be ignored. So before looking at the object Imhof had on his desk I turned to the chair where Amy Wynn was sitting and told her good afternoon. She nodded, just barely. Then I looked at the object.

It was some sheets of paper, eight-and-a-half by eleven inches. The one on top was headed 'Opportunity Knocks,' and below that, 'by Alice Porter.' In the upper right-hand corner was a date, June 3, 1957. The text that followed was double-spaced. I lifted the edges to the last sheet: twenty-seven pages. There were no creases from folding.

'By God,' Imhof said.

'I doubt it,' I said. 'I doubt if He had a hand in it. Probably not by Alice Porter, either. Where was it?'

'In a cabinet in the filing room down the hall. In a folder marked 'Amy Wynn.' '

'Who found it?'

'Miss Frey, my secretary.' He aimed a thumb at the attractive young woman. 'Miss Judith Frey.'

'When?'

'About ten minutes before I phoned you. Miss Wynn was here with me. We were discussing the contents of a letter I wrote her last week, and I sent for Miss Frey and asked her to bring the carbon. She brought the whole folder, because, she said, of something that was in it. The 'something' was that. She says it wasn't in the folder last Wednesday, five days ago, the last time she had occasion to go to it. I want to ask you something. Do you remember that this moming Mortimer Oshin said Miss Wynn was in the same position with Alice Porter as he was with Kenneth Rennert, and I said it wasn't the same because the story hadn't been produced, and he said, 'It will be''Not 'It may be,' 'It will be.' Remember that?'

'Nuts.' I moved a chair around and sat. 'People say things. How much have you handled it?'

'Not much. I glanced through it. So did Miss Wynn.'

'It probably doesn't matter. Whoever put it there has probably heard of fingerprints. Who has access to that room?'

'Everybody here.'

'How many?'

'In this department, executive and editorial, thirty-two. Altogether, more than a hundred, but people in other departments never go to that room.'

'But they could?'

'Yes.'

'Is there always somebody in that room'Someone stationed there?'

'No one is stationed there, but people are always going and coming.'

'Then an outsider could just walk in?'

'I suppose he could.' Imhof leaned forward. 'Look, Goodwin. I got you here immediately. This is hot. Nero Wolfe is supposed to be the best there is, or you and he together are. We want you to get this sonofabitch, and get him quick. Miss Wynn wants you to, and so do I.'

'Him or her.'

'Okay. But quick. By God!' He hit the desk with his fist. 'Planting it here in this office! What are you going to do'What do you want me to do?'

I crossed my legs. 'It's a little complicated. Mr Wolfe already has a client, the Joint Committee on Plagiarism, of which you and Miss Wynn are members. There could be a conflict of interest. For instance, considering this case alone, independently, possibly the best course would be to forget that this thing was found. Burn it or let me stash it. But the committee wouldn't like that because it may be helpful in stopping this plagiarism racket for good, which is what they want. How many people know this thing has been found?'

'Three. Miss Wynn, Miss Frey, and I. And you. Four.'

'How long has Miss Frey been with you?'

'About a year.'

'Then you don't know her very well.'

'I know her well enough. She was recommended by my former secretary when she left to get married.'

I looked at Judith Frey and back at Imhof. 'There are two obvious questions about her. One, did she put that thing in the folder herself'Two, granting that she didn't, could she be trusted to forget that she found it if you asked her to'If not, it would be very risky-'

'I didn't, Mr Goodwin.' Miss Frey had a clear, strong voice. 'I can see why you ask that, but I didn't. And if my employer asked me to do anything I couldn't be trusted to do, I would quit.'

'Good for you.' I returned to Imhof. 'But actually I'm just talking. Even if you decide you can trust Miss Frey to keep her mouth shut and burn that thing, what about me'I have seen it. I will of course report to Mr Wolfe, and he will act in the interest of his client, the committee, and you may find-'

'We're not going to burn it,' Amy Wynn blurted. Her nose was twitching. Her eyes were red. Her hands, in her lap, were fists. She went on, 'I never saw that thing before, and nobody can prove I did! I hate this! I hate it!'

I moved to her. 'Naturally you do, Miss Wynn. And after all, you're the one that will get soaked if Alice Porter gets away with it. Would you like to know what I would advise you to do?'

'I certainly would.'

'This is just off the cuff. After I report to Mr Wolfe he may change it. First, let me take that manuscript. I'll try it for fingerprints, but that's probably hopeless. Mr Wolfe will compare it with the others. Second, say nothing about it to anyone. You have no lawyer?'

'No.'

'Okay. Third, don't communicate with Alice Porter. If you get a letter from her, don't answer it. If she calls you on the phone, hang up. Fourth, let Mr Wolfe handle this as a part of what he has already been hired for. He can't question everyone who works here himself, or anyhow he won't, but he has a couple of good men who will do it for him-provided Mr Imhof will co-operate.'

'Co-operate hell,' Imhof said. 'I'm in this as much as she is. Are you through?'

'No.' I stayed with Amy Wynn. 'Fifth and last, I think there's at least an even chance that Mortimer Oshin's idea will work. From the look on Simon Jacobs's face when I asked him if he would do an article on how it felt to have his story stolen, I think he's hating himself. I think he did it because he was hard up and had a family and had to have cash, and he wishes he hadn't and would be glad to get it off his chest, and if he can spit it out without fear of going to jail, and get paid besides, I think he will. That's only what I think, but I saw his face. If I'm right this whole thing will be cracked wide open. And the bait ought to be as juicy as possible, and twenty thousand is twice as juicy as ten. So fifth, I strongly advise you to tell me now that we can make it twenty.'

Her nose twitched. 'You mean I agree to pay ten thousand dollars.'

'Right. Provided Richard Echols does his part.'

She looked at Imhof. 'Should I?'

Imhof spoke to me. 'That's what we were discussing earlier. We hadn't decided. I was inclined to be against it. But now, by God, I'm for it. I'm for it so much that I'll commit Victory Press right now to pay half of it. Five thousand. And five thousand from you, Amy?'

'Yes,' she said. 'Thank you, Reuben.'

'Don't thank me. Thank the bastard that planted that thing here in my office. Do you want it in writing?'

'No.' I stood up. 'I'll go and see if Mr Wolfe approves the advice I gave you. You'll be hearing from him. I need some sheets of glossy paper and a stamp pad. For sets of prints of you three so I can eliminate them. And some large envelopes.'

That took some time, getting three sets of legible prints with an ordinary stamp pad, and it was nearly five o'clock when I got away, with Imhof doing me the honour of escorting me to the elevator. I decided to walk it. It would take only a few minutes more than a creeping taxi, and my legs needed stretching. After mounting the stoop and letting myself in, I stepped to the end of the hall to stick my head in the kitchen and let Fritz know I was back, and then went to the office, put the envelopes on my desk, and got brushes and powder and other items from a drawer of a cabinet. I couldn't qualify as a fingerprint expert in a courtroom, but for private purposes I will do.

When Wolfe came down from the plant rooms at six o'clock he started for his desk, saw the clutter on mine, stopped, and demanded, 'What have you got there?'

I swiveled. 'Very interesting. I've done the first nine pages of this manuscript, 'Opportunity Knocks,' by Alice Porter, and there's no sign of a print, let alone an identifiable one, except Amy Wynn's and Miss Frey's and Imhof s. That justifies the assumption that it was either carefully wiped or was only handled with gloves on. In that case-'

'Where did you get it?' He was at my elbow, surveying the clutter.

I told him, including the dialogue. When I got to where Imhof had said there were thirty-two people in the executive and editorial departments of Victory Press, he went to his desk and sat. At the end I said, 'If you want to make any changes in the advice I gave her, I have her home phone number. As I told her, it was off the cuff and subject to your approval.'

He grunted. 'Satisfactory. You realize, of course, that this may be merely an added complication, not an advance.'

'Sure. Some person unknown somehow got a key to that office and sneaked in after hours and put it in Amy Wynn's folder. As before, possibly, in Ellen Sturdevant's bureau drawer and Marjorie Lippin's trunk. The only difference is that this is hot-as Imhof said.'

'It's recent,' he conceded. 'Give me the nine pages you have finished with.'

I took them to him and returned to my desk and started on page ten. Fritz, responding to a summons, brought beer, and Wolfe opened the bottle and poured. Page ten had nothing. Page eleven had only two useless smudges, one on the front and one on the back, near a corner. Page twelve had a fair right thumb and a poor right index finger of Reuben Imhof. I was on page thirteen when Wolfe's voice came. 'Give me the rest of it.'

'I've only done three more pages. I want-'

'I want all of it. I'll take care.'

I took it to him, taking care, and then went to the kitchen to see how Fritz was getting on with the braised duckling stuffed with crabmeat, because I didn't want to sit and watch Wolfe smearing up the last fifteen pages. It isn't that he doesn't believe in fingerprints; it's just that they are only routine and therefore a genius can't be expected to bother about them. However, by going to the kitchen I merely transferred from one genius to another. When I offered to spread the paste on the cheesecloth which was to be wrapped around the ducklings, Fritz gave me exactly the kind of look Wolfe has given me on various and numerous occasions. I was perched on a stool, making pointed comments to Fritz about the superiority of teamwork, when there was a bellow from the office.

'Archie!'

I went. Wolfe was leaning back with his palms on the chair arms. 'Yes, sir?'

'This is a complication. It was written by Alice Porter.'

'Sure. It says so at the top.'

'Don't be flippant. You fully expected, and so did I, to find that it had been written by the same person as the other three. It wasn't. Pfui!'

'Well, well, as Kenneth Rennert would say. Of course you're sure?'

'Certainly.'

'And also sure that Alice Porter did write it?'

'Yes.'

I went to my chair and sat. 'Then she decided to do one on her own, that's all. Obviously. That doesn't help any, but it doesn't hinder either. Does it?'

'It may. It makes it extremely likely that the one we're after, the one we must find and expose, had no hand in this, and therefore we should waste no time or effort on it. Miss Wynn is not our client, and neither is Mr Imhof. They are merely members of that committee. Of immediate concern is the fact that they were under a misapprehension when they agreed to contribute ten thousand dollars to the bait for Simon Jacobs. They assumed that this is another operation by the same person, and it isn't. We must tell them so, and when we do they will probably decline to make the contribution.'