Plot It Yourself (6 page)

'Yeah.' I scratched my nose. I scratched my cheek. 'Yeah. So they will. You work too hard. You read too much. I don't suppose you could forget you read the damn thing'Just forget it for twenty-four hours, say?'

'No, and neither could you. You'll have to phone them at once. Is it out of the question to offer Simon Jacobs as little as ten thousand?'

I shook my head. 'No, not out of the question. I'd start at ten anyhow, but I'd like it better if I knew I could boost it. He might even take five. I could start at five.'

'Very well. Call Miss Wynn. I'll speak with her.'

I swiveled, but as I reached for the phone it rang. It was Philip Harvey. He asked for Wolfe, and Wolfe took his receiver. I stayed on.

'Yes, Mr Harvey'This is Nero Wolfe.'

'I have good news, Mr Wolfe. Thanks to Cora Ballard. She has it all fixed with Richard Echols. She saw Paul Norris, his agent, and she saw him, and I've just had a talk with Echols, and it's all set. Dexter's lawyer will draw the necessary papers in the morning, one for Echols to sign and one for Title House, and they'll be ready by noon. I've spoken with Mortimer Oshin, and he wants to know whether you want the ten thousand in cash or a certified check.'

'Cash would be better, I think.'

'All right, I'll tell him. What about Amy Wynn'Is she coming across?'

'It's uncertain. There has been a development. The manuscript of the story on which Alice Porter bases her claim was found this afternoon in a file in the office of the Victory Press.'

'No! I'll be damned! In Imhofs office'Wonderfull Marvelousl Then of course she will. She'll have to.'

'She may. There are complexities, now unresolved, which I'll report on later. In any case, it will probably be best to give Jacobs only half of the agreed amount now, and the other half later, contingent on his satisfactory co-operation. If Miss Wynn won't supply it, someone will. Your committee will see to that.'

'I suppose so. I can't promise it.'

'I don't ask you to. I will engage to put it up to Mr Knapp, Mr Dexter, and Mr Imhof. They couldn't possibly wriggle out of it.'

'Ha! You don't know how publishers can wriggle. They're experts. They're champions.'

'That will make it all the more satisfying to pin them. Satisfying both to you and to me-if it proves to be necessary. Ten thousand may be enough. I will be responsible for any commitments I make.'

Wolfe hung up and turned to me. 'Get Miss Wynn.'

At half past five the next day, Tuesday, I entered the vestibule of the tenement at 632 West 21st Street and pressed the button by Simon Jacobs's name. In my breast pocket were two documents, one signed by Richard Echols and the other signed by Thomas Dexter for Title House. Both were notarized. In my side pocket was a neat little package containing five thousand dollars in twenties, fifties, and Cs. Another five thousand was distributed among other pockets, not in packages.

I could have been there two hours earlier but for the fact that no hurricane had hit town. Nothing less than a hurricane would make Wolfe cancel his afternoon session in the plant rooms, from four to six, and it had been decided that instead of trying to hook Jacobs myself I was to bring him to 35th Street and watch Wolfe do it, chiefly because it would be desirable to have a witness. I was not to be visible; I would be stationed in the alcove at the end of the hall with my notebook, at the hole in the wall, concealed by a trick picture on the office side, through which I could both see and hear. I had the documents and money with me because it might take more than words to get Jacobs to come.

There had been no snags. Shortly after twelve Cora Ballard, the executive secretary of NAAD, had come in person with the documents. She had brought them instead of sending them because she wanted to brief us on Simon Jacobs, whom she had known for nearly thirty years, ever since he had joined NAAD in 1931. He had always been a little odd, but she had always regarded him as honest and honourable, so much so that when he had accused Richard Echols of plagiarism she had had a faint suspicion that there might be something to it, but had abandoned it when she tried to get in touch with him and he wouldn't talk. He was proud and touchy and he loved his wife and kids, and her advice was not to threaten him or try to get tough with him but just show him the money and the documents and put it on a basis of common sense. All of which might have been very helpful if it hadn't been for the fact that he had already been dead about fourteen hours.

No, no snags. It couldn't be called a snag that Amy Wynn and Reuben Imhof had withdrawn their offer to sweeten the pot, since that had been expected. While Wolfe and I were at lunch a messenger had arrived with the ten thousand dollars' worth of lettuce from Mortimer Oshin.

So at five-thirty I pressed the button in the vestibule, the click came, and I opened the door and entered. I was ready for the garlic and took a deep breath as I headed for the stairs. My opening line was on my tongue. Three flights up I turned to the front, and there, at the open door where Mrs Jacobs and the boy had awaited me on my previous visit, I was again awaited, but not by them. In the dim light I took two steps before I recognized him, then stopped. We spoke simultaneously, and spoke the same words.

'Not you,' we said.

I knew. As Jane Ogilvy would have put it, a fact felt though not perceived. The presence there of Sergeant Purley Stebbins of Homicide West might have meant any one of a dozen things-one of the kids had been killed by a hit-and-run driver, or Jacobs had killed his wife, or one of them was merely being questioned about some other death by violence-but I knew. It had to be. That was why I said, 'Not you.'

'I've been here five minutes,' Purley said. 'Just five minutes, and here you come. Jumping Jesus!'

'I've only been here five seconds,' I said, 'and here you are. I came to see a man named Simon Jacobs on business. Please tell him I'm here.'

'What kind of business?'

'A private kind.'

His jaw worked. 'Look, Goodwin.' He has been known to call me Archie, but in different circumstances. 'I come here on a job. If I'm somewhere on a job and someone asks me who is the last person on God's earth I would want to show up, I would name you. What I'd like, I'd like to tell you to go somewhere and scratch your ass with your elbow. A man's body is found. He was murdered. We get him identified. I go to where he lived to ask some questions, and I no sooner get started than the bell rings and I go to the door, and it's you, and you say you came to see him on business. When you come to see a corpse on business, I know what to expect. I'm asking you, what kind of business?'

'I told you. Private and personal.'

'When did you learn Jacobs had been killed'And how'He was identified only an hour ago.'

'Just now. From you.' I had joined him at the door. 'Let's take a short cut. Sergeant. The long way would be for you to bark at me a while, getting upset because I won't unload, and then you would take me to Homicide West, only a short walk, which you have no right to do, so I would get upset, and then Inspector Cramer would go to see Mr Wolfe, and so on. The short way would be for me to phone Mr Wolfe and get his permission to tell you why I came to see Jacobs, which he would probably give because there's no reason why he shouldn't and it may be connected with his death. You know damn well that without his permission I tell you nothing.'

'You admit it's connected.'

'Nuts. You're not the DA and we're not in court. Of course Mr Wolfe will want some details-when and how he was killed, and by whom, if you know.'

Purley opened his mouth and shut it again. When I have facts he needs, he would like to force them out by jumping up and down on my belly, but for that I would have to be lying on my back.

'With me listening,' he said.

'Sure, why not?'

'Okay. The body was found at two o'clock this afternoon behind a bush in Van Cordandt Park. It had been dragged across the grass from the edge of the road, so it was probably taken there in a car. There was one stab wound in the chest with a broad blade. No weapon found. The ME says between nine o'clock and midnight. Probably nothing taken. Eighteen dollars in his wallet. You can call Wolfe on the phone in here.'

'Any leads?'

'No.'

'When or where he went last night, or who with?'

'No. I was asking his wife when you came. She says she doesn't know. The phone's in his room, where he worked. Where he wrote. He wrote stories.'

'I know he did. What time did he go out?'

'Around eight o'clock. If he had an appointment he made it on the phone and she didn't know anything about it. So she says. I just got started with her. I brought her here from the morgue after she identified the body. She says he told her he was going to see somebody and might be late, and that was all. If Wolfe wants to know what he had in his stomach he'll have to wait until-'

'Don't be flippant. Where's the phone?'

We went inside and he shut the door and led the way down the narrow hall to a door on the left. It was a small room with one window, a table with a typewriter, shelves with books and magazines, and a row of drawers. There were two chairs, and on one of them was Mrs Jacobs. I said she wasn't a crone when I saw her five days before, but she was now. I wouldn't have known her. As we entered her eyes came to us. She focused on me, staring, and blurted, 'It was you!'

'What?' Purley asked her. 'Do you know this man?'

'I've seen him.' She was on her feet. 'He was here last week. His name's Goodwin. My husband saw him just for a minute, and after he left Simon told me if he ever came again to shut the door on him.' She was trembling all over. 'I knew from the way-'

'Take it easy, Mrs Jacobs.' Purley had her arm. 'I know this Goodwin. I'll handle him, don't worry. You can tell me about it later.' He was easing her out. 'You go and lie down a while. Drink something. Drink some hot tea& '

He got her to the hall. In a moment he returned, shut the door, and turned. 'So you've been here before.'

'Sure. With Mr Wolfe's permission I'll confess everything.'

'There's the phone.'

I sat at the table and dialed, and after five rings had Fritz, who always answers when Wolfe is up with the orchids. I told him to buzz the plant rooms, and after a wait Wolfe's voice came. 'Yes?'

'I have to report another complication. I'm in Simon Jacobs's apartment, the room he wrote stories in. Sergeant Stebbins is with me. He is investigating the murder of Simon Jacobs, whose body was found at two o'clock this afternoon behind a bush in Van Cortlandt Park. Stabbed. Between nine and twelve last night. Body taken there in a car. No leads. No anything.'

'Confound it!'

'Yes, sir. Stebbins was here when I arrived, and naturally he is curious. Are there any details I should save?'

Silence. Ten seconds, then: 'No. There's nothing worth saving.'

'Right. Tell Fritz to save some of that shashlik for me. I'll be home when I get there.' I hung up and told Purley, 'He says there's nothing worth saving. Shall I just tell it or would you rather grill me?'

'Try telling it,' he said, and got the chair the widow had vacated, sat, and got out his notebook.

Thomas Dexter of Title House squared his shoulders and set his long, bony jaw. 'I don't care how you look at it, Mr Harvey,' he said. 'I know how I look at it. I'm not condemning Mr Wolfe or the members of this committee, or even myself, but I have a feeling of guilt. I regard myself as guilty of incitation to murder. Unwittingly, yes, but what are wits for'I should have considered the possible consequences of signing that agreement not to prosecute Simon Jacobs.'

It was noon the next day, Wednesday. If you are fed up with committee meetings, so was Wolfe and so was I, but that's one disadvantage of having a committee for a client. And it was no longer merely a Joint Committee on Plagiarism. Within two hours after I had supplied the details to Stebbins they had all been visited by city employees. Knapp had been interrupted in the middle of a bridge game, Oshin had been found at dinner at Sardi's. Imhof and Amy Wynn had been called from a conference with three other executives of Victory Press. Dexter and Harvey and Cora Ballard had received the callers at home. Harvey had elicited these details from them so Wolfe would realize the gravity of the situation.

Having come at eleven o'clock, they had been at it for an hour, and there had been raised voices and heated words, with no unanimity on anything. Take the question, did they accept the assumption that Jacobs had been killed to keep him from squealing'Knapp and Harvey said no, he might have been killed from some quite different motive; it might have been merely coincidence. Dexter and Oshin said yes, that they couldn't get from under a responsibility by laying it to coincidence. Imhof and Amy Wynn and Cora Ballard were on the fence. Wolfe ended that argument by saying that it didn't matter whether they accepted the assumption or not; the police had made it, and so had he, as a working hypothesis.

Of course that led to a hotter question. If Jacobs had been killed to keep him from telling who had written 'What's Mine Is Yours' and got him to make his claim on Richard Echols, the murderer must have known about the plan to pry Jacobs open. Who had told him'That was what the cops had been after when they called on the members of the committee, and that was what Wolfe wanted, but look what they got:

Amy Wynn had told two friends, a man and a woman, with whom she had dined Monday evening. Cora Ballard had told the president and vice-president of NAAD and two members of its council. Mortimer Oshin had told his lawyer, his agent, his producer, and his wife. Gerald Knapp had told his lawyer and two members of his firm. Reuben Imhof had told three of his associates at Victory Press. Philip Harvey had told no one, he said. Thomas Dexter had told his secretary, his lawyer, and six members of the board of directors of Title House. So, counting the committee members and Wolfe and me, thirty-three people had known about it. Supposing they had passed it on to others as an interesting inside item, averaging one apiece, which wasn't hard to suppose, that would make a total of sixty-six. And supposing& You do it.

Hopeless.

Another question: what was the committee going to do now'In Gerald Knapp's opinion, it should do nothing. It should await events. Since the police were assuming that the murderer had been motivated by the urgent necessity to silence Jacobs, they would concentrate on the effort to learn who had written the stories and instigated the claims, and, though that would have its disagreeable aspects, it meant that the purpose for which the committee was formed was now being served by the vast resources of the New York police, and in comparison the resources of the committee were nothing. Philip Harvey agreed, possibly because for the third time in nine days he had had to be up and out before noon and he wanted to catch up on his sleep. Amy Wynn supposed it wouldn't hurt to wait and see what the police did. Cora Ballard thought there should be a special meeting of the NAAD council to consider the matter, that the council had authorized the committee to deal with plagiarism claims, not with murder.

But Thomas Dexter and Mortimer Oshin couldn't see it, and neither could Reuben Imhof. They were all emphatic that Wolfe should be told to go ahead, though for different reasons. Imhofs point was that there was no telling how long it would take the police to find the plagiarist, if they ever did, and their messing around and the publicity would be bad for both publishers and authors. Oshin's point was more personal. He had put up ten thousand dollars in cash in the hope that it would help to stop Kenneth Rennert, and he wanted Wolfe to go ahead and use it for that purpose, with or without the concurrence of the committee. Thomas Dexter's point was even more personal, as you saw from the speech he made to Harvey. He regarded himself as guilty of incitation to murder. Apparently he had an old-fashioned conscience. He went on to say that he couldn't shift his responsibility to the police, he wanted Wolfe to go ahead and spare no pains or expense, and he would contribute any sum that might be required. He didn't even say 'within reason.'

He ended by making a motion, and the chairman asked for hands. Three went up at once-Dexter's, Imhofs, and Oshin's. Then Amy Wynn's, not with enthusiasm. Cora Ballard remarked that she wasn't a committee member and couldn't vote. Gerald Knapp asked her to record him as voting nay.

'Even if the chairman could vote,' Harvey said, 'it would be four to two.' He turned to Wolfe. 'So you go ahead. The last time you went ahead you got a man killed. What next?'

'That's pretty raw,' Oshin said. 'It was my idea, and the vote was unanimous.'

Harvey ignored him. He repeated to Wolfe, 'What next?'

Wolfe cleared his throat. 'I am twice a jackass,' he said.

They stared. He nodded. 'First, I should never have accepted a committee as a client. That was egregious. Second, I should not have consented to act as a mere conveyor of bait. That was fatuous. It dulled my faculties. Having become a party to a procedure which made an obvious target of a man, which put a man in imminent danger, and aware that all of you knew of it and others soon would, I was an ass not to take precautions. I should have seen to it that he was not harmed. It was even quite possible that one of you was the wretch I had engaged to expose.'

'Sure,' Harvey said. 'Now you're getting hot.'

'It could be you, Mr Harvey. With your most successful book only in its ninth thousand, you must have been open to temptation. So while I do not have Mr Dexter's feeling of guilt, that I incited to murder, I do strongly feel that I failed to function properly. But for my default Mr Jacobs would be alive, and probably we would have our man. It was understood that you may terminate your engagement with me at will. I invite you to do so now.'

Three of them said no-Oshin, Imhof, and Dexter. The others said nothing. Wolfe asked the chairman, 'Do you want a vote on it, Mr Harvey?'

'No,' Harvey said. 'It would be four to one again.'

'It would be unanimous,' Gerald Knapp said. 'I did not suggest that we should terminate the engagement.'

Wolfe grunted. 'Very well. I should tell you that if you do terminate it, I shall not withdraw. I have a score to settle-with myself. I have bruised my self-esteem and I intend to heal it. I am going to expose the murderer of Simon Jacobs, anticipating the police if possible, and presumably that will also solve your problem. I shall do that in any case, but if I act as your agent it must be with a free hand. I won't tell you what I intend to do. If one of you makes a suggestion other than privately, as Mr Oshin did, I'll reject it without reference to its merits. Since I can't rely on your discretion, you will have to rely on mine.'

'That's a lot to ask,' Knapp said.

'No, sir. It is asking nothing; it is merely notifying you. If I told you I intended to do something and then did something else, I would still be your agent. You must trust my probity and my judgment in any case, or dismiss me.'

'What the hell,' Oshin said. 'You've got my ten thousand, go ahead and use it.' He looked at his watch and stood up. 'I'm late for an appointment.'

The meeting adjourned at twelve-forty-eight p.m. without a motion. Thomas Dexter stayed for a word with Wolfe, not to make a private suggestion but to repeat that he felt a personal responsibility and would personally contribute any necessary amount. This time, however, he added 'within reason.' It's fine to have a conscience, but you can't just let it run wild.

When Dexter had gone, Wolfe leaned back and closed his eyes. I put the extra chairs back in place, treated myself to a good stretch, went to the kitchen and drank a glass of water, and returned. I stood and looked down at him.

'I was wondering,' I said. 'Am I included in that?'

'In what?' he asked without opening his eyes.

'In the lockout. I won't be much help if you refuse to tell me what you intend to do.'

'Pfui.'

'I'm glad to hear it. I would like to say that I have a little self-esteem too, of course not in the same class as yours, and it needs attention. Yesterday Purley Stebbins asked me, and I quote, 'Why the hell did you set the guy up like that and then come here today and expect to find him whole?' That was the first time a Homicide man has ever asked me a question I couldn't answer. If I had told him because you were a jackass and so was I, he would have wanted to include it in my signed statement.'

He grunted. He hadn't opened his eyes.

'So we're to go ahead,' I said. 'Lunch is about ready, and business is out at the table, and you like to rest your brain during digestion, so you might give me instructions now. Where do we start?'

'I have no idea.'

'It might be a good plan to get one, since you intend to anticipate the police. I suppose I could call on the committee members separately and ask for suggestions-'

'Shut up.'

So we were back to normal.

When Wolfe went up to the plant rooms at four o'clock I still had no instructions, but I wasn't biting nails. During the hour and a half since lunch he had picked up his current book four times, read a paragraph, and put it down again; he had turned on the television three times and turned it off; he had counted the bottle caps in his desk drawer twice; and he had got up and walked over to the big globe and spent ten minutes studying geography. So, since he was hard at work, there was no point in needling him.

I passed the time-an hour of it in comparing the typewriting of 'Opportunity Knocks,' by Alice Porter, with 'There Is Only Love,' also by Alice Porter, and 'What's Mine Is Yours,' by Simon Jacobs. No two on the same machine. I re-read the carbon of the statement I had given Purley Stebbins, found nothing that needed correcting, and filed it. I re-read the piece in the morning Times about the murder, and when the Gazette came, around five-thirty, I read that. The Times had no mention of plagiarism or the NAAD or the BPA. The Gazette had a paragraph about the plagiarism charge Jacobs had made against Richard Echols in 1956, but there was no hint that his death had any connection with it. I was wondering why Lon Cohen hadn't called when the phone rang and there he was. He stated his case: I had phoned him nine days ago to ask him about the NAAD and the BPA. Simon Jacobs, murdered Monday night, was a member of NAAD. Tuesday evening I had arrived at Homicide West on 20th Street with Sergeant Stebbins, who was working on the Jacobs case, and had stayed four hours. Would I therefore please tell him immediately why I had inquired about the NAAD, who was Wolfe's client, and who had killed Jacobs and why, with all relevant details which the public had a right to know. I told him I would call him back as soon as I had anything fit to print, probably in a couple of months, and said I would be glad to send him a glossy of a photograph I had just taken, which the public had a right to see.

There was another phone call, from Cora Ballard, the executive secretary. She said she had been worrying about the decision of the committee to let Nero Wolfe go ahead with a free hand. She appreciated the fact that a private detective couldn't very well tell a group of people what he was doing and going to do, but the committee had no authority to hire a detective to investigate a murder, and naturally she was worried. It wouldn't be easy to get a large attendance of the NAAD council on short notice, but she could probably set one up for Monday or Tuesday of next week, and would I ask Mr Wolfe to take no important steps until then'She was afraid that if he went ahead and did something drastic he would be acting without authority, and she thought he ought to know that. I told her I thought so too and I would certainly tell him. There's no point in being rude when you can end a conversation quicker by being polite.

I had the radio on for the six-o'clock news when Wolfe came down from the plant rooms. He had a cluster of Phalaenopsis Aphrodite in his hand, and he got a vase from the shelf, took it to the kitchen for water, brought it back, put the stem in, and placed it on his desk. That's the only hard work he ever does around the office. When the news stopped for a commercial I turned it off and told him, 'Still nothing about plagiarism or our clients or you. If the cops have made any headway they're playing it close-'

The doorbell rang, and I stepped to the hall for a look through the one-way glass panel. A glance was enough. I turned to tell Wolfe, 'Cramer.'

He made a face. 'Alone?'

'Yes.'

He took a breath. 'Let him in.'