Reilly 11 - Case of Lies (29 page)

“It’s cute,” Nina said.

“It’s the future. Tiny cars and pedestrian malls. Like it, Bob?”

“Is there room for all our stuff?” Bob asked dubiously. He snaked into the back area and drew in his duffel. Nina sat up front, her bags tucked at her feet and on her lap. The car enclosed them like a neat yellow envelope. They drove out into a sky of blue overlaid by a dense gray cover above, rain still spattering now and then across the autobahn. Kurt stayed right as the Mercedes and BMWs zoomed past in the faster lanes. A silence fell upon them, the silence of adjustment to a new situation.

Nina hadn’t known she’d be casting about for some conventional rule to guide her in talking to Kurt. He was really a stranger. Fifteen years before, she had known him for three weeks, and the intense feelings from that time were no longer relevant.

Though they had resulted in the boy sitting quietly behind them. Fifteen years, and then nothing, while she raised Bob alone, not wanting Kurt even to know about his son. Then a few more weeks at Tahoe in which she defended Kurt in a murder case. He was innocent, but in the process of proving that, Kurt and Bob had found each other. Now they exhibited the same shyness toward each other she was feeling, as though they hadn’t formed their own warm relationship over the past two years.

Vineyards flowed by under the lowering clouds. Kurt drove with both hands firmly on the wheel, very differently from Paul, who merely kept a couple of fingers handy near the wheel in case something might come up on the road. Nina hadn’t had time to think about what it would feel like to stay with Kurt. They were friendly, linked; Bob would of course be staying with him; he’d offered to drive them to Heddesheim. Now she wondered if she should have stayed at a hotel. She thought of the tiny living environments she’d seen at the Ikea store one day, and wondered if he lived like that.

In a half hour or so they turned off the highway and drove into Wiesbaden, where the rain had given way to unequivocal sun as if in honor of their arrival. They cruised past an expensive row of stores and cafes, the waiters just now coming out with chairs to set up in this moment of warmth, and soon passed a graceful, long building with Roman columns all along the front.

“The Colonnade,” Kurt said. “Couple thousand years old. The town was founded by Celts in around the third century B.C. Everybody came for the hot springs.” Then they were in the main market square, dominated by a shining Gothic church. Kurt told them about it, and about the State Theater, where he often played. In front they saw an enormous statue of a nineteenth-century personage. “Schiller,” Kurt said. And that was the tour.

Even so, Nina caught the spirit of the city on the Rhine: luxurious, wine-loving, musical, healthy, nestled in its forest away from the gray granite of Frankfurt. The shoppers and dog-walkers looked pleased with themselves, even with the puddles.

They came to a townhouse on one of the side streets and Kurt pulled his yellow cube into a minuscule garage. He shouldered some of the bags and they entered a hall with no windows facing a staircase, which they began to climb. On the third floor, as Nina admitted to herself that she wished she’d stayed at the Hyatt, Kurt brandished his key and entered one of the flats, Bob right behind him, Nina following with some trepidation.

But the ceilings were high, with ornate molding, and there were bay windows looking out at the market square. Kurt moved to the fireplace, causing an attack of déjà vu as Nina thought of Mick doing the same thing, and said, “Sit down. I have good coffee. C’mere, Franz. Come on, say hi to Bob and Nina.” He picked up the big orange cat and brought it to Bob.

Somehow, the room reflected that an American lived here, in spite of the antique furnishings, the white grand piano in the corner, the piles of books. Bright with blues and yellows, the Danish rug in front of the fireplace gave the room warmth. She could see Kurt through an open doorway under a strong light, moving around.

“Mind if I look around?” she said. She found the bathroom, another high-ceilinged cavernous room with a claw-foot tub and a tall fern in the window, then went down the hall to see the bedrooms. Kurt had already made a bed for Bob in his room. His own bed was a mahogany four-poster much like Nina’s at Tahoe. Portraits in oil of musicians and dancers hung on the walls, painted as if by Rembrandt so that vivid faces and figures appeared to emerge from darkness. A stack of music lay on a stool by the bed.

Why, he’s been living here all these years, carrying on a life, and I never really thought about him at all, she thought. While she struggled through law school, married, moved to San Francisco, made Bob’s lunches, learned how to practice criminal law, divorced, moved to Tahoe, married briefly again-he, too, had been living a life, dealing with his own struggles and pains, celebrating his own successes. Their paths had crossed so briefly that it seemed a miracle that she should be here, meeting him now for the third time.

The Miracle himself sat down at the piano and opened it, running his hands over the keys. Bob hesitantly began to play the first movement of Satie’s
Gymnopédie,
which he had practiced over and over on the electronic keyboard at home, and which had never sounded like this. Because of the hardwood floor and the height of the ceiling, the rich sound of the grand piano filled the room.

Nina came to her doorway from the hall to watch and saw Kurt do the same across the room, leaning at the doorsill to his kitchen, a white towel over his shoulder, nodding at each hesitation as if urging Bob on. Light came through the window onto the carpet and a fire burned in the grate. The music was calm, spare, and steady.

Bob, in profile, bulked up by his parka, looked all grown up. He frowned as he played, leaning into the keyboard, head low, engrossed. A lump came into Nina’s throat. She looked at Kurt. He was grimacing as though he was in pain, and she was just about to go to him and ask what was wrong when he turned abruptly and went into the kitchen. It was emotion, she realized. Bob was playing for him, and he was proud of Bob.

She didn’t feel part of this warm loop between them. In truth, she felt very odd standing there watching her son with another parent. She felt both happy for Bob, who seemed somehow more complete, as though he were the apex of a triangle that now had both legs under him, and angry at having to share him. She stayed and listened and clapped when he had finished. Then she went into the white-tiled kitchen and helped lay out the lunch on the coffee table, there being no dining table.

While they ate, talking became easier. “So when is this thing?” Kurt said.

“What time is it now?” Nina said.

“Twelve-thirty.”

“We cut it close. Four this afternoon, and tomorrow morning.”

“No problem. It’ll take about ninety minutes. How about a nap before you go? Did you see your room?”

“It’s fine.” Her room seemed to be a music workroom, the table covered with sheet music, the walls full of books and music, a guitar leaning against the bed. The window opened and cool damp air entered with the light. “I like it.”

“I’ll clear a space on the table so you can work,” Kurt said. “I’ve been doing some composing, now that my performing days seem to be over.”

“Your hands seem-you don’t wear a splint or anything?”

“They’re fine for daily life. But as for the Rach Three concerto-they’re shot.”

“What are you composing?” Bob asked. He had maintained the same adult mood.

“Some things you could play, if you practice.” Kurt smiled. “Anyway, let’s go for a walk and let your mother rest a little.”

The house fell still. Franz the cat didn’t come in. The street noise, the scents, the light, were strange but not disturbing. Nina lay down on the creaky bed, but sleep-no, she would just lie here and think about Chelsi, and worry and wonder.

She needed a shower. Stripping off the clothes from the plane felt really good, and so did the hot shower, handheld in Kurt’s enormous tub. She blew her hair dry, went back to her room, put on her black suit with her blue silk blouse, figured out the phone, confirmed that Herr Kraft would be present at the offices of the judicial commissioner at four, and was reviewing her notes when Bob and Kurt came bursting in, bringing a puff of moist air and smoky smells with them.

“Time?”

“We have about ten minutes.”

“Bob, you better comb your hair. And change your clothes. We’re going to a restaurant tonight.” Kurt said this, and Bob went. No back talk.

Kurt sat down on the couch in front of the fire. “Can you sit down for a minute? I’d like to know a little more about your case. Do you have time?”

“Since I’m dragging you into this, I had better explain.” She sat down at the other end of the couch. He smiled at her, right at home. He had always been one of those people who do the right thing, who discipline themselves, who are sure who they are. Personal strength comes from that inborn sureness. The glad feeling came back, and Nina realized that she needed his support.

“All right. It’s a wrongful-death case. A civil case. An innocent bystander, a woman, was killed during a robbery, and I represent her husband.”

He nodded. The cocked eyebrows and narrow jaw were the same, the long dark hair brushed straight back, the knitted brows and hollows under the cheekbone. He was as tall as Paul, but lighter. She saw the faint scar on his cheekbone. She had forgotten that he, too, had once been hit by a bullet. She remembered that they were the same age.

She said, “Long story short, I reactivated the case when it was about to be thrown out. I’ve been looking for the shooter, and to do that I needed to find the people who were robbed. They’re here in Germany, and they’ve agreed to make statements.”

“What do they know?”

“They saw him. He was wearing a ski mask, but they saw him. They know more than that. They know why he decided to rob them, and they have been reluctant to talk about it. But I’m going to get the full story now, and on the record.”

“Good.”

“So why am I jumpy? Why is this so sudden? Because the shooter seems to have reactivated, too. What he’s trying to stop is the Hanna case.”

“What has he done?”

“He killed a friend in front of me. At Tahoe. He shot her. I think he thought it was me.”

Kurt leaned back, closed his eyes, and expelled a long breath. “What else?”

“He’s been watching me. And Bob. I’m sorry, Kurt.”

“Bob, huh?”

“That’s why I have to end this fast. He’s been prowling around Tahoe. He’s mobile, though. He threatened two of the witnesses in Boston.”

“He threatened them?”

“Tried to kill them. They went to Heddesheim because the girl’s family lives there and they thought they’d be safer.”

“Anything else?”

“That’s all that matters.”

“He could try to get at you through Bob.”

Nina caught her breath. “You always had a way of cutting through facts. You could have been a…”

“Am I right?”

“Yes, you’re right. That’s one reason I wanted to get out of town and take Bob with me. I’m hoping the police will track him down while Bob is here.”

“Could he have followed you here?”

“I just don’t think… it’s so far. The decision to take the trip was made so fast. But I have to say that the guy seems to know what I’m doing. I don’t know how. Kurt, I have not given your address to anyone.”

“My phone number?”

“Only Sandy has it.”

He must have understood by the look on her face that Sandy would reveal nothing that might endanger them, not ever. “So we’re safe here. But what about this office we’re going to?”

“It’s in the police department. I set it up that way.” She waited for his verdict.

Bob came back in, presumably cleaned up, though it was impossible to tell from the parka and baseball cap. He looked at them and said in an accusatory tone, “What’m I missing?”

“I was just telling your dad about the case.”

“I brought my camera. And my GameBoy.”

“We’ll find plenty to do while your mother is busy,” Kurt said. “And then we’ll eat.”

“So it’s okay?” Nina said.

“It is what it is,” Kurt said. “Let’s go.” He locked up carefully.

Heddesheim had a lot of cars for a quaint village. In fact, Nina was figuring out something else about Germany: The facade was traditional, with half-timbered homes, geraniums, cobblestones; but the mostly-invisible technology was twenty-first century. Accompanying the respect for history was a very modern energy.

They wended their way through the town square and somehow Kurt found them a parking spot a couple of blocks from the police station. It was three-thirty in the afternoon, and seemed to be getting dark already. The yellow streetlights had begun to sputter and the shop lights were on. Christmas lights and wreaths hung in the pastry shop and the butcher’s, and the street was full of shoppers and office workers with cell phones at their ears.

As they rounded the corner, they saw the imposing building where the depositions would take place across the boulevard, the red, black, and yellow German flag hanging limply from its tall pole in this early dusk in the light of a single lamp. On the steps Nina saw three young people, one a girl, standing uncertainly in a huddle, talking, all dressed similarly in dark jackets and pants.

“Those are my witnesses,” she said. “I’ll take it from here.”

“Want us to go in with you?” Kurt asked her. His eyes scanned the street traffic. It was noisy and hard to hear.

“No, no, you guys go get something warm to drink. Take some pictures.” She wished the weather were more welcoming, that they had more to do, but Bob was looking around with interest. “I’ll break it off for the night at about six-thirty and call you.”

“Be careful.”

She stepped off the curb and crossed, looking back once to see Bob and Kurt still standing there, watching her. A moist breeze, the remnant of the rain, blew down the avenue.

“Hello.”

The three turned to her. Three young, scared faces.

“We have come.” The young Indian man, Sumaraj Das, shook her hand. He wore a red cashmere muffler and an overcoat.