Sister Mischief (37 page)

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Authors: Laura Goode

Tags: #Juvenile Fiction, #Social Issues, #Homosexuality, #Humorous Stories, #Adolescence

BOOK: Sister Mischief
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The cold has hooks now, and the whole span of my dorsal side feels like it might be frozen to Lake Calhoun. The little dipper in the southwestern sky points me home as I count the constellations I know, a fistful of pinpricks in an unbounded galaxy, so many still nameless in the mass of everything I haven’t learned yet.
It’s the naming,
I think.
The naming is the question.
I stand up and shake the snow out of my blanket. Cocking my head at the crescent moon, I say a silent prayer that life will always feel like this, all shot through with magic words and glittering samples hovering just out of reach, just the same as now, except — I pull my headphones back over my ears as I dust off the snow and cue up the
SM EP
again — except I’m listening, really listening this time, and older now.

 
 

To Rachel Gaubinger, Meera Menon, and Victoria Baranetsky, my wickedest mischievous sisters, most beloved friends of my mind, baddest bitches on the block, Brooklyn rollers, whiskey-pourers (or I poured), discourse without borders, who inspired me with genius e-mail chains, no-joke dance parties, etc. Without you, this book would not be a lady, would have no title, no samosas, and no staying up laughing until dawn. Thank you for showing me how to be somebody. Mad, mad, fiercest Thuggette love.

 

To my boo Patrick Cushing, partner in all journeys, for his love and support throughout the unenviable task of living with me as I was writing this book. My heart, my home.

 

To my parents, the indomitable Lar and Car, who have always believed in me, or at least suspended their disbelief at my most outlandish dreams. I love you. Thank you.

 

To the ferocious mind of my editor, Katie Cunningham, who got it from the beginning, and to my agent, Ted Malawer, dear genius, who first talked me into this adventure.

 

To Justin Hulog, my San Francisco sibling, and to our understanding of the search for sameness.

 

To my poet cadre — Ethan Hon, Emily Wolahan, Sara Femenella, Stephanie Adams-Santos. To words, and toward them.

 

To my teachers at Columbia — Timothy Donnelly, Sophie Cabot Black, Leslie Woodard, Eamon Grennan, Julie Crawford, Michael Golston — for their generosity and mentorship.

 

To Sandy Close and the NAMily for giving me the time, space, and brain food I needed, and for their truth-telling. Love especially to Rupa Dev and Neela Banerjee for being such clever desi babes and to Carolyn Ji Jong Goossen.

 

To Justin Lopez and the max unit B8 of the San Jose juvenile hall. Stay up.

 

To my Minnesota homies — Jess Dunne, Mike Fabio, Brother David Highhill, Alison Silvis, Laurel Somerville, and Maureen O’Connor, who is not adopted. To Paul Farris, departed brother, who pointed me home.

 

To Sara Blachman and her mama, Eve, whom I love no shit. To Lauren Lillie, the original Lizzie Borden.

 

To Vince Passaro (Virgil) in particular, and 1020 Amsterdam (Inferno) in general, who raised me from a pup.

 

To Jon Brilliant, for his beautiful portrait of an author as a young authors’ portrait.

 

To Yvonne Woon, with whom I commiserated hard, and Kate Berthold, who shared her openhearted history with me.

 

And to all the smart girl word nerds. This one’s for you.

 

Laura Goode
was raised outside Minneapolis and now lives in San Francisco. She received her BA and MFA from Columbia University, and her poems have appeared in the
Denver Quarterly, Slope, Cannibal, JERRY,
and as a chapbook in
Narwhal. Sister Mischief
is her first novel.

 

This is a work of fiction. Names, characters, places, and incidents are either products of the author’s imagination or, if real, are used fictitiously.

 

Copyright © 2011 by Laura Goode

 

All rights reserved. No part of this book may be reproduced, transmitted, or stored in an information retrieval system in any form or by any means, graphic, electronic, or mechanical, including photocopying, taping, and recording, without prior written permission from the publisher.

 

Excerpt from
Rubyfruit Jungle
by Rita Mae Brown, copyright © 1973 by Rita Mae Brown. Used by permission of Bantam Books, a division of Random House.

 

“Yesterday I told my girls” used with kind permission of Lucie Brock-Broido.

 

Excerpt from Roseann Lloyd’s “Norwegian Spring, 1962” from
War Baby Express.
Copyright © 1996 by Roseann Lloyd. Reprinted with permission of Holy Cow Press,
www.holycowpress.org
.

 

“MC Lyte Likes Swingin” by Lana Michelle Moorer, copyright © 1988 by Lana Michelle Moorer. Reprinted with permission of First Priority Music.

 

“Deathless Aphrodite of the Spangled Mind” from
If Not, Winter
by Anne Carson, copyright © 2002 by Anne Carson. Used by permission of Alfred A. Knopf, a division of Random House, Inc.

 

Excerpt from
Oranges Are Not the Only Fruit
, copyright © 1985 by Jeanette Winterson. Used by permission of Grove/Atlantic, Inc.

 

“Party for the fight to write” by Atmosphere, copyright © 2001 by Atmosphere. Reprinted with permission of Rhymesayers Entertainment.

 

First electronic edition 2011

 

The Library of Congress has cataloged the hardcover edition as follows:
Library of Congress Catalog Card Number 2010038706
ISBN 978-0-7636-4640-0 (hardcover)

 

ISBN 978-0-7636-5464-1 (electronic)

 

Candlewick Press
99 Dover Street
Somerville, Massachusetts 02144

 

visit us at
www.candlewick.com

 

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