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Bol, L. J.
Jan van Eyck
. Trans. Albert J. Fransella. London: Blandford, 1965.
Borchert, Till-Holger.
Jan van Eyck
. London: Taschen, 2008.
Boulger, Demetrius C.
The History of Belgium
. 2 vols. London: Demetrius C. Boulger, 1902-1909. Reprint, Boston: Adamant Media, 2001.
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A History of Belgium from the Roman Invasion to the Present Day (1921)
. Ithaca, NY: Cornell University Press, 2009.
Campbell, Lorne.
Fifteenth-Century Netherlandish Paintings
. London: National Gallery, 1998.
Chatelet, Albert.
Jan van Eyck Enlumineur: Les “Heires de Turin” et de “Milan-Turin.”
Strasbourg: Presses Universitaires de Strasbourg, 1993.
Clark, Gregory T.
Made in Flanders: The Master of the Ghent Privileges and Manuscript Painting in the Southern Netherlands in the Time of Philip the Good
. Turnhout, Belgium: Brepols, 2000.
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. London: Seeley and Co., 1887.
Cortemans, Paul.
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. Antwerp: De Sikkel, 1953.
Dhanens, Elizabeth.
Hubert and Jan van Eyck
. New York: Alpine Fine Arts, 1980.
———.
Van Eyck: The Ghent Altarpiece
. London: Allen Lane, 1973.
Graham, Jenny.
Inventing Van Eyck
. London: Berg, 2007.
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Legend, Myth, and Magic in the Image of the Artist
. New Haven, CT: Yale University Press, 1979.
Mander, Karel van.
Lives of the Illustrious Netherlandish and German Painters
. Ed. Hessel Miedema. Doornspijk, Netherlands: Davaco, 1994.
Nicholas, David.
The Metamorphosis of a Medieval City: Ghent in the Age of the Arteveldes, 1302-1390
. Lincoln: University of Nebraska Press, 1987. Reprint, New York: ACLS Humanities, 2008.
Panofsky, Erwin.
Early Netherlandish Painting
. Cambridge, MA: Harvard University Press, 1953.
Philip, Lotte Brand.
The Ghent Altarpiece and the Art of Jan van Eyck.
Princeton, NJ: Princeton University Press, 1972.
Puyvelde, Leo van.
Van Eyck: The Holy Lamb
. London: Collins, 1947.
Raspe, Rudolf Erich.
A Critical Essay on Oil-Painting: Proving that the Art of Painting in Oil Was Known Before the Pretended Discovery of John and Hubert van Eyck
. London: T. Cadell, 1781.
Renders, Emil.
Hubert van Eyck, personnage de legende
. Paris, 1933.
Vasari, Giorgio.
Lives of the Painters, Sculptors and Architects
. Trans. Gaston du C. de Vere. London: Everyman’s Library, 1996.
Wealee, W. H. James.
Hubert and John van Eyck: Their Life and Work
. London, 1908.
THE FRENCH REVOLUTION, NAPOLEON, AND COLLECTING
Bazin, Germain.
The Louvre
. London: Thames and Hudson, 1971.
Benoist-Méchin, J.
Bonaparte en Égypte, ou le rêve inassouvi
. Paris: Perrin, 1978.
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. New York: AMS Press, 1970.
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. New York: Scribner, 2004.
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. London: Faber and Faber, 1965.
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. London: House of Stratus, 2001.
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Miles, Margaret M.
Art as Plunder: The Ancient Origins of Debate About Cultural Property
. New York: Cambridge University Press, 2008.
Meyer, Karl E.
The Plundered Past
. London: Hamish Hamilton, 1973.
Passavant, Johann David.
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. London: Saunders and Otley, 1836.
Pearce, Susan M.
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. London: Routledge, 1995.
Pommier, Edouard.
L’Art de la liberté: Doctrines et débats de la revolution française
. Paris: Gallimard, 1991.
Poulot, Dominique.
Musée, nation, patrimonie, 1789-1815
. Paris: Gallimard, 1997.
Reynolds, Joshua.
A Journey to Flanders and Holland
. Cambridge: Cambridge University Press, 1996.
Russell, Terrence.
The Discovery of Egypt: Vivant Denon’s Travels with Napoleon’s Army
. London: History Press, 2005.
Siborne, William.
History of the War in France and Belgium in 1815
. London: T. and W. Boone, 1848.
Schom, Alan.
Napoleon Bonaparte
. New York: HarperCollins, 1997.
Vaughn, William.
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. New Haven, CT: Yale University Press, 1979.
Waagen, Gustav.
Treasures of Art in Great Britain
. London: John Murray, 1854.
Walpole, Horace.
Anecdotes of Painting in England
. Strawberry Hill: Thomas Farmer, 1762.
THE JUDGES THEFT
Bernauw, Patrick.
Het Bloed van Het Lam
. Antwerp: Manteau, 2006.
———.
Mysteries van Het Lam Gods
. Antwerp: Manteau, 1991.
De Roo, Maria.
Vilains
. Unpublished manuscript. 29 November 2009.
Esterow, Milton.
The Art Stealers
. New York: Macmillan, 1966.
Hammer-Kaatee, Karl.
Satans Lied: De Jacht van de CIA op Jezus: Waargebeurd verhaal
. Rijswijk, Netherlands: Uitgeverij Elmar, 2006.
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. Boston: David Godine, 1981.
Mortier, Karel.
De diefstal van de Rechtvaardige Rechters: Kriminologische studie
. Antwerp: De Vlijt, 1966.
———.
Dossier Lam Gods: Zoektocht naar De rechtvaardige rechters
. Gent: Stichting Mens en Kultuur, 1994.
Trix
(documentary). Produced by KRO Reporter, the Netherlands. Aired April 1994.
Walters, Minette. “Whodunnit?”
Daily Telegraph
(London), 9 November 1996.
FIRST AND SECOND WORLD WARS
Becker, Hans.
Österreichs Freiheitskampf
. Vienna: Verlag der Freien Union der ÖVP, 1946.
Benjamin, Walter.
Das Passagen-Werk
. Berlin: Suhrkamp, 1982.
Bibliotheca Rosenthaliana.
The Return of the Looted Collections 1946-1996
. Amsterdam: University of Amsterdam Library, 1997.
Bode, Wilhelm von.
Die Meister Der Hollandischen und Vlamischen Malerschulen (1919)
. Whitefish, MT: Kessinger, 2009.
Brey, Ilaria Dagnini.
The Venus Fixers: The Untold Story of the Allied Soldiers Who Saved Italy’s Art During World War II
. New York: Farrar, Straus and Giroux, 2009.
Cassirer, Bruno, and Paul Cassirer.
Kunst und Kunstgewerbe am Ende des Neunzehnten Jahrhunderts von Wilhelm Bode
. Whitefish, MT: Kessinger, 2010.
Chamberlain, Russell.
Loot! The Heritage of Plunder
. London: Facts on File, 1983.
De Jaeger, Charles.
The Linz File: Hitler’s Plunder of Europe’s Art
. London: Webb & Bower, 1981.
de Ville, Jean Baptiste.
Back from Belgium: A Secret History of Three Years Within the German Lines
. New York: H. K. Fly, 1918. Reprint, n.p.: Nabu Press, 2010.
Duberman, Martin.
The Worlds of Lincoln Kirstein
. New York: Knopf, 2007.
Edsel, Robert M., and Brett Witter.
Monuments Men: Allied Heroes, Nazi Thieves, and the Greatest Treasure Hunt in History
. New York: Center Street, 2009.
Feliciano, Hector.
The Lost Museum: The Nazi Conspiracy to Steal the World’s Greatest Works of Art
. New York: Basic Books, 1997.
Flanner, Janet.
Men and Monuments
. New York: Harper, 1957.
Gaiswinkler, Albrecht.
Sprung in die Freiheit
. Vienna-Salzburg: Ried-Verlag, 1947.
Gheyn, G. van den. “Les tribulations de l’Agneau Mystique.”
Revue belge d’archéologie et d’histoire de l’art
15 (1945): 25-46.
Gilbert, Martin.
The First World War: A Complete History
. New York: Holt, 2004.
Göhringer, Walter, and Herbert Hasenmayer.
Zeitgeschichte
. Vienna: Hirt-Verlag, 1979.
Harclerode, Peter, and Brendan Pittaway.
The Lost Masters: The Looting of Europe’s Treasurehouses
. London: Gollancz, 1999.
Hartt, Frederick.
Florentine Art Under Fire
. Princeton, NJ: Princeton University Press, 1949.
Hasse, Günther.
Kunstraub und Kunstschutz
. Norderstedt, Germany: Satz, Herstellung, 2008.
Howe, Thomas C.
Salt Mines and Castles: The Discovery and Restitutions of Looted European Art
. New York: Bobbs-Merrill, 1946.
Hugh Smyth, Craig.
Repatriation of Art from the Collecting Point in Munich After World War II.
New York: Abner Schram, 1989.
Kammerstätter, Peter.
Material-Sammlung über die Widerstands und Partisanenbewegung Willy-Fred im oberen Salzkammergut-Ausseerland 1943- 1945
. Linz: Eigenverlag, 1978.
Kirstein, Lincoln.
The Poems of Lincoln Kirstein
. New York: Atheneum, 1987.
———.
Rhymes of a PFC
. New York: New Directions, 1964.
Kubin, Ernst.
Sonderauftrag Linz
. Vienna: ORAC, 1989.
Kurtz, Michael J.
America and the Return of Nazi Contraband: The Recovery of Europe’s Art Treasures
. Cambridge: Cambridge University Press, 2006.
Leckie, Bill. “Special Duties of the 148 Squadron.”
Military Illustrated
(April 2002).
Lipkes, Jeff.
Rehearsals: The German Army in Belgium, August 1914
. Leuven, Belgium: Leuven University Press, 2007.
Luza, Radomir.
Resistance in Austria, 1938-1945
. Minneapolis: University of Minnesota Press, 1984.
Mackenzie, William.
The Secret History of S.O.E.: Special Operations Executive 1940-1945
. London: St. Ermin’s, 2000.
McIsaac, Peter M.
Museums of the Mind: German Modernity and the Dynamics of Collecting
. State College: Pennsylvania State University Press, 2008.
Melden, Otto.
Der Ruf des Gewissens. Der österreichische Freiheitskampf 1938-1945
. Vienna: Herold, 1958.
Michel, Hermann.
Bergungsmaßnahmen und Widerstandsbewegung
. Vol. 56. Vienna: Annalen des Naturhistorischen Museums, 1948.
Mihan, George.
Looted Treasure: Germany’s Raid on Art
. London: Alliance, 1942.
Nicholas, Lynn H.
The Rape of Europa: The Fate of Europe’s Art Treasures in the Third Reich and the Second World War
. New York: Vintage, 1995.
Ohlsen, Manfred.
Wilhelm von Bode: Zwishcen Kaisermacht und Kunsttempel
. Berlin: Gebr. Mann, 2007.
ORF-Nachlese
(Vienna) 2 (1983).
Petropoulos, Jonathan.
Art as Politics in the Third Reich
. Chapel Hill: University of North Carolina Press, 1996.
———.
The Faustian Bargain: The Art World in Nazi Germany
. Oxford: Oxford University Press, 2000.
Pichler, Cathrin, and Roman Berka.
TransAct: Transnational Activities in the Cultural Field
. New York: Springer, 2010.
Plieseis, Sepp.
Vom Ebro zum Dachstein: Lebenskampf eines österreichischen Arbeiters.
Linz: Neue Zeit, 1946.
Pöchmüller, Emmerich.
Weltkunstschätze in Gefahr
. Salzburg: Pallas-Verlag, 1948.
Rayssac, Michel.
L’Exode des Musées: Histoire des Oeuvres d’Art Sous l’Occupation
. Paris: Editions Payot et Rivages, 2007.
Reder, Christian. “Im Salzberwerk.”
Falter Verlag
(Vienna) 1 (1985).
Red-White-Red-Book: Justice for Austria
. Vienna: Austrian State Printing House, 1947.
Rorimer, James.
Survival: The Salvage and Protection of Art in War
. New York: Abelard Press, 1950.
Shirer, William.
The Rise and Fall of the Third Reich
. London: Book Club, 1983.
Simon, Matila.
The Battle of the Louvre: The Struggle to Save French Art in World War II
. New York: Hawthorne, 1971.
Slapnicka, Harry.
Oberösterreich als es “Oberdonau” hieß (1938-1945)
. Linz: OÖ Landesverlag, 1978.
Topf, Christian.
Auf den Spuren der Partisanen, Zeitgeschichtliche Wanderungen im Salzkammergut
. Edition Geschichte der Heimat. 3rd ed. Grünbach, Germany: Franz Steinmassl, 2006.
Treue, Wilhelm.
Art Plunder
. London: Methuen, 1960.
Valland, Rose.
Le Front de l’Art: 1939-1945
. Paris: Librairie Plon, 1961.
Warmbrunn, Werner.
The German Occupation of Belgium 1940-1944
. New York: Peter Lang, 1993.
Witte, Els, Jan Craeybeckx, and Alain Meynen.
Political History of Belgium from 1830 Onwards
. Brussels: VUB Brussels University Press, 2000.
Woolley, Sir Leonard.
A Record of the Work Done by the Military Authorities for the Protection of the Treasures of Art and History in War Areas
. London: HMSO, 1947.
Yeide, Nancy.
Beyond the Dreams of Avarice: The Hermann Göring Collection
. Dallas: Laurel, 2009.
WEBSITES
The Adoration of the Mystic Lamb: The Theft of the Just Judges.
http://judges.mysticlamb.net
.
Bernauws Blog.
http://www.bernauw.com
.
BOOK: Stealing the Mystic Lamb
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