Albert was on somewhat surer footing with the Sophie Clark murder, perhaps because unlike that of Evelyn Corbin, this case had been diagrammed on the “Strangle Worksheet” as well as highly publicized elsewhere.
Albert recounted what had happened after he knocked on Sophie's apartment door.
A
LBERT
: The door swung open to my left.
B
OTTOMLY
: All right.
A
LBERT
: And she presented herself to me. B
OTTOMLY
: What did she look like?
A
LBERT
: A Negro girl, light complexion, black hairâ
B
OTTOMLY
: Long, shortâ?
A
LBERT
: No, she had very long hair, beautiful, her eyes wereâdark brâI don't know, dark brownâshe looked like a Hawaiian girlâher eyes wereâB
OTTOMLY
: Outstanding eyes?
A
LBERT
: Yes, it was a very beautiful girlâI'd almost say theâthat her eyes were brownâbut that her features were soâsoâ
so tall
âshe wuz a very tall girl.
B
OTTOMLY
: As tall as you are?
A
LBERT
: About five tenâshe could be as tall as me or moreâshe wuz at least 140, 150 pounds. She wuz built solidâ
B
OTTOMLY
: No fat.
Sophie's height and weight had been given on the “Strangle Worksheet,” as had her coloring.
A
LBERT
: Oh, no, she wuz reallyâreally built beautifulâshe had on aâwhen she opened the door she had a uhâa white typeâwhite type uhâthrow on there, right? And she had a half slip, a braâherâshe musta been going somewhereâor she wuz dressed when she came in becuzâshe had black high heels on I rememberâahâit wuz very appealing the way she wuz dressed.
B
OTTOMLY
: Mm-mm.
A
LBERT
: She also had on black stockingsâwith a garter beltâ
B
OTTOMLY
: Uh-huh.
A
LBERT
: Uhâvery attractive.
B
OTTOMLY
: What color was her outer garment, what did you call it, a negligee, Al?
A
LBERT
: It wuzâahâlike two or t'ree together, what do you call those there ahâ
B
OTTOMLY
: You mean different linings?
A
LBERT
: Yeah, that's it, yeahâ
B
OTTOMLY
: What colors do you remember? Was it a filmy kind of thing?
A
LBERT
: Yeah, yeah. It wuzâahâshe wuz tall.
B
OTTOMLY
: But you couldn't see through itâ
A
LBERT
: Nâno, no I couldn't see through it.
B
OTTOMLY
: Kind of sexy-looking, with all of this?
A
LBERT
: Yesâyes, very appealing. But ahâon that thereâ
B
OTTOMLY
: You remember any colors? If you don't all right.
A
LBERT
: I really don't.
B
OTTOMLY
: Okay.
A
LBERT
: To me, right? It lookedâwhite.
B
OTTOMLY
: Uh huh.
A
LBERT
: It looked white to me, butâ
B
OTTOMLY
: Were there other colors, too?
A
LBERT
: Possibleâbut I rememberâI remember the half slip.
B
OTTOMLY
: She was wearing a half slip?
Albert's Frederick's of Hollywood fantasy was only partially accurate. Sophie's hair wasn't very long at allâit was done in a medium-length bouffant flip, the style Jacqueline Kennedy as First Lady had made so popular. That Sophie had been wearing a blue floral housecoat (not white, as Albert had said), a bra, a garter belt, a half-slip, black stockings, and black shoes was noted on the “Strangle Worksheet,” and tallies with the description of her attire given in the autopsy report. Albert seems to have taken this description and embellished it, turning the plain baggy robe (or so it appears in the crime scene photo) into a diaphanous negligee and the flat, corrugated-sole tie shoes on Sophie's feet into sexy spikes.
The power the image of Sophie as seductress had over Albert is clear from the fact that he described her thus even after Bottomly had shown him the police photos of the crime scene, which are graphic close-ups of Sophie sprawled on her back, legs apart, the half-slip she had been wearing wrapped around her neck.
It also explains how he knew she had been menstruating, and was wearing a sanitary napkin and the harness to hold it in place. Albert said he had ripped the pad from Sophie and thrown it behind a chair.
Albert also told Bottomly that he had used his Measuring Man con on Sophie, telling her that with her superb figure and statuesque bearing (although not in those words), she would make a perfect model. He said that he'd grabbed her around the neck with his right arm and that she'd lost consciousness almost immediately.
B
OTTOMLY
: Were you surprised she went out so fast? Did you expect a struggle?
A
LBERT
: I didn't expect anything.
There was some debate about when the crime had been committed. “Now, this is a work day, Al, this isn't like your usual routine, y'know that?” Bottomly said. “I'll tell ya, December fifth.”
A
LBERT
: December 5th.
B
OTTOMLY
:âwas a Wednesday.
A
LBERT
: December the fifth.
B
OTTOMLY
: Did you work at all that day?
A
LBERT
: AhâDecember fifthâanniversaryâahâlemme see, lemme find out where I wuz workin' firstâDecember the fifth, I wuz workin'âI wuz workin' for Munroe Shipyard up until September of sixty-twoâ'n September of sixty-two until September of sixty-three I worked for Russell Blumett [Blomerth]ânow on December the fifthâright? It wuz on a Wednesday, right?
B
OTTOMLY
: Right.
A
LBERT
: Ahânowâthis is very important, now, remember thisâahâRussell Blumettâhad taken a jobâa contractâfor work in Belmontâhe worked all winter long on that contract in Belmont building a studio for a couple over there?
B
OTTOMLY
: Right.
A
LBERT
: And this has a lot to do with me taking itâlike ah there'd be nuthin' doin' that day, right?
B
OTTOMLY
: Uh huh.
A
LBERT
: Or this week, and I'd takeâI'd say, okay, I'll take it off, I gut work to do myselfâand I'd take the day off, y'see? Now on December the fifthâwuz a work day, right?
B
OTTOMLY
: Right.
A
LBERT
: I think that I might have beenâworking onâon myâyesâahâI musta taken a day offâthat could easy be checkedâ
B
OTTOMLY
: Did you go to work at all?
A
LBERT
: No, Iâprobably checked inâ
Albert had in fact worked three hours that day, although just when was not clear. The weather had been quite stormy; Albert didn't recall this fact. The anniversary he spoke of on December 5th was that of his and Irmgard's wedding.
Albert recounted for Bottomly how he'd wandered around Sophie's building seeking an appropriate target. (The layout of 315 Huntington Avenue, with its distinctive divided staircase, had been minutely described in the
Record American
series by Loretta McLaughlin and Jean Cole.)
B
OTTOMLY
: You knocked on the doorâyou were looking for a woman.
A
LBERT
: Yah.
B
OTTOMLY
: And a man answered, so you brushed him off as fast as you could. Right?
A
LBERT
: Yeahâbut I did talk to him for a minute.
B
OTTOMLY
: Is that before youâfirst you said that you wentâ
A
LBERT
: Before.
B
OTTOMLY
: Yuh. You first went up the right hand side [of the staircase]âright?
A
LBERT
: Right inâright inside.
B
OTTOMLY
: The first door you knocked onâthere wasâ
A
LBERT
: He hadda be on the right side, too.
B
OTTOMLY
: All right thenâwas he the first one you knocked? Or the second?
A
LBERT
: The second.
B
OTTOMLY
: Who was the first?
A
LBERT
: I think it wuz Tobin.
B
OTTOMLY
: How did youâ
A
LBERT
: ToldâI had told herâahâ
B
OTTOMLY
: Did you use the measuring on her?
A
LBERT
: NoâI did tell her she lookedâI tol' her she looked very pretty or sumpin'âshe said a husâsomethin about a husbandâ
B
OTTOMLY
: Oh.
A
LBERT
: Sumpin about a husbandâwuz next door or sumpinâwuz comin' right back or sumpinâand she wuz a little nervousâtold her she looked very pretty or sumpinâI don't know, whether I used da model or nurse or not, but I explained to her that I wuz doin some paintin' and uhâtold her my name was Thompsonâand Iâmoved out very fast with her.
B
OTTOMLY
: When you heard about the husband, you got outta there.
A
LBERT
: No, not necessarily becuzâwell, maybeâyou could if you wanna say that.
The fact that a man named “Thompson” had come to Marcella Lulka's door claiming that he had to paint her apartment had of course been extensively written up in the newspapers. So had the fact that “Thompson” had made advances to Lulka. Similarly, her ruseâtelling the intruder that her husband was asleep in the next roomâto get rid of the man had been well publicized.
The “honey-haired” man who identified himself to Lulka as Thompson had worn, according to the eyewitness descriptions of three different people, completely different attire than Albert claimed he had the day of Sophie's murder: a light gray hooded cloth jacket and green pants for Albert as opposed to “Thompson's” dark leather jacket and black pants. And one of the witnesses was actually acquainted with the man who posed as the apartment painterâa man who despite the bizarre coincidence that he was nicknamed “Al” clearly wasn't Al DeSalvo, since the former was black and the latter was white.
Bottomly brought up an interesting point during this interrogation: that discussing the murders of the older women didn't seem to bother Albert nearly as much as discussing the murders of the younger ones such as twenty-year-old Sophie. “I can't see hurting no girls, nobody,” Albert said. “What a hell of a feeling to know you really hurt somebody.”
61
It was as if he were speaking of the actions of another person. “It kills me, boy,” Albert added.
B
OTTOMLY
: Uhuh ... Sophie, ah, you didn't have any sex relations with her either did you? She like Ida Irga?
A
LBERT
: Ah, on Sophie?
B
OTTOMLY
: You pulled the napkin off were you just too shocked? What did you do?
A
LBERT
: I don't know what it was, but . . .
B
OTTOMLY
: Do you remember having sex relations with her specifically?
A
LBERT
: No, she was lying on the floor. Her legs were facing towards the, towards the coffee table. It was a light coffee table, very light.
Whoever had killed Sophie had apparently masturbated just afterward, because the forensic investigator found a seminal stain on the rug near her body. Albert seemed not to know that this had happened. In any case, he told Bottomly that he had left the apartment quickly but discreetly.
B
OTTOMLY
: You always kept a cool head, though, you never run out.
A
LBERT
: I never ran.
B
OTTOMLY
: Never brought attention to yourself.
Eyewitnesses told police that the man they'd seen had been agitated and perspiring heavily.
Albert said he'd passed a few people on the stairs to whom he'd nodded “very politely.”
B
OTTOMLY
: But you always, ah, ducked your face.
A
LBERT
: So they couldn't see my face.
B
OTTOMLY
: Ya.
Albert then said he hadn't encountered anyone while leaving the building.
He talked about the length of time it had taken him to enter Sophie's apartment, kill her, and depart.
A
LBERT
: As to how fast it was done, I would say it didn't take no more than, in that apartment, no more than five or ten minutes.
B
OTTOMLY
: Oh, I see.
A
LBERT
: That's how fast . . .
B
OTTOMLY
: You talk about . . .
A
LBERT
: This is what I feel, anyhow.
B
OTTOMLY
: Ya. Course that's what it seemed like to you.
A
LBERT
: That's what I mean, that's right.
B
OTTOMLY
: It coulda been a half an hour.
A
LBERT
: That's right see? And that's what ah ...
B
OTTOMLY
: You just don't remember, Albert.