na. He then enters the third jh
![](/files/02/59/75/f025975/public/00006.jpg)
na by eliminating
p
ti
(ecstatic joy). The fourth jh
![](/files/02/59/75/f025975/public/00006.jpg)
na is attained when all forms of pain and pleasure, sorrow and joy are transcended and upekkh
![](/files/02/59/75/f025975/public/00006.jpg)
and mindfulness (
sati
) alone remain. He may now go on to develop the
brahma-vih
ra
meditations, or the
abhiññ
s
, or make the transition to the higher jh
![](/files/02/59/75/f025975/public/00006.jpg)
nas of the formless realm. By now concentrating upon the infinite void or space left by the discarded image he is said to achieve the fifth jh
![](/files/02/59/75/f025975/public/00006.jpg)
na. By shifting his concentration from the infinite space perceived to the act of infinite perception which does the perceiving, he enters the sixth jh
![](/files/02/59/75/f025975/public/00006.jpg)
na. The seventh jh
![](/files/02/59/75/f025975/public/00006.jpg)
na is marked by the removal of the act of perception itself, so that nothing at all remains. In the eighth and final jh
![](/files/02/59/75/f025975/public/00006.jpg)
na the ‘idea’ of ‘nothing’ is removed and the meditator ceases conscious ideation altogether.
Jiba
(plot of land where man was created, according to Shinto sect)
: