The Egyptian Royals Collection (160 page)

He drew back to look at me, but I held him closer. “Yes.”

“Just yes?”

I nodded and pressed my lips against his.

A
FTERWORD

Selene

Selene and Juba were married in 25 BC, and, true to his word, Augustus gave Selene a magnificent dowry. The union of Kleopatra Selene and Juba II became one of the greatest love stories ever to come out of imperial Rome, and for twenty years they reigned side by side in an extraordinary partnership that began on the voyage to Mauretania. When they reached their new kingdom, they settled in Iol, renaming it Caesarea in deference to the man who had made them king and queen. Once this public declaration of loyalty was made, however, Selene began rebuilding their capital in the image of the greatest city on earth: Alexandria. Before long, their court became known as a center for learning, and the images that archaeologists have discovered at Caesarea (such as a basalt statue of the Egyptian priest Petubastes IV, a bronze bust of Dionysus, and a statue of Tuthmosis I), speak loudest about Selene’s true loyalties.

While Selene erected monuments in honor of her Ptolemaic heritage, Juba charted the lands around his new kingdom. In the process
he was credited as being the first person to “discover” the Canary Islands, naming them Insularia Canaria, or Islands of the Dogs, after the fierce canines that inhabited them. He also penned the treatise
Libyka
and discovered an important type of medicinal spurge, which even today is called
Euphorbia regis-jubae
. Pliny wrote that Juba was “more remembered for the quality of his scholarship even than for his reign,” while Plutarch considered him one of the “most gifted rulers of his time.” Two, or possibly three, children were born to Juba and Selene during their marriage. Their son Ptolemy inherited the throne.

Augustus

Despite his grave sickness, Augustus recovered and ruled for another thirty-nine years. Nearly everyone he loved passed on before him, including Terentilla, Agrippa, Maecenas, Octavia, and even Marcellus. At seventy-five, when it was clear that the end was approaching, he asked Livia to take his life by surprise. He wished to orchestrate his death just as he had orchestrated everything else. When Livia poisoned his food, Augustus died in AD 14. He left behind explicit instructions on how to govern Rome, even going so far as to describe the tax system in minute detail. His heir was Livia’s son, Tiberius.

Julia

Julia and Marcellus enjoyed their wedded bliss for only another two years. In 23 BC, Marcellus died suddenly, ending a brief life that would likely have seen him as emperor had he survived. He was buried in Augustus’s mausoleum, which can still be seen today in Rome. With no clear heir, Augustus ordered Agrippa’s immediate divorce from Octavia’s daughter Claudia, and the eighteen-year-old
Julia was given to her father’s forty-two-year-old general and closest friend. Five children resulted from their marriage, but when Agrippa died in 12 BC, Julia became a widow again. This time, with fewer heirs to choose from, Augustus married Julia to her stepbrother Tiberius. But Julia rebelled, taking as her lover Selene’s half brother Antonius, the son of Marc Antony and Fulvia. When Augustus discovered this, he arrested his own daughter for adultery and treason. Antonius, like his father, was forced to commit suicide, and Julia was banished to the island of Pandataria. Only her mother accompanied her into exile, where they were forbidden from having visitors other than those specifically sent by her father. After five years, Julia was allowed to return to the mainland, though she was forbidden from entering Rome. Upon Augustus’s death, one of Tiberius’s first acts was to confine Julia to a single room in her house. She died of starvation.

Tiberius

Before becoming heir to the Roman Empire, Tiberius was ordered to marry Agrippa’s daughter Vipsania. Their marriage proved to be an actual love match, and for seven years they remained loyal partners, producing a son whom Tiberius named Drusus, after his own younger brother. But when Agrippa died in 12 BC, Augustus ordered Tiberius to divorce his pregnant wife and marry Julia. The shock caused the loss of Vipsania’s second child, but the divorce proceeded, and Tiberius never forgave Augustus. In the years to come, Tiberius haunted Vipsania’s doorstep, threatening her new husband, Gallus, with death. After several more encounters, Augustus forbade Tiberius from ever seeing Vipsania again. Upon becoming emperor, Tiberius declared Vipsania’s husband a public enemy, imprisoning him and killing him by starvation. After Julia’s death, he never
remarried. Jesus of Nazareth is believed to have been crucified during the reign of Tiberius, which lasted twenty-three years.

Octavia

After the sudden and devastating death of Marcellus, Octavia retired from public life, spending her time quietly doing charity work and raising her grandchildren. Her daughter Antonia married the renowned charioteer Lucius Domitius. Although the marriage was a deeply unhappy one, it produced three children, one of whom, Antonia, would become the grandmother of Emperor Nero. Octavia’s youngest daughter, Tonia, married Livia’s son Drusus, and the two of them enjoyed a happy marriage for nearly seven years until Drusus died in a riding accident. Their children were the famous general Germanicus, the beautiful Livilla, and the future emperor Claudius.

H
ISTORICAL
N
OTE

LIKE OTHER
historical novelists before me, I am deeply indebted to those who have spent countless years interpreting, researching, and writing on the world of ancient Rome. Those scholars have allowed me to depict, to the best of my abilities, what life was like more than two thousand years ago when the children of Marc Antony and Kleopatra were taken from Egypt and raised for several years on the Palatine. If Selene and Alexander seem incredibly precocious for their ages, that is because they were the extremely well-educated children of a queen considered to be one of the most learned women of her time. Like today’s child actors, they would have been raised in an adult world with adult expectations, and clearly Selene’s education was sufficient to see her made Queen of Mauretania.

Nearly all of the characters in the book represent real people whom Alexander and Selene actually met, and I based their personalities on what was written about them and preserved in the historical record. From Augustus’s love of the theater to Agrippa’s building of the Pantheon—where you can still see his name etched into the
pediment today—I tried to ensure that the characters remained true to their historical selves. The major exception to this would be my invention of the Red Eagle. While the Red Eagle did not exist, there is evidence to suggest that Juba was deeply disgusted by the culture of slavery in Rome. After his arrival in Mauretania, slavery there slowly disappeared, and it’s not surprising that he would identify with those who had been enslaved, given the fate he might have suffered had it not been for his illustrious ancestry. Both of the slave trials in the novel were based on events that supposedly took place in ancient Rome, and I believe they help to illustrate just a few of the moral issues that arose from human bondage. Such trials also serve as a reminder of how frequently fact is stranger than fiction. Take, for example, Pollio’s attempt to feed a slave to his eels, the escaped bull in the Forum Boarium that plummeted to its death from a second-story balcony, and Augustus’s obsessive note-taking: all are based on the historical record. Even Magister Verrius’s use of games in the
ludus
, the tribe of Telegenii who fought leopards in the arena; and Octavian’s carelessness in Alexander the Great’s mausoleum, which resulted in the corpse’s broken nose: all come from contemporary accounts. And even though we might think of some of the amenities in the novel as exclusively modern, the heated pools, elegantly shuttered windows, tourist guide books, and much else were present in Imperial Rome.

It is astounding to think of what the Romans accomplished more than two millennia ago when the average life expectancy was less than thirty years. Some of the most enduring buildings can be traced back to both Agrippa and Augustus: the famous Pantheon, the Basilica of Neptune, the Saepta Julia, the Forum Augusti, and many of the baths. Augustus and Agrippa furnished these places with their favorite statues, and just like many other Romans, they were avid
collectors of antiquities, particularly anything that came from Greece. Contrary to what we see today in museums, nearly all of their marble statues were painted, many of them in garish colors such as bright red, turquoise, yellow, and orange. Though it’s strange to imagine people who lived two millennia ago collecting antiques, in many ways Roman society was startlingly similar to our own. The Romans were fond of the theater; they used handshakes for introductions; and many of the leading thinkers, such as Cicero, mocked prevalent superstitions and even belief in the gods. Children played with dice and puppets, while adults went to the races to place bets and meet friends. Everyday humor was notoriously crass. All across the city of Pompeii, graffiti preserve ancient Roman sarcasm. And when the emperor Vespasian knew he was dying, he told his sons wryly, “I think I’m becoming divine.”

There is a reason so many of us are drawn to ancient Rome, and I believe it’s because we recognize ourselves in these people who lived more than two thousand years ago. Consider the following quotes, some of which you might think were excerpts from modern-day writings: