The Family Corleone (3 page)

Across Eleventh Avenue the curtain fluttered over the barbershop, and then it was yanked open and Kelly O’Rourke, framed by the window, looked down over the avenue like a miracle—a quick shock
of light on a young woman’s body surrounded by black fire escapes, dirty red brick walls, and dark windows.

Kelly looked off into the darkness and touched her stomach, as she had found herself doing unconsciously again and again for the past several weeks, trying to feel some flutter of the life she knew was rooting there. She ran her fingers over the still-tight skin and muscle and tried to settle her thinking, to pull together the stray thoughts careening everywhere. Her family, her brothers, they had already disowned her, except Sean maybe, so what did she care what they thought anymore? She had taken one of the blue pills at the club and it made her feel light and airy. It scattered her thoughts. In front of her there was only darkness and her own reflection in the glass. It was late and everyone was always leaving her alone all the time. She flattened her hand over her stomach, trying to feel something. Hard as she tried, she couldn’t pull her thoughts together, keep them still and in one place.

Tom stepped around Kelly and closed the curtains. “Come on, sweetheart,” he said. “What do you want to do that for?”

“Do what?”

“Stand in front of the window like that.”

“Why? Worried somebody might see you here with me, Tom?” Kelly put a hand on her hip and then let it drop in a gesture of resignation. She continued pacing the room, her eyes on the floor one moment, on the walls the next. She seemed unaware of Tom, her thoughts elsewhere.

Tom said, “Kelly, listen. I just started college a few weeks ago, and if I don’t get back—”

“Oh, don’t whimper,” Kelly said. “For God’s sake.”

“I’m not whimpering,” Tom said. “I’m trying to explain.”

Kelly stopped pacing. “I know,” she said. “You’re a baby. I knew that when I picked you up. How old are you anyways? Eighteen? Nineteen?”

“Eighteen,” Tom said. “All I’m saying is that I have to get back to the dorms. If I’m not there in the morning, it’ll be noticed.”

Kelly tugged at her ear and stared at Tom. They were both quiet, watching each other. Tom wondered what Kelly was seeing. He’d been wondering about that ever since she’d sauntered over to his table at Juke’s Joint and asked him to dance in a voice so sexy it was as if she were asking him to sleep with her. He wondered it again when she invited him after a few dances and a single drink to take her home. They hadn’t talked about much. Tom told her he went to school at NYU. She told him she was currently unemployed and that she came from a big family but she wasn’t getting on with them. She wanted to be in the movies. She’d been wearing a long blue dress that hugged her body from her calves to her breasts, where the neckline was cut low and the white of her skin flared in contrast to the satiny fabric. Tom told her he didn’t have a car, that he was there with friends. She told him that wasn’t a problem, she had a car, and he didn’t bother to ask how an unemployed girl from a big family has a car of her own. He thought maybe it wasn’t her car, and then when she drove them down to Hell’s Kitchen, he didn’t tell her that he’d grown up a dozen blocks from where she parked on Eleventh. When he saw her place, he knew the car wasn’t hers, but he didn’t have time to ask questions before they were in bed and his thoughts were elsewhere. The events of the night had proceeded rapidly and in a way that was foreign to him, and now he was thinking hard as he watched her. Her manner seemed to be shifting by the second: first the seductress and then the vulnerable girl who didn’t want him to leave, and now a toughness was coming over her, something angry. As she watched him her jaw tightened, her lips pressed together. Something in Tom was shifting too. He was preparing himself for whatever she might say or do, preparing an argument, preparing a response.

“So what are you anyway?” Kelly said. She backed up to a counter beside a white porcelain sink. She lifted herself onto it and crossed her legs. “Some kind of Irish-Italian mutt?”

Tom found his sweater where it was hanging on the bed rail. He draped it over his back and tied the sleeves around his neck. “I’m German-Irish,” he said. “What makes you say Italian?”

Kelly found a pack of Wings in a cupboard behind her, opened it, and lit up. “Because I know who you are,” she said. She paused dramatically, as if she were acting. “You’re Tom Hagen. You’re Vito Corleone’s adopted son.” She took a long drag on her cigarette. Behind the veil of smoke, her eyes glittered with a hard-to-read mix of happiness and anger.

Tom looked around, noting carefully what he saw—which was nothing more than a cheap boardinghouse room, not even an apartment, with a sink and cupboards by the door on one end and a cot-size bed on the other. The floor was a mess of magazines and pop bottles, clothes and candy-bar wrappers, empty packs of Wings and Chesterfields. The clothes were far too expensive for the surroundings. In one corner he noticed a silk blouse that had to cost more than her rent. “I’m not adopted,” he said. “I grew up with the Corleones, but I was never adopted.”

“No difference,” Kelly said. “So what’s that make you? A mick or a wop, or some kind of mick-wop mix?”

Tom sat on the edge of the bed. They were having a conversation now. It felt businesslike. “So you picked me up because you know something about my family, is that right?”

“What did you think, kid? It was your looks?” Kelly flicked the ashes from her cigarette into the sink beside her. She ran the water to wash the ashes down the drain.

Tom asked, “Why would my family have anything to do with this?”

“With what?” she asked, the smile on her face genuine, as if she were finally enjoying herself.

“With me taking you back here and screwing you,” Tom said.

“You didn’t screw me, kid. I screwed you.” She paused, still grinning, watching him.

Tom kicked at a pack of Chesterfields. “Who smokes these?”

“I do.”

“You smoke Wings and Chesterfields?”

“Wings when I’m buying. Otherwise Chesterfields.” When Tom didn’t say anything right away, she added, “You’re getting warmer, though. Keep going.”

“Okay,” Tom said. “So who’s car did we drive here in? It’s not yours. You don’t own a car and still live in a place like this.”

“There you go, kid,” she said. “Now you’re asking the right questions.”

“And who buys you the classy threads?”

“Bingo!” Kelly said. “Now you got it. My boyfriend buys me the clothes. It’s his car.”

“You ought to tell him to put you up in a nicer place than this.” Tom looked around as if he were amazed at the tawdriness of the room.

“I know!” Kelly joined him in appraising the room, as if she shared his amazement. “You believe this rathole? This is where I’ve got to live!”

“You ought to talk to him,” Tom said, “this boyfriend of yours.”

Kelly didn’t seem to hear him. She was still looking over the room, as if seeing it for the first time. “He’s got to hate me, right,” she asked, “making me live in a place like this?”

“You ought to talk to him,” Tom repeated.

“Get out,” Kelly said. She hopped down from the counter and wrapped herself in a sheet. “Go on,” she said. “I’m tired of playing with you.”

Tom started for the door, where he had hung his cap on a hook.

“I hear your family’s worth millions,” Kelly said, while Tom still had his back to her. “Vito Corleone and his gang.”

Tom pulled his cap down tight on the back of his head and straightened it out. “What’s this about, Kelly? Why don’t you just tell me?”

Kelly waved her cigarette, motioning for him to go. “Go on, now,” she said. “Good-bye, Tom Hagen.”

Tom said good-bye politely, and then walked out, but before he’d taken more than a couple of steps down the corridor, the door flew open and Kelly was standing in the dark hallway, the sheet she had been wearing someplace in the room behind her. “You’re not such a tough guy,” she said, “you Corleones.”

Tom touched the brim of his cap, straightening it on his head. He
watched Kelly where she stood brazenly just outside her door. He said, “I’m not sure I’m entirely representative of my family.”

“Huh,” Kelly said. She ran her fingers through the waves of her hair. She looked confused by Tom’s response before she disappeared into her apartment, failing to close the door fully behind her.

Tom pulled his cap down on his forehead and started for the stairs and the street.

Sonny was out of the truck and hustling across Eleventh as soon as Tom stepped out of the building. Tom reached behind him for the door, as if he were trying to duck back into the hallway, while Sonny bore down on him, put an arm around his shoulder, and yanked him onto the sidewalk, pulling him toward the corner. “Hey,
idiota
!” Sonny said. “Tell me one thing, okay, pal? Are you trying to get yourself killed, or are you just a
stronz’
? Do you know whose girl that is you just did the number on? Do you know where you are?” Sonny’s voice got louder with each question, and then he pushed Tom back into the alley. He cocked his fist and gritted his teeth to keep from knocking Tom into a wall. “You don’t have any idea the trouble you’re in, do you?” He leaned toward Tom as if he might at any moment descend on him. “What are you doing with some mick slut anyway?” He threw his hands up and turned a small, tight circle, his eyes to the heavens, as if he were calling to the gods. “
Cazzo!
” he shouted. “I oughta kick your ass down a goddamn sewer!”

“Sonny,” Tom said, “please calm down.” He straightened out his shirt and arranged the sweater draped over his back.

“Calm down?” Sonny said. “Let me ask again: Do you know whose girl you were just screwin’?”

“No, I don’t,” Tom said. “Whose girl was I just screwing?”

“You don’t know,” Sonny said.

“I don’t have any idea, Sonny. Why don’t you tell me?”

Sonny stared at Tom in wonder, and then, as often happened with him, his fury disappeared. He laughed. “She’s Luca Brasi’s twist, you idiot. You didn’t know!”

Tom said, “I had no idea. Who’s Luca Brasi?”

“Who’s Luca Brasi,” Sonny repeated. “You don’t want to know
who Luca Brasi is. Luca’s a guy who’ll yank your arm off and beat you to death with the bloody stump for looking at him the wrong way. I know very tough guys who are scared to death of Luca Brasi. And you just did the number on his girl.”

Tom took this information in calmly, as if considering its implications. “Okay,” he said, “so now it’s your turn to answer a question. What the hell are you doing here?”

Sonny said, “Come here!” He wrapped up Tom in a smothering embrace and backed up to get a good look at his brother. “How was she?” He waved his hand. “
Madon’!
She’s a dish!”

Tom stepped around Sonny. On the street a sleek roan horse pulled a Pechter Bakery wagon beside the railroad tracks, one of the spokes on the wagon’s rear wheel cracked and broken. A fat man at the reins cast a bored glance at Tom, and Tom tipped his cap to him before he turned to Sonny again. “And why are you dressed like you just spent the night with Dutch Schultz?” He fingered the lapels on Sonny’s double-breasted suit and patted the rich fabric of the vest. “How’s a kid works in a garage own a suit like this?”

“Hey,” Sonny said. “I’m doing the asking.” He put his arm around Tom’s shoulder again and directed him out to the street. “Serious, Tommy,” he said. “Do you have any idea the kind of trouble you could be in?”

Tom said, “I didn’t know she was this Luca Brasi’s girlfriend. She didn’t tell me.” He gestured up the street. “Where are we going?” he asked. “Back to Tenth Avenue?”

Sonny said, “What are you doing hanging out at Juke’s Joint?”

“How’d you know I was at Juke’s Joint?”

“Because I was there after you.”

“Well, what are you doing hanging out at Juke’s Joint?”

“Shut up before I give you a smack!” Sonny squeezed Tom’s shoulder, letting him know he wasn’t really mad at him. “I’m not the one’s in college supposed to be hitting the books.”

“It’s Saturday night,” Tom said.

“Not anymore,” Sonny said. “It’s Sunday morning. Jesus,” he added, as if he’d just reminded himself how late it was, “I’m tired.”

Tom wrestled out from under Sonny’s arm. He took off his cap, straightened out his hair, and put the cap on again, pulling the brim low on his forehead. His thoughts went back to Kelly pacing through the tiny space of her room, dragging the sheet behind her as if she knew she should cover up but couldn’t be bothered. She’d been wearing a scent that he couldn’t describe. He squeezed his upper lip, which was something he did when he was thinking hard, and smelled her on his fingers. It was a complex odor, bodily and raw. He was stunned by everything that had happened. It was as if he were living someone else’s life. Someone more like Sonny. On Eleventh, a car rattled up behind a horse-drawn cart. It slowed down briefly as its driver cast a quick glance toward the sidewalk and then swerved around the cart and drove on. “Where are we going?” Tom asked. “It’s late for a stroll.”

“I got a car,” Sonny said.

“You’ve got a car?”

“It’s the garage’s. They let me use it.”

“Where the hell’s it parked?”

“Few more blocks.”

“Why’d you park way up here if you knew I was—”

“
Che cazzo!
” Sonny opened his arms in a gesture that suggested amazement at Tom’s ignorance. “Because this is Luca Brasi’s territory,” he said. “Luca Brasi and the O’Rourkes and a bunch of crazy micks.”

“So what’s that to you?” Tom asked. He stepped in front of Sonny. “What’s it to a kid works in a garage whose territory this is?”

Sonny shoved Tom out of his way. It was not a gentle shove, but he was smiling. “It’s dangerous around here,” he said. “I’m not as reckless as you.” As soon as the words were out of his mouth, he laughed, as if he had just surprised himself.

Tom said, “All right, look,” and he started walking up the block again. “I went to Juke’s Joint with some guys I know from the dorms. We were supposed to dance a little bit, have a couple of drinks, and head back. Then this doll asks me to dance, and next thing I know, I’m in bed with her. I didn’t know she was this Luca Brasi’s girlfriend. I swear.”