The Lighter Side (2 page)

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Authors: Keith Laumer,Eric Flint

Tags: #Science fiction, #Adventure, #General, #Science Fiction - General, #Fiction, #Science Fiction & Fantasy, #Fiction - Science Fiction, #Space Opera, #Short stories, #Science Fiction - Adventure, #Science Fiction - Space Opera, #High Tech, #Science Fiction - Short Stories

BOOK: The Lighter Side
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"Go away! Before I call a Line cop!"

Hestler had a hard time getting comfortable again after Four Back left. There was a fly inside the queuebana. It was a hot night. The Line moved up again, and Hestler had to emerge and roll the queuebana forward. Two Spaces to go! The feeling of excitement was so intense that it made Hestler feel a little sick. Two more moves up, and he'd be at the Window. He'd open the lockbox, and present the Papers, taking his time, one at a time, getting it all correct, all in order. With a sudden pang of panic he wondered if anyone had goofed, anywhere back along the line, failed to sign anything, missed a Notary's seal, or a witness' signature. But they couldn't have. Nothing as dumb as that. For that you could get bounced out of Line, lose your Place, have to go all the way back—

Hestler shook off the morbid fancies. He was just nervous, that was all. Well, who wouldn't be? After tonight, his whole life would be different; his days of standing in Line would be over. He'd have time—all the time in the world to do all the things he hadn't been able to think about all these years . . . 

Someone shouted, near at hand. Hestler stumbled out of the queuebana to see Two Up—at the Head of the line now—raise his fist and shake it under the nose of the small, black-moustached face in the green eye-shade framed in the Window, bathed in harsh white light.

"Idiot! Dumbbell! Jackass!" Two Up yelled. "What do you mean take it back home and have my wife spell out her middle name!"

Two burly Line police appeared, shone lights in Two Up's wild face, grabbed his arms, took him away. Hestler trembled as he pushed the queuebana forward a Space on its roller skate wheels. Only one man ahead of him now. He'd be next. But no reason to get all upset; the Line had been moving like greased lightning, but it would take a few hours to process the man ahead. He had time to relax, get his nerves soothed down, get ready to answer questions . . . 

"I don't understand, sir," the reedy voice of One Up was saying to the small black moustache behind the Window. "My Papers are all in order, I swear it—"

"You said yourself your father is dead," the small, dry voice of Black Moustache said. "That means you'll have to reexecute Form 56839847565342-B in sextuplicate, with an endorsement from the medical doctor, the Residential Police, and waivers from Department A, B, C, and so on. You'll find it all, right in the Regulations."

"But—but he only died two hours ago: I just received word—"

"Two hours, two years; he's just as dead."

"But—I'll lose my Place! If I hadn't mentioned it to you—"

"Then I wouldn't have known about it. But you did mention it, quite right, too."

"Couldn't you just pretend I didn't say anything? That the messenger never reached me?"

"Are you suggesting I commit fraud?"

"No . . . no . . . " One Up turned and tottered away, his invalidated Papers clutched in his hand. Hestler swallowed hard.

"Next," Black Moustache said.

It was almost dawn six hours later when the clerk stamped the last Paper, licked the last stamp, thrust the stack of processed documents into a slot and looked past Hestler at the next man in Line.

Hestler hesitated, holding the empty lockbox in nerveless fingers. It felt abnormally light, like a cast husk.

"That's all," the clerk said. "Next."

One Down jostled Hestler getting to the Window. He was a small, bandy-legged Standee with large, loose lips and long ears. Hestler had never really looked at him before. He felt an urge to tell him all about how it had been, give him a few friendly tips, as an old Window veteran to a newcomer. But the man didn't give him a chance.

Moving off, Hestler noticed the queuebana. It looked abandoned, functionless. He thought of all the hours, the days, the years he had spent in it, crouched in the sling . . . 

"You can have it," he said on impulse to Two Down, who, he noted with surprise, was a woman, dumpy, slack-jowled. He gestured toward the queuebana. She made a snorting sound and ignored him. He wandered off down the Line, staring curiously at the people in it, at the varied faces and figures, tall, wide, narrow, old, young—not so many of those—dressed in used clothing, with hair combed or uncombed, some with facial hair, some with paint on their lips, all unattractive in their own individual ways.

He encountered Galpert whizzing toward him on the power wheel. Galpert slowed, gaping, came to a halt. Hestler noticed that his cousin had thin, bony ankles in maroon socks, one of which suffered from perished elastic so that the sock drooped, exposing clay-white skin.

"Farn—what . . . ?"

"All done." Hestler held up the empty lockbox.

"All done . . . ?" Galpert looked across toward the distant Window in a bewildered way.

"All done. Not much to it, really."

"Then . . . I . . . I guess I don't need to . . . " Galpert's voice died away.

"No, no need, never again, Galpert."

"Yes, but what . . . ?" Galpert looked at Hestler, looked at the Line, back at Hestler. "You coming, Farn?"

"I . . . I think I'll just take a walk for a while. Savor it, you know."

"Well," Galpert said. He started up the wheel and rode slowly off across the ramp.

Suddenly, Hestler was thinking about time—all that time stretching ahead, like an abyss. What would he do with it . . . ? He almost called after Galpert, but instead turned and continued his walk along the Line. Faces stared past him, over him, through him.

Noon came and went. Hestler obtained a dry hot dog and a paper cup of warm milk from a vendor on a three-wheeler with a big umbrella and a pet chicken perched on the back. He walked on, searching the faces. They were all so ugly. He pitied them, so far from the Window. He looked back; it was barely visible, a tiny dark point toward which the Line dwindled. What did they think about, standing in Line? How they must envy him!

But no one seemed to notice him. Toward sunset he began to feel lonely. He wanted to talk to someone; but none of the faces he passed seemed sympathetic.

It was almost dark when he reached the End of the Line. Beyond, the empty plain stretched toward the dark horizon. It looked cold out there, lonely.

"It looks cold out there," he heard himself say to the oatmeal-faced lad who huddled at the tail of the Line, hands in pockets. "And lonely."

"You in Line, or what?" the boy asked.

Hestler looked again at the bleak horizon. He came over and stood behind the youth.

"Certainly," he said.

 

 

THE PLANET WRECKERS

In his shabby room in the formerly elegant hostelry known as the Grand Atumpquah Palace, Jack Waverly pulled the coarse weave sheet up about his ears and composed himself for sleep.

Somewhere, a voice whispered. Somewhere, boards creaked. Wind muttered around the loosely fitted window, rattling it in its frame. The pulled-down blind clacked restlessly. In the room above, footsteps went three paces; clank; back three paces; clank . . . 

Drat the fellow,
Waverly thought.
Why doesn't he stop rattling his chains and go to bed?
He turned on his other side, rearranged the pillow of the consistency of bagged sawdust. Beyond the partition, someone was whistling a strange, unmelodic tune. It was hot in the room. The sheet chafed his neck. Next door, voices muttered with a note of urgency. Waverly made out the words
magma
and
San Andreas fault
.

"Geology, at ten minutes past midnight?" he inquired of the mottled wallpaper. Above, bedsprings squeaked faintly. Waverly sat up, frowning at the ceiling. "I thought the clerk said he was putting me on the top floor," he said accusingly. He reached for the telephone on the bedside table. A wavering dial tone went on for five seconds, then cut off with a sharp click.

"Hello?" Waverly said. "Hello?"

The receiver was dead against his ear.

"If this weren't the only hotel in town," Waverly muttered.

He climbed out of bed, went to the high window, raised the roller shade, looked out on a view of a brick wall ten feet away. From the window next door, a pattern of light and shadow gleamed against the masonry.

Two silhouettes moved. One was tall, lean, long-armed, like a giant bird with a crested head and curious wattles below a stunted beak. The other resembled an inverted polyp, waving a dozen arms tipped with multifingered hands, several of which clutched smoking cigars.

"Trick of the light," Waverly said firmly. He closed his eyes and shook his head to dispel the illusion. When he looked again, the window was dark.

"There, you see?" He raised the sash and thrust his head out. Moonlight gleamed on a bricked alley far below. A rusted fire escape led upward toward the roof. Leaning far out, Waverly saw the sill of the window above.

"No lights up there," he advised himself. "Hmmmm."

Faintly, he heard a dull rattle of metal, followed by a lugubrious groan.

"True, it's none of your business," he said. "But inasmuch as you can't sleep anyway . . . " Waverly swung his legs over the sill onto the landing and started up.

* * *

As he reached the landing above, something white fluttered out at him. Waverly shied, then saw that it was a curtain, billowing out from an open window. Abruptly, a feminine sob sounded from within. He poked his head up far enough to peer over the window sill into darkness.

"Is, ah, something the matter?" he called softly. There was a long moment of silence.

"Who's there?" a dulcet female voice whispered.

"Waverly, madam, Jack Waverly. If I can be of any help?"

"Are you with the Service?"

"I'm with ISLC," Waverly said. He pronounced it as a word "islick." "That's International Sa—"

"Listen to me, Wivery," the voice was urgent. "Whatever he's paying you, I'll double it! And you'll find the Service not ungrateful."

"No payment is necessary for aid to damsels in distress," Waverly returned. "Er, may I come in?"

"Of course! Hurry up, before one of those slimy Gimps steps out for a stroll up the wall and sees you!"

Waverly climbed quickly in through the window. The room, he saw, was a mere garret, cramped under a low ceiling. It appeared to contain no furniture other than a dimly seen cot against one wall. A vague form moved a willowy arm there. Waverly moved toward it.

"You don't have a molecular disassociator with you?" the melodious voice queried urgently. "There's not much time left."

"Ah . . . no, I'm afraid not. I—"

"They mean to strap me to my own twifler, set the warperators at two and a half busters and aim me toward Neptune," the feminine voice went on breathlessly. "Can you imagine anything more brutal?"

Waverly groped forward. "Now, now, my dear. Don't be upset."

As he reached the cot, his hand fell on stout links looped around the foot rail.

He fumbled, encountered the blocky shape of a hefty padlock.

"Good lord! I thought—that is, I didn't actually think—"

"That's right. Chained to the bed," there was a slight quaver in the voice.

"B-but—this is preposterous! It's criminal!"

"It's an indication of their desperation, Wivery! They've gone so far now that nothing short of the most drastic measures can stop them!"

"I think this is a matter for the authorities," Waverly blurted. "I'll put a call through immediately!"

"How? You can't get through."

"That's right; I'd forgotten about the phone."

"And anyway—I
am
the authorities," the soft voice said in a tone of utter discouragement.

"You? A mere slip of a girl?" Waverly's hand touched something cool, with the texture like nubbly nylon carpeting.

"I weigh three hundred and seventy pounds, Earth equatorial," the voice came back sharply. "And we Vorplischers happen to be a matriarchal society!"

A pale shape stirred, rose up from the rumpled bedding. A head the size of a washtub smiled a foot-wide smile that was disconcertingly located above a pair of limpid brown eyes. A hand which appeared to be equipped with at least nine fingers reached up to pat a spongy mass of orange fibers matted across the top of the wide face. Waverly broke his paralysis sufficiently to utter a sharp yelp.

"Shhh!" the sweet voice issued from a point high in the chest. "I appreciate your admiration, but we don't want those monsters to hear you!"

* * *

 

 

 

2

 

"Fom Berj, Detective Third Class, at your service," the creature soothed Waverly. "I'm not supposed to reveal my identity, but under the circumstances I think it's only appropriate."

"D—delighted," Waverly choked. "Pardon my falling down. It's just that I was a trifle startled at your, ah, unusual appearance."

"It's perfectly understandable. A neat disguise, don't you think? I made it myself."

Waverly gulped. "Disguise?"

"Of course. You don't think this is my natural look do you?"

Waverly laughed shakily. "I must confess that what with all this creeping around in the dark, I
was
ready to leap to conclusions." He peered at the massive form, more clearly visible now that his eyes accommodated to the dim light. "But what are you disguised as, if you don't mind my asking?"

"Why, as a native, of course. The same as you are, silly."

"As I am what?"

"Disguised as a native."

"Native of where?"

"Of this planet."

"Oh, of course." Waverly was backing toward the window. "Of this planet. A native . . . I take it you're from some
other
planet?"

The detective laughed a rippling laugh. "You have a jolly sense of humor, Wivery. As if a Vorplischer were native to this patch of wilderness."

"And the people who chained you up—are they from, ah, Vorplisch, too?" Waverly made conversation to cover his retreat.

"Don't be absurd. They're a mixed bag of Broogs, Limpicos, Erwalts, Glimps and Pud knows what-all." Fom Berj rattled her manacles. "We'd better do something about these chains in a hurry," she added briskly.

As Waverly reached the window, an eerie, purplish glow sprang up outside, accompanied by a shrill warbling. Waverly retreated hastily.

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