The Lucifer Gospel (4 page)

“You okay?” Hilts asked.

Finn swallowed the taste of bile in the back of her throat then nodded. “I’m fine,” she answered.

Beyond the meat market, in a courtyard bounded by three plain crypts, was a taxidermy display with stuffed versions of some of the same animals they’d seen a few yards away, diabolical with glass eyes stripped from dolls, evil grins filled with bared teeth and fangs, strange hybrids, geese with fox ears, dogs with grafted monkey heads, bright parrots with outstretched eagles’ wings.

“Who buys this stuff?”

“In a city as large as this there’s a buyer for everything,” Hilts said and shrugged. He grinned. “New York with pyramids.” The crowd was pressing them forward like pieces of driftwood on the tide, but Hilts steadily moved them off to one side.

“Where to now?” Finn asked.

“There,” he answered, pointing. Down an alley she could see yet another opening and more piles of merchandise. Most of it appeared to be military—gas masks, empty mortar shells, ancient range finders, at least a hundred pair of World War Two desert boots, gasoline cans, even a small cannon, its muzzle shattered, a relic of some long-forgotten battle.

Hilts slipped into the narrow alley ahead of Finn, separated from her for a moment. A gray-haired beggar, burnt brown by the sun, hopped in front of her, staggering on a bright pink artificial leg, his hand outstretched, screaming into her face in unintelligible Arabic, his face twisted into a furious mask. She backed away, but there was no place to move, the crowd behind shoving her out of the way, forcing her down an even narrower side passage. Suddenly Hilts was gone and she was alone.

She realized that she had been thrust completely out of the market; there were no piles of merchandise or haggling crowds. In an instant she found herself taken into a different world, a world of crumbling walls, of huddled figures in the swirling dust, of a strange silence, the noise of the crowd immediately muffled by the thick plaster walls of the death houses all around her, the light turned to flitting shadows. Her fear was instantaneous.

She stood still, turning slowly in a circle, trying to get her bearings. In front of her was a high wall made of mud bricks and straw, worn in places, some bricks gone, like missing teeth. To her left was a pale green building with a sloping roof, and to the right was a narrow alley barely wide enough to slip through sideways. Behind her was the path leading back to the street she had been ejected from.

Finn turned back that way. She knew Hilts had been heading toward the wider area of old military surplus. If she hurried she would probably be able to catch up. She pelted through the opening and then pulled up short. A man stood before her, dressed in a white jelabia and a dark, pin-striped suit jacket. His feet were bare and his head was wrapped in a loose, filthy turban.

He looked as though he was in his forties, slope-shouldered and big-chested. His eyes were yellow green and sunk deep under heavy brows, his nose large, flattened and twisted from several obvious breaks, his upper lip and chin covered by a graying beard. Like everything else in the City of the Dead, he was covered in a thin film of dust.

In one large hand he held a huge leaf-shaped sword, the blade pitted with rust, the edge hard and shining from a recent sharpening. He raised the machete-like blade and opened his mouth wide, making a gargling, growling sound, revealing that he had no tongue within his black, stained mouth.

For a frozen instant Finn stood stock-still, simply staring. She felt a panic-stricken laugh burst from her lips and for a second all she could think about was the scene in the Indiana Jones film where Harrison Ford faced a giant Egyptian swordsman of his own. It was ridiculous, but it was horribly real. She wasn’t Indiana Jones and she had no big horse pistol to shoot down the grotesque creature swinging the blade in her direction. The man grunted a second time and then surged forward. Finn spun on her heels and ran.

Racing back out of the narrow alley, she swung instinctively to the left, running beside the crumbling brick wall, then turned the corner to the right and ran on, hearing the pounding feet of her terrifying pursuer close behind. She scanned the way ahead. She was in a small open space surrounded by the walls of large stone mausoleums, doors and windows heavily grated against any intrusion.

In the square were a dozen stone slabs marking simpler burial plots. A cooking fire burned on one of them, a pot hanging by a metal hook above the embers. Finn ran forward into the middle of the empty courtyard, jumped up on the slab, and spun toward the fire.

Half turning, she grabbed the steaming pot by the handle and swung it backward, kicking through the hot coals and spreading them all over the slab. The iron pot of
kohary
splashed across the big man’s face, momentarily blinding him in a mess of boiling-hot slushy rice and lentils.

He yelled and pawed at his face with his free hand and jumped onto the stone slab as Finn slipped, then fell, rolling into the dirt. The man raised the machete and stepped forward, the skin of his bare feet treading on a spray of white coals. He howled and jerked back, falling sideways into the remains of the fire. Finn regained her feet and kept on running, not daring to look back to see what damage she had done.

She threw herself into a narrow crack between two of the mausoleums and came out into a small alley. Directly in front of her she saw an open doorway, a cool dark haven from the man behind her. She ran into the modest death house. Laid out on the bare earth floor, only half covered by dust and dirt, were three skeletons in a neat row, feet all pointing in one direction, probably the east, although Finn no longer had any idea which way was which.

It looked as though someone had been to the simple grave site recently. There were spade marks in the dirt, as though someone had been excavating. There was no archaeology going on here though; if the skeletons had been disinterred it was because the living wanted to move into the rough shelter of the simple one-room building.

There was a second opening on the other side of the room, and stepping over the skeletons in the dirt, Finn exited into a broad enclosure of two or three dozen graves out in the open with rows of smaller chambers on either side and the high wall of what Finn took to be a mosque at the far end. There were picks and sledgehammers lying around and piles of broken marble and granite slabs: grave robbers stealing the actual graves themselves, the descendants of Saladin’s builders who stripped the pyramids of their smooth outer facings to raise the city.

She stopped just outside the death house and listened, trying to slow her breathing and the rattletrap beating of her heart. As far as she could tell the man with the machete and no tongue was no longer after her. Either that or he was being a lot quieter about it. The real question of course was why he had been after her in the first place. She was a woman in a strange place, and alone at that, but unless the lunatic sword wielder simply wandered around the City of the Dead looking for damsels in distress, he was after her for a reason.

For the life of her though she couldn’t figure out what possible reason there could be. Her recent exploits in the shady world of looted art, old conspiracies, and Vatican politics didn’t have anything at all to do with Egypt; the works of art she’d managed to unearth, literally, from beneath the streets of New York hadn’t included any Rosetta Stones or pharaohs’ treasures. And even if they had, who would want to kill her now? That part of her life was over.

Or was it?

If she was right the man with the machete had been waiting for her like a hunter waiting to stalk his prey. That meant he had to have known she was coming to the City of the Dead today, and the only person who knew that other than herself was Hilts—a man who had introduced himself to her on an airplane, a man who had said he was part of the expedition but who had only offered his name to Achmed the driver. And who, for that matter, was Achmed, except a young man holding a sign that said “Adamson”?

She had taken it all on faith. As her friend Michael Valentine would have told her, the essence of any good confidence trick was just that, a trick of confidence, depending on the victim’s faith that what he or she was seeing was true because it was what was expected. Hilts knowing who she was, her background, her father’s name and reputation, Michael’s background… all of it was readily available in the archives of any major newspaper that had carried the story a year ago, or on the Internet. She’d fallen for it hook, line and sinker, believed it because she wanted to, because Hilts was a good-looking, intelligent man with a ready smile and an interesting patter.

Finn swore under her breath. She’d gotten herself into this mess; now she had to get herself out. She quickly looked around the narrow enclosed area once again. A rough ladder made from old lumber leaned up against the right-hand death house. Height. Maybe she could figure out where she was if she got high enough. It was worth a try.

She ran across the enclosure, threading her way between the graves, and climbed the ladder. She reached the top of the mud-and-plaster building and went to the far edge. Stretching out in all directions was a mazelike sea of buildings just like the one she stood on, split by alleys and paths. Some were so close they shared walls, others were separated like the enclosure behind her. The lower buildings were punctuated here and there with larger ones, some two stories high or even three, with taller, more ornate mosques rising out of the crumbling sea of brick and stone.

In the far distance she could see the palacelike bulk of the Citadel, built on a spur of limestone that dominated the city a thousand years ago as the Dome of the Winds by Sultan Hatim Ibn Hartama, then brutally fortified by Saladin two hundred years later as a royal seat and fortress for himself and future Abbasid rulers. Between the Citadel and where she now stood she could see a raised highway that seemed to cut directly across the City of the Dead. She could also see something else: just to the right, two hundred yards away, was a small round mosque with windows cut like teardrops. Beside it, in stark contrast to the mosque’s beauty, was a squalid hovel built of chicken wire and lumber scraps. It was the mosque she’d seen getting off the motorcycle. Somewhere in the shadows and the bleak, mustard-and-ash haze below it was Baqir and his horde of child bandits. No match for the machete-swinging thug behind her, but better than nothing. She turned and went back to the ladder.

She stooped, ducking low. Her nightmarish adversary was now directly below her, scanning the little enclosure. There were several ways she could have gone, but for the moment he hadn’t thought of looking up. His robe was charred along one edge and he was limping. It looked as though she had slowed him a little. He was making soft, animal noises, head slowly turning as he examined the area. Finn edged back, trying to get out of his potential line of sight should he suddenly look upward. Her foot sagged into a soft spot in the roof and a chunk of mortar or brick dropped down noisily into the room below. Instantly the man’s eyes flashed up. Finn didn’t wait. She turned and ran, heading for the far edge of the roof as the man with the machete began to climb the ladder, bellowing with rage or pain or both.

Finn reached the far side of the small building, paused, lurched then launched herself across the five-foot gap, landing hard on the next roof, the gravelly surface tearing at the palms of her hands and shredding the knees of her linen pants. She rolled upright and saw the son of a bitch with the sword in his hand stumbling across the far roof, one foot dragging. She looked ahead and to the sides. The next roof was closer, so she ran toward it and jumped the narrower gap easily, trying to keep herself lined up with the round mosque.

She leapt over a low parapet between two adjoining death houses and kept on going, feeling her breath hot and desperate pumping from her burning lungs. She turned for an instant and gasped out loud. Somehow the swordsman had managed to drastically shorten the distance between them, limp and all. Reaching the edge of the roof she stopped, horrified. It was twenty feet across open air to the next roof and fifteen feet to the ground. Below her was a bare patch of earth and several crumbling gravestones. Someone had arranged a scrap of cloth between poles to create a makeshift awning. She had no choice. She jumped, aiming for the sagging cloth.

Finn dropped, turning her shoulder with the fall. She crashed through the ragged piece of fabric and splintered the frail structure that held it up. A woman screamed, and there was a second crash as the few pots and pans that made up the kitchen Finn had just demolished clattered to the ground. Finn had a quick impression of a shrouded woman carrying a naked, wide-eyed child, and just beyond a piece of billboard with a line of Arabic script and the English word “Dreamland” in bright orange type.

Directly above her she heard a guttural roar, and suddenly the swordsman dropped the wreckage of the woman’s awning and stood in front of her, legs spread wide, the huge blade raised in his arms. He grunted out some incoherent oath and charged. Finn grabbed a tattered piece of the awning and pulled it downward into the man’s face, confusing him for a split second. To the left, on a raised stone coffin, were the plucked and gutted corpses of half a dozen pigeons, their ruffed heads severed at the neck and piled beside the bodies in a heap, eyes glazed, beaks wide. The cleaver that had done the job lay nearby, the blade still sticky with blood. Off to the side a green buzzing cloud of shiny-winged flies danced above a small wooden bowl that was filled with the small creatures’ entrails. Reaching out, Finn grabbed the cleaver and swung it blindly, feeling the heavy jolt as the blade cut into flesh and slid hard across bone. A strange high-pitched scream rose into the dense, filthy air, and Finn ran again.

She turned out of the small corner of abandoned ground she had tumbled into and found herself in a long, dark alleyway, a blank wall rising up in front of her like a cliff. Looking up she saw the familiar tear-shaped windows, with the chicken coop structure just visible on the right. The high wall had to be the rear of the mosque near the motorcycle.