Authors: Paul Doherty
âThe hordes of hell greet you,' one of the women retorted.
âAnd the power of heaven responds.' Anselm grasped the tau crucifix. âIn His name . . .'
One of the women darted forward, dagger blade snaking towards Stephen, but Anselm knocked her aside with his satchel even as he cried. â
Deus vult
,
Deus vult
â God wills it, God wills it.'
The third woman lunged with the club she was hiding by her side. Anselm punched her full in the face. She staggered back. The attack faded. The sinister scrabbling along the alleyways disappeared. The darkness thinned. All three women dropped what they were carrying and withdrew, looking fearfully down at their hands then up at the exorcist, faces vacant, eyes staring, mouths gaping. They backed away, then turned and fled. Anselm leaned against the wall, trying to catch his breath.
âMagister, what were those?'
â
Succubi
,' Anselm replied, âthe demons we tried to exorcize last night. They swarm like flies seeking entrances to souls. Well, they found an open door to those three ladies.' He blew his cheeks out. âThey came to threaten, even to kill. God knows.' He sketched a blessing above Stephen's head. âAnd what did they tell us? That we are sinners? Well, we know that already! I am also very hungry and our refectory awaits . . .'
Stephen knelt on the prie-dieu before the Lady altar in the Church of the White Friars. The Angelus bell had sounded. Stephen had listened to its peals, recalling the ancient tradition that tolling church bells were a sure defence against demons and diabolic attack. He stared around the lovely shrine. The three walls of the chapel were painted a deep blue. The silver borders at top and bottom were decorated by resplendent, bejewelled gold
fleur de lys
with a gleaming ruby at the base of the middle stalk of every flower. The chapel ceiling was of a fainter blue; it depicted a scene from the Apocalypse, of the Virgin about to give birth while confronting a scarlet, seven-headed dragon. The floor of the Lady chapel was tiled in a glossy stone, which sparkled in the pool of taper light fixed from silver spigots in front of the magnificent statue. The sculptor had carved the Virgin in the brilliant likeness of a young court maiden, her dark hair half-hidden beneath a gold-edged, gauze white veil, her body clothed in a sheer silk gown under a robe of imperial purple edged with gold. The Virgin's feet, encased in diamond-studded sandals, crushed the head of a writhing serpent. Stephen, however, as always, was fascinated by the face: not pious or holy but wreathed in a warm, welcoming smile. Such a look, Stephen had come to realize, was all he could remember of his beloved mother bending over him, her face full of concern, a lock of hair out of place â then she had gone. All that remained was a stern father, an esteemed physician who had no time for his son's flights of fancy.
Now in safety, Stephen's mind drifted back to the events at St Michael's and the assault in that eerie, smelly alleyway. Was this what he really wanted? Anselm he liked, respected and even loved, but this constant battle with the lords of the air, the barons and earls of hell? Stephen drew deep breaths to calm himself. Anselm had taught him to do this while repeating the Jesus prayer. Anselm maintained this would lead Stephen to meditation and contemplation but, invariably, it always put him to sleep. He was shaken awake by a servitor, face all anxious.
âBrother Stephen, Brother Stephen, I've been looking for you everywhere! Master Anselm and Sir Miles Beauchamp are waiting for you in the parlour.'
Still heavy-eyed with sleep, Stephen was ushered into the elegant chamber overlooking the main courtyard of the friary. A spacious but austere room dominated by a gaunt, crucified Christ and an embroidered cloth telling the story of the Virgin's miraculous appearance on Mount Carmel. Sir Miles and Anselm were sitting opposite each other at the oval table, which ran down the centre of the room. Shafts of afternoon light, in which a host of dust motes danced, pierced the glass windows high on the outside wall. Anselm beckoned him to sit on his left and returned to watching Sir Miles. The clerk, as elegant as ever in his blue quilted jerkin and matching hose, was sifting through a sheaf of documents on the table before him. He looked as if he had stepped out of the royal presence chamber: hair neatly combed, jewels sparking on his fingers. Stephen caught sight of the chancery ring emblazoned with the royal arms which could demand entrance to any building as well as insist on the allegiance of those who lived there. Beauchamp had slung his thick war cloak over the prior's chair at the head of the table and looped his sword belt around the chair's high post.
Stephen, embarrassed by the brooding silence, apologized once again, explaining where he'd been and how he had fallen asleep. Anselm brushed him gently on the arm. Sir Miles kept shuffling the pile of manuscripts before him. Stephen glimpsed red and purple seals and wondered what the Clerk of the Secret Chancery would want with them.
âI apologize.' Sir Miles lifted his head and smiled dazzlingly at both of them. âMaster Anselm, I apologize for dragging you from your meeting with Father Guardian, and you, Brother Stephen, from your prayerful sleep. Yet,' he pulled a face, â
tempus fugit
and, cometh the hour, cometh the man.' He abruptly pushed back the stool on which he was sitting and got to his feet. He thrust the parchments back into a leather pannier, strapped on his war belt and slung the heavy cloak about his shoulder. âYou have eaten and rested?'
âWe have eaten,' Anselm replied sharply, âbut not rested.'
âYou must come.' Sir Miles was no longer smiling. âI, or rather my master, has permission from your masters to take you to Westminster. By the time we reach there the light will be fading.'
âThe abbey or the palace?' Anselm asked.
âWhy, Magister, the abbey.'
âBut that has been shut, closed by interdict since the murders there.'
âTo others, yes.' Sir Miles shrugged. âTo me and mine, no. Now, Brothers, I suggest you go cloaked and hooded. Bring what you have to.'
Within the hour Anselm and Stephen clambered into the royal barge waiting by the narrow quayside near the friary river gate. A dozen royal archers escorted it. Four served as oarsmen either side; the rest clustered in the prow behind the jutting, gilt-edged lion head. The archers wore dark brown fustian under brilliantly coloured
surcotes
boasting the golden leopards of England and the silver
fleur de lys
of France. They looked sinister, deep cowls hiding both head and face, and they moved to the clatter of weapons and a reeking, sweaty stench. Once Sir Miles and the two Carmelites were seated in the leather-canopied stern, the order was given to cast off and, with the cries of the serjeant ringing out, they moved swiftly midstream, the oarsmen on either side bending and pulling in unison. Now and again the serjeant would blow a hunting horn, a powerful braying call warning all other craft to pull aside and recognize the royal pennant snapping prominently in its clasps on the lion-headed prow. The weather was calm; the stiff spring breeze had subsided. The barge moved serenely, cutting through the water, rising and falling now and again as it met a surge in the choppy tide.
Sir Miles opened a small fosser lined with costly samite and brought out linen parcels of fresh bread, diced ham and shredded cheese which they could open on their laps. All three ate in silence, then Sir Miles, winking at Stephen, put the linen cloths back into the fosser and drew out a loving cup which he filled from a stoppered wineskin. He took a generous sip himself then circulated the cup. Anselm just sniffed and handed it to Stephen. Once it was drained, Sir Miles smiled across at the two friars.
âI am sure we'll eat at Westminster, yet an empty belly can also attract demons â yes, Magister Anselm?'
The exorcist made the sign of the cross in the air as a gesture of thanks. Sir Miles busied himself with the fosser while Stephen peered out over the river. Anselm called it a true road of ghosts; he had told him some heart-chilling tales about the dead, doomed to float there like tendrils of mist. How the drowned, the victims of murders or suicide, gather in ghastly choir to sing their own haunting plain chant. Great evil was also perpetrated by those who lived in the marshes or along the tide-washed river bank â creatures of the dark who emerged after sunset to prey on lonely craft or use false beacons to lure wherries stacked high with produce into some night-shrouded ambush.
âAn interesting meeting yesterday. What did you make of our company?'
Stephen glanced across at Beauchamp, now muffled in his cloak.
âBrother Anselm, Stephen, I know a great deal about you. What do you know about them?'
âOnly what you tell us,' Anselm retorted sharply, âand, by the way, we know very little about you.'
Beauchamp laughed softly. âSir William Higden,' the royal clerk declared, âis much beloved by the Crown â a warrior who has seen service in France and along the Scottish march; a merchant who has proved himself most generous to our king. Sir William truly loves the church of Saint Michael's, Candlewick. He has lavish plans to pull it down, rebuild it and put that cemetery to better purpose.'
âHe lives by himself?' Anselm asked, steadying himself as the barge met with a swell. A seagull, strident in its shrieking, swooped low over them.
âHis wife died; he is childless. He regards Saint Michael's parish as his adopted son. He wishes to build something magnificent there.'
âAnd Parson Smollat?'
âA London priest of good reputation, he has served a number of parishes.'
âAnd Isolda, his woman?'
âYou mean his kinswoman,' the clerk grinned, âor so common rumour has it. The rest,' Beauchamp moved swiftly on, âare what they appear. Simon the sexton had held that position for a number of years.'
âYou seem well-acquainted with Saint Michael's?'
âI'm sorry.' Sir Miles put on his elegant, gold-edged gauntlet. âI should have told you. I live in the parish. I have a house in Ferrier Lane on the other side of Saint Michael's. As for the others, Almaric the curate is a butterfly who constantly moves and never settles. A man of good family, Almaric was apprenticed in his youth as a carpenter. From the little I know he enjoyed a fine reputation as a craftsman but left when God called him' â Sir Miles steadied himself as the barge shuddered slightly â âto be a priest. He served as a chaplain in the commissions of array both at home and abroad. Sir William's man, both body and soul. He is perhaps not the devoutest of priests or the most assiduous of scholars, yet a good man.' Beauchamp paused as the serjeant of archers rapped out an order to the oarsmen. The barge shifted slightly in a swell shimmering under the glow of the late afternoon sun.
âAnd Gascelyn the
Custos Mortuorum
â the dweller in the haunted death house?'
Beauchamp glanced away as if distracted. âSo,' he turned back, âGascelyn told you?'
âHe let us see it.'
Beauchamp pulled a face. âGascelyn is Sir William's squire by day and night, in peace and war. A man hot against witches and warlocks. In Bordeaux he served as man-at-arms for the Dominicans, the Inquisition, in their fight against sorcerers. Oh, yes, Sir William couldn't have a better man or stronger guard.'
âAnd the Midnight Man?' Anselm's voice remained sharp.
âI know what you do, Magister.' Beauchamp's voice was low, as if abruptly fearful that the oarsmen might overhear.
âAnd that is very little,' Anselm retorted, âexcept by reputation. They say he is a lord of the night, an enemy of the sun, the close companion and friend of the darkness. A being who rejoices at the cries of the screech-owl and the barking of dogs in the ungodly hours. They say he wanders among tombs and sups on human blood.' Anselm crossed himself. âThese are only legends, stories to frighten. In the end, however, the Midnight Man has a reputation as a great magus.' He paused. âOr a great sham. Nevertheless, one whom the King's Council, not to mention the tribunals of Holy Mother Church, would love to question.'
Beauchamp lifted his hand for silence as the barge moved in towards the quayside at Westminster. Stephen glimpsed the soaring turrets of both abbey and palace, the lights sparkling on windows, gilded crosses and cornices. Anselm was now threading his beads and Stephen recalled how the exorcist had a great fear of water. The barge serjeant blew hard on the hunting horn. The barge thrust against the tide and swept into the landing at King's Steps. Beauchamp led them out, up the steps, under an archway guarded by men-at-arms and into the palace precincts. A busy place thronged with sweat-stained clerks, ostlers and scriveners, busy lawyers in their ermine-lined cloaks and judges in their scarlet silks. They pushed by officials from the Exchequer, the chancery or the many courts which sat next to the great hall nearby: King's Bench, Common Pleas and others. They passed the Jewel Tower and went down a hollow, vaulted passageway. They reached New Palace Yard, thronged with plaintiffs and pleaders, men-at-arms and a horde of clerks, scriveners and ink-stained officials from the different departments of the royal household, be it the Buttery or the Wardrobe. The day was drawing on and all these royal servants were now eager to eat and drink at the different cook shops set up in the yard by the itinerant food-sellers with their movable grills, ovens and charcoal braziers. The air was heavy with roast meat, richly spiced and salted to curb hunger and quicken the thirst, so the ale-sellers and wine-tipplers could do an even more prosperous trade. The chatter and clatter were deafening. Everyone seemed to be in a hurry and eager to impress with their business. Stephen, trailing behind Beauchamp and Anselm, noticed how, when the royal clerk passed, gossip died and people hastily drew aside, glancing away as if unwilling to catch Beauchamp's gaze. In turn, the royal clerk neither looked to the right nor left but swept on towards the heavily guarded abbey gates. A knight banneret of the royal household hurried up and, under Beauchamp's instructions, he opened the gate and allowed them through into the abbey grounds.