The Nekropolis Archives (72 page)

  "Interesting," he said softly. But he added no more.

  "We came to you because you have a reputation for being a collector," Devona said. "We know you sometimes hire people to acquire certain items for you. Supposedly you're not too fussy about how you obtain them, either."

  "And you believe I may be able to provide information on this flute for you?" Orlock asked. "Or is it more than that? Do you suspect me of engineering the theft?"

  "The thought had occurred to me," I admitted. "But to be honest at this point we have no more reason to suspect you than anyone else in town. And since you're the only lead we have at the moment, I suppose we'll just have to trust that you had nothing to do with the theft."

  "Because you have no choice," Orlock said.

  "That's about the size of it."

  The vampire looked thoughtful for a moment.

  "I'm a businessman, not an altruist. If I agree to help you, how will I be compensated?"

  "It depends," Devona said. "What would you want?"

  Orlock considered. "Your services in the future, free of charge. There are a number of artifacts that I haven't been able to acquire over the years for one reason or another. The two of you might be able to succeed in obtaining them for me where others have failed."

  "
One
artifact," I said. "And we'll reserve the right to choose which one we'll go after."

  Orlock smiled. "Done!" He briskly rubbed his talons together in satisfaction. "Now, down to business." He grinned. "And I do mean
down
."

  He reached beneath the table, pushed a hidden switch, and the floor began to descend. Devona and I gripped the arms of our chairs out of reflex but the descent was slow and smooth. A wooden panel slid into place above us to seal off Orlock's office and fluorescent lights affixed to its underside turned on to provide illumination as we continued dropping.

  The floor descended about thirty feet before coming to a gentle stop. Devona and I looked around and saw only darkness. I remembered Devona's concern that we might be walking into some kind of trap and I steeled myself for an attack. But a moment later Orlock said, "Forgive me. I tend to forget that not all my visitors can see as well in the dark as I can."

  He gestured with one of his clawed hands and more fluorescent light panels activated, revealing a corridor that extended off to the left.

  "Please follow me."

  Orlock rose and, moving with his crab-like walk, started down the corridor. Devona and I of course followed. It was why we'd come here, after all.

  The corridor wasn't a long one and we soon found ourselves standing in a large open chamber I estimated to be at least the size of a football field, ceiling thirty feet above us, covered in fluorescent light panels that clearly illuminated every part of the chamber. Devona and I stood there for a moment, staring in amazement. For most of her adult life, Devona had served as caretaker of Lord Galm's collection of magical artifacts. I'd seen his collection and I'd been impressed, but Galm had nothing on Orlock. His chamber was packed full of items ranging in size from the three-masted sailing ship with the name
Flying Dutchman
painted on the side in faded letters to a round crystalline pedestal with a seemingly empty clear dome on top. A metal plate affixed to the pedestal proclaimed the dome as containing the Incredible Shrinking Man. There were hundreds of items surrounding us, from large to small, each more exotic and bizarre than the last. Rosemary's Baby's crib, the Darkwand of Manticore, Dr. Jekyll's first chemistry set, the Ark of Desecration, the Phantom of the Opera's original score for
Don Juan Triumphant
, two of the Headless Horseman's spare heads, a half dozen dried and preserved triffids and so many more.

  While many of Orlock's displays were physical objects a number of his displays resembled exhibits that seemed more appropriate for a wax museum: men, women and creatures in frozen poses sealed within large domes of clear crystal, like that containing the Incredible Shrinking man, but on a larger scale. According to their plaques the domes nearest us contained the Seven Golden Vampires, Grendel and his mother, the Aztec Mummy, several devil bats and a pack of killer shrews. I knew without asking that these weren't wax recreations bur rather the real thing, held in stasis by some sort of enchantment or advanced technology and there were a lot of them in Orlock's collection and when I gave Devona a look and thought
We'd better watch ourselves
, she gave me a look back which said she agreed.

  Devona turned to Orlock then, and though I knew like me she felt misgivings about the collection, she concealed them well as she said, "This is amazing! It puts my father's collection to shame! In fact, if all the Darklords' combined their separate collections, I'd doubt the result would rival yours."

  Orlock bowed. "Your words do me great honor. Thank you."

  As the ancient Bloodborn straightened, I said, "You know this makes you look even more like a suspect than you did before."

  Orlock waved my comment aside. "If I was responsible for the theft of Edrigu's flute, I'd never have admitted the truth about what I do, let alone brought you both down here. Now let us have no more of such talk, yes?"

  "What
do
you do exactly?" I asked. "I mean, we can see you collect things, but you seem to imply there's more to it than just that."

  "There is," Orlock said. "But let us walk as we talk. I have guests so seldom and it gives me great pleasure to show off my displays."

  Orlock began crabwalking deeper into the chamber and Devona and I followed. The floor was made of white marble and our footsteps echoed solidly as we walked. As we went we found our heads turning this way and that, trying to take everything in as Orlock spoke, but our efforts were doomed to failure. There were simply too many wonders surrounding us to fully comprehend, let alone appreciate them all, though we found the increasing number of beings frozen within domes to be more than a little disturbing.

  "I am, as you might have gathered, incredibly ancient, even for my kind." Orlock glanced at Devona. "Old as your father, as a matter of fact. You might even say we're brothers, in a sense. When Dis began approaching the most powerful of the Darkfolk to explain his dream of creating a home for us where we would be separate and therefore safe from humanity, I was one of his first supporters. Even then humans outnumbered Darkfolk and I knew they would only continue to outbreed us as the years passed. If we were to survive as more than bits of legend and folklore hiding in the shadows, we had to build our own home. While Dis continued seeking support for his plan, he tasked me with a most important job. I was to scour the Earth and gather together scattered magical objects and creatures that didn't belong to a specific Darklord or Demilord in preparation for the day when Nekropolis would be born and the Darkfolk would take up residence there.

  "For the better part of a century I performed my duty, storing my finds in a system of caverns hidden beneath a mountain range in Europe. And when the day of the Descension arrived at last, everything I'd collected was brought to Nekropolis with us.

  "Of course, I didn't get to keep what I'd collected. Once the Darklords were settled into their various strongholds, they paid me a visit and claimed what items and creatures they wished, leaving me to hold on to only those things none of them wanted."

  "Your collection must've been massive beyond imagination if they left you all this," Devona said, gesturing at the displays around us.

  Orlock gave a soft hissing laugh. "My dear, what the Darklords left me wouldn't have filled a tenth of this chamber. What you see around you is what I've managed to gather in the centuries since the city's founding."

  "What happened?" I asked. "Did you find yourself bitten by the collecting bug and couldn't shake the habit?"

  Orlock smiled. "Not exactly. After the first hundred years of Nekropolis's existence, a citywide conflict broke out that would eventually come to be called the Blood Wars. When it was over much of the city lay in ruins and rebuilding took some time. It was during that period that I resumed my career as a collector, but now I viewed myself more as a preserver. You see, the Blood Wars made me realize that the Darkfolk can be just as shortsighted and foolish as humanity in their own way and I came to believe that one day, one way or another, Nekropolis would be destroyed and the survivors would be forced to move again and find a new place to settle. I'm collecting, preserving and storing items and creatures for that day, the same as I once did. I suppose that instead of being a simple bookseller, I'm actually in the insurance business."

  He laughed at his own joke, but neither Devona nor I found it amusing. I doubted any of the beings frozen within stasis globes had volunteered to become part of Orlock's twisted version of Noah's Ark.

  "Where did all these items come from?" Devona asked.

  "Some are from my original collection that I've managed to reclaim over the years, one way or another," Orlock said. "Some are objects that were left behind on Earth during the Descension and which my operatives have located and managed to smuggle into Nekropolis for me. Oh, don't look so shocked. There are other ways in and out of the city besides the Darklords' mirrors. Not many, perhaps, but they exist. And still other objects were items ordinary Darkfolk brought with them to Nekropolis and which I've managed to obtain, along with new items that have been created since the Descension."

  "What about the creatures?" I asked. "Not to mention the people." I tried to keep the disgust I felt out of my voice, but I wasn't entirely successful. Still, Orlock didn't seem to notice.

  "They are rare and interesting lifeforms that were either unique or endangered. They're preserved here until the day the Darkfolk once again relocate. They will be revived then."

  "I see." I couldn't help sounding skeptical. If Orlock thought he was preserving everything in his collection for some future relocation – if such a thing ever took place – what guarantee would there be that Orlock would disperse his collection then and free his captives? Wouldn't he be just as likely to continue holding them against the possibility of yet another future relocation? There was a good chance the beings frozen within Orlock's stasis domes would never be free again.

  Still, I decided not to say anything about it to Orlock. We still needed him to identify Edrigu's bone flute and I didn't want to risk offending him. After what we'd seen I didn't like the idea of one day helping him add another item to his collection as the price for his help, but a deal was a deal. But I'd make damn sure that we wouldn't bring him anything – or anyone – alive.

  I was about to ask Orlock another question when the vox in my coat pocket said, "Someone's calling," repeating the phrase until I pulled out the phone and answered it.

  "Excuse me for a moment," I said to Orlock and stepped away to take the call. It was David.

  "We got lucky, Matt. I hooked ravens up to each monitor and kept going back and forth between them as the video downloaded. I haven't found any footage of the actual theft yet, but I did find some of the attack on you in the alley. It's not very clear and I can't make out the faces of the men who attacked you. I've tried enhancing the images, but so far I haven't been–"

  I broke in. "Men? You mean there was more than one?"

  "That's right. There were two. They attacked from behind. One put a cloth bag over your head while the other used some kind of garrote to slice through your neck. It wasn't an ordinary garrote, either, but some kind of hi-tech device that cut through both flesh and bone as if they were water."

  I'd already guessed as much about the nature of the garrote, but up to that point I'd been assuming there'd only been one attacker. But now that I thought back on it the attack had occurred swiftly – too swiftly for one man to do the job himself. And when I went back over the sounds I'd heard then I realized that while in the confusion at the time I assumed the noises had been made by one assailant, in fact, the sounds had come from different directions and they'd overlapped. I had been attacked by two men and the evidence had been there all along. I just hadn't recognized it for what it was.

  I asked David a few more questions about my attackers but his raven had been some distance away when it recorded the incident and he couldn't give me anymore details about the men other than they were both humanoid and wearing black coats. He couldn't even make a guess as to their exact species.

  "Thanks for the info, David. It's a big help."

  "No problem." David promised to continue downloading video and that he'd call me again if he found any footage of my body entering or leaving the Reliquary. I ended the call, tucked Shrike's vox back into my coat pocket and rejoined Devona and Orlock who'd been waiting patiently for me. Devona gave me a questioning look when I returned and I gave my head a slight shake to let her know I'd tell her about the call later. She nodded and we continued following Orlock through his vast collection.

  After a few more minutes, I said, "Thanks for the tour and the history lesson but as you might imagine I'm more than a bit anxious to get on with clearing my name. Can you identify Edrigu's flute for us?"

  Orlock stopped walking and Devona and I stopped too. We stood in an open area next to a display of a large metal framework holding a dozen amputated arms and legs, all human, all connected by thick copper cables to an old-fashioned hand-crank generator resting on the floor. The flesh of the limbs was a mottled greenish-gray and their look was a familiar one. I knew why a moment later when I read the plaque identifying the display as one of Dr. Frankenstein's earliest experiments in reanimation technology. It didn't take a genius to figure out how the device worked. You turned the crank, activated the generator, and the resulting electric current caused the arms and legs to move. I imagined it would be great fun at parties.

  "Of course I can," he said. "The flute was part of my original collection. Its name is Osseal and it was carved from a bone taken from the first true human to walk the Earth. When played properly it has the power to command the dead."