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Authors: Nathan Larson

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The Nervous System

BOOK: The Nervous System
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Critical Praise for
The Dewey Decimal System


The Dewey Decimal System
is a winningly tight, concise and high-impact book, a violent, exhilarating odyssey that pitches its protagonist through a gratuitously detailed future New York.”

—
New York Press


The Dewey Decimal System
is proof positive that the private detective will remain a serious and seriously enjoyable literary archetype.”

—PopMatters

“Larson's voice is note-perfect in this tour-de-force. When called for, his clipped, brisk prose expands to the lyrical, adeptly singing the praises of beautiful women, cockroaches, and rubble. Reading
The Dewey Decimal System
transports you to another world, and although that world is a grim one, you'll be sorry to leave it. Let's hope that this book isn't a one-off, that poor damaged Dewey will return to lead us through the ruins on another nearfuture adventure.”

—
Mystery Scene Magazine


The Dewey Decimal System
is clever, inventive, lovingly satiric, and easily one of the most notable debuts of the year.”

—Bookgasm

“Like
Motherless Brooklyn
dosed with Charlie Huston, Nathan Larson's delirious and haunting
The Dewey Decimal System
tips its hat, smartly, to everything from Philip K. Dick's dystopias to Chester Himes's grand guignol Harlem novels, while also managing to be utterly fresh, inventive, and affecting all on its own.”

—Megan Abbott, author of
The End of Everything

“The perfect blend of dystopia and the hard-boiled shamus. It's great to know that there are still debut novels coming through the pipe that can knock me on my ass. With
The Dewey Decimal System
, Nathan Larson has announced his arrival with style and clarity. I'll be first in line for his second novel, and his twentieth.”

—Victor Gischler, author of
The Pistol Poets

“Nathan Larson's Dewey Decimal is a combination like no other—in a dystopian landscape, he's discursive, loves dissing fools, dissecting language and violence, and has a hell of a system. He's like Walter Mosley's sometime L.A. hit man Mouse, but with Chester Himes and Jerome Charyn threaded in. This novel is a love song to New York's streets and boroughs and people, even when they're decimated, and Larson's ‘postracial' character, a mutt for all times, is someone I'd follow over and over again through whatever secret paths he finds in this world.”

—Susan Straight, author of
A Million Nightingales


The Dewey Decimal System
is a brilliant and compelling read, and Dewey is a unique protagonist: tough, resilient, smart … and, well, nuts—but in the best possible way. We should all be so crazy.”

—Robert Ferrigno, author of
Heart of the Assassin

“A nameless investigator dogs New York streets made even meaner by a series of near-future calamities. [Larson's] dystopia is bound to win fans …”

—Kirkus Reviews

This is a work of fiction. All names, characters, places, and incidents are the product of the author's imagination. Any resemblance to real events or persons, living or dead, is entirely coincidental.

Published by Akashic Books
©2012 Nathan Larson

 

 

eISBN: 978-1-61775-119-6
ISBN-13: 978-1-61775-079-3
Library of Congress Control Number: 2011960946

 

All rights reserved
First printing

 

Akashic Books
PO Box 1456
New York, NY 10009
[email protected]
www.akashicbooks.com

 

 

To my family, with love

Table of Contents

Title page

Copyright page

Critical Praise for
The Dewey Decimal System

Begin Reading
The Nervous Sytem

Sunday

Monday

Tuesday

Wednesday

Thursday

Friday

Bonus Nathan Larson Materials

Excerpt from
The Dewey Decimal System

About the Author

_______________

Moment I cut through the nylon cord I'm up running, and hell no, I don't look back, slam through the stairwell exit, the bike chain still fast around one wrist, sprinting like I never thought possible, certain it's too late, that the Boogie Oogie Man will chase me down, burn me, fuck me, and kill me like he did those other kids, got no reason to think otherwise, too terrified to feel shame as I piss my Jordaches, taking the damp stairs three at a time, barely maintaining my footing, flat dirty-white Keds providing little traction, hear the man now come crashing out of his “art studio” two floors up, shrieking, I think of the Young Skulls colors I am leaving behind, that the beating I'll take from my brothers as a result of this loss is on balance worth it if I survive the moment, I'm four floors up in the semidarkness, moving, and can hear bass through the stairwell walls, bass from what must be a big-ass sound system, I can make out Zulu Nation, Black Spades, and Glory Stompers tags, poop both human and dog, rats of various sizes scattering as I skid down the stairs, behind and above me the echo of heavy footfalls and choppy breath, dude howling to himself in a language I don't understand, cannot believe that I am almost at the ground floor, take the last set of stairs in one leap, nearly fall on my ass, smelling gasoline and paint fumes, smash through the metal fire door into the hot loud night, block party in effect on Crotona Avenue, party really bumping and it's Memorial Day or Veteran's Day with dense throngs laughing and fighting and dancing with forties and red and blue plastic cups, nothing can be heard over the bass, it's the Commodores or some shit, I'm pushing through this wall of skin and sweat, smelling cheese and corn and burning pork fat with folks smacking me as I pass, I knock over an improvised grill, white coals and uncooked burgers go tumbling, trying to make my way toward East Tremont, I see the barricade and the black-and-whites and the cops, 41st Precinct so they might recognize me, but fuck it, pressing forward, so afraid, gotta tell them the Boogie Oogie is no urban legend, look back to see a big figure come through that fire door, put my head down to haul it but oh God I'm grabbed from both sides, arms tight in the grip of two grinning kids I went to school with, two Junior Reapers, screaming at them, “Boogie Man!” but the bass is too loud and I catch a fist with a roll of quarters on the chin, then another, then another, and my legs buckle and I slide to the concrete, positive now of two simple facts: the monsters are real, and no one, no one can save you from them. Not the cops. Not your friends. Not your mom. And certainly not your drunk-ass dad, who these days can barely scare up the energy to smack your mom down like he used to.

So rather than keep on running from monsters, I became one. Flipped the script on it, went on the urban offensive. Learned to hunt, rather than be hunted. Got handy with the necessary tools: fists, teeth, knives, and in time came the guns, progressively more sophisticated. Which served me well in the Marines, in future locales in every corner of this planet, both populous and barren, and still later in my service for an unnamed branch of the U.S. military, where I helped put the “black” in the term “black-ops.”

And eventually as an inmate in military hospitals and facilities in Washington, D.C., where I truly learned about fear and survival. It was in these hospitals that I was robbed of my identity. Made incomplete. And it was there that my body and mind were restructured to suit even darker purposes.

With the collapse of the empire I had once served, militarized mashups like myself were made irrelevant.

So in the end, there was nothing left to do but drift home to the ruins of the city of my birth. And live on the outside, as a scavenger. As a monster.

_______________

Sunday

Five hundred feet above the toxic East River, I clock a figure caterpillaring its way up one of three remaining suspension cables on the wreckage of the Brooklyn Bridge.

Moves a bit, stops. Maybe twenty feet from the very top.

Through these binoculars, of mid-twentieth-century vintage, I can't determine if the dude is sporting any kind of safety harness. All I can make out are orange coveralls and a bare head.

Don't see a work crew, it's apparent this guy is kicking it solo. Clutching at the heavy wire with thighs and elbows, flesh rubbed raw, no doubt.

It's a windy day too. The windows of this office on the nineteenth floor at 100 Centre Street rustle and thump.

I'm thinking, okay, dude can take no more. High diver. Another jumper.

And yeah, sure, from the dark, dominant side of my dome come these observations: here's yet another quitter, a weak bitch taking the easy out. Natural selection in effect.

One less mouth with which to compete for shitty food. One less set of lungs to battle for whatever oxygen remains in the blighted purple cloud that squats on Manhattan island and its lesser boroughs.

Not the kindest outlook but it's about survival up in here. You either make it happen for yourself or you fade out.

But fuck it. I'm just procrastinating.

Don't need to see how this shakes out with the climber. I've seen bodies tossed, jump, and fall from great heights before. And it's always less interesting than one imagines.

Drop the binoculars on the crappy industrial carpet.

No more digressions. Came here, to the former district attorney's corner office, to make double positive my tracks were covered. Not perv-peep on the suicidal neighbors.

Pull off the surgical gloves, lob them at the overflowing trash bin. Messy messy.

Produce a bottle of Purell
TM
, squirt a bit in my left palm, and rub vigorously, scanning the room. The office appears exactly as it did on my last visit.

And my former boss, DA Daniel Rosenblatt, has been dead for, what, six weeks?

I should know. I shot the man myself.

Unhygienic elements abound. Like there, on the desk. Half a submarine sandwich, peppered with mold, a sad bit of pickle. Balled-up napkins, wax paper bearing the word
Subway
.

Get the shivers. Think, motherfucker: poor air circulation, floating spore colonies. Readjust my procedure mask to securely cover my nose and mouth.

But it's not the filth that bothers me most, cause for filth I'm more than properly equipped. It's the chaos, the disorder. The lack of methodology. My System abhors disorder.

And of course this makes my task here all the more difficult. See now: I've come to expunge myself from the official books. If indeed there ever were “books” as such.

Spent half a year in the dead DA's employ. Partook in activities I don't want to discuss. With anybody, including a possible successor. If he or she is a goodie-two-shoes, they'll wanna sully up old Rosenblatt's posthumous reputation. And mine too, by association. Should my name be anywhere in this room.

Judge not. The shit was a living. And it kept me in pills, pistachios, and Purell
TM
. The three Ps essential to my continued well-being.

Donning a new set of gloves, I exhale.

Start with the filing cabinet nearest to me, planning to work my way clockwise around the room, and then dive into the stacks of loose folders and papers.

Fucking tedious, y'all.

See, DA Rosenblatt was an enthusiastic dirt-digger. Guess that's how he held his office. In the final analysis it was this tendency that got him dead. Had he kept his substantial nose out of the dogshit, well …

Maybe forty-five minutes of solid rummaging crawl by, and I've learned:

—Former NYC comptroller dug she-men. Like a lot, like all the time. I actually don't get what the problem is there. His dime.

—Former comptroller Ray Stevens has or had a revolving stash of six- to ten-year-old Dominican/South/Central American girls in the basement of his Hamptons hideaway, shackled to metal rings in the floor, if I read the photos correct. I dig what the issue is there.

BOOK: The Nervous System
6.73Mb size Format: txt, pdf, ePub
ads

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