The Torso: A Detective Inspector Huss Investigation, Vol. 2 (37 page)

“The technicians send greetings. The investigation of the postcard from Copenhagen hasn’t provided anything more than an interesting thumbprint on the stamp. The other fingerprints on the card probably came from you and the mailman. But they’ll keep the card in case we find other fingerprints or other written messages that we want to compare. Our colleagues in Copenhagen are going through Tosscander’s car. They’ll be in touch when they have something interesting to say.”

“Did they say anything about how Tom Tanaka is doing?” Irene asked.

“No,” the superintendent said shortly.

Tom was apparently still a sensitive topic for Andersson. Irene decided to try and call Copenhagen to inquire as to Tom’s condition.

“Today Birgitta is going to attempt to get into Tosscander’s computer. Irene is in touch with the photographer Bolin and is trying to get pictures of that guy with . . . well, you know . . . in the air. Jonny is going through the last of Marcus Tosscander’s videos—”

The superintendent was interrupted by Jonny’s irritated mumble. “What is it?” Andersson said, irritated.

“Those films are damn difficult! A lot of queers jumping each other! Damn!”

“I realize that you don’t think they’re terribly amusing to watch. But you have to. We can’t miss a single film. Think about the movies we found in Copenhagen!”

“Yes, but all of Tosscander’s movies are commercial videos. Not home movies,” Jonny tried to protest.

“Watch them! All of them!” Andersson ended the discussion.

Jonny continued to mumble discontentedly, though in a somewhat lower tone.

“Hannu will have to help Irene look for that Basta guy. And Tommy has informed me that there are some developments in the search for Jack the Ripper,” Andersson continued.

Irene sent a questioning look at Tommy, who responded with a thumbs-up. It would be great if they could catch that idiot. He hadn’t been out on the prowl the previous weekend. Maybe the young women in Vasastan had become more careful. Or maybe something else was keeping him off the streets.

“Fredrik is at Financial Crimes. Apparently there’s a good chance of pulling in Robert Larsson for economic fraud. Since we don’t have witnesses anymore we’ll never get him for murdering Laban,” Andersson informed them before they rose from morning prayers.

 

THE FIRST thing Irene did when she returned to her office was to dial Erik Bolin’s number. There was still no answer. She remembered that he had a family. He might still be at home. After a brief search in the phone book she found Erik, photographer, and Sara Bolin, dental technician, at an address very close to where she lived.

Irene only heard one ring before the phone was answered.

“Sara Bolin,” a strained woman’s voice said in a proper Göteborg dialect.

“Good morning. My name is Irene Huss. I’m looking for Erik Bolin.”

“Who are you?”

Irene was surprised by the question but answered, “I’m an Inspector with the Crime Police and I’ve been in touch with Erik about a case and . . .”

“For goodness’ sake! Don’t be so long-winded! Have you found him?”

Irene was dumbstruck and couldn’t come up with anything more intelligent than “Who?”

“Erik, of course! I called early this morning!”

“Wait a second. Has Erik Bolin disappeared?”

It became quiet for a moment before Sara Bolin’s shaking voice could be heard again. “Yes. Didn’t you know?”

“No. I’m looking for him with respect to a case . . . a person he knew.”

Now Sara’s voice became guarded. “I understand. Marcus.”

“Exactly. Did you know him?”

“No. I’ve never met him. He was . . . Erik’s.”

There was a pause.

“Did I understand you correctly? You have reported Erik missing?” she asked carefully.

“Yes. When I woke up this morning, his bed was empty. He didn’t come home last night.”

“Is he gone overnight occasionally?”

“Yes. But he always calls. And he always calls if he’s going to be late. He often is, at his job.”

“Didn’t you miss him last night?”

“Yes. But he called earlier yesterday afternoon and said that he would be late. So I wasn’t all that worried when it was nine o’clock and he hadn’t come home. I was mostly irritated. I called the studio but he wasn’t there. So I went to bed. I was very tired and must have fallen asleep as soon as my head hit the pillow.”

Irene agreed it was worrisome that Erik Bolin was missing. “Do you have a key to the studio?”

“No. Erik has the only key.”

Irene was about to ask why they didn’t have an extra key at home, but realized that was a question she should ask Erik and not his wife.

She made up her mind. “I’ll go to the studio and see if I can get inside.”

“Thanks.”

She almost collided with Hannu on the way out.

“Come on. Erik Bolin has disappeared,” she said quickly.

Without asking any questions, Hannu went to get his jacket.

 

DURING THE car ride to Kastellgatan, Irene briefly went over what she knew about Erik’s disappearance, which wasn’t all that much.

“He quite simply never came home last night,” she concluded.

“So, according to the wife, he’s often late but always calls home,” Hannu ascertained.

“Exactly.”

“So he has time to meet boyfriends.”

“You mean in the evenings? Before he goes home to his family?”

“Yes.”

Hannu was right. The previous day, Irene had had a strong feeling that she should have dug deeper into Erik Bolin’s relationship with Marcus and Basta. Now she regretted her omission.

“Could it be a triangle drama?” she asked.

Hannu asked, “How so?”

“If Marcus loved Basta and Erik loved Marcus and Basta loved Erik . . .”

She stopped and thought the sequence through to see if she had said it correctly. She had. Resolutely, she continued, “. . . then maybe Basta murdered Marcus. In order to get Erik.”

Hannu said, “Hardly. Remember Carmen Østergaard. And Isabell and Emil. It doesn’t fit.”

Irene had to admit that he was right. But there was something in the thought that she didn’t want to let go. Would Erik and Marcus have continued their relationship on a friendship basis for several years?

The pictures of Marcus were taken through the eyes of a man in love. And would the man in love let his lover go to have sex with another man behind an old lighthouse? Not on your life. Even if, according to Anders Gunnarsson, homosexuals could sometimes have a more relaxed view of unfaithfulness, they still weren’t immune to jealousy.

Something in Erik Bolin’s story didn’t add up. She had sensed it yesterday but hadn’t really realized it until now. Now she was more concerned and unconsciously increased her speed, despite the heavy traffic.

“Fifty,” Hannu pointed out.

A glance at the speedometer showed sixty-five. Embarrassed, she eased off the gas pedal.

 

THE OUTER door of the studio was just as it had been the day before. Irene knocked hard and long without any response. Hannu opened the metal lid of the mail slot and peered into the hall. He stood for a long time and looked without saying anything. When he turned toward Irene, he looked very serious.

“We have to call a locksmith,” he said.

Irene pulled out her cell phone and did as he had said. The locksmith would come within half an hour. She ended the conversation and leaned forward in order to see what Hannu had seen.

Inside the door were a lot of newspapers and mail. Glass shards and a piece of a broken silver-coated wooden frame could be seen at the periphery of her field of vision. Several large rust brown stains were visible on the light pinkish-colored floor.

“There’s been a violent struggle in there. It looks like dried bloodstains on the floor. There weren’t any pieces of glass or a broken frame on the floor when I left yesterday around four thirty,” said Irene.

Hannu nodded, expressionlessly, an unfailing sign that he was worried.

While they were waiting for the locksmith, they read the names of the other tenants in the building. The house had five stories, with two apartments on every floor. They decided to wait to question the neighbors until they had more information about what had happened in the studio.

The locksmith arrived and opened the door. He disappeared as quickly as he had shown up.

The light in the hall was on. Both Irene and Hannu stopped in the doorway in order to get an overview of the situation. One of Bolin’s framed gallery photos was lying on the floor, completely broken into pieces. The glass was crushed, the frame was broken into small bits, and the picture itself had been cut into strips. They were wide enough that Irene could make out the shape of an infant’s head against a woman’s chest in one of them. It was the photo of Erik Bolin’s family.

From a door on the left, which had been closed when Irene had been there the day before, a trail of rust red stains led to the outer door.

Hannu saw it first. He gave a start and Irene followed his eyes to a point above her right shoulder. She screamed. The floor rocked.

Erik Bolin’s head lay on top of a hat rack, gazing at them with half-closed eyes.

“Stand still,” said Hannu.

He pulled his cell phone out of his pocket and called for backup.

 

“WELL, WELL. Now Irene is home again and they’re starting to drop like flies here in Göteborg,” said Jonny.

He laughed loudly in order to show that it was a joke but none of the others were smiling. Andersson gave him a dark look that effectively silenced any more such comments. The superintendent turned to Irene and said, “Could you sum up your actions yesterday and today?”

Irene gave an account of her visit to Bolin’s studio. She went to get
Manpower
from her office since Fredrik Stridh and Birgitta Moberg hadn’t seen it. Then she told them about her conversation with Sara Bolin that morning. She briefly mentioned the visit she and Hannu had made to Björnekulla in order to inform the widow of her husband’s death.

“She had a complete breakdown. A pastor and relatives are there with her now. We’ll have to wait to ask any new questions for a couple of days.”

Irene tried to gather strength for what was coming. She was still under the effects of the scene that had met them when they went into the studio.

 

THEY HAD carefully stepped up to the closed door. Hannu had opened it with his toe cap. There was a spacious bathroom inside. A naked, headless body lay in the huge bathtub. From her position in the doorway, Irene saw that the body looked like Emil’s, except for the fact that the head was missing. Hannu took a few steps inside the room, watching where he put his feet. There was a lot of blood on the floor.

“Cut open. Trauma to the pelvic area. Genitalia and chest muscles are cut away,” he ascertained.

“Can you see if the buttocks are missing?” she said.

“No. There’s a lot of blood and . . .”

He stopped and shook his head before retreating.

“We can’t do much before the technicians have done their stuff,” he said.

Irene was grateful to have avoided seeing the mutilated body. It was an accusation against her, personally. She should have known that Erik was in danger. He had taken the picture of Basta, and that picture had almost cost Tom Tanaka his life.
Manpower
was the connection between Tom and Erik Bolin.

Everything was as it had been in the studio, except that the place where the destroyed photo had been hanging was empty. A blank. The police patrol arrived and the technicians came soon after.

Hannu stood in front of the salt-sprayed study of Marcus for a long time before he turned to Irene and said, “You’re right. Erik was in love with Marcus.”

They heard a commotion at the outer door. Irene and Hannu turned and saw Professor Yvonne Stridner in person sail into the hall. This was highly unusual.

“Where’s the body?” she said in a high voice to no one in particular.

She expected that one of the servants would answer. Police technician Svante Malm gestured silently toward the bathroom door and then returned to the blood trail under the hat rack. Stridner was in such a hurry that she missed the head on the shelf, but no one stopped her in order to draw her attention to it.

After barely a minute, the professor asked in a loud voice, “Have you found the head?”

Without taking his eyes from what he was doing, Svante Malm pointed up at the ordinary wire hat rack with its macabre decoration. Even Stridner became speechless at the sight.

“STRIDNER SAYS that she thinks Bolin has also been strangled but she wasn’t sure. She’ll be in touch when she has taken a closer look at the body,” Irene concluded.

No one interrupted her while she was talking, but now the superintendent sighed. “To cut off the head! What a sick thing to come up with!”

“A new element,” said Hannu.

“It was Emil’s job to cut off the head and limbs. We’ve seen that in the videos. And the murderer didn’t bother to do so in Emil’s and Isabell’s murders.” Irene said.

“Then why is he starting with this now?” Andersson asked.

Irene remembered what Yvonne Stridner had said that time when Irene visited her at Pathology. Stumbling, she attempted to explain. “His inner images have changed. He sees things inside that he needs to act out. According to Stridner, it’s an incredibly strong urge. Clearly, he has added this thing with the head to his inner image.”

Andersson nodded and tried to look like he was following this explanation.

Jonny asked permission to speak. “About this thing with the pictures, one of Marcus’s videos is different from the others. It’s more like one Emil would have liked. Lots of blood and slaughter. Interestingly enough, it’s of women, not a lot of queers. Damned sick, anyway.”