The Trap (14 page)

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Authors: Melanie Raabe,Imogen Taylor

BOOK: The Trap
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‘How old are you?' I ask.

‘What would you guess?'

‘I'm asking the questions here.'

Lenzen grins. ‘I'm fifty-three,' he replies.

His eyes narrow.

‘Are you in a relationship?' he asks again.

‘No.'

‘Wow,' he says.

That puzzles me.

‘Wow?'

‘You know what I mean,' says Lenzen. ‘You're young, beautiful, incredibly successful. And yet so alone. How on earth do you manage to write about relationships when you're not in one yourself?'

I do my best to forget everything he's said and not to wonder if it's true—that he thinks I'm beautiful, for example.

‘It's my turn,' is all I say.

Lenzen shrugs.

‘Where did you grow up?' I ask.

‘In Munich.'

He's leaning back in his chair and seems on the defensive. Maybe my question-and-answer game is more upsetting to him than he's prepared to admit, even though we've only just begun. But it's his move.

‘How do you manage to write about relationships when you're not in one yourself?'

‘I'm a writer,' I say. ‘I can. Besides, I haven't always lived the way I live now.'

My move.

‘Do you have brothers and sisters?' I ask.

A strike below the belt—hard not to think of my own, dead sister. Lenzen must realise that I'm homing in on the real issue. But he doesn't bat an eyelid.

‘Yes, an older brother. Do you have brothers and sisters?' he asks, returning the question.

Cold-blooded. I control my emotions and simply say, ‘Yes.'

‘Brother or sister?'

‘It's not your turn, Herr Lenzen,' I say.

‘You're very strict, Frau Conrads,' he counters, grinning.

‘A sister,' I reply, looking at him steadily.

He withstands my gaze.

‘Do you have a good relationship with your parents?' I ask.

‘Yes,' says Lenzen. ‘That is to say—my mother is no longer alive. But with my father, yes. And with my mother, too, when she was still around.'

Lenzen's hand goes to his temple; I'm watching him closely. It's not what is called a ‘tell' in poker—a minute gesture that would reveal that he was lying—because he hasn't lied yet. I know a great deal about Victor Lenzen. I hope he doesn't return my last question; I'd prefer not to think about my parents right now.

‘Do you miss being in a relationship?' he asks.

‘Sometimes,' I say, and go straight to my next question. ‘Do you have children?'

‘A daughter.'

Lenzen takes a sip of water.

‘Would you have liked a family?' he asks. ‘A husband, children?'

‘No,' I say.

‘No?' he asks.

‘No,' I say. ‘Are you married?'

‘Divorced.'

‘Why did your marriage fail?'

‘My turn,' Lenzen says. ‘Do you miss sex?'

He leans forward again.

‘Excuse me?'

‘Do you miss sex?' he repeats.

I am scared, but I don't show it.

‘Not much,' I say. Keep going. ‘Why did your marriage fail?'

‘Because I work too much, I suppose, but you'd have to ask my ex-wife.'

Once again, his hand strays to his temple. The question upsets him—all mention of his family upsets him; I must remember that. But I need a lie from him. I want to know what he looks like when he tells a lie. It is, however, his move.

‘Do you have a good relationship with your parents?'

‘Yes.'

That's the third lie I've told.

‘Have you ever had an affair?'

‘No,' he replies and ploughs straight on. ‘What were you like as a child?'

‘Wild,' I say. ‘More the way you'd imagine a little boy.'

He nods, as if he has no trouble picturing me.

‘Have you ever been to a prostitute?' I ask.

‘No.'

Impossible to tell whether or not he's lying.

‘Do you have a good relationship with your sister?' he asks.

Alarm bells.

‘Why do you ask that?'

‘Because I'm fascinated by the dynamics between the sisters in your book. You told me earlier that you had a sister, and I wonder whether that's the reason you describe the love between the sisters with such sensitivity. Well?'

‘Yes,' I say, ‘a very good relationship.'

I swallow. No emotion now—no pain. Keep going.

‘Do you consider yourself to be a good father?' I ask.

His hand goes to his temple; it's definitely a pattern.

‘Um…yes,' says Lenzen.

A weak point. Good. I hope he's wondering what I'm driving at with all these questions. I hope it's making him nervous. Nervousness is good. He needn't know that I'm not driving at anything; that my only aim is to disconcert him.

‘Do you draw inspiration from real-life events?' he asks.

‘Sometimes I do, sometimes I don't.'

‘And in your latest book?'

As if he didn't know.

‘Yes.'

Time to hit below the belt.

‘Have you ever raped a woman?' I ask.

Lenzen frowns and gives me a shocked look.

‘What's all this about?' he asks. ‘I don't know if I like your mind games, Frau Conrads.'

He looks genuinely aghast. I feel tempted to applaud.

‘Just say no,' I say.

‘No,' he says.

The angry furrow between his eyebrows is still there. Silence.

‘What's your dog called again?' Lenzen asks at last.

‘That's your question?' I ask in surprise.

‘No, it slipped my mind, that's all,' he says.

Is it supposed to be a threat? Has he started talking about my dog because he can imagine how much I love the creature and how unbearable it would be to me if anything were to happen to it?

‘Bukowski,' I say and am about to start on my next question when Charlotte appears in the door.

I jump because I had quite forgotten she was still here.

‘Sorry to bother you again,' she says, ‘but if there's nothing else I can do for you, I think I will be getting on my way now.'

‘That's fine, Charlotte,' I say. ‘You go home.'

‘By the way, there's supposed to be a storm this evening. Remember to close all the windows before you go to bed.'

‘All right,' I say. ‘Thanks.'

The thought that I am about to be left alone in the house with Lenzen is not an agreeable one. But even less agreeable is the way his dangerous eyes are turned on Charlotte. She goes up to Lenzen, her hand held out. He rises politely.

‘It was a real pleasure to meet you,' says Charlotte, brushing a non-existent strand of hair behind her ear. She blushes.

Lenzen smiles noncommittally, sits down and turns to me again. Once more I see him through Charlotte's eyes: his composure, his charisma. People like that have a talent for getting away with almost anything.

‘Maybe see you around,' Charlotte says.

Lenzen only smiles. I realise that he's not flirting with her—she's the only one flirting. He's barely taking any notice of her; all his attention is on me. Charlotte hangs around a moment longer in the dining room, like a woman who's been stood up, while Lenzen's eyes are on me again. She gives me a quick nod, then she's gone.

I draw a deep breath.

‘Your assistant and I had a little chat earlier on, and found out by chance that we live only a few streets away from one another,' Lenzen explains casually. ‘Funny that we've never met in Munich before. But you know how it is—once you know someone, you're always bumping into them.' He grins at me, gets up, grabs a wrap from the caterers' serving trolley, bites into it, chews. Advantage.

His threat is clear to me. He has realised that I am fond of Charlotte. And he has told me that it is not remotely in my power to keep him away from her.

19

JONAS

He could feel himself losing control, growing irrational, but couldn't do anything about it. He had no business being here. What was he doing, calling in on the witness?

During the night, something had shifted in the atmosphere over the city. The light was different. The leaves on the trees had not yet started to change colour, but he had sensed, as he walked through the streets, that summer was coming to an end, autumn on its way.

Jonas parked the car, got out, rang the bell. The buzzer sounded. He stepped into the hall and began to walk up to the fourth floor. Sophie was waiting for him at the door.

‘It's you!' was all she said when she recognised him. ‘Please tell me they've caught him!'

Jonas swallowed. It hadn't occurred to him that Sophie would assume there had been developments in the investigations.

‘No,' he said. ‘I'm sorry, but that's not why I'm here.'

‘Then why? More questions?'

‘Not really,' Jonas replied. ‘May I come in?'

Sophie ran her hand through her hair, hesitating for a moment.

‘Of course,' she said. ‘Please. I've made coffee.'

Jonas followed her along a hallway cluttered with cardboard boxes.

‘Are you moving?'

‘No,' Sophie said tersely, ‘my fiancé's moving out.'

Then she snorted and corrected herself.

‘My ex-fiancé.'

Jonas didn't know what to say, so said nothing.

‘Would you like to sit down?' Sophie indicated one of her kitchen chairs.

‘I'd rather stand,' Jonas said. ‘Thanks.'

He looked about him at the big, light, high-ceilinged room: whitewashed walls, a few framed reproductions—Egon Schiele, he thought but wasn't sure. A solitary orchid stood on the windowsill, an empty coffee cup beside it. The dishwasher was on; there was something comforting about its gentle drone.

‘Milk and sugar?' Sophie asked.

‘Just milk, please,'

Sophie opened a carton of milk and pulled a face.

‘Shit,' she said. ‘It's off.'

Furious, she emptied it into the sink.

‘Damn!' She turned away from Jonas, put her hands on her hips as if to steady herself, and grimaced, struggling to hold back the tears.

‘I don't mind it black,' said Jonas. ‘The caffeine's what counts.'

Sophie forced a smile, poured Jonas a cup of coffee and handed it to him.

‘Thanks.'

Jonas took a sip and went over to the big window where a radiant blue sky was flaunting itself.

‘Wonderful view you have here,' he said.

‘Yes.'

Sophie went to stand beside him. They were silent for a while.

‘Sometimes I think I'll stay in here forever,' Sophie said. ‘Not go out any more. Stockpile a few years' worth of groceries and never set foot outside again.'

‘Sounds tempting,' Jonas replied with a smile.

‘Doesn't it?' Sophie said. She gave a wry chuckle, then grew serious again. She turned back to look at the sky.

‘Do you know what kind they are?' she asked, as two darting birds shot past the windows, making breakneck manoeuvres to dodge the roof of the house opposite.

‘They're swifts,' said Jonas. ‘They spend all their life in the air. They live and mate and even sleep on the wing.'

‘Hm.'

Jonas watched Sophie as she looked out at the swifts, a smile on her face. She had split up with her fiancé. What did that mean? He took a sip of coffee.

‘Are you going to tell me why you've come?' Sophie eventually asked, turning to him.

‘Yes,' said Jonas, ‘of course.' He cleared his throat. ‘There's one thing I'd like to say first. I completely understand what you're going through at the moment. Really I do. But you've got to stop carrying out investigations off your own bat.'

Sophie looked at him as if he'd slapped her in the face. Belligerence flashed in her eyes.

‘What makes you think I'm carrying out my own investigations?' she asked.

Jonas fought down a sigh.

‘People have complained,' he said.

Sophie frowned, put her hands on her hips.

‘Oh yes?' she said. ‘Who?'

‘Sophie, I'm telling you this for your own sake. You've got to stop. You're not only hindering the investigation, you might even be putting yourself at risk.'

For a moment only the soft noise of the dishwasher could be heard in the kitchen.

‘I can't sit around doing nothing,' Sophie said at length. ‘And I haven't done anything wrong. You can't ban me from talking to people.'

She turned away from him and glared out of the window.

‘There are charges against you,' Jonas said.

‘What?'

Sophie spun round and looked at him with big eyes.

‘I don't handle those kind of offences. I found out about it by chance,' Jonas said. ‘But my colleagues are bound to be in touch with you before long. There's a man claiming you pursued him and physically attacked him. Is that true?'

‘Physically attacked… Sounds a bit extreme,' said Sophie. ‘I held onto his arm, that was all. The bloke was a good head and a half taller than me—how could I have seriously attacked him?'

‘Why did you hold onto him?' Jonas asked, although he already knew the answer.

Sophie said nothing. She stared out of the window in silence.

‘You thought you'd recognised the man you saw that night,' Jonas said.

Sophie nodded.

Jonas thought of what Antonia Bug had said.
‘That woman's not quite right in the head. Who knows if she saw anyone at all?'

He tried to drive the thought away.

‘I saw him,' Sophie blurted out, as if she could read his mind. ‘As clearly as I see you now.'

Jonas swallowed.

‘You do believe me?'

She turned round with a jerk, knocking the empty coffee cup off the windowsill with her elbow. The china smashed on the floor.

‘Shit!' said Sophie.

Jonas and Sophie crouched down to pick up the pieces at the same time and banged heads. Embarrassed, they rubbed their foreheads and had to laugh. After they'd gathered it all up, they stood facing one another.

It seemed to Jonas that it was considerably warmer in the room than before. Sophie was one of those rare people who could stand there, looking at you in silence, without making you feel awkward. How on earth did she do it?

The doorbell rang and the moment ended.

Sophie ran her hand through her hair.

‘That'll be my friend Karen—we were going jogging.'

‘I must be getting on, anyway.'

Sophie nodded. Jonas turned to leave, but stopped in the doorway.

‘I do believe you,' he said.

Then he left the flat, his heart pounding.

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