Read The Writers: A History of American Screenwriters and Their Guild Online
Authors: Miranda J. Banks
Breakfast at Tiffany’s
,
3
Breen, Richard L.,
132–133
Brady Bunch, The
,
157
Brave One, The
,
112
Brian’s Song
,
174
Bridesmaids
,
238
Bridge on the River Kwai, The
,
104
,
114–115
Bright, John,
36
,
64
,
82
,
83–84
,
147
,
245
,
276n90
Bringing Up Baby
,
36
British Broadcasting Company (BBC),
141
Broidy, Steve,
144
Brooks, Mel,
3
,
5
,
141
,
164–165
,
245
Browne, George,
80
Buck, Pearl,
75
Burning Bed, The
,
174
Butch Cassidy and the Sundance Kid
,
6
,
156
Butler, Jean Rouveral,
180
,
245–246
Cabaret
,
151
Cable Act (1992),
201
cable television,
141
,
155
,
185
,
188
,
200
,
201–202
,
211
,
237
Caesar, Sid,
141
Caged
,
129
Cain, James M.,
72
,
91–92
,
94
,
147
,
246
California Quarterly
(journal),
102
Camille
,
35
Candid Camera
,
4
Cannell, Stephen J.,
177
,
214–215
,
246
Cannes Film Festival,
90
Capital Cities Communications/ABC,
189
,
209
Captains Courageous
,
52
Carolco Pictures,
156
Carsey-Werner Productions,
177
,
184
,
198
Carter, Bill,
205
Cartwright Act (1909),
52
Catholic Legion of Decency,
38
Caucus for Producers, Writers & Directors,
169
,
200
,
214
Cavalcade of America
,
12
CBS network,
175
,
180–181
,
189
,
195
,
200
,
205
,
209
,
221
censorship,
35
,
37
,
53
,
99
,
139
,
289n79
; during blacklist era,
110–111
; loosening of,
139
Ceplair, Larry, and Steven Englund,
48
,
49
,
55
,
67
,
69–71
,
85
CFA,
see
Committee for the First Amendment
CGI (computer-generated imagery),
204
Chamberlain, Jennie and Daniel,
224
Champ, The
,
35
Chicago
,
219
Chicago Tribune
(newspaper),
93
,
96
Chicken Little
,
7
Childrens Hospital
,
229
Chinatown
,
3
Christopherson, Susan,
197
Cimarron
,
55
Cimarron Kid, The
,
147
Clarkson, Patricia,
225
Clerks
,
202
Cleveland Show, The
,
6
Clinton, Hillary,
221
Close Encounters of the Third Kind
,
192
Closer, The
,
222
Clueless
,
7
Code of Practice and Procedure,
46
Coen, Joel and Ethan,
157
,
202
,
235
,
246
Colbert Report, The
,
225
Cole, Lester,
30
,
69
,
92
,
96
,
101
,
111
,
246
Colgate Comedy Hour, The
,
118
,
127
,
136
collective bargaining,
9
,
32
,
44
,
46–47
,
50
,
56
,
60
,
81
,
137
,
162
,
170
,
209
College Humor
,
37
Collins, Scott,
224
Colt .45
,
145
Columbia Pictures,
12
,
31
,
64
,
82
; consolidation,
185
Columbo
,
136
Combat!
,
147
Comcast,
199
Comeback, The
,
235
Coming Home
,
70
Committee for Prudent Deregulation,
200
Committee for the First Amendment (CFA),
98–100
,
103
Communications Act (1936),
201
communist allegations and Red Scare,
53
,
56–57
,
67–72
,
74
,
78–79
,
80–81
,
84
,
91–98
,
102–103
,
105
,
108–110
,
129
,
130
,
132–133
.
See also
Hollywood Ten; “Unfriendly Nineteen”
computer-generated imagery (CGI),
204
Conference of Studio Unions (CSU),
11
,
73
,
80–85
,
96
conglomeration of media industries,
155
,
172
,
185
,
191
,
198–199
,
201
,
208–209
,
214–216
; post-2008 strike,
228
,
230
,
238
Connolly, John,
215
consolidation of media industries,
169
,
185
,
191
,
198
,
215–217
contract laborers,
197
contracts: long-term (seven-year),
4
,
39–30
,
43
,
45
,
51
,
120
,
138
,
237
; loyalty oaths and,
101
; new technology clauses,
40
,
141
,
197
; step contracts,
7
Conversation, The
,
157
Cooper, Gary,
68
Copps, Michael J.,
217
COPS
,
190
copyright,
12
,
16
,
19
,
33
,
64
,
91–92
,
126
,
141
,
147
,
149
,
160
,
237
Corday, Barbara,
10
,
181–182
,
199
,
247
corporatization of media industries,
110
,
150
,
153
,
172–173
,
191–192
,
198–203
,
238
Cosby Show, The
,
178
,
184
,
192
,
198
Counter, Nicholas, III,
163
,
187
,
261n1
Craig’s Wife
,
83
Crawford, Oliver,
247
creative control,
12–14
,
16
,
40
,
140
,
192
,
201
creative labor,
1–2
,
9
,
34
,
145
,
187
,
228
Creature from the Black Lagoon
,
97
credits,
16–19
,
33
,
35
,
42
,
43
,
44
,
46
,
64–65
,
148
,
159–165
,
192–193
; during blacklist era,
106–107
,
114
,
161
; possessory credit,
159–165
,
209
; television,
119
,
161
Critic, The
,
298n26
Crossfire
,
107
Crouching Tiger, Hidden Dragon
,
268
Cruise, Tom,
22
CSI
,
219
CSU,
see
Conference of Studio Unions
Curious Case of Benjamin Button, The
,
21
Curly Top
,
55
Curtin, Michael,
208
CW, The, network,
213
Damsel in Distress, A
,
38
Dancing Lady
,
48
Davis, Madeline Pugh,
119
,
120
,
247
Day After, The
,
174
Day at the Races, A
,
88
Days of Our Lives
,
171
Day the Earth Stood Still, The
,
43
Dead End
,
38
Deadline Hollywood Daily
(website),
223
,
224
Dean Martin Comedy Hour, The
,
108
deregulation,
110
,
155
,
172
,
198–202
,
216
Desilu Productions,
119
,
133–134
Desperate Housewives
,
212
,
219
,
221
Deuze, Mark,
18
Devil Is a Woman, The
,
93
Devil Wears Prada, The
,
233
DGA,
see
Directors Guild of America