Read The Writers: A History of American Screenwriters and Their Guild Online
Authors: Miranda J. Banks
Studio 60 on the Sunset Strip
,
235
studio system practices,
14
,
20
,
24
,
43–44
,
57
,
88
,
110
Supreme Court, US,
32
,
48
,
57
,
105
,
139
,
170–171
Survivor
,
205
Suspicion
,
53
Sutton, Phoef,
262
Sweet Smell of Success
,
108
SWG,
see
Screen Writers Guild
Symbiopsychotaxiplasm: Take One
,
183
Taft-Hartley Act (1947),
69
,
95
,
101
,
103
,
133
Tandem/TAT Productions,
156–157
,
177–178
,
181
,
184
Taradash, Daniel,
82
,
161
,
186
,
262
Tartikoff, Brandon,
190
Tate, Deborah Taylor,
217
Taxi Driver
,
4
Taylor, Robert,
68
Teamsters Union,
10
,
131
,
187
,
213
Telecommunications Act (1996),
198
,
201
,
298n19
television,
117–153
,
156–159
,
166–179
; as advertising medium,
124
; blacklisted writers and,
111
; boutique programming,
192
,
201
; cinematic film broadcasts,
122
,
140–141
; early years,
123–138
; East Coast vs. West Coast production,
125
,
135–137
; impact on film industry,
110
,
120
,
124
,
126–127
,
128
,
138–139
,
152
; multiplexing of channels,
201–202
; network executives,
109
,
122
,
166
,
216
,
226
,
238
; pay TV,
142–143
,
148
,
168
,
185
; producers,
122
,
139
,
144–145
,
153
; violence,
169
.
See also
authorship issues; cable television; showrunners; writer-producers
television films (made-for-TV and movies of the week),
173–175
Television Producers Guild,
152
,
170
television series,
119
,
121–122
,
135–137
,
139
,
152–153
,
156–157
,
166–167
,
175–178
,
192
,
205
; aesthetics,
177
; African American casts,
184
; anthology series,
125
,
132
,
136–137
,
139
,
173
; financing,
177
; miniseries,
173
; pilots,
119
,
177
,
236
; show bibles,
167
,
176
; women in production,
180
.
See also
animation; reality television; reruns and syndication
television writers: African American,
183–184
,
236–237
; backgrounds,
124–125
,
172
; freelancers,
166–168
; guild and union issues,
117–119
,
124–125
,
128–135
,
137
,
142
; head writers,
121–122
,
167
,
221
; job insecurity,
138
; in 1970s and 1980s,
171–184
; place in media hierarchy,
137–138
,
152–153
,
240
; reality programming and,
205–206
; salaries and compensation,
123
,
126
,
132
,
135
,
138
,
140
,
141–143
,
148–149
,
168
,
186–187
,
197
; women and minorities,
150–151
,
179–184
,
235–237
; working conditions,
118
,
119
,
127–128
; writers’ rooms,
122
,
128
,
166
,
180
,
182
,
184
Television Writers Association (TWA),
118–119
,
121
,
131–135
,
239
,
288n46
Tell Me Where It Hurts
,
47
,
173
,
180
Tenant, The
,
164
Ten Commandments, The
,
113
Tender Comrade
,
69
Tenney, Jack, and Tenney Committee,
79–80
Terrytoons,
80
Thalberg, Irving,
3
,
28
,
31
,
40
,
42
,
47
,
49
,
51
,
55
That Certain Summer
,
174
That Girl
,
115
Thau, Benny,
30
Thelma and Louise
,
237
They Call Me Mr. Tibbs!
,
183
Thief
,
192
30 Rock
,
235
thirtysomething
,
216
Thomas, J. Parnell,
68
,
70–71
,
96
,
104
Thomas Committee,
see
House Un-American Activities Committee
Thompson, Kristin,
89
Those Who Kill
,
166
Three Comrades
,
38
3-D,
138
Three Faces of Eve, The
,
42
Thunderbolt
,
87
Tick, The
,
298n26
Time Warner Inc.,
209
To Catch a Thief
,
160
Tombragel, Maurice,
14
,
16
,
137
,
262
Traffic
,
219
TransAmerica Corporation,
153
Transformers: The Game
,
206
Trouble in Paradise
,
53
Trouble with Harry, The
,
160
True Grit
,
93
Trumbo, Dalton,
24
,
69–70
,
92
,
111
,
113
,
114
,
149
,
263
; as editor of
TSW
,
73
,
86
; and HUAC investigations,
69–70
,
97–98
,
100
,
103–104
; pseudonyms,
112–114
TSW
, see
Screen Writer, The
Turner Broadcasting System,
209
Turteltaub, Saul,
4–5
,
171
,
192
,
263
TWA,
see
Television Writers Association
Twentieth Century–Fox,
28
,
31
,
111
,
121
,
140
,
156
,
181
,
185
.
See also
Fox Network
21 Jump Street
,
214
2gether
,
212
2001: A Space Odyssey
,
157
UCLA,
124
“Unfriendly Nineteen,”
69
,
96–97
unions and unionization,
8
,
10–11
,
27–34
,
43–60
,
79–81
,
83
,
197
,
198
,
207
United Hollywood
(website),
223–224
,
225
Universal Pictures,
28
,
31
,
64
,
140–141
,
185
,
202
,
214
Urwand, Ben,
279n19
Valenti, Jack,
200
Verrone, Patric,
208
,
212–214
,
215–216
,
227
,
263
vertical deregulation,
105
vertical integration and reintegration,
185
,
196
,
199
Veyne, Paul,
267–268
VHS (VCRs and videocassettes),
168
,
185
,
187–189
,
207
video games,
198–199
,
204
,
206–207
,
217
; writers for,
206–207
,
217–218
Vidor, King,
84
Vogel, Joseph R.,
144
Wage Stabilization Board,
126
Wagner Act (1935),
50–51
,
56–58
,
69
,
91
Waldorf Astoria Hotel, New York,
71
Waldorf Declaration,
71–72
,
73
,
99
,
100
Walking and Talking
,
202
Wallis, Hal B.,
58
Wall Street
,
164
Walt Disney Company,
80
,
203
,
209
,
221
,
298n25
Walt Disney’s Wonderful World of Color
,
14
,
16
Walter Lanz Productions,
80
Walton, Brian,
190–191
,
204
,
207
,
209–210
Waltons, The
,
181
War Labor Disputes Act (1943),
82
Warner, Jack,
31
,
39–40
,
41
,
68
,
96
,
100
,
144
Warner Bros.,
64
,
96
,
145
,
153
,
221
; consolidation,
185
,
200
Washington Post
(newspaper),
70–71
Wasserman, Lew,
140
,
146
,
162–163
Watch on the Rhine
,
38
Waterworld
,
225
web series,
229
websites and blogs,
199
,
207
,
223–225
Web Therapy
,
229
Weiss, David,
212
Welcome to the Dollhouse
,
202
West Wing, The
,
7
Wexman, Virginia Wright,
160
WGA,
see
Writers Guild of America
WGAE,
see
Writers Guild of America
WGAw,
see
Writers Guild of America
What’s Happening!!
,
184
White, Byron,
170