Authors: Chris Jordan
south in heavy traffic, stoplight to stoplight. I could turn off
at any corner, find a motel or hotel easily enough, but some-
thing keeps me on the road. Like I’m waiting for a shoe to
drop, an idea to reveal itself.
“Where is he staying?” I ask suddenly. “Edwin Manning,
where’s his condo?”
“Somewhere on Brickell,” Shane responds warily, giving
me a quizzical look. “Healy said Brickell Avenue, the finan-
cial district.”
“Will there be motels on Brickell?”
“It’s Miami. There are motels everywhere. But the
Brickell area is high-end, very pricey.”
“Whatever. Just get us there,” I suggest. “Tell me the way.”
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Chris Jordan
8. The Man In The Snakeskin Vest
Edwin Manning and his new associates travel the rutted,
unpaved road in the muscular glory of a fusion-orange
Hummer. An H2 model, so new it’s barely out of the box,
with the Vortex V-8, eight-way leather seats, and every ac-
cessorized goody known to manly men. Not really Edwin’s
kind of transport, he’s basically a Mercedes kind of guy. It
was his son Seth who picked out the Hummer, big grin on
his face, going, Dad, you need this. It’ll be a chick magnet—
next time we’re down we’ll drive it to Key West and see what
happens. The boy always trying to fix him up, kidding but
serious in his own earnest, well-intentioned way. And Edwin
always responding with the same line: if I wanted another
wife I’d buy one. Which they both know is bullshit because
in all the ways that really count Edwin is still married to
Seth’s late mother. Death is not a divorce, not for Edwin.
Next time we’ll drive to Key West.
He can hear the boy’s
voice and the memory brings with it a kind of emotional pulse,
almost electrical in nature. Edwin prays there will be a next
time. Prays that he can find a way to free his son, make him
whole again. That desire, that overwhelming need, is the only
reason he’d ever confine himself in this miserable jouncing tin
box with a subordinate like Salvatore Popkin and his low-life
associates, whose individual names Edwin has blanked from
his mind. These are not people he wants to know, they are
underlings he must tolerate under a circumstance.
“Oof! Fuggin’ hum-job!” says one of them, a nervous,
grinning goon with stringy, unkempt hair, powerful halito-
sis, and a nose that evidently demands picking on a regular
basis.
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True enough, the ruts in the road have been rattling their
teeth, but out of loyalty to his son Edwin resents any criti-
cism of the Hummer, or the slang reference to it as a hum-
job. What he’d like to do is give Mr. Stink Breath a smack
on his thick forehead with something heavy, a lead paper-
weight perhaps. Instead he orders the driver to slow down.
That lasts for a few hundred rattling yards and then inevitably
the big V-8 finds its own speed and they keep jouncing.
When one of the morons bumps his head on the roof, Ed-
win has to remind him to tighten his seat belt. The man looks
dumbfounded—the idea obviously never occurred to him—
then complies and nods his thanks.
I am surrounded by overgrown children, Edwin decides.
Big stupid kids with guns. Wonderful.
After three miles on unpaved, rutted road, they come upon
a large sign. A very prominent sign that demands attention.
YOU ARE ENTERING
THE SOVEREIGN TERRITORY OF THE
NAKOSHA NATION.
VISITORS ARE NOT ALLOWED TO CARRY
OR POSSESS FIREARMS OF ANY KIND.
VIOLATORS SUBJECT TO ARREST. NO
EXCEPTIONS.
The Hummer idles, huffing fuel like a juvenile delinquent.
“So what do we do?” Sally Pop wants to know, peering at
the sign, which is large, professionally lettered, and illumi-
nated with cove lighting.
“You’re asking me?” Edwin says, turning in the passen-
ger seat to stare at him.
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Chris Jordan
“I mean, is this enforced or what?”
Edwin shrugs. “I assume they’ll pat you down.”
“Can they do that?” Stink Breath wants to know. “I mean
can an injun really arrest a white man?”
Edwin stares at the man, who is, in his opinion, barely
Caucasian. “They make their own rules,” he says.
“But Florida, anybody can carry a piece,” Stink Breath
says. “I looked it up.”
“This isn’t Florida,” Edwin points out. “This is the
Nakosha Nation.”
“It’s fucked is what it is.”
“Sally?” Edwin says, exasperated. “Handle this please.”
Sally’s plan is they all get out, open the rear door, and
secure the handguns in one of the storage wells, under the
peel-up carpet. Four men, eight guns. A nice symmetry,
Edwin is thinking. You want to know how many weapons,
count the bent noses and multiply by two.
The rutted road continues for another eight miles. For all
of it, every shudder and jounce, Edwin ponders on the pos-
sibility that the Nakosha have another, even more private
access road, and that it is as smooth and well paved as the
autobahn. Restricted to tribal members, of course. Each of
whom now has a net worth in the multiple millions, no
small thanks to him. Men who not so long ago trapped
reptiles for food, who rarely operated a flush toilet, these
same men now logged on to check their diversified portfo-
lios because Edwin Manning had said yes, why not, by all
means let the gambling begin. At the time it seemed a
prudent investment for the fund, a business decision based
on anticipated return, no more, no less. All of which had
led him here, to this road from hell, and to the hell his son
was enduring.
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Talk about unintended consequences.
The road, hemmed in by dense mangrove for most of its
winding length, widens as it approaches the settlement. A
dozen or so homes built in the traditional manner, on sturdy
stilts that lift each building a good ten feet above the flood-
plain. Roofs expertly made from thatches of sable palm
fronds. Very picturesque. At one time, Edwin knew, most of
the family had lived—barely survived was more like it—in
a decrepit trailer village, since leveled and replaced by
luxury versions of the traditional chickees, the designs
borrowed from, if not actually executed by, the neighboring
Seminoles.
The village has no security gate, no obvious security
guards, but moments after the Hummer parks in the shadow
of the chickee huts, black-haired men emerge as if from
nowhere and surround the vehicle. They could be brothers
or cousins, all with similar dark eyes, thick hair the color of
glittering coal dust, and not a smile among them.
Edwin lowers his window. “Edwin Manning. I’m here to
see Joe Lang,” he announces. “I called.”
“No guns.”
“Fine,” Edwin says.
He exits the vehicle, raises his arms, expecting to be patted
down. Indicates that Sally and the boys do likewise. Soon
they’re all standing around with their arms in the air. The
black-haired men stare at them but do not touch.
“No guns.”
“Fine, sure,” says Edwin. “We agree, no guns. We are not
carrying firearms. Go ahead, check.”
One of the men, little more than a teenager, really, but
stocky and confident, holds out his hand and says, “Give me
the keys.”
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Chris Jordan
Edwin says, “Somebody give him the keys, please!”
With key in hand the youth goes directly to the back of
the vehicle, opens the rear door, lifts the rug, and exposes the
assortment of handguns stashed in the storage well. He looks
at Edwin, just the trace of a satisfied smirk starting to show.
“The penalty for possession of firearms is ten years, unless
the council decides to show mercy.”
“Fuggin’ hell!” blurts Stink Breath. “Are they crazy?”
The stocky teenager shrugs his indifference. “We passed
that law because white men kept coming on our land. Jacking
gators, running dope, distilling alcohol, all those crazy-ass white
man activities. Only an idiot would insult us by ignoring the
law.”
“I freely admit these men are idiots,” Edwin says, “and I’m
an idiot for employing them. Take the guns. Now, may I
please see Joe Lang? It’s a matter of life and death or I
wouldn’t be here.”
A voice comes down from above.
“Up here,” it says.
A man in a snakeskin vest looks down from the porch of
a newly built chickee, gestures to Edwin. “Just you. Rico?
See the others get something cold to drink.”
Edwin climbs the steps, moves into the shade under the
thatched roof of the wraparound porch. “Joe,” he says.
“Thank you for seeing me. Nice place you got here.”
“Sit.”
Edwin knows better than to offer to shake hands. Nakosha
tribal members sometimes embrace, but never acquired the
habit of gripping hands, and tolerate the practice only out of
politeness. The man in the snakeskin vest pours iced tea from
a heavy glass pitcher dewed with moisture. He’s of slender,
wiry build, fifty or so, with creased skin the color of saddle
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181
leather. Bare chested under the vest, and his faded jeans are
fastened at the waist by a hand-tooled leather belt with a solid
gold buckle cast in the shape of an alligator jawbone.
“You like the vest?” he asks, admiring his own garment.
“Rattlesnake skin, imported from the Philippines. Only
rattlers around here are farm raised. They sell ’em in the
casino gift shop. Five grand. The vest, not the rattlers.”
Edwin waits, sips his iced tea, well aware that the man in
the vest, like his brothers and cousins, does not like to be
rushed into the meat of conversation. Eventually he nods his
assent, invites Edwin to begin the real discussion.
“You know about Ricky?” Edwin begins. “What he’s
done, what he’s doing, what he wants?”
“We do not speak of that person. He is dead.”
“I understand,” Edwin says, “but if he doesn’t get what he
wants he’s going to kill my son.”
“The person is crazy. He is not Nakosha.”
“He was. He’s still your nephew. I need your help, Joe.
Surely you and your family owe me that much.”
The man in the vest avoids eye contact, stares off into the
distance. “We’re very sorry for your troubles, Mr. Manning, but
we can’t speak to the dead. And even if we could, the person
would not listen. The person will do what he wants to do.”
“I’m not asking you to speak directly to Ricky at this
point. I’m asking you to convene the council, make it look
like you’re considering his request. I’m begging you. Help
me find my son.”
The man in the vest reaches into a pocket, removes a pair
of classic Ray-Bans, and puts them on. Eyes completely con-
cealed, he looks as regal as a shirtless man can look. “I am
sorry, Edwin, but what this person does is no longer our
business. There is nothing we can do.”
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Chris Jordan
“That’s your position?” Edwin says, taking care to keep
his voice level and nonthreatening. “Just let it happen? Let
your nephew cut off my son’s fingers, feed him to the buz-
zards, piece by piece? That’s your position?”
The man in the vest shrugs. “What can I do? I told you,
he is dead to us.”
“What happened is, Ricky asked to borrow the corporate
plane. I felt I owed him that much. But it was just an excuse
to snatch my son, who he knew would be piloting the
aircraft. He wants me to intervene with the tribal council,
get him reinstated.”
“Not our problem. He is no longer Nakosha. There will
be no reinstatement.”
Edwin looks down from the porch, observes his security
detail drinking bottles of Coke in the shade, looking fairly
relaxed, given the situation. The young tribal members have
backed away, giving the visitors—the violators—space. Near
as he can tell there have been no more threats about the con-
cealed weapons. Good. He hasn’t got time for that. Just as
he hasn’t got time to enter lengthy, cordial negotiations with
Joe Lang or other members of the council. Seth hasn’t got
time. Time is the enemy. Time is death.
Edwin leans forward, doesn’t bother looking into at the
opaque sunglasses, which he assumes are meant to be, if not
a direct insult, a way of maintaining a cool, impregnable dis-
tance. “Let me tell you what will happen if my son dies,” he
begins, softly but insistently. “First, I will close off all lines
of credit to the tribe and to the gaming enterprise. You may
find another source of financing, but it will be, at the very
least, difficult and more expensive. Second, I will seek to tie
up all tribal assets. I don’t mean your land or your houses or
your trucks and motor homes, those can’t be touched. I mean
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your money. Based on my belief, as elucidated by the army