Authors: Chris Jordan
imagine the stuffed wolverine coming to life, leaping on the
fat neck of Buster Nyles, the Collier County sheriff who took
bribes with both hands, and then betrayed low-level drug
smugglers like Roy’s father. The good old boys who ran the
show walked away, burying their millions in pickle jars and
offshore investments while swamp-cracker chumps like
Pappy shuffled into cells at Raiford. And yet the old man,
dumb as a load of cinder blocks, always aspired to be one of
the regulars who drank with Sheriff Nyles and his minions,
impressing the hell out of the sunburned tourists and occa-
sional movie stars who flocked to the fabled Hunt Club for a
taste of Old Florida ambiance. The huge gator hide nailed to
the red-cedar paneling, darkened by a century of cigar smoke.
The lovingly framed photo of Hemingway standing at the
famous veranda bar, his arm thrown over the shoulders of a
very young Buster, then a lowly game warden who told lies
outrageous enough to impress a famous novelist. The formal
menus signed by Clark Gable and Harry Truman, the fat, exu-
berant tarpon mounted over the entrance to the immense
screened-in porch where the movers and shakers, the elected
and the anointed, had for generations gathered to gorge on
blackened redfish caught by their guides.
In the glory days more bullshit flowed through the Glade
City Hunt Club than in all the saloons of Texas. The days when
local fishing guides moonlighted on the wrong side of the law,
jacking protected gators, piloting airboats full of forbidden
marijuana bales, and then bragging on it to Donny Nyles, the
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Hunt Club bartender, Buster’s little brother, and himself a
coke-sniffing smuggler and dissembler of some note.
Buster and Donny are both dead now—cancer and self-ad-
ministered gunshot respectively—but Roy still hates their
rotting bones. Hates them for sneering at Pappy, then shining
him on, setting him up. Wrecking his pathetic life because they
could, and because it amused them. Roy’s is a prideful hatred,
a blood hatred, the Whittle family having settled in these parts
at about the same time as the Nyles clan, difference being the
Whittles, barefoot and willfully ignorant—Pappy bragged he’d
never dirtied his mind by reading a newspaper—the Whittles
kept to their hidden whiskey stills and their secret gator holes
and never ran for office, or secured employment with law en-
forcement agencies. Therefore never had the leverage to enrich
themselves at the public trough, or avoid serving time because
they controlled both the jails and the courts.
What Roy would really like to do is take out his uncircum-
cised member and urinate all over the precious lobby, add a
little sheen to the hardwood floors. Instead he tucks in his
shirt, straightens out his Caterpillar ball cap, and presents
himself at the famous bar.
“Hey, um, Donny,” Roy says, addressing the barkeep by
the name pinned to the lapel of his Tommy Bahama shirt.
“Good afternoon, sir.”
“Stick around?”
“Excuse me, sir?”
“Stick Davis. Supposed to meet him here.”
The barkeep eyes the otherwise empty bar, the message
being, see for yourself, moron, nobody home.
“Gimme a Bud,” says Roy, taking a stool.
“Corona, Heineken, Harp, and Sapporo on tap,” he recites.
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“Bottled beer listed on the board. No Budweiser today. No
Budweiser tomorrow.”
“You ain’t from around here.”
The barkeep, a sly, surfer-blond dude about Roy’s age,
volunteers that he’s from Orlando. Roy has never been to Or-
lando. Fact is he’s never been north of Bradenton, and then
only once to visit his mother in the hospital.
“Orlando,” he says, rolling the word around on his tongue.
“That’s Disney World, right?”
“Yes, sir. Disney World, Sea World, lots of worlds in
Orlando.”
“And your name ain’t really Donny, am I right about
that, too?”
The barkeep glances warily at his own name tag. “It’s like
a tradition, I guess.”
“For Donny Nyles, yeah. This was his bar, back in the day.”
“Is that right?”
“Yeah. You know what he did once, Donny Nyles? Got in
a fight with some tourist, mighta been from Orlando, come
to think, and he hits the guy with one of those little clubs they
break ice with, and the guy is so drunk he’s knocked out cold.
So Donny decides to wake him up by throwing him off the
dock. Guy never woke up. He drowned. They stood there and
watched him drown in his sleep. Pretty funny, huh?”
The barkeep shrugs. “If you say so.”
No more “sir,” Roy notes. Apparently the “sir” time is
over. He wonders why he’s being ugly to a young man, a
stranger that’s never done him any particular harm, and then
he remembers why. He hates the Hunt Club and everybody
in it including, at the moment, himself.
“Donny Nyles thought it was real amusing,” Roy goes on,
unable to stop himself, the dangerous edge in his voice sharp-
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ening like a gutting knife on a grindstone. “Must have told
that story a hundred times, about how he drowned a guy try-
ing to wake him up. Most folks, prob’ly they thought it was
just a bar story, only it really happened. Donny, the guy
whose name you got on that little green tag on your skinny
little chest, he thought killing a loser was really funny, like
a good fart joke or a rubber crutch.”
The fake Donny is eyeing the intercom, wondering if he’ll
have to call in enforcements, when Stick Wilson enters the
bar and raises his straw cowboy hat. “Roy the boy!”
“Hey, Stick.”
Stick must be about forty now, and looks it, still skinny
everywhere but for his little vodka belly, straining the buttons
of his safari shirt. Aviator glasses covering bloodshot eyes the
color of a bleeding battle flag. When Roy was just a little tyke,
Stick got temporarily famous for putting a DC-3 down on Al-
ligator Alley after both engines flamed out. Deadstick, they
called him, then Stick, and it stuck. Almost as legendary was
how he persuaded a startled Florida State trooper that he’d
been hijacked, dadgum it, Officer, and that the cargo of
Jamaican marijuana now burning merrily within the wreckage
was not connected to him in any way, shape or form.
What really impressed the good old boys in Glade City,
who had financed the venture, was that Stick, barely twenty
years of age, an outsider hailing from Mobile, Alabama, had
the good sense to torch the aircraft, thereby eradicating not
only the evidence but any possible connection to their august
selves. What really impressed five-year-old Roy was that the
famous pilot actually seemed to like Roy’s father, treating
Pappy like an equal and wanting to know about cool and in-
teresting things like running jars of whiskey to the Indians,
and did bull gators really mate with their dead prey.
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Near as Roy’s been able to determine in the intervening
years, Stick wasn’t one of those involved in betraying the old
man. One of the very few. Which is precisely why he’s de-
cided to go out on a limb and trust Stick, despite his reputa-
tion as a major league juicehead and plane-wrecker, the old
DC-3 being the first of many.
They take their drinks, a beer for Roy and two tall triple-
vodka tonics for his guest, and retire to the far frontier of the
veranda. Few couples having dinner, seated in high-back
wicker chairs, around white-clothed tables overlooking the
canal. Very civilized. Very Hunt Club, the sleepy afternoon,
flooded with dappled sunlight version.
“Yawl still lookin’ out for your brother?” Stick wants to
know.
“Dug? Yeah, I guess.”
“That’s a fine thang, takin’ care of family.”
Stick looks around the old club, never raising his shades,
a faint smile twitching on his thin chapped lips.
“Same place, different people,” he drawls. “Less puke, too.
Old days, somebody’d be whoopin’ over the rail by now,
messin’ up their Top-Siders.”
“Yeah,” says Roy. “The good old days.”
Stick smiling with his teeth and drinking gulps of chilled
vodka like ice water, waiting for young Roy Whittle to make
his move, say his piece.
Roy puts down his empty glass.
“What if I was to help you put your hands on a pretty little
thing worth a whole lot of money?” Roy asks, trying to see
through the dark glasses, into those bloodshot eyes.
Stick sits up straighter in his high-back wicker chair, ca-
ressing his hard little belly. “Pretty little thang? What kind
of pretty little thang?”
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6. Get This Party Started
Back in civilization, the concrete, steel and palm tree variety,
we’re scheduled to meet with a local FBI guy, who is supposed
to bring us up to speed. I assume we’ll go to the office, like
they do on the TV shows, all those nicely dressed, unfailingly
polite agents focused on making us safe, on getting our children
back. But Shane directs me to a drowsy shopping mall in a
Miami neighborhood called Miramar, where Special Agent
Sean Healy eventually finds us staking out a table at a Denny’s.
It seems the field office is nearby, but since we’re not on board
in an official capacity it’s better we don’t make ourselves
known—the way Agent Healy puts it, we’re off the books. Plus
he’s dying for a spicy buffalo chicken melt and a side of
seasoned fries, and this, he says pointedly, won’t take long.
After the waitress takes his order he goes, “So. You’re
Randall Shane, huh? Heard of you,” he adds, without any par-
ticular enthusiasm. “You took early retirement, whatever that
is.”
“Yup,” Shane says, nodding. “That I did.”
“Obviously you’ve still got friends in high places.”
“What makes you say that?” Shane asks, all innocent.
Healy is a good-looking guy in his late-thirties, kind of a
hunk, actually, if you think for instance that Josh Hartnett is
a hunk. You know, rangy and slim and masculine but some-
how boyish, with good bones and really nice hair and plump,
kissable lips. Except Healy looks vaguely pissed off, and that
makes him unattractive in a faintly disturbing way. Some-
thing to do with the fact that his default expression seems to
be a sneer, and the sly way he’s clocking my boobs, it makes
me form a negative impression of the man inside the body.
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Nice to look at but definitely a don’t-touch, because the more
you see the less you’ll like.
“What makes me say you got pull?” Healy responds,
snorting. “Reality makes me say that. Reality is, we got more
than two hundred agents actively working cases from here to
Key West, and we never work a case without opening a file, not
ever, and along comes this former agent, and suddenly we got
six people, more you count support, six agents and who knows
how many staff gathering information regarding a certain in-
dividual, even though no file as been opened and officially
we’re not looking at the individual, if you know what I mean.”
Shane says, “I know what you mean.”
“That was a figure of speech. What they call a rhetori-
cal question.”
“Uh-huh. Is this where I’m supposed to apologize for put-
ting you out?” Shane asks, ever so sweetly.
“That would be nice,” says Healy, sipping a tall glass of
ice water and eyeing the kitchen door, where his spicy
chicken melty thing has yet to emerge.
“I’ll have to work on it,” Shane says. “Get my apology all
spiffy. Until then, what can you tell us about Edwin Manning
and any connections he may have, financial or otherwise, to
this area?”
Healy glances at me. My actual face, not my chest.
“Maybe I’d share with you, Mr. Former Agent, but I’m not
sharing with a civilian. No way. Not without an official in-
vestigation, a file open, on the books.”
Shane has been sort of going along with Healy, feeding
the banter, but that changes in an instant. There’s a sudden
chill in the air and it’s not the AC at Denny’s. “Mrs. Garner
is not a civilian,” he reminds Healy. “She’s the mother of a
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missing child. She’s the reason I’m here. She’s the reason
you’re here. Show some respect.”
Give Healy credit, he recognizes the change in Randall
Shane’s attitude and right away he backs off. Probably pretty
much the way a lion tamer backs off when the lion makes a
certain kind of noise in its great big throat. Like, careful or
I’ll get all snarly and have you for breakfast, and we don’t
want that, do we?
Healy glances at me, nods. “Right, no disrespect intended.
Just for the record, this violates every procedure but what the
heck, this is between friends, right?”