Authors: Chris Jordan
can see is the green, up close and blurry, and it takes tremen-
dous effort to keep her eyes open, so mostly she concentrates
on floating. Also on breathing. She reminds herself that it is
important to keep breathing even though the air doesn’t taste
good. Breathing isn’t about taste, silly, it’s something you
have to do whether you want to or not.
Remember to breathe. In, out, keep it going.
On some level Kelly knows that she has been drugged.
Partly the recent memory of what the animal tranquilizer did
to her the first time, there on the airstrip where all this began,
when the dart was fired into her abdomen. This time the
needle came from behind, wielded by the wild man with the
crazy-looking shotgun. Arnold Schwarzenegger had a gun
like that in some old movie.
Terminator? Predator?
One of
those. So maybe this is dream about a movie and she’s really
home in her bed experiencing that heavy, paralyzed sensa-
tion that sometimes happens in a dream. Where you want to
move or scream but you can’t and it isn’t until you wake up
that you fully comprehend what happened.
A voice comes through the palm fronds. A mad voice that
insinuates itself into her waking nightmare.
“See you later, alligator,” says the voice, inches from her
ear. “No, no, that’s not right. What I mean to say, see the al-
ligator later. Which you will, I promise.”
The mad voice laughs and drifts away.
Kelly wills herself to wake up. If only she could scream
she could wake herself up.
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17. And Then The Boss Is Gone
“Good morning, Daddy, how you doing?”
Ricky, looking down at his father’s withered body, savors
the irony. One of his first acts as tribal president was to des-
ignate a percentage of gaming revenue to the construction of
a new Elder Care & Hospice Facility, located right here on
the rez. He made it happen, made sure it was done right,
sparing no expense in either the construction phase or the
staffing. The individual suites are large, airy and comfortable,
bearing little or no resemblance to a hospital room. There are
no locks on the doors and each unit has a screened porch with
a spectacular view of the Everglades. All in all it’s about as
nice as such a place can ever be, considering that many of
the residents are either dying or demented, or both.
Tito Lang scores on both counts, his liver slowly failing,
his brain irreversibly damaged by a thirty-year immersion
in alcohol.
“Look who’s here, Daddy. Your grandchildren! Did you
ever meet them? I been trying to recall, but it seems like
maybe you were already too far gone. Doesn’t matter,
today we make up for lost times. Say hello to your grand-
father, children. Daddy, this is Alicia, Reya and Tyler. See
how they’re all dressed up? They’re going to a costume
party. Little Tyler, he really wanted to be a pirate but I said,
no no, children, no more pirates or princesses, no more
dressing up as white people. Today you dress up as
Nakosha people.”
Ricky smiles down at his children, who flit around in such
a way that it’s difficult to see all three at once.
“Kids, do me a favor, go play on the porch. Your grampa
Tito and I need to have a grown-up conversation. Alicia,
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honey? Don’t let Tyler go outside, I want you all together,
okay? For the party later, that’s why. Good girl. Go on,
shoo.”
Ricky shaking his head and smiling, pleased that his father
has finally had a chance to see his beautiful grandchildren.
From the scent of shampoo and soap, he knows his father has
already had his morning bath, and that the hospice aids will
not be back to check on him for at least twenty minutes.
Plenty of time for a conversation.
“I been thinking, Daddy. That’s what’s wrong with me,
too much thinking. All the time, day and night, awake,
asleep, always thinking. Is that why you drank so much, to
keep from thinking?”
His father’s eyes skid away, unable to hold focus for long.
The diagnosis, rendered months ago, was unequivocal.
Neuronal damage to the cerebral cortex with serious cogni-
tive impairment, resulting in a borderline vegetative state.
Nominally conscious or wakeful, but no longer able to form
or hold thoughts, and verbally unresponsive on all levels.
Tito Lang, once a big talker, speaks no more. His aware-
ness comes and goes. He likes it when the nurses sponge him,
and will swallow soft food spooned into his mouth. When
spoken to, his eyes at first respond, then quickly drift away.
The lights are on, dimly, but he’s rarely at home in any mean-
ingful way. Perversely his heart remains strong. No one has
been able to say how long he will linger in his present con-
dition. Could be weeks, months, maybe longer.
“What have I been thinking about?” says Ricky, sitting on
the edge of his father’s bed. “I’m glad you asked. I’ve been
thinking about the old times. Before I was born, before you
were born. The long-ago times, and how our people lived
back then. You ever think about that? Yeah?
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“You’re right, Daddy. In those days when people got old,
too old to contribute to the community, they went away.
They got left behind. The people would give them a weapon
and maybe a little water and a blanket, and the people would
move on, leaving the elder behind. Sounds cruel but it ain’t,
not really. It’s natural. My guess, it didn’t take long. And
next year when the people came back they’d gather the
bones and bury them in a big jar. They call it an ossuary.
That’s the white word. We’ve forgotten the Nakosha word,
isn’t that sad?”
Out on the screened-in porch the children are playing
cowboys and Indians. Despite his native costume, naughty
Tyler is pretending to be the cowboy, which means he gets
to chase his big sisters around, shooting them with his make-
believe gun. They indulge him, being sweet girls. Look how
they pretend to die, writhing on the floor. Ricky smiles in-
dulgently. They’re good kids, he’s lucky to have them.
“You know what, Daddy? Lately I’ve been thinking
maybe it would be better if
all
of us got left behind. All the
Nakosha people. Our cousins and brothers, all of them. Time
has come to let the other people move on, leave us behind.
That would be the kindest thing. No more fighting, no more
betrayal, no more pain, no more suffering. Wouldn’t that be
better? We’ll all of us go where the spirits go, and we’ll be
together. The world will be clean and new and it will last
forever.”
In the end, after the conversation is over and Tito agrees,
Ricky uses the pillow.
Sally Pop finds it more than a little weird to be back on
the reservation, hanging out with so many cops and federal
agents. Some are polite, some choose to aggressively ignore
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him. Mostly they’re focused on coordinating the search for
Mr. Manning’s son and the pretty lady’s daughter, so he tries
not to take offense.
Back in Jersey he avoided cops and Feds like the plague.
Not because he was in any great danger of arrest or prose-
cution, but because guys in his situation were expected to
avoid the company of cops and Feds. Tough guys. Guys of
a certain size and heft, useful in casino establishments as a
kind of enforcement decoration. Okay, sometimes he got a
little rough, maybe accidentally fractured a limb or kneecap
while encouraging payment obligations. But really it was all
an act, part of the routine that kept him employed. Act a
certain way, talk a certain way, they’d fall for it because he
looked the part, courtesy of not being able to avoid a punch
in the boxing ring.
Sally thinks of it like the old joke about not being a doctor
but playing one on TV. He’s not really a tough guy, but he
plays one in real life.
Edwin Manning, being a very smart dude, seems to have
figured this out. He’s dismissed the others and is no longer
relying on Sally for security—who needs private security
when you’re surrounded by cops and Feds?—but has decided
to keep him around to serve as an extra pair of ears. Sally
performs that function quite willingly—the pay is still good,
and he likes being around all the action. So when Manning
calls down from the chickee hut—the official visitor’s hut,
whatever that means—Sally obediently trots up the steps,
finds his boss standing at a railing, staring out at the nasty
big wet grassland or mosquito breeding ground or whatever.
A freaking swamp is what it is.
“Coffee?” asks Sally. “They brought in a fresh urn.”
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Manning declines the offer. Looks like hell, his eyes sunk
so deep in his head it’s a wonder he can see. Still eating
himself up over the decision to level with the Feds, admit his
boy got snatched. For what it’s worth, Sally thinks he made
the right choice. When you’re dealing with Indians, espe-
cially ones who confiscate your guns, sometimes the best
thing is to call in the cavalry.
“What are they saying?” Manning wants to know.
“Nothing new. They got the chopper thing going, they’re
hoping to spot something from the air, just like yesterday.”
What they’re calling the “forward deployment area” is in
fact a couple of portable trailers, with room in front for an
improvised helicopter pad. The choppers can touch down and
pick up, but refueling has to be done off the rez, at the Dade-
Collier Training airport, north of the Everglades.
The whole business of helicopters is way too noisy, Sally
has decided. So far lots of flash but no result.
A resupply station has been set up for the ground-based
effort. The “boots on the ground” troops. Since the area is far
too large for any generalized search, the volunteers have
been divided into units and are presently tramping through
likely quadrants, as directed by the tribal police in coordina-
tion with federal agencies. Checking out various hunting and
fishing camps, other places Ricky Lang has been known to
frequent, as well as so-called anomalies identified from the
air, which have so far turned out to be things like animal car-
casses.
Basically everyone is guessing, from what Sally can tell.
“No word on Lang?” Manning wants to know.
“Nothing since he burned the airplane.”
“I don’t give a shit about the plane,” Manning says, gri-
macing. “Enough about the plane! They got five hundred
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Chris Jordan
people out there and they can’t locate one man? What the hell
are they doing?”
“They’ll find him, sir.”
“Based on what? Putting on a big show? What if he’s
already dead?”
Sally blanches. “Excuse me, sir?”
“Ricky Lang. He’s off his rocker, maybe he killed himself.
What if he killed himself and left Seth out there to die? No
water, no food. Exposed to the elements. Have they consid-
ered that? Have they?”
Sally gets why Healy and Salazar and the other agents are
avoiding Edwin Manning. Ostensibly they’re supposed to be
informing him of every step of the investigation, but in prac-
tical terms the little guy goes ballistic when they bring him
anything but good news. Questioning their competence, in-
sulting them and so on, but all along really second-guessing
himself. Plus just being on the rez seems to piss him off, since
he considers himself betrayed by the tribe.
Which is why Sally decides not to mention the dogs.
Waiting in line for coffee as the sun came up, he heard this
one guy let it slip they had corpse-sniffing dogs ready to go.
Sally figures Mr. Manning doesn’t need to know about the
dogs. Not at this particular juncture.
“I heard one of the agents say they get good results eighty
percent of the time,” Sally says. “Those are pretty good
odds.”
“Oh yeah? It’s bullshit. In a situation like this there are
no odds. They either find him alive or they don’t. So please
don’t bring me any more happy talk, or stuff you overheard.
Just facts.”
“Yeah, of course,” Sally says affably. “You sure you don’t
want coffee? It ain’t half-bad.”
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“No.”
“How about some pastry. They got this Cuban stuff is
really tasty. You gotta eat something, boss. Keep up your
energy.”
The bodyguard’s hand instinctively slaps at a particularly
nasty mosquito feasting on the back of his neck, and is
startled to find some sort of dart protruding. He’s thinking
he needs to say something, warn Mr. Manning, but the
thought never triggers the words because a great, warm
numbness flows out from the dart, paralyzing his jaw.
Funny, he has no recollection of falling but there he is on