Under Shifting Glass (13 page)

“What am I not saying?” I ask.

Mom puts her head to one side. “You tell me.”

So many things. Where to begin? The flask, the worry about the babies, the Sidewalk Crack Game, the monsters coming closer. Zoe.

Zoe.

Zoe.

“Zoe,” I say.

“Go on,” says Mom.

Then I think maybe Si hasn't gone to get gas (why couldn't he get gas on the journey back?). I think he's gone to give Mom and me Some Space.

“I don't think Zoe likes me anymore.”

“Oh? And why do you say that?”

I don't tell her it might be because I shouted at her about livers and hung up the phone on her, deliberately cutting the cord between us. I say, “I think she'd rather be with Paddy.”

Mom takes my hand and I let her. “People can like more than one person at a time, you know,” she says. “Like just
because I have two more children now doesn't mean I love you any less, Jess. Not at all.”

Ha. I bet she's glad she's had an opportunity to work that into the conversation. Still—it's nice to hear. It gives me the same sort of feeling I had when I was tiny and had a fever and she put a cool hand on my forehead.

“Human beings,” she continues, “they—we—have an infinite capacity for love.”

“But Zoe,” I begin again, “she used to come here all the time. Come over. Bound straight in. Barely knocked. You'd have thought she lived here. And now,” I pause lamely, “she doesn't.”

Mom takes a breath and I prepare myself for Something Adult.

“Jess,” she says, “you and Zoe may just be growing apart. You've known her since you were in kindergarten. When people get older, they find different parts of themselves. What used to be a good fit might not be such a good fit as you grow up, develop your interests. Find out who you really are.” She pauses. “And that's okay, Jess.”

“It's not okay,” I say solidly.

“I don't mean it doesn't hurt. It can leave a hole—”

A hole?

“—but in that space,” continues Mom, “new things can come, new friends.”

But I don't want any new friends. I want only Zoe, my mirror image, my better, bolder other half. And suddenly Zoe seems to me like Richie, she seems zesty big. And I'm the smaller, weaker twin; I'm Clem, clinging to her for dear life.

“Why do they have to cut them apart?” I exclaim then. “Why can't they just let the twins stay together forever and ever?”

Mom raises an eyebrow. “Maybe they'll have a better life apart.”

“They won't,” I cry.

Mom still has my hands in hers. Very gently she begins to stroke my fingers. “Maybe together . . .” she says, “maybe together . . .” she repeats, “they might just . . . suffocate each other.”

This is what usually happens on my Easter Sunday: In the morning, Mom makes me an Easter basket. The basket always contains one large hollow chocolate egg, numerous tiny, loose, sugar-coated speckled ones, a couple of chocolate ducks in golden foil, and—sometimes—a box of flat little bunnies eating flat chocolate carrots. Mom puts all the goodies into a plastic bag and then hides them: They might be buried in the ironing pile, hung behind a coat in the front hall, or locked in the Christmas trunk.

“She's a bit old for an Easter basket, isn't she?” Si said last year.

And the previous year.

And the year before that.

But the basket still comes. Except this year Si has driven Mom back to the hospital, so there is no basket. Plonked in the middle of the kitchen table is an oversized chocolate rabbit. Not hidden at all.

“Happy Easter,” Gran says.

In the afternoon of an Easter Sunday, at four o'clock precisely, Zoe always comes. She even knocks on the door, so I actually have to open it for her.

“Surprise,” she says.

Only it isn't, because she's come every year since her mom brought her when she was four. She brings what she brought that first-ever time—a Cadbury Creme Egg—and she says what she said that first-ever time:
I gots it for you special
. And I say
Special smeschal
(I don't really know why I say that) and then, in return, I give her a Kinder Egg with the orange-and-white foil wrapping and the little plastic toy inside and she says
Special smeschal
, and then we hug and laugh and eat the chocolate and make the stupid toy (it's usually a tank), but of course it isn't about the chocolate or the toy and we both know that.

I start clockwatching at 3
P.M
. The second hand of the kitchen clock ticks impossibly slowly. Every minute takes approximately two weeks. I listen for the sound of footsteps
(running, bounding, enthusiastic footsteps) in the cul-de-sac. There aren't any, but I tell myself that's because it's early, three-quarters of an hour early, half an hour early, ten minutes early.

I don't go to look out the window, not even at four o'clock. Not at 4:05. Or 4:10. Or 4:15. At 4:20 I accept that it's over. Our friendship. It really is. And it doesn't matter how long I sit stubbornly watching the clock (I'm still there at 5:30), it won't make any difference.

I can feel the Kinder Egg in my pocket going all hot and sweaty, probably because I keep touching it, I keep squishing at it, to check it's still there, to check I've kept my part of the bargain. By six o'clock the egg is mainly mush.

Gran watches me watching the clock.

“What's going on?” she says.

“Zoe didn't come,” I say.

“It's Easter,” says Gran. “Why would she?”

“She always comes on Easter Sunday.”

“Probably got family visiting,” says Gran. “Or gone out somewhere. Maybe she'll come later.”

But she won't. I know she won't. The only time her family ever went away for Easter she told me, told me weeks in advance.

“You could always call her,” says Gran.

But I'd just hear the rip of the surgeon's knife again.

When I wake the following day, there is a light frost on the windowpane and everything in the world seems colder. There is no news from the hospital.

“No news is good news,” says Gran.

There is no news from Zoe.

Which is not good news.

The breath is on the windowsill, looking out.

“What do you want? What are you waiting for?”

No reply.

Everything seems suspended, waiting.

“Haven't you got anything to do?” asks Gran.

“Yes,” I say. “I have.”

I go to the local shop and buy a new Kinder Egg. The sight of the orange-and-white foil brings a lump to my
throat. Why is it always Zoe's responsibility to come to my house? Overnight, I have reexamined my friendship. I have noticed that, for years and years, Zoe has been the visitor and I have been the visited.

Why?

Am I some queen who sits in state to receive her? Or is it just that she's so full of life—so full of
Zoe
—that she's made all the running, and I've just stood by, watching? Waiting? What's wrong with me? Friendship is a two-way street—or it should be. I have decided that I will go to Zoe's house and give her my small gift.

The car is in the driveway; Zoe's family is home. I go up to the front door, press the bell, and listen to the two- tone ring.

Ding-dong.

Like my heart.

Ding-dong. Ding-dong. Ding-dong.

Someone comes to the door. I see the shadow on the other side of the glass as whoever it is pauses to peek through the peephole. I half-hope it's Zoe's mother, who'll greet me with a smile.

It isn't Zoe's mother. It's Zoe.

“Hi,” she says, not aggressive, but not really friendly either, somewhere between wary and neutral. It makes me
feel confused, as if whatever I say isn't going to be the right thing. So I say nothing.

“You all right?” she says. She keeps the door not quite open enough for me to come in. So, of course, I don't go in. I stand in my big silence. If it were her at my door, she'd just bound in.

“Happy Easter,” I say at last. It doesn't sound that happy, but it doesn't sound ironic either.

“Sorry about yesterday . . .” she begins.

“Doesn't matter at all,” I say, far too fast. “I'm sorry about the phone thing.”

“Hmm,” she says.

I go on standing.

“I was going to come around yesterday,” she adds, “only . . .” She trails off.

“Doesn't matter,” I say again, as if that will make it more true. “We were busy, too.” I try a little smile.

She shrugs, embarrassed.

“Zoe?”

“Yes?”

I'm getting an idea; it's coming in very sudden and important. “I want you to do something, do something for me. Will you, Zoe? Please.” I hear a certain desperation in my voice.

“What?” she says, curious but flat.

“I want to go to the Buddhist Center again,” I tell her. “I want to go there with you.”

“Huh?”

“Do a meditation like Lalitavajri offered.”

“Why?”

Because things melt away in that Shrine Room, I think. Because it's a place where you seem to be able to say things without words, where there are smiles like incense, where my friend Zoe looked at me with hope and longing and I swore never to let that friendship die.

“Please, Zoe,” I say.

“Well . . .”

“It's Tuesday. It's every Tuesday. That's what Lalitavajri said. Tomorrow. Come with me, Zoe.”

“Sorry,” says Zoe. “I can't.”

Can't or won't?

“I'm busy.” She shrugs.

I shouldn't push it, I should leave it right there, but I plow on through the humiliation. “Oh—doing something nice?”

“Movies. We're going to a movie. It's all figured out.”

And I don't ask her who the
we
is because I already know.

Her.

And Paddy.

“Right. Okay, see you some other time, then.”

When I arrive home, I realize the Kinder Egg is still in my pocket. As for the hole Mom talked about—it's now a chasm.

In the night I dream about the Shrine Room. Across the golden belly of the Buddha there are little seed fish. When the Buddha breathes, the seed fish swim. I wake with a stubborn golden hope inside me. At least I still have the flask.

I take it out.

“I promised you, didn't I?”

No reply.

Bit like Zoe.

To Gran I say, “We have to go back to the Buddhist Center. You know, for the project. Zo's . . . um, having her hair cut first, so she'll meet us there. Can you take me at eleven-thirty?”

Gran huffs and puffs, but since it's for schoolwork, she has to agree. I make sure we arrive early.

“Zoe will be here in a sec. You can leave me, it's fine.”

So Gran leaves me.

As I put my shoes on the rack in the hall and head up alone to the top floor, I wonder what I really hope to find here.

I want the Shrine Room to be just as I remember it, but it isn't. The previously spacious, empty floor is laid with neat rows of maroon mats, each with two small puffy blue cushions, a few with people sitting on them. Through the skylight there's no blue sky, no scudding clouds, only a uniform gray coldness. In front of the Buddha there is no eucalyptus. There are other flowers, but I wanted there to be eucalyptus and there isn't.

I hesitate, and that's when Lalitavajri, who is rearranging some candles, turns and sees me. At once she stops what she's doing and comes toward me.

“It's Jess, isn't it?” she says.

“Yes.” I feel surprisingly shy.

“Have you come alone?”

“No,” I say, because the flask is snug in my pocket. And then, seeing her scan the room, I realize what I've said, so I add, “You're here.”

She smiles. “You're a very thoughtful person, aren't you, Jess?”

I'm surprised at this. I'm always surprised when people notice me.

Then she tells me to take a mat and make myself comfortable and not to worry that it's my first time. I see how other people are sitting or kneeling on the little blue cushions and I kneel like they do.

Then, keeping very still (and I wonder suddenly if Zoe could be this still), I cup my hands in front of me. I make a little nest in case the breath wants to be with me in this place.

“You'll be safe here,” I whisper.

Lalitavajri goes to sit at the front of the room beside a golden bowl with a golden hammer. A few minutes later the whole room is full, maybe twenty or thirty people silently coming to rest on their cushions.

Lalitavajri welcomes us all and then, in a soft, slow voice, she asks us all to be aware of our bodies, to feel the weight of them from the ground up.

“Imagine,” she says, “awareness filling your body, like soft, warm light, penetrating your bones, your muscles.”

Already my eyes are closed. I've shut them instinctively. I just want to be all wrapped up alone with these words that seem like spells.

“Listen to the breath, the rising and the falling.”

And I do listen to my breath and I feel the movement of my rib cage, just as Lalitavajri says. And then, in my hands, I suddenly feel it there, too. The fluttering of a butterfly wing.

It has come.

“Imagine where your heart is. Make a space around your heart.”

But I think there's a space around my heart already.

“The
metta bhavana,”
Lalitavajri is saying now, “for those of you who are new today, is about universal loving-kindness. And loving-kindness starts with ourselves. To love others, we must first love ourselves. So I ask you to wish yourself well. Say, ‘May I care for myself?'”

This feels strange to me, and slightly selfish, so I can't quite say the words even inside the quietness of my head.

“Now think of a close friend,” continues Lalitavajri. “Wish them well, hope for their happiness.”