Under the Moons of Mars: A History and Anthology of "the Scientific Romance" in the Munsey Magazines, 1912-1920 (11 page)

"Only in little ways, John Carter," she answered. "Nothing that can harm me outside my pride. They know that I am the daughter of ten thousand jeddaks, that I trace my ancestry straight back without a break to the builder of the first great waterway, and they, who do not even know their own mothers, are jealous of me. At heart they hate their horrid fates, and so wreak their poor spite on me who stand for everything they have not, and for all they most crave and never can attain. Let us pity them, my chieftain, for even though we die at their hands we can afford them pity, since we are greater than they and they know it."

Had I know the significance of those words "my chieftain," as applied by a red Martian woman to a man, I should have had the surprise of my life, but I did not know at that time, nor for many months thereafter. Yes, I still had much to learn upon Barsoom.

"I presume it is the better part of wisdom that we bow to our fate with as good grace as possible, Dejah Thoris; but I hope, nevertheless, that I may be present the next time that any Martian, green, red, pink, or violet, has the temerity to even so much as frown on you, my princess."

Dejah Thoris caught her breath at my last words, and gazed upon me with dilated eyes and quickening breath, and then, with an odd little laugh, which brought roguish dimples to the corners of her mouth, she shook her head and cried:

"What a child! A great warrior and yet a stumbling little child."

"What have I done now?" I asked, in sore perplexity.

"Some day you shall know, John Carter, if we live; but I may not tell you. And I, the daughter of Mors Kajak, son of Tardos Mors, have listened without anger," she soliloquized in conclusion.

Then she broke out again into one of her gay, happy, laughing moods; joking with me on my prowess as a Thark warrior as contrasted with my soft heart and natural kindliness.

"I presume that should you accidentally wound an enemy you would take him home and nurse him back to health," she laughed.

"That is precisely what we do on Earth," I answered. "At least among civilized men."

This made her laugh again. She could not understand it, for, with all her tenderness and womanly sweetness, she was still a Martian, and to a Martian the only good enemy is a dead enemy; for every dead foeman means so much more to divide between those who live.

I was very curious to know what I had said or done to cause her so much perturbation a moment before and so I continued to importune her to enlighten me.

"No," she exclaimed, "it is enough that you have said it and that I have listened. And when you learn, John Carter, and if I be dead, as likely enough I shall be ere the further moon has circled Barsoom another twelve times, remember that I listened and that I—smiled."

It was all Greek to me, but the more I begged her to explain the more positive became her denials of my request, and, so, in very hopelessness, I desisted.

Day had now given away to night and as we wandered along the great avenue lighted by the two moons of Barsoom, and with Earth looking down upon us out of her luminous green eye, it seemed that we were alone in the universe, and I, at least, was content that it should be so.

The chill of the Martian night was upon us, and removing my silks I threw them across the shoulders of Dejah Thoris. As my arm rested for an instant upon her I felt a thrill pass through every fiber of my being such as contact with no other mortal had even produced; and it seemed to me that she had leaned slightly toward me, but of that I was not sure. Only I knew that as my arm rested there across her shoulders longer than the act of adjusting the silk required she did not draw away, nor did she speak. And so, in silence, we walked the surface of a dying world, but in the breast of one of us at least had been born that which is ever oldest, yet ever new.

I loved Dejah Thoris. The touch of my arm upon her naked shoulder had spoken to me in words I could not mistake, and I knew that I had loved her since the first moment that my eyes had met hers that first time in the plaza of the dead city of Korad.

My first impulse was to tell her of my love, and then I thought of the helplessness of her position wherein I alone could lighten the burdens of her captivity, and protect her in my poor way against the thousands of hereditary enemies she must face upon our arrival at Thark. I could not chance causing her additional pain or sorrow by declaring a love which, in all probability she did not return. Should I be so indiscreet, her position would be even more unbearable than now, and the thought that she might feel that I was taking advantage of her helplessness, to influence her decision was the final argument which sealed my lips.

"Why are you so quiet, Dejah Thoris?" I asked. "Possibly you would rather return to Sola and your quarters."

"No," she murmured, "I am happy here. I do not know why it is that I should always be happy and contented when you, John Carter, a stranger, are with me; yet at such times it seems that I am safe and that, with you, I shall soon return to my father's court and feel his strong arms about me and my mother's tears and kisses on my cheek."

"Do people kiss, then, upon Barsoom?" I asked, when she had explained the word she used, in answer to my inquiry as to its meaning.

"Parents, brothers, and sisters, yes; and," she added in a low, thoughtful tone, "lovers."

"And you, Dejah Thoris, have parents and brothers and sisters?"

"Yes."

"And a—lover?"

She was silent, nor could I venture to repeat the question.

"The man of Barsoom," she finally ventured, "does not ask personal questions of women, except his mother, and the woman he has fought for and won."

"But I have fought—" I started, and then I wished my tongue had been cut from my mouth; for she turned even as I caught myself and ceased, and drawing my silks from her shoulder she held them out to me, and without a word, and with head held high, she moved with the carriage of the queen she was toward the plaza and the doorway of her quarters.

I did not attempt to follow her, other than to see that she reached the building in safety, but, directing Woola to accompany her, I turned disconsolately and entered my own house. I sat for hours cross-legged, and cross-tempered, upon my silks meditating upon the queer freaks chance plays upon us poor devils of mortals.

So this was love! I had escaped it for all the years I had roamed the five continents and their encircling seas; in spite of beautiful women and urging opportunity; in spite of a half-desire for love and a constant search for my ideal, it had remained for me to fall furiously and hopelessly in love with a creature from another world, of a species similar possibly, yet not identical with mine. A woman who was hatched from an egg, and whose span of life might cover a thousand years; whose people had strange customs and ideas; a woman whose hopes, whose pleasures, whose standards of virtue and of right and wrong might vary as greatly from mine as did those of the green Martians.

Yes, I was a fool, but I was in love, and though I was suffering the greatest misery I had ever known I would not have had it otherwise for all the riches of Barsoom. Such is love, and such are lovers wherever love is known.

To me, Dejah Thoris was all that was perfect; all that was virtuous and beautiful and noble and good. I believed that from the bottom of my heart, from the depth of my soul on that night in Korad as I sat cross-legged upon my silks while the nearer moon of Barsoom raced through the western sky toward the horizon, and lighted up the gold and marble, and jeweled mosaics of my world-old chamber, and I believe it today as I sit at my desk in the little study overlooking the Hudson. Twenty years have intervened; for ten of them I lived and fought for Dejah Thoris and her people, and for ten I have lived upon her memory.

^*
I have used the word "radium" in describing this powder because in the light of recent discoveries on Earth I believe it to be a mixture of which radium is the base. In Captain Carter's manuscript it is mentioned always by the name used in the written language of Helium and is spelled in hieroglyphics which it would be difficult and useless to reproduce.

George Allan England began writing scientific romances almost simultaneously with Edgar Rice Burroughs, and though he is one of the most important figures among the school of writers who wrote the scientific romance, he was no imitator. His trilogy,
Darkness and Dawn
,
Beyond the Great Oblivion
, and
The Afterglow
opened a great opportunity to him which he failed to exploit.

He was born in Nebraska, February 9, 1877, and raised on Army posts, since his father was a military officer. When his family moved to Boston, he worked his way through Harvard, receiving a degree, incipient T.B., and a nervous breakdown in that order. Recovering from his illness in the Maine woods, he tried his hand at writing and sold his first story in 1903. His initial science fiction was a time-travel story,
The Time Reflector
, in THE MONTHLY STORY BLUE BOOK MAGAZINE for October 5, 1905. His first sale to Frank A. Munsey Co. was
At the Eleventh Hour
(THE ALL-STORY MAGAZINE, December, 1905).

He evidently had a knowledge of several foreign languages, for he was paid sixty dollars for a translation from the French of
The Horla
, by Guy de Maupassant, which appeared in the June, 1911, THE SCRAP BOOK; and a book appeared under his byline titled
Their Son and the Necklace
, which was claimed to be a translation from the Spanish.

His early difficulties in procuring an education embittered him at the "system."' and he became a militant socialist, writing many pamphlets for the movement as well as proselytizing in his novels
The Golden Blight
and
The Air Trust
.

England tried to live some of the adventure he wrote, and shipped aboard a sealing vessel to the arctic, telling his experiences in
Vikings of the Ice
(Doubleday, Page & Co., 1924), including a photo of himself. The arctic fascinated him, and he wrote several novels of that locale.

His favorite avocation was treasure hunting, and he organized expeditions to dredge up ancient gold, jewels, and even whiskey from the bottom of the sea. His novelette
May Gold
(REAL DETECTIVE TALES AND MYSTERY STORIES, December, 1929-January 1930) was based on a personal expedition to locate such treasure.

In an article titled
Facts About Fantasy
(THE STORY WORLD, July, 1923), he advised other writers that "one of the most profitable fields of fiction, if the writer knows how to cultivate it, is that which for lack of a better term we may call 'pseudo-scientific'!" He failed to follow his own advice, and for the last sixteen years of his life, prior to his death June 26, 1936, wrote very little fantasy. Were it not for his science fiction, his name would have already disappeared into oblivion.

George Allan England's name is synonymous with his most famous work,
Darkness and Dawn
, and a unit of that novel, virtually complete in itself, follows. This segment starts at the very beginning of the story, where a man and a woman from New York City at the turn of the century awaken thousands of years in the future when civilization has been destroyed and changes in the earth's features as well as monstrously mutated "humans" offer little hope of survival. The organization of their resources to face the savage alternatives about them and the closeness required by mutual dependency inevitably creates a binding attachment. The full story is a classic, three novels in length, creating a memorable trilogy.

DIMLY, LIKE THE daybreak glimmer of a sky long wrapped in fogs, a sign of consciousness began to dawn in the face of the tranced girl.

Once more the breath of life began to stir in that full bosom, to which again a vital warmth had on this day of days crept slowly back.

And as she lay there, prone upon the dusty floor, her beautiful face buried and shielded in the hollow of her arm, a sigh welled from her lips.

Life—life was flowing back again! The miracle of miracles was growing to reality.

Faintly now she breathed; vaguely her heart began to throb once more. She stirred. She moaned, still for the moment powerless to cast off wholly the enshrouding incubus of that tremendous, dreamless sleep.

Then her hands closed. The finely tapered fingers tangled themselves in the masses of thick, luxuriant hair which lay outspread all over and about her. The eyelids trembled.

And, a moment later, Beatrice Kendrick was sitting up, dazed and utterly uncomprehending, peering about her at the strangest vision which since the world began has ever been the lot to any human creature to behold. The vision of a place transformed beyond all power of the intellect to understand.

For of the room which she remembered, which had been her last sight when (so long, so very long, ago) her eyes had closed with that sudden and unconquerable drowsiness, of that room, I say, remained only walls, ceiling, floor of rust-red steel and crumbling cement.

Quite gone was all the plaster, as by magic. Here or there a heap of whitish dust betrayed where some of its detritus still lay.

Gone was every picture, chart, and map which—but an hour since, it seemed to her—had decked this office of Allan Stern, consulting engineer; this aerie up in the forty-eighth story of the Metropolitan Tower.

Furniture there now was none. Over the still intact glass of the windows cobwebs were draped so thickly as almost to exclude the light of day—a strange, fly-infested curtain where once neat green shade-rollers had hung.

Even as the bewildered girl sat there, lips parted, eyes wide with amaze, a spider seized his buzzing prey and scampered back into a hole in the wall.

A huge, leathery bat, suspended upside down in the far corner, cheeped with dry, crepitant sounds of irritation.

Beatrice rubbed her eyes.

"What?" she said, quite slowly. "Dreaming? How singular! I only wish I could remember this when I wake up. Of all the dreams I ever had, this one's certainly the strangest. So real, so vivid! Why, I could swear I was awake—and yet—"