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Authors: Jessica Martinez

BOOK: Virtuosity
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“No voodoo dolls,” I said, “but just think how much more interesting this is than physics or French, which is what we’re supposed to be doing right now.”

“Agreed.”

“Although, I guess that’s what my mom is paying you for.”

She sat up straight and looked around the patio, as if Diana might actually be lurking behind an umbrella.

“Looking for someone?”

Heidi shrugged. “Nope. Just a reflex.”

“We’ll do physics and French tomorrow. I’m almost finished anyway.”

Heidi couldn’t argue with that. They were my last two high school courses. I’d left physics to the end because I hated it, but my test scores were good. Not that it mattered. And French had been an afterthought. It wasn’t a GED requirement, but during my European tour last spring I’d fallen in love with the sound of the language, the way the words rolled around and tumbled out.

“You’re right,” Heidi said. “Spying on lover-boy is more fun anyway.”

“I hate you.”

“No, you don’t.” She smiled and ate the last bite of my cake. “I’ve got an interview, by the way.”

“For what?” I asked, without breaking my stare on the door.

“A real job. No offense.”

“None taken.” I paused. “That’s great,” I added, trying to sound sincere.

Heidi getting a real job was the inevitable. She had been tutoring me for six years, but now I was almost done, going to Juilliard in the fall. Of course she was interviewing. But for what? She had a degree in art history and
I
was her work experience.

“What kind of job?” I asked.

She shrugged. “Human Resources at OfficeMax.”

I nodded.

She nodded.

Neither of us had to say it, but we both were thinking it: She should have gone to dental school.

The server came with a new soda for Heidi and refilled my water.

“Anything else I can get you?” she asked.

Heidi shook her head no, and the server left. My eyes never left the backstage door. It didn’t budge.

“So how do you know he has blond hair if you’ve never seen him before?” Heidi asked.

“His picture,” I said. “It’s next to his bio in the Carnegie Hall program.” I pulled the booklet from the crocheted bag on my lap. The hemp purse was a souvenir I’d bought from Camden Market in London on the last day of my British Isles tour. It was stuffed with CDs—an array of the Bach Violin Sonatas and Partitas recordings. Yuri had sent me home with them after my lesson to listen and dissect.

I handed Heidi the Carnegie Hall program, which flipped open to the exact page. “Diana brought it back from New York.”

“She heard him play?”

“No. The program is from a year ago. She just picked it up for me.”

“And did she bring it home from New York with the spine split open to this page, or did you do that?”

I ignored the bait. She was either suggesting that Diana was a pressuring stage mom or that I was obsessed with Jeremy King. Neither was entirely true.

Or false.

Heidi examined the picture. “Cute kid. Dimples, curls, he’s like a male Shirley Temple. How old?”

“Seventeen.”

“No way.”

I shrugged. “That’s what his bio says.”

“More like twelve.”

I checked my watch. 1:37. “His rehearsal should have ended at one fifteen. Maybe we missed him.”

“How do you know when he rehearses?”

“I saw the CSO rehearsal schedule last week. I had yesterday’s noon slot, he was supposed to have today’s.”

But the door still hadn’t opened. At least not since we’d sat down thirty minutes ago, which meant Jeremy had to be still inside.

Heidi picked up the program again and brought the photo closer to her face. “He can’t be your age.”

I shrugged and looked back at the door. Maybe it was locked, I reasoned. Maybe he’d gone around to one of the front exits, but that was tricky from the backstage dressing rooms if you weren’t familiar with the hallways and side entrances and tunnels. No, it would be this door.

Suddenly, the door swung open. I inhaled sharply
before I realized it wasn’t him. It was a tall, lanky guy wearing jeans, a T-shirt, a baseball cap. A stage hand, maybe. But there, slung over his shoulder, was a violin case. I squinted into the glare. Why hadn’t I brought sunglasses? Blond hair curled up around the back edge of his hat, and under the shadow the bill cast over his face, I could see the dimples that creased his cheeks.

Jeremy King.

My stomach fell. That could
not
be Jeremy King. That was
not
the boy in the photo or the picture I’d seen online. Unless those pictures were old.

Really, really old.

I forced myself to take a slow breath. If that was Jeremy King, he wasn’t a child prodigy. At least not anymore.

The guy in the cap—a Yankees cap, I could see now—glanced right and left, trying to orient himself. Then, without warning, he turned and stepped in the least likely direction. Toward me. I had been counting on him cutting through the parking lot and across Wabash for the El station. Instead, he walked along the side of the building over the crumbling parking blocks, toward Rhapsody. He was whistling, and the fingers of his right hand trailed along the red brick as he walked. Long, slow strides propelled him closer and closer to me. I sat frozen, hypnotized by his fluid movement.

I should have looked away. If I’d been thinking, I
would have pretended to drop something or I could have at least rooted around in my purse with my head down. But of course I wasn’t thinking.

And then he looked right at me. His eyes locked into mine like two magnets. His face held the blank expression people give strangers in elevators or on sidewalks.

I still could have looked away, while his face was still empty, in that moment before it happened. But I was too stunned.
This
was Jeremy King.

That’s when his face changed. His eyes narrowed and his mouth formed a smug grin.

Before I could think, my head jerked down and my hand shot up to cover my face.

“What are you doing?” Heidi hissed.

I’d forgotten she was even there. “Nothing. I don’t know.” What
was
I doing? “I don’t want him to see me.”

“Too late, genius,” she said.

“Is he still looking at me?”

“Yes. And just because you can’t see him doesn’t mean he can’t see you. Move your hand.”

“But he’ll know I’m spying on him.”

“Trust me, he already knows.”

She reached over, took my wrist, and pushed my hand into my lap. I forced my eyes up.

He was still staring at me, not more than ten feet away now, but the grin had become a full-blown sneer. And just
when he was close enough that I could have reached out and grabbed his arm, he lifted his hand and saluted me.

I did nothing.

He walked by and was gone.

Heidi and I sat in silence. My stomach churned and I wondered whether those few bites of bitter lemon drop cupcake would come up. Why hadn’t I taken my medication? I should have known I would need it.

Heidi spoke first. “Wow.”

I heard myself groan.

“That was bad,” she added.

“How did that happen? How did he see me? How did he recognize me?”

Heidi shook her head. “Really, Carmen? I mean, it was bad luck that he happened to walk this way, but not that surprising that he recognized you.”

“But he’s never met me before!”

“Maybe not officially.”

“No, not at all,” I insisted.

“I could walk into any music store in the country, probably the world, and find a stack of CDs with your face on the cover. Do I need to remind you that you won a Grammy last year? Of course he knows what you look like.”

I could barely hear her. My heart was still thundering in my ears.

“Think about it,” she continued. “You’re scared of him. He’s probably scared of you.”

I put my cheek on the tabletop and closed my eyes. I needed an Inderal. Why hadn’t I brought the pills in my purse? “I’m not scared.”

Across the street the El thundered by, making the table buzz beneath my cheek. Even with my eyes closed I could feel Heidi’s stare, sense her harshness melting into concern.

“It’s just a competition, Carmen,” she said softly.

But it wasn’t just a competition. Heidi couldn’t grasp that and I didn’t expect her to. I didn’t expect anybody to understand. I wasn’t just scared of Jeremy King. I thought about him constantly, googled his name and read his reviews, listened to his CDs, and studied that stupid outdated photo from the Carnegie Hall program. If I wasn’t practicing or thinking about music, I was thinking about Jeremy King. I was obsessed, and I had every reason to be.

Jeremy King could ruin my life.

Chapter 2

I
was named after a fiery Spanish gypsy. The real Carmen, if opera characters qualify as real, got into knife fights and seduced matadors and inspired jealous rages. The real Carmen would
not
have tried to hide behind a plant and then, even worse, her hand, when confronted by her nemesis.

I tried not to think about that, or him, that evening as I sat on the front porch swing with my mother, playing the aria game. The rules were simple—she hummed any aria, I had to name the opera it came from—but winning was impossible, since she knew every opera ever written from beginning to end, and, well, I didn’t.


Don Giovanni
?” I guessed, trying hard to ignore the shame, the sourness that had been curdling in my gut since Jeremy had smiled at me.

“Right composer, wrong opera,” she said, and went back to humming. Diana’s voice was both shiny and jagged, like crumpled tinfoil. It was the voice of a soprano with scars.

“Just tell me. All of Mozart’s operas sound the same.”

“I can’t believe you said that,” she said with mock dismay. She knew they did. She started humming again.

“No really, just tell me,” I repeated impatiently. Apparently humiliation made me grumpy.

She narrowed her eyes and her crow’s-feet appeared, flaws in an otherwise flawless face. “
Le Nozze di Figaro
,” she said. “You look stressed. Here, put your head on my lap and let me play with your hair.”

I obeyed, and she started humming something new.


Madama Butterfly
,” I said. “I really don’t feel like playing anymore.”

She stopped. We listened to the porch swing creak as she unwound sections of curls with her fingers. Why did I have to be such a brat? She loved this game.

“What’s the matter?” she asked after a minute. “Did you and Heidi fight or something?”

“No.” I closed my eyes and saw Jeremy’s face.

“So it’s just the Guarneri then,” she said.

I didn’t answer.
Just the Guarneri.
The semifinals were in two weeks, and the finals were a couple of days after that. It was the most prestigious competition in classical music, and anything short of first place would be devastating. I was expected to win.

Just the Guarneri.

Diana knew better.

“Let’s get you thinking about something else,” she said. “Do you want to go to a movie?”

“Not really.” I paused, considering her mood. She seemed relaxed, and maybe just eager enough to indulge me. I forged ahead. “Tell me what it was like to sing with the Met.”

She sighed, but it sounded more like surrender than frustration. She liked talking about her career. “I’ve already told you everything, Carmen.”

I didn’t believe that. Not for a second. “So tell me again.”

“Let’s see. I’d just moved from Milan to New York, and I didn’t know a soul. My English was pretty good, but my accent …” She laughed, remembering. “It was so strong I had to repeat everything at least three times. I thought Americans were all hard of hearing.”

That part always seemed hard to imagine—my mother the immigrant. Now her accent was light and mostly masked by her gravelly voice. “Go on.”

“So. I had been in the States for two months when
I auditioned with the Met and got the position.” She paused and took another section of my hair to comb through with her fingers. It felt good. “It was my dream, but my head was spinning so fast it was hard to believe it was real. To go from being a poor student in Milan one day, to lead soprano with the New York Metropolitan Opera Company the next was … overwhelming. I’d be lying if I said it didn’t go to my head a little. I thought I owned the world.” She chuckled. “I
did
own the world.”

“What did you sing?” I knew the answer, but did it matter?

“My first season we sang
Aida
, then
La Traviata
and
Tosca
. Second season we sang …” She trailed off, waiting for me to fill in.


Carmen
.”

“Exactly. Then you came along nine months later.”

Typically evasive. “Either you left something out or I was the product of immaculate conception.”

She sighed dramatically. “You’re like a dog with a bone, Carmen. Fine. Jonathon Glenn was in the audience on opening night. His parents had season tickets, box seats if I remember correctly—still do, probably. That’s what people in their circle do to show the world how refined they are.”

“Or they might just like opera.”

“Oh, please. People like the Glenns live for dressing up in sequined gowns and tuxes just so they can see
themselves in the society pages. Opera houses are full of them—people who have no idea what opera they are listening to, but who’ll drink champagne in the lobby and smile for anyone with a camera.”

“All right, tangent explored, go on.”

“Where was I?”

“He came to the opening night of
Carmen
.”

“Right. And then he came backstage after the performance to meet me. The cast was going out to celebrate, but Jonathon convinced me to go out with him for drinks instead. My friends were annoyed, but I didn’t care. He was good-looking and just so … I don’t know … confident. Like he knew I couldn’t possibly reject him.”

She paused and squinted into the street, or maybe she was squinting back in time. Either way, the crow’s-feet reappeared. In the silence I could hear her fighting the familiar battle—trying to decide what to tell and what to keep back. Every time I pushed her to this place she revealed a little more, but I could see in her eyes the weight of things held out of my reach.

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