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Authors: James Hadley Chase

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BOOK: Vulture is a Patient Bird
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He looked at his watch. He had two hours before he took off for London. He left the room, shutting the door and walked down the stairs to where an old Chinaman was seated at the desk to check clients in and out. He knew he would have to pay for his freedom.

"I'm leaving by junk in twenty minutes," he lied. "The whore's dead. What's it going to cost?"

The yellow wrinkled face showed nothing: a parchment map of old age.
"One thousand dollars," the old man said. "I have to call the police in an hour,"
Fennel showed his teeth in a savage snarl.
"Old man, I could wring your neck . . . that's too much."
The Chinaman lifted his shoulders.
"Then five hundred dollars and I call the police in half an hour."
Fennel gave him the thousand dollars. He had been in Hong Kong long enough to know a bargain was a bargain. He had to have at least an hour to get clear and he had got clear.

Lying in his bed, watching the reflected light making patterns on the opposite wall, he remembered the girl. If she had been more responsive, he wouldn't have hit her so hard. Well, he told himself without conviction, she had deserved what she had got.

The male prostitute he had been unlucky enough to run into in a dirty, evil smelling alley in Istanbul, also got what he deserved. Fennel had come off a ship to spend a few hours in the city before going on to Marseilles. He had brought three kilos of gold from India for a man who was paying well: a fat, elderly Turk who wanted the gold as a bribe. Fennel had done the deal, collected the money and then found a girl to spend the night with. Thinking about her now, Fennel realized she had been smart. She had got him drunk and when the time came for them to share the hotel bed, he had been too drunk to bother with her. He had slept three hours, waking to find her gone, but at least she hadn't been a thief. Livid with frustrated rage, and nearly sober, Fennel had started back to his ship. Here, in this sleazy alley, he had met a perfumed boy: handsome with liquid black eyes and a sly, insinuating smile, who had importuned him. Fennel had vented his rage on him, smashing his head against the wall, leaving a big red stain where the wall had been dirty white.
A woman, peering out of her window, had seen the act of brutal violence and had begun to scream. Fennel got back to his ship, but it was only when the ship sailed that he considered himself safe.
Fennel often lived with his ghosts. He kept telling himself that the dead had no part in his life, but they persisted in his mind. In moments like this, when he was sexually frustrated, and alone, his past violence kept on intruding.
This third murder haunted him more than the other two. He had been hired by a wealthy Egyptian to open a safe belonging to a merchant to whom the Egyptian had given bonds as security for a big loan. Fennel understood these bonds were forgeries and they could be discovered at any moment: the job was urgent.
He had got into the palatial house easily enough and had settled down in front of the safe to open it. The time was 02.45 hrs. and the household was asleep.
The safe was old-fashioned and Fennel had trouble in opening it. As he finally got the safe door open, his tools scattered around him, the door leading into the room where he was pushed open.

Fennel snapped off his torch, grabbed up a short steel bar with which he had been working and spun around.

A shadowy figure stood in the doorway, then the light went on.

A girl stood in front of Fennel in a nightdress and dressing- gown. She was small, dark with large black eyes and an olive complexion. She could not have been older than ten years of age — in fact she was nine. She stared at Fennel in terror and her mouth began to open to scream. He reached her in two swift strides and slammed the steel bar down on her head.
In that moment of panic, he had had no hesitation about killing her. The blow, as he well knew, was lethal. She had seen him, and if he had merely stunned her, she could have given the police a description of him.
He had snatched the bonds from the safe, bundled his tools together and had left. It was only when he got into his car that he saw blood on one of his hands and became fully aware of what he had done.
Those big, terrified dark eyes often appeared in his dreams. From the newspapers the following day, he learned the child was a deaf-mute. He had tried to convince himself that she was better dead, but when he was alone and in bed, the picture of the child in her nightdress and the look of terror on her face as she tried to scream pricked at what remained of his conscience.

He lay watching the red and blue light from the sign across the way, reflected on the ceiling until finally, he drifted off into an uneasy sleep.

Chapter Five

Max Kahlenberg always woke at 05.00 hrs. It was as if he had an alarm clock inside his head. During the seven hours in which he slept, he might have died. He had no dreams nor did he stir until he opened his eyes to watch the sun rise over the magnificent range of mountains that lay beyond the huge picture window opposite his bed.
The bed was enormous, set on a dais with a shell-shaped headboard done over in lemon-coloured silk. Within his reach was a set of push-buttons set in fumed oak. Each button controlled his method of rising. The red button opened and closed the lemon- coloured window drapes. The yellow button lowered the bed to the floor level so he could swing himself into his electrically propelled wheel chair. The blue button opened a hatch by his bedside through which his coffee tray came. The black button filled his bath automatically and at exactly the right temperature.
The green button operated the TV monitor at the end of his bed, putting him in direct contact with one of his secretaries.
Max Kahlenberg came awake and touched the red button. The window drapes swung open and he viewed the sky, seeing the scurrying clouds and he decided rain couldn't be far off. He switched on the defused light concealed behind the headboard and thumbed the red button. He shifted himself higher in the bed as the hatch at his side slid up and a tray containing a silver coffee pot, a jug of milk, a container of sugar and a cup and saucer slid within his reach and the hatch closed.
Lying in the enormous bed, Max Kahlenberg looked like a handsome movie star. His head was completely shaved. He had wide set, blue-grey eyes, a well-shaped nose and a big, humourless mouth with a thin upper lip. He always slept naked, and as he hoisted himself up, he revealed a deeply tanned, magnificently developed torso.

He drank his coffee, lit a cigarette and then pressed the green button that connected him with one of his secretaries. The TV screen lit up and he saw Miah, an Indian girl, who did the early morning shift, reach for a pencil and pad. He regarded her with pleasure. He liked beautiful women, and made a point only of employing women who pleased his eyes. The girl, her thin dark face classically beautiful, her big eyes looking directly at him although she couldn't see him, said, "Good morning, sir."

Kahlenberg studied her, then said, "Good morning, Miah. Has the mail arrived?"

"It is being sorted now, sir."

"I'll be ready to dictate in an hour. Have your breakfast," and he snapped off the set. He then pressed the black button which would fill his bath and lowered the bed to floor level. He threw off the sheet covering him.
At that moment Kahlenberg turned from a fine looking, handsome athlete into a grotesque freak. No one except his mother and his doctor had ever seen his legs. They had never grown from the time he had been born. In comparison to his well developed torso, they were two ghastly looking appendages, perfectly formed, unable to support his weight and which he loathed with a bitterness and revulsion that not only completely spoilt his life but had made him dangerously mentally disturbed.
No one was ever allowed into his bedroom while he was in it himself. It was only when he was dressed and in his chair which had a snap-on cover over his legs that he felt safe from prying eyes.
He hoisted himself into the chair and ran it into the vast bathroom.
An hour later, he emerged, bathed and shaved and having had a thorough work-out in the well-equipped gymnasium that led off the bathroom. He wrapped the lower part of his body in a cotton loin cloth, put on a white open neck shirt, snapped the cover over the chair and steered the chair into the long corridor that led to his office.

Coming towards him was a fully grown cheetah. This was Hindenburg, Kahlenberg's constant companion. He stopped the chair and waited for the big cat to approach him. He rubbed the thick fur while the cat made a deep, throaty sound, then with a final pat, Kahlenberg sent the chair on its way, with Hindenburg following behind, and reaching a pair of double doors which opened automatically, he propelled himself into the room.

Kahlenberg's office was vast with a window that ran the length of the view side of the room.

From his big desk, he had an uninterrupted view of his lawns, the banks of flowers, the distant jungle, the undulating grass covered hills dotted by the scattered rondavels of his Zulus to the Drakensberg Range.

His mail was on his desk marked with various coloured stickers, donating its priority.

Before going to bed, he had made notes of various affairs that needed attention. He pressed the green button on his desk and when the TV monitor lit up and he saw Miah seated at her desk, he began to dictate.
An hour later, he had finished the previous day's notes. "That is all, Miah. Is Ho-Lu there?"
"She is waiting now, sir."
"I'll be ready for her in half an hour," and he switched off the set.
He went rapidly through the mail of some fifty letters, made quick decisions that would add to his already vast fortune, then lit up the monitor screen again.
This time a flower-like Vietnamese girl was at the desk, patiently waiting. He greeted her and began dictating.
By 10.00 hrs. he had cleared his desk. He sat for some moments, relaxing, his fingers caressing Hindenburg's head, then he flicked down a switch on the intercom and said, "Come in, please."
There was a moment's delay, then a tap sounded on the door which swung open.

Guilo Tak, Kahlenberg's personal assistant came in, shut the door and approached the desk.

Guilo Tak was a tall, thin man with a mop of jet black hair that emphasized his cadaverous complexion. His black eyes were sunk deep and burned feverishly in his skull-like face. Born of an Italian mother and a Czech father, he had shown astonishing talent for figures at an early age. He had obtained a job in a Swiss bank and quickly proved himself a financial genius. When Kahlenberg had asked one of the directors of the bank if he knew of a man suitable to be his P.A., the director had no hesitation in recommending Tak.
Kahlenberg found him not only a financial genius but utterly ruthless, utterly efficient and utterly loyal. For some considerable time, Kahlenberg had been hiring expert art thieves to supply his museum. Considerable organization and discussions were needed and Kahlenberg begrudged the time. He had hesitated whether to hand these machinations over to Tak, and finally decided after some eighteen months, that Tak could be trusted. Tak was now not only in charge of the museum, but also handled Kahlenberg's portfolio, often making suggestions and pointing to opportunities which Kahlenberg with his other occupations might have missed.
"Good morning, sir," Tak said with a stiff little bow.
"Sit down," Kahlenberg said, resting his elbows on his desk and staring at Tak, thinking what an extraordinary looking man this was. "Any news of the Borgia ring affair?"
"Yes, sir. The three thieves concerned arrived at the Rand International hotel a few minutes ago. Fennel arrived the day before yesterday. He came from Paris. A garage owner, Sam Jefferson, has been buying their equipment. I have a list of it here if you wish to see it. I have also photographs of these people taken as they arrived at the airport." He paused to give Kahlenberg a quick glance before laying a large envelope he had brought with him on the desk. "You may find the woman attractive."

Kahlenberg glanced at the blown-up photographs of the three men and laid them on the blotter but he sat for some moments studying Gaye's photograph. Then he glanced up. "What do you know about her?"

"All their dossiers are in the envelope, sir."

"Thank you, Tak. I'll see you later."

When Tak had gone, Kahlenberg picked up Gaye's photograph and again studied it for several minutes, then he opened a drawer and put the photograph away. He read the four dossiers, studied the list of equipment, read that the camp was situated near Mainville and a helicopter had arrived there the previous day. He put all the papers back into the envelope and locked it away. He sat staring with hooded eyes down at his blotter for a long time, then with a slight nod of satisfaction at the decision he had reached, he set his chair in motion and snapping his fingers at Hindenburg, he propelled himself out into the garden and along the broad path for a half hour's break. The big cat wandered by his side.
Back at his desk at 11.00 hrs., Kahlenberg dealt until lunch time with more papers that had arrived. He lunched on a smoked trout with horseradish sauce and a coffee, then returning to his office, sent for Tak again.
"How much did I pay for the Borgia ring?" he asked.
"Sixty thousand dollars. Mercial paid a quarter of a million. We got it very cheaply. Now Mercial is paying Shalik half a million to recover it. Absurd, but without it, his Borgia collection is spoilt."
"I am inclined to let him have it back," Kahlenberg said, staring at Tak who said nothing. He knew by now the way Kahlenberg's mind worked. "It might be amusing, but it wouldn't do to let these four have it without working for it, would it?"
Tak inclined his head and continued to wait.
"So why not let them arrive here? As you say the woman is attractive. It will be interesting to see if Fennel who is supposed to be such an expert can break into the museum. Let us encourage them. I can leave the details to you."
BOOK: Vulture is a Patient Bird
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