Read Wheel With a Single Spoke Online
Authors: Nichita Stanescu
about the human, before a human.
A human was not born so will not die.
He is eternal and forever
because he takes all depositions
about that which exists.
A human has never existed and will never exist
because nonexistence is its own witness.
And still, a human, human, human
is one who does not believe
who did not believe
who we did not believe
would ever learn to die.
I eat dragonflies because they're green
with black eyes,
because they have two sets of wings,
transparent wings,
because they fly without making noise,
because I don't know who made them
or why,
because they are beautiful and gentle,
because I don't know why they're beautiful and gentle,
because they don't talk and because
I'm not completely sure that's true.
I eat dragonflies because I don't like
the taste,
because they are noxious and
don't sit well.
I eat dragonflies because I don't understand them,
I eat them because I live at the same time they do,
I eat them because once I tried to eat myself,
my hands first,
and they were infinitely more disgusting,
I eat them because I tried
to eat my tongue,
my own fleshy tongue,
and I was terrified when I saw
it spit out words.
They were green with black eyes,
and far from me, and hungry.
Without me, it is impossible â proof that I am.
Without me, it was impossible;
proof: I pulled myself out of myself,
that is, from that me that was.
I am he without whom it is impossible.
I am he without whom it was impossible.
I am he who gave a deposition
on God's existence.
I am he who gave a deposition
on God's nonexistence, because
I made God visible.
I am made by God, because
I made God.
I am neither good nor bad,
I just am.
I am the word “am.”
I am the ear that hears “am.”
I am the spirit that understands “am.”
I am the absurd body of “am”
and its letters.
I am the place where “am” exists
and the bed where it sleeps.
Many of them, for various reasons
all living together below the floor,
mixed together, becoming enemies
of death,
some dying of old age
or simply
killing themselves.
From time to time, someone
rents a reason.
I myself lived inside a reason
of this kind, but after a while
I wandered off.
There were so many. From time to time,
in the common grave where they died
they left bones behind, much more beautiful
than I could have imagined.
Now I have climbed up. Sometimes I am
able to think even at the level of the moon.
And still I long, like I can't take any more,
to throw myself into the chimney, come out through the fireplace,
and lie spread over the floor for hours on end
with my ear pressed to the joists.
Occasionally, instead of grassblades
there are idols, green and thin.
Horses circumambulate in wonder
and swarms of ants . . .
They glisten at night like blades
threatening the stars and moon.
The horses run on gravel to the river.
No more ants are seen, not one.
Grassblades for an unborn horse
Only in the future will it eat them.
I have seen them, yes, I have,
but I surrendered before them.
I prepare for a great tree,
the one that is nothing but a smell,
I turn the nostrils of dusky
fruits toward the hunted vegetable.
I strip off my bark and rings
down to my rising osmotic sap.
Monday is an apple, Tuesday a pear, and Wednesday
a bitter grape.
Autumn falls. A kind of yellow
arrives, and rust. The tree
drops its hours. Seconds faint
within clusters of grapes.
Let's have a drink, not wine, but a sour,
early fermentation, let's bind the mouths
of hunting dogs with raffia, so they
will take the zenith in their snouts.
One nostril stuck beside the next
wedded like the tubes of a pan-flute
and you play what runs through them â
the smell of fruit.
Air currents, running unseen
through the unseen,
the pressure of emptiness on emptiness.
The awkwardness of birds forced
to move their nerves wrapped
in feathers.
Tall animals, sleeping
on tenuous air.
They poke their beaks out
of the atmosphere, in waves.
Here are spheres, but very
far apart.
They want to leap up
but cannot
that belowness â
up above, unexisting,
Quiet. We prepare for something else.
I was enclosed in my own capsule.
My heart worked well, and
I would have slept behind it,
accustomed as I was to the irregular thumps
of interior time.
But my every second was measured out
and I had no patience left,
not even
enough to write one letter down.
If I had died, I would have been good dead,
a hero, even.
Everything I had done rocked to and fro
in the quiet battle of the stars.
I hung from a hook of fate.
Red holidays ran from my throat . . .
But look, they came
and took me from the capsule.
They invited my soul to exist
anywhere I liked, except my body.
And the liberated soul suddenly
had time,
it brought the bird-loud tree to light,
it was blanched by the moon.
It would have liked to become a sphere,
but it found its own body as disgusting
as Noah's putrid ark.
It got lazy, took on angels,
doubted the reality of fate.
O unhappy character!
You should have stayed in myth
locked in by things that happen
and kept yourself for yourself, just enough
to sleep and dream
the unclear light of your birth.
Â
O music, you vibration
most rare
because we will never
leap over our ears.
O smells, you wonders
because my heart may travel
toward childhood
through your tunnel.
O colors, you deceit
of light.
O words, you words,
I stretch out behind you
constantly, a locomotive's
black soul . . .
Any peak can pierce you
words, you words,
and any peak's desire,
words, you unwords . . .
God forgot me, in my thoughts
until my thought
became my body.
Leaves forgot me
shading over me
until the unseen
became my seen.
I wait as though someone
will remember me,
and meanwhile, worn by air, worn by snow
I snuff my light in anyone.
The unwhole is meant to dominate me,
god without thighs, goddess without arms.
Trees without trunks, grass without green,
a slalom of white through vertical dark.
Spiders cling to the winding silence
and behind their muffled fluttering,
their hearts drag themselves into an older body,
more solitary, edges crumpled, time sputtering.
The unwhole is meant to dominate me,
a single-faced medallion,
days that begin after noon and end after noon,
without continuation.
It can pop like a lightbulb,
this second, so familiar.
It can lie on top of us
and we drown under stale water.
Darting shadows flee at dusk
below the moon, like under a round
shelter thrown off at random
by all eyes opening â at once.
Inverted chimney, its smoke in the ravine,
the sky pulled into the gape.
Maybe that's why it shows, magnified
like under a glass, what for us remains.
Look: it resembles no word.
It cannot be said or seen.
It lies between the sky and earth
without an end, without beginning.
I fled by jumping on tip-toe
from body to body, like an arcade
lain over the dying row
of columns in a cold Hellas.
Dirty in spots, I flew
with open arms, forehead out,
eyebrows in the future,
while my thigh turned snow-white
between the jaws of a gnawing sky.
O, mouths give birth to great syllables
when they close in the abyss . . .
But I flew through a god's clenched teeth,
between Scylla and Charybdis.
In front of me, the galleries of air
with rats gnawing,
wings of angels asleep
with their sternums stuck in the earth.
Mirage of abundance, of rest,
of sleep against the milky
titty of the mother
who bore the divine
Jesus. Fa-la-la.
It rains and there is trash, fa-la-la,
it rains inside, in the breath,
fa-la-la, in fingers, fa-la-la,
in kneecaps, fa-la-la, the brow,
fa-la-la, in teeth,
fa-la-la, in bodies unborn
and fa-la-la, in bodies great.
So I'll stay, with my snout and pout yanked out
of the infected air, all of me
snagged on a hook by the roof of my mouth,
the pilot of the void and beings.
My, my, I'll end up in a cauldron
spiced with peppery meteorites,
food for another, higher being when
the starved with my starvation unites.
When a god swallows me, a living god,
I'll plunge into the well of his stomach
where I will become a part of his body,
and stink like drink or undigested flesh.
He, he was made to be prey,