Read Wheel With a Single Spoke Online
Authors: Nichita Stanescu
all other bones are skulls of our ancestors.
Our spines scream within us,
they yearn to yank themselves out and run to the sea,
to the edge of the sea they yearn to run,
passionate for ships
insane with longing for masts.
A soldier hanging by his hands
from the edge of a cloud . . .
From his boots, by clenched hands
hangs another soldier. From his boots
another, then another, then another and another,
and so on into the middle of the earth.
I would like to slide down that line
like a rope,
and as I slid, their belt
buckles would scratch my face.
And as I slid, they would scratch my chest
and as I slid, as I slid, they would tear
off strips of flesh,
and as I slid, as I slid, I would become
a skeleton.
When I finally finished, I would lay my head
on a stone.
While I slept, the torn-off strips
would come back down and wrap around me.
Eventually, my blood would flow back
along with my pain.
I open my eyes and look around.
The column of soldiers is gone.
The wind, probably, pushed it
and the cloud somewhere else.
When I opened my eyes, I was
set inside this body you see,
found guilty for the way I was,
guilty as a leaf for being green.
And suddenly I began to sense
the pace of screams and light
and feel the dolorous curve of dawn
and every tree, alive.
To shout when pecked by darting birds,
to burn when hit by a meteorite,
to sleep along the necks of swans,
and, struck by oars, to die.
O, each syllable is my elephant tusk,
its ivory inverted at midday,
and mythic, frozen letters
reform in each delirious gaze.
Smelling a flower is
a most shameful act . . .
It's like sticking your nostrils into your
own mother.
O, poor species,
O, sad, unstable form, vertebrate or not.
Smelling a flower is like
an involuntary rape
of volition.
It's like
letting spring affect you
not in winter but on the moon.
Old men, young men, adolescents,
who think they can handle it,
the grandchildren of Oedipus,
dirty progenitors
of the death of their own genesis,
they believe
that burying your nostrils inside a flower is an
action
worthy of their body's privacy . . .
Smelling a flower is an act
of incest.
Son of the father,
father of that which is â
they who believe that death itself
is a privilege their brutal natures enjoy.
O, flower,
sweet-smelling milk of the Mother of God,
stability of still stillness.
Father and Son
multiply by smell,
they rape the sacred
womb of scents.
We, ashamed and ostracized,
our noses broken, we sit up straight
on stone chairs, holding books,
we smell only with our gaze â and that's it,
and ostracized
and spring-bleached, pure
and wise.
Always a cupola,
always another.
Rising like a saint's halo,
or a rainbow, just.
Your upright body. My upright body
posed for a wedding.
A wise priest of air
presents two rings of air.
You raise your left hand, I, my left arm:
we reflect smiles at each other.
Your friends, my friends, weep
tears in syllables from hymns.
We kiss. They take our picture.
Flash. Dark. Flash. Dark.
I bend a knee, I fall on all fours.
Melancholic, I kiss your ankle.
I take you by your shoulder, you by my waist,
and we exit solemnly into winter.
Your friends, my friends, make way.
Two thousand pounds of snow fall over us.
We freeze to death. In spring
only curls adorn our skeletons.
We rushed the pyramids of lime,
but not to make walls â no.
We carried words of this Roman tongue
but not for mouths to speak.
We are, my love, the same.
Only the stones have changed,
only the blades of grass.
The lord of this place is violet, silence,
and carpenter's glue â yes,
to mend our broken arms.
We are, my love, the same
and no one knows â yes,
our souls have returned
from a journey through the world
of pairs, one by one,
tree by tree, blade by blade,
stone by stone.
Don't forget how closely bound I am to you
and don't abandon me,
all of you, constant, forever,
you all but me,
constant, forever.
O landscapes, don't abandon me,
I am blind, and I can hear.
Nor you, tender silks,
touched
by one without arms,
though a man, identical
to the statue unearthed from deep in the planet,
Venus de Milo . . .
My empty eye socket beds
the mummified pharaoh.
For some time, I've been looking
for a kind of pyramid unseen,
where invisible slaves lost
their lives, too transparent,
almost invisible.
Don't forget how closely bound I am to you
and don't abandon me.
My power to not be is so great
my footprints give birth to a cone,
to a mouth with white fangs, for sucking.
And there they fall â
the Seen, Heard, Disgusted, Touched,
like into hunger, unending and deep
into my stomach, nudged and tugged
over to where
the Infinite found its center.
How it snows. It snows fish eyes,
snake eyes, dog eyes.
It snows so hard the walls become unnatural,
masterless and blind.
It snows. And the eyes burst, leaving behind
glimpses of stones, sea scenes,
instances of the world beyond itself,
shrunk, fleeting.
It snows. Round pupils, square, triangular,
crooked, smooth,
they freeze in colorless icicles,
they hang from gutters, roofs . . .
Eyes rolling in the sewers. Scooped with wooden shovels
to clear the street.
Eyes, ice balls. Eyes, snowmen.
Eyes below the sled that passes solemn, jingling.
Eyes dilate. Ever more, until they burst.
Eyes with black pupils suddenly wide,
large as the windows where the moon beats down,
eyes wide as the wall. It snows. Eyes like towers. Eyes like winter.
An angel passed,
seated on a black chair,
passed through the air, quiet
and proud.
From my window, I watched
how it passed as though walls were smoke.
Receive one word from me, I called,
you, O angel, from heaven impelled
by a wind roused by the force
of an even greater thought.
But the angel kept silent,
seated on a black chair, reading
an ancient book with a glistening
silver cover, and many pages.
It passed through the new apartment block.
It passed through the brass
gas stations
abstract, divine.
Receive, O angel, I called
the cup from which I drink this wine.
This salt, receive from me, and bread . . .
Night falls heavy against my ribs.
But the angel kept silent, passing
through the tile stove in my room.
On a black chair it sat, reading
a thick book with silver scales.
When it was right in front of me, I called,
O angel come from heaven,
let me hang
from your chair, from your arm.
I just caught the leg
of the chair and latched on to its flight.
I flew with the angel
through air and walls,
dangling like a butterfly in flight,
like the silk of a conquered flag!
And I battered against roofs,
through green and tangled branches,
and I hit tall pillars
and cables and corners and wires . . .
I fought free and fell
into the square at night, quiet.
Oh, it flew away
through air and walls
holding a book, reading
with unbridled passion.
Oh, it went away and I
only wanted to see it more, through the night.
. . . But it slid further and further off
from heaven impelled by a wind
or perhaps by the force
of an even greater thought.
I move and all things flap their wings;
the stone wings of stones
beat so slowly,
I can pluck out bits of quartz
like feathers of pain.
It turns out that only the wings of stones interest me
because they beat very slowly,
because they beat inside themselves,
which is at the same time inside time.
Here are chambers, halls, colors,
and throne rooms.
The bird king has no wings.
He does not fly, because one can fly
and flap one's wings only through him.
Through the arteries of the bird king
migrate cranes and flocks of wild ducks.
A migration from elbow to shoulder.
The tropical meridian
is nothing but his eyebrow.
But the Equator, ah, the Equator!
Here, on rocks where everything is tough,
where time can be touched,
where the past seems not to exist,
where the future cannot be imagined,
is the throne room.
Here is the bird king â
blind, mute.
He is deaf, he limps,
he is unfed, undrunk,
unled, unborn.
He is unsane, unwise,
unhappy,
unnecessary, unborn.
He is unreliable, uncouth,
unhappy, undignified,
unseen, unheard,
untasted, untouched,
unborn.
He is unthinkable, unimaginable, undreamable, unasleep.